Śrīmad-Bhāgavatam 10.72.41
Blended reading (Sanskrit + English inline)
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ari-vadha-upāyam
—
the means of killing the enemy
Compound accusative. Three-stem compound. Ari (enemy) + vadha (killing) + upāya (means). The verse compresses the strategic problem and its solution into one noun.
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amogha-darśanaḥ
—
of infallible vision
Compound nominative. Amogha — never wasted, never missing. Kṛṣṇa's seeing always lands its target. The epithet appears precisely when His seeing identifies the weak seam in Jarāsandha's anatomy.
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viṭapam
—
a tree branch
Accusative. A twig — small, ordinary, available. The smallness is the point: Bhagavān teaches deep secrets through small things. The Vraja-līlā is full of this — a flute, a rope, a peacock feather.
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pāṭayan-iva
—
as if tearing apart
Participle + iva. The 'as if' is preserved — Kṛṣṇa does not break the twig openly, merely as if. Subtlety is the medium of the message.
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saṁjñayā
—
as a sign
Instrumental. Saṁjñā — sign, signal. The whole communication happens through a saṁjñā. Cf. saṅketa in Vraja — Kṛṣṇa's signals to the gopīs through flute-notes.
The lord taking a branch in his hand, in the sight of Bhima, suggested "Just as I am tearing the branch you should also tear him apart." Iva here means eva certainly.
Kṛṣṇa had true or unobstructed knowledge (amogha-darśanaḥ). The word iva is only an ornament.
Kṛṣṇa knew how to kill the enemy (sañcintya) because he had unrestricted or true knowledge (amogha-darśiṇaḥ). By making a gesture of tearing a twig with his two fists he showed the method.
- What small sign from the Lord might I have missed because I was waiting for speech?
- How is my eye trained to receive Kṛṣṇa's gestural guidance?
A general signals with a flag, a coach with a whistle. Kṛṣṇa signals with a torn twig — pādayan iva, 'as if tearing' a branch in half. The smallest gesture conveys the deepest secret. Bhīma reads the leaf and reads Jarāsandha's anatomy.
At Kurukṣetra, Kṛṣṇa would signal Arjuna with the smallest cues — a glance, a half-raised hand. In the killing of Bhūriśravā and Karṇa, the cue is similarly minimal. The torn-twig at Girivraja is the same dharma: between Bhagavān and His instrument, words are redundant.
My note
Source: vedabase.io