FolioCorpusŚrīmad-Bhāgavatam

Śrīmad-Bhāgavatam 10.81.28

प्रीत: स्वयं तया युक्त: प्रविष्टो निजमन्दिरम् । मणिस्तम्भशतोपेतं महेन्द्रभवनं यथा ॥ २८ ॥
prītaḥ svayaṁ tayā yuktaḥ
[preetah svayam tayaa yuktah]
praviṣṭo nija-mandiram
[pravishto nija-mandiram]
maṇi-stambha-śatopetaṁ
[mani-stambha-shatopetam]
mahendra-bhavanaṁ yathā
[mahendra-bhavanam yathaa]
prītaḥ — pleased svayam — himself tayā — by her yuktaḥ — joined praviṣṭaḥ — having entered nija — his mandiram — home maṇi — with gems stambha — columns śata — hundreds upetam — having mahā - indra — of great Indra, the King of heaven bhavanam — the palace yathā — like .
Blended reading (Sanskrit + English inline)
prītaḥ svayaṁ tayā yuktaḥ
prītaḥ
pleased
svayam
himself
tayā
by her
yuktaḥ
joined
praviṣṭo nija-mandiram
praviṣṭaḥ
having entered
nija
his
mandiram
home
maṇi-stambha-śatopetaṁ
maṇi
with gems
stambha
columns
śata
hundreds
upetam
having
mahendra-bhavanaṁ yathā
mahā - indra
of great Indra, the King of heaven
bhavanam
the palace
yathā
like .
  • maṇi-stambha-śata — with hundreds of jeweled pillars
    Compound: maṇi (jewel) + stambha (pillar) + śata (hundred). The numbering — hundreds — refuses any modest reading. Kṛṣṇa's gift to a bhakta who never asked is at the scale of cosmic kings.
  • mahā-indra-bhavanam yathā — like the palace of great Indra
    Compound: mahā (great) + indra (Indra) + bhavana (palace) + yathā (like). Indra's palace is the standard upper bound for opulence in Vedic literature. Bhagavān's gift to His brāhmaṇa friend hits that ceiling — verses 6–7 promised amartya-durlabhāḥ; this is the cash-out.
  • prītaḥ — pleased
    Past participle of √prī (to please, be pleased). The bhakta's emotional state on crossing the new threshold. Gauḍīya note: prīti is the affective register of bhakti — Sudāmā's prīti is not at the pillars but at what they say about the One who set them there.
  • tayā yuktaḥ — joined with her
    tayā (with her) + yukta (joined). He enters the new home with his wife, not alone. The chapter never separates them; Kṛṣṇa's reward is to the household, not to the man.
With pleasure he took his wife with him and entered his house, where there were hundreds of gem-studded pillars, just as in the palace of Lord Mahendra.

Śrīla Viśvanātha Cakravartī comments that Sudāmā was simply astonished at the sight of his wife. As he wondered, “Who is this demigod’s wife who has approached such a fallen soul as me?” the maidservants informed him, “This is indeed your wife.” At that very moment Sudāmā’s body became young and beautiful, bedecked in fine clothing and jewelry. The word prītaḥ here indicates that these changes gave him considerable pleasure. The famous “Thousand Names of Viṣṇu” hymn of the Mahābhārata immortalizes Sudāmā’s sudden opulence in the following phrase: śrīdāmā-raṅka-bhaktārtha-bhūmy-ānītendra-vaibhavaḥ. “Lord Viṣṇu is also known as He who brought Indra’s opulence to this earth for the benefit of His pitiful devotee Śrīdāmā [Sudāmā].”

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
With pleasure he took his wife with him and entered his house, where there were hundreds of gem-studded pillars, just as in the palace of Lord Mahendra.
Commentary

Sudama could not recognize his wife. This is described in this verse. Seeing his wife who was like a demigoddess, he became astonished. He fell into an ocean of astonishment thinking "Some goddess is approaching me, so fallen." On being informed by the servants that she was his wife, at that moment, he saw his body become young and beautiful covered with ornaments. Then being pleased (pritah), along with his wife, he entered the house which was like Indra’s. Brhat sahasra nama stotra describes Krsna as one who brought the treasure of Indra to earth for his devotee beggar Sridama.

Jīva Gosvāmī Gauḍīya
Commentary

First he was pleased. Then he went with her. Suddenly his body also became beautiful and suitable for the house. He then entered the house with her.

Śrīdhara Svāmī Gauḍīya
Commentary

Moreover he was pleased. He entered the house using his feet (svayam), not by a vehicle which came there.

Concepts
Jiva
He entered the house with hundreds of gem-studded pillars, like Indra's palace. As he wondered who this 'demigoddess wife' was, his own body became young and beautiful. Transformation continues even as we step inside.
Reflection Questions
  • What 'old self' might the Lord be quietly renewing in me?
  • Where am I noticing the renewal happening?

A homecoming that started at a thatched threshold ends at a hall of gem-pillars rivaling Indra's. The brāhmaṇa walks through doors that did not exist this morning. The chapter's geography is Kṛṣṇa's gesture made architectural.

📝 My note

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