Śrīmad-Bhāgavatam 10.16.27
Blended reading (Sanskrit + English inline)
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mṛdaṅga - paṇava - ānaka
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mṛdaṅga, paṇava and ānaka drums
Compound: three classes of drum. The Gauḍīya saṅkīrtana tradition centers on the mṛdaṅga — Caitanya's parties marched with it. Here the celestials have already learned the instrument from this very Kṛṣṇa.
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gandharva - siddha
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Gandharvas and Siddhas
Compound: gandharva (celestial musicians) + siddha (perfected beings). The spiritual hierarchy come not to teach Bhagavān but to accompany Him. The doctrine: even Vaikuṇṭha learns from Vraja.
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puṣpa - upahāra
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offerings of flowers
Compound: puṣpa (flower) + upahāra (offering). The signature material of arcana — flower-offering. Even mid-battle, the devotional protocol is observed.
When the demigods and other residents of higher planetary systems became aware that Lord Śrī Kṛṣṇa was personally putting on a wonderful demonstration of the art of dancing, they immediately came to offer their services. Dancing becomes more enjoyable and beautiful to watch when it is accompanied by expert drum-playing, singing and the chanting of prayers. The artistic atmosphere was also enhanced by the showering of a multitude of flowers upon Lord Śrī Kṛṣṇa, who was blissfully engaged in dancing upon the hoods of the Kāliya serpent.
Nartum is an alternative to nartitum, to dance. Krsna began dancing even without instrumental accompaniment by calling out syllables such as "thai thai " himself. The impression given is that he was considering, "We will meet together at some time in the future."
To give him happiness in dancing many instruments were used. These are described. Another version has avetya instead of avekṣya. The meaning is the same. The roots iks and i (ava is added) both mean “to know.” Tadīya refers to the Lord’s associates like Garuḍa. The others in the list are from Svarga. Or the Gandharvas and others in the list can be those residing in Vaikuṇṭha. Cāraṇas served by playing instruments, Gandharvas served by singing. The devatās and their wives served by showering flowers. The Siddhas served by offering various fragrances and perfumed powders. The sages served by offering prayers. The sequence of persons and their services are not corresponding order because Śukadeva was blissful. Or, out of love, everyone performed all other’s services.
To give him happiness in dancing many instruments were used. These are described. Tadīya refers to the Lord’s associates like Garuḍa. The others in the list are from Svarga. Or the Gandharvas and others in the list can be those residing in Vaikuṇṭha. Cāraṇas served by playing instruments, Gandharvas served by singing. The devatās and their wives served by showering flowers. Apsarās also showered flowers since they did not dance while Kṛṣṇa was dancing. In fact it is not stated that any heavenly female danced. The Siddhas served by offering various fragrances and perfumed powders. The sages served by offering prayers. The order of the offerings mentioned in the verse is not the standard order in worship because this was performed out of affection as a sudden worship, in a crowded situation. Or the order is not correct because Śukadeva was blissful. Or, out of love, everyone performed all other’s services.
- Whose 'heavenly accompaniment' to a victory of mine have I failed to notice?
- What invisible drumming might be supporting me right now?
The moment Bhagavān dances, the spiritual hierarchy notices. Gandharvas with mṛdaṅgas, sages with hymns, Siddhas with flowers — they all arrive at once to accompany Him. Vaikuṇṭha sends its musicians to the Yamunā: Bhagavān is dancing, and someone must play the tāla.
My note
Source: vedabase.io