FolioCorpusŚrīmad-Bhāgavatam

Śrīmad-Bhāgavatam 12.6.43

ततोऽक्षरसमाम्नायमसृजद् भगवानज: । अन्तस्थोष्मस्वरस्पर्शह्रस्वदीर्घादिलक्षणम् ॥ ४३ ॥
tato ’kṣara-samāmnāyam
[tato ’kshara-samaamnaayam]
asṛjad bhagavān ajaḥ
[asrijad bhagavaan ajah]
antasthoṣma-svara-sparśa-
[antasthoshma-svara-sparsha-]
hrasva-dīrghādi-lakṣaṇam
[hrasva-deerghaadi-lakshanam]
tataḥ — from that oṁkāra akṣara — of the different sounds samāmnāyam — the total collection asṛjat — created bhagavān — the powerful demigod ajaḥ — unborn Brahmā anta-stha — as the semivowels uṣma — sibilants svara — vowels sparśa — and consonant stops hrasva-dīrgha — in short and long forms ādi — and so on lakṣaṇam — characterized.
Blended reading (Sanskrit + English inline)
tato ’kṣara-samāmnāyam
tataḥ
from that oṁkāra
asṛjad bhagavān ajaḥ
antasthoṣma-svara-sparśa-
hrasva-dīrghādi-lakṣaṇam
akṣara
of the different sounds
samāmnāyam
the total collection
asṛjat
created
bhagavān
the powerful demigod
ajaḥ
unborn Brahmā
anta-stha
as the semivowels
uṣma
sibilants
svara
vowels
sparśa
and consonant stops
hrasva-dīrgha
in short and long forms
ādi
and so on
lakṣaṇam
characterized.
From that oṁkāra Lord Brahmā created all the sounds of the alphabet — the vowels, consonants, semivowels, sibilants and others — distinguished by such features as long and short measure.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
From that oṁkāra Brahmā created all the sounds of the alphabet—the vowels, consonants, semivowels, sibilants and others—distinguished by such features as long and short measure. The appearance of the Vedas from oṁ is described. From oṁ (tataḥ) Brahmā created the group of sounds—the semivowels: ya, ra, la and va; the silibants: śa, ṣa and sa; the vowels: a, i, u e, o, ai, and au; the consonants from ka to ma; and short and long sounds of different intonations. Ādi indicates things like the visarga. He created the basic form (lakṣaṇam) of sounds.
From oṁkara, Brahma created vowels, consonants, semivowels, and sibilants — the whole grammar of human language. All speech traces back to a single sacred breath. Treating speech as ordinary is a kind of forgetting.
Reflection Questions
  • Where does my speech most fall away from sacred origin into careless use?
  • What single shift would honor speech's source today?
📝 My note

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