Śrīmad-Bhāgavatam 12.7.17
नैमित्तिक: प्राकृतिको नित्य आत्यन्तिको लय: ।
संस्थेति कविभि: प्रोक्तश्चतुर्धास्य स्वभावत: ॥ १७ ॥
naimittikaḥ prākṛtiko
[naimittikah praakritiko]
nitya ātyantiko layaḥ
[nitya aatyantiko layah]
saṁstheti kavibhiḥ proktaś
[samstheti kavibhih proktash]
caturdhāsya svabhāvataḥ
[chaturdhaasya svabhaavatah]
Word-for-word
naimittikaḥ
—
occasional
prākṛtikaḥ
—
elemental
nityaḥ
—
continuous
ātyantikaḥ
—
ultimate
layaḥ
—
annihilation
saṁsthā
—
the dissolution
iti
—
thus
kavibhiḥ
—
by learned scholars
proktaḥ
—
described
caturdhā
—
in four aspects
asya
—
of this universe
svabhāvataḥ
—
by the inherent energy of the Supreme Personality of Godhead.
Blended reading (Sanskrit + English inline)
naimittikaḥ prākṛtiko
naimittikaḥ
occasional
prākṛtikaḥ
elemental
nitya ātyantiko layaḥ
nityaḥ
continuous
ātyantikaḥ
ultimate
layaḥ
annihilation
saṁstheti kavibhiḥ proktaś
saṁsthā
the dissolution
iti
thus
kavibhiḥ
by learned scholars
proktaḥ
described
caturdhāsya svabhāvataḥ
caturdhā
in four aspects
asya
of this universe
svabhāvataḥ
by the inherent energy of the Supreme Personality of Godhead.
There are four types of cosmic annihilation — occasional, elemental, continuous and ultimate — all of which are effected by the inherent potency of the Supreme Lord. Learned scholars have designated this topic dissolution.
Gauḍīya Ācāryas
Viśvanātha Cakravartī Ṭhākura
Gauḍīya
Translation
The learned define saṁsthā as destruction of the causes of the universe on four levels: occasional, elemental, continuous and ultimate.
The previous term nirodha, here called saṁsthām is explained. The destruction of the causes (bhāva) of the universe (asya), such as earth, water, and fire, is called saṁsthā.
Personal Guidance
Four cosmic annihilations — occasional, elemental, continuous, ultimate — are all effected by the Lord's potency. Even endings serve a purpose; nothing is left dangling. Trust the dissolutions; they too are arranged.
Reflection Questions
- Which 'ending' in my life am I refusing to trust?
- What changes if I see it as part of an arranged sequence?
My note
Source: vedabase.io