FolioCorpusŚrīmad-Bhāgavatam

Śrīmad-Bhāgavatam 10.16.27

तं नर्तुमुद्यतमवेक्ष्य तदा तदीय- गन्धर्वसिद्धमुनिचारणदेववध्व: । प्रीत्या मृदङ्गपणवानकवाद्यगीत- पुष्पोपहारनुतिभि: सहसोपसेदु: ॥ २७ ॥
taṁ nartum udyatam avekṣya tadā tadīya-
[tam nartum udyatam avekshya tadaa tadeeya-]
gandharva-siddha-muni-cāraṇa-deva-vadhvaḥ
[gandharva-siddha-muni-chaarana-deva-vadhvah]
prītyā mṛdaṅga-paṇavānaka-vādya-gīta-
[preetyaa mridanga-panavaanaka-vaadya-geeta-]
puṣpopahāra-nutibhiḥ sahasopaseduḥ
[pushpopahaara-nutibhih sahasopaseduh]
tam — Him nartum — in dancing udyatam — engaged avekṣya — taking note of tadā — then tadīya — His servants gandharva - siddha — the Gandharvas and Siddhas muni - cāraṇa — the sages and the Cāraṇas deva - vadhvaḥ — the wives of the demigods prītyā — with great pleasure mṛdaṅga - paṇava - ānaka — of various kinds of drums vādya — with musical accompaniment gīta — song puṣpa — flowers upahāra — other presentations nutibhiḥ — and prayers sahasā — immediately upaseduḥ — arrived .
Blended reading (Sanskrit + English inline)
taṁ nartum udyatam avekṣya tadā tadīya-
tam
Him
nartum
in dancing
udyatam
engaged
avekṣya
taking note of
tadā
then
tadīya
His servants
gandharva-siddha-muni-cāraṇa-deva-vadhvaḥ
gandharva - siddha
the Gandharvas and Siddhas
muni - cāraṇa
the sages and the Cāraṇas
deva - vadhvaḥ
the wives of the demigods
prītyā mṛdaṅga-paṇavānaka-vādya-gīta-
prītyā
with great pleasure
mṛdaṅga - paṇava - ānaka
of various kinds of drums
vādya
with musical accompaniment
gīta
song
puṣpopahāra-nutibhiḥ sahasopaseduḥ
puṣpa
flowers
upahāra
other presentations
nutibhiḥ
and prayers
sahasā
immediately
upaseduḥ
arrived .
  • mṛdaṅga - paṇava - ānaka — mṛdaṅga, paṇava and ānaka drums
    Compound: three classes of drum. The Gauḍīya saṅkīrtana tradition centers on the mṛdaṅga — Caitanya's parties marched with it. Here the celestials have already learned the instrument from this very Kṛṣṇa.
  • gandharva - siddha — Gandharvas and Siddhas
    Compound: gandharva (celestial musicians) + siddha (perfected beings). The spiritual hierarchy come not to teach Bhagavān but to accompany Him. The doctrine: even Vaikuṇṭha learns from Vraja.
  • puṣpa - upahāra — offerings of flowers
    Compound: puṣpa (flower) + upahāra (offering). The signature material of arcana — flower-offering. Even mid-battle, the devotional protocol is observed.
Seeing the Lord dancing, His servants in the heavenly planets — the Gandharvas, Siddhas, sages, Cāraṇas and wives of the demigods — immediately arrived there. With great pleasure they began accompanying the Lord’s dancing by playing drums such as mṛdaṅgas, paṇavas and ānakas. They also made offerings of songs, flowers and prayers.

When the demigods and other residents of higher planetary systems became aware that Lord Śrī Kṛṣṇa was personally putting on a wonderful demonstration of the art of dancing, they immediately came to offer their services. Dancing becomes more enjoyable and beautiful to watch when it is accompanied by expert drum-playing, singing and the chanting of prayers. The artistic atmosphere was also enhanced by the showering of a multitude of flowers upon Lord Śrī Kṛṣṇa, who was blissfully engaged in dancing upon the hoods of the Kāliya serpent.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Seeing the Lord dancing, His servants in the heavenly planets—the Gandharvas, Siddhas, sages, Cāraṇas and wives of the demigods—immediately arrived there. With great pleasure they began accompanying the Lord's dancing by playing drums such as mṛdaṅgas, paṇavas and ānakas. They also made offerings of songs, flowers and prayers.
Commentary

Nartum is an alternative to nartitum, to dance. Krsna began dancing even without instrumental accompaniment by calling out syllables such as "thai thai " himself. The impression given is that he was considering, "We will meet together at some time in the future."

Jīva Gosvāmī Gauḍīya
Commentary

To give him happiness in dancing many instruments were used. These are described. Another version has avetya instead of avekṣya. The meaning is the same. The roots iks and i (ava is added) both mean “to know.” Tadīya refers to the Lord’s associates like Garuḍa. The others in the list are from Svarga. Or the Gandharvas and others in the list can be those residing in Vaikuṇṭha. Cāraṇas served by playing instruments, Gandharvas served by singing. The devatās and their wives served by showering flowers. The Siddhas served by offering various fragrances and perfumed powders. The sages served by offering prayers. The sequence of persons and their services are not corresponding order because Śukadeva was blissful. Or, out of love, everyone performed all other’s services.

Śrīdhara Svāmī Gauḍīya
Commentary

To give him happiness in dancing many instruments were used. These are described. Tadīya refers to the Lord’s associates like Garuḍa. The others in the list are from Svarga. Or the Gandharvas and others in the list can be those residing in Vaikuṇṭha. Cāraṇas served by playing instruments, Gandharvas served by singing. The devatās and their wives served by showering flowers. Apsarās also showered flowers since they did not dance while Kṛṣṇa was dancing. In fact it is not stated that any heavenly female danced. The Siddhas served by offering various fragrances and perfumed powders. The sages served by offering prayers. The order of the offerings mentioned in the verse is not the standard order in worship because this was performed out of affection as a sudden worship, in a crowded situation. Or the order is not correct because Śukadeva was blissful. Or, out of love, everyone performed all other’s services.

Related values
Karuna (Kindness / Compassion)Kartavya (Duty / Responsibility)Dana (Charity / Generosity)Aparigraha (Non-possessiveness)Yajña (Sacrifice / Spirit of Offering)
Related verses
Heavenly servants — Gandharvas, Siddhas, sages, Cāraṇas, demigods' wives — arrive at once to play drums, sing, shower flowers, and offer prayers to accompany Kṛṣṇa's dance. When the Lord performs, heaven shows up with instruments.
Reflection Questions
  • Whose 'heavenly accompaniment' to a victory of mine have I failed to notice?
  • What invisible drumming might be supporting me right now?

The moment Bhagavān dances, the spiritual hierarchy notices. Gandharvas with mṛdaṅgas, sages with hymns, Siddhas with flowers — they all arrive at once to accompany Him. Vaikuṇṭha sends its musicians to the Yamunā: Bhagavān is dancing, and someone must play the tāla.

📝 My note

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