FolioCorpusŚrīmad-Bhāgavatam

Śrīmad-Bhāgavatam 10.85.53

तान् द‍ृष्ट्वा बालकान् देवी पुत्रस्‍नेहस्‍नुतस्तनी । परिष्वज्याङ्कमारोप्य मूर्ध्‍न्यजिघ्रदभीक्ष्णश: ॥ ५३ ॥
tān dṛṣṭvā bālakān devī
[taan drishtvaa baalakaan devee]
putra-sneha-snuta-stanī
[putra-sneha-snuta-stanee]
pariṣvajyāṅkam āropya
[parishvajyaankam aaropya]
mūrdhny ajighrad abhīkṣṇaśaḥ
[moordhny ajighrad abheekshnashah]
tān — them dṛṣṭvā — seeing bālakān — the boys devī — the goddess (Devakī) putra — for her sons sneha — due to her affection snuta — flowing stanī — whose breasts pariṣvajya — embracing aṅkam — on her lap āropya — placing mūrdhni — their heads ajighrat — she smelled abhīkṣṇaśaḥ — repeatedly .
Blended reading (Sanskrit + English inline)
tān dṛṣṭvā bālakān devī
tān
them
dṛṣṭvā
seeing
bālakān
the boys
devī
the goddess (Devakī)
putra-sneha-snuta-stanī
putra
for her sons
sneha
due to her affection
snuta
flowing
stanī
whose breasts
pariṣvajyāṅkam āropya
pariṣvajya
embracing
aṅkam
on her lap
āropya
placing
mūrdhny ajighrad abhīkṣṇaśaḥ
mūrdhni
their heads
ajighrat
she smelled
abhīkṣṇaśaḥ
repeatedly .
  • putra-sneha-snuta-stanī — her breasts wet with milk because of love for her sons
    Long compound: putra (son) + sneha (affection) + snuta (flowing) + stana (breast) + -ī (feminine ending). Same exact construction Yaśodā receives in 10.9.3 — the Bhāgavatam deliberately echoes the Vraja-mother in Devakī. Two registers of vātsalya, one anatomy.
  • pariṣvajya — having embraced
    Gerund of pari + √svaj. The bodily verb of vātsalya. The six sons are not just seen — they are held. Gauḍīyas: vātsalya is hands-on; the rasa requires physical contact.
  • mūrdhni ajighrat — she smelled their heads
    Locative + imperfect of ā + √ghrā. The traditional Indian gesture of maternal affection — smelling the crown of the child's head. The Bhāgavatam's reportage is anatomically exact.
  • abhīkṣṇaśaḥ — again and again
    Adverb meaning 'repeatedly'. The compulsive repetition of mother-love. Each kiss is not enough; the wound of six dead sons takes more than one embrace to close.
When she saw her lost children, Goddess Devakī felt such affection for them that milk flowed from her breasts. She embraced them and took them onto her lap, smelling their heads again and again.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
When she saw her lost children, Goddess Devakī felt such affection for them that milk flowed from her breasts. She embraced them and took them onto her lap, smelling their heads again and again.
Śrīdhara Svāmī Gauḍīya
Commentary

By the will of the Lord, to please his mother, the sons took on their infant bodies as Kīrtiman and others. Or because of the mother’s great affection, they appeared as infants. Devakī is called devī, goddess, out of respect for her, as the mother of the Lord. She embraced them one after the other or because of great confusion in affection, all at the same time.

Related values
Vairagya (Detachment / Dispassion)Discriminative WisdomAbhaya (Fearlessness)Seva (Service / Selfless Action)Samata (Equanimity / Even-mindedness)Anahankarah (Freedom from False Ego)
Related verses
Seeing her lost children, Devakī's milk flows. The deepest reunion bypasses thought and goes straight to body. Real grace touches the physical, not just the mental.
Reflection Questions
  • What spiritual reunion have I had that touched my body, not just my mind?
  • Where am I keeping grace 'in my head' rather than letting it move through me?

A dam that has been holding back a river for years collapses in one moment — Devakī sees her sons and the milk that has been waiting in her body for them all this time flows. The śarīra knows what the heart knew; vātsalya has its own physiology.

Yaśodā's milk and the bound rope

Earlier in this Tenth Canto (SB 10.9), Yaśodā's milk overflowed when she heard her son's cry — the same physiology of vātsalya the Bhāgavatam carefully documents. Her milk, like Devakī's here, is not symbolic; it is the bodily form of mother-love.

Gauḍīyas read these two milk-passages together: Yaśodā's milk in Vṛndāvana made Kṛṣṇa hide in the churning room; Devakī's milk in Dvārakā revives six dead sons. Vātsalya — embodied, lactating, weeping — is the Bhāgavatam's preferred medium for showing the Lord's accessibility.

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