FolioCorpusŚrīmad-Bhāgavatam

Śrīmad-Bhāgavatam 10.74.39

भगवन्निन्दनं श्रुत्वा दु:सहं तत् सभासद: । कर्णौ पिधाय निर्जग्मु: शपन्तश्चेदिपं रुषा ॥ ३९ ॥
bhagavan-nindanaṁ śrutvā
[bhagavan-nindanam shrutvaa]
duḥsahaṁ tat sabhā-sadaḥ
[duhsaham tat sabhaa-sadah]
karṇau pidhāya nirjagmuḥ
[karnau pidhaaya nirjagmuh]
śapantaś cedi-paṁ ruṣā
[shapantash chedi-pam rushaa]
bhagavat — of the Supreme Lord nindanam — criticism śrutvā — hearing duḥsaham — intolerable tat — that sabhā - sadaḥ — the members of the assembly karṇau — their ears pidhāya — covering nirjagmuḥ — went away śapantaḥ — cursing cedi - pam — the King of Cedi (Śiśupāla) ruṣā — angrily .
Blended reading (Sanskrit + English inline)
bhagavan-nindanaṁ śrutvā
bhagavat
of the Supreme Lord
nindanam
criticism
śrutvā
hearing
duḥsahaṁ tat sabhā-sadaḥ
duḥsaham
intolerable
tat
that
sabhā - sadaḥ
the members of the assembly
karṇau pidhāya nirjagmuḥ
karṇau
their ears
pidhāya
covering
nirjagmuḥ
went away
śapantaś cedi-paṁ ruṣā
śapantaḥ
cursing
cedi - pam
the King of Cedi (Śiśupāla)
ruṣā
angrily .
  • nindanam — criticism, blasphemy
    From √nind. Specifically bhagavat-nindā — the gravest of the ten nāma-aparādhas in Hari-bhakti-vilāsa. Gauḍīyas: this verse and the next codify the response — leave, or fall.
  • duḥsaham — intolerable
    Compound: duḥ (difficult) + saha (to bear). What the bhakta's ear cannot endure. The Bhāgavatam classifies the response — covering ears and walking out — as the auspicious one.
  • karṇau pidhāya — covering their ears
    Karṇa (ear) dual + pidhāya (gerund of pi-dhā, to shut). The exact gesture is named. Gauḍīyas keep this as practical advice: the ear is the door of bhakti and also the door by which aparādha enters.
  • śapantaḥ — cursing
    Present participle of √śap. The śrotā curse Śiśupāla — but their curse is essentially honouring the Lord. Gauḍīyas distinguish bhakta-anger at vaiṣṇava-nindā from worldly anger; the first is rasa, the second is karma.
Upon hearing such intolerable blasphemy of the Lord, several members of the assembly covered their ears and walked out, angrily cursing the King of Cedi.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Upon hearing such intolerable blasphemy of the Lord, several members of the assembly covered their ears and walked out, angrily cursing the King of Cedi.
Commentary

The assembly shouted at Sisupala, "Oh Sisupala, you should immediately die." They then left the hall.

Jīva Gosvāmī Gauḍīya
Commentary

Though some knew the real meaning of the words, they went through the motions of intolerance following along with the others. They cursed Śiśupāla, shouting, “Your prāṇas should immediately leave your body” since they, being saintly, could not tolerate the words. Then they left.

Śrīdhara Svāmī Gauḍīya
Commentary

They could not tolerate criticism of the Lord of the universe, endowed with all good qualities (bhagavat) since they were well behaved. Thus they left.

Related values
Vairagya (Detachment / Dispassion)Discriminative WisdomShanti (Peace / Tranquility)Abhaya (Fearlessness)Seva (Service / Selfless Action)Saurya (Heroism / Bravery)Samata (Equanimity / Even-mindedness)Aparigraha (Non-possessiveness)Ahimsa (Non-violence / Compassion)Hrih (Modesty / Sense of Shame)
Related verses
Several members covered their ears and walked out, cursing Śiśupāla. We are not obligated to sit through criticism of the Lord; leaving is sometimes the right form of protest.
Reflection Questions
  • Where do I sit through speech I should walk out on?
  • What changes when I let my body vote with its feet?

When sacred music is interrupted by obscenity, the rasikas leave the hall — not because they cannot bear sound but because their ears have been trained to host only what is auspicious. The śrotā here vote with their feet.

📝 My note

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