FolioCorpusŚrīmad-Bhāgavatam

Śrīmad-Bhāgavatam 10.66.40

कृत्यानल: प्रतिहत: स रथाङ्गपाणे- रस्त्रौजसा स नृप भग्नमुखो निवृत्त: । वाराणसीं परिसमेत्य सुदक्षिणं तं सर्त्विग्जनं समदहत् स्वकृतोऽभिचार: ॥ ४० ॥
kṛtyānalaḥ pratihataḥ sa rathānga-pāṇer
[krityaanalah pratihatah sa rathaanga-paaner]
astraujasā sa nṛpa bhagna-mukho nivṛttaḥ
[astraujasaa sa nripa bhagna-mukho nivrittah]
vārāṇasīṁ parisametya sudakṣiṇaṁ taṁ
[vaaraanaseem parisametya sudakshinam tam]
sartvig-janaṁ samadahat sva-kṛto ’bhicāraḥ
[sartvig-janam samadahat sva-krito ’bhichaarah]
kṛtyā — produced by mystic power analaḥ — the fire pratihataḥ — frustrated saḥ — he ratha - aṅga - pāṇeḥ — of Lord Kṛṣṇa, Who holds the Sudarśana disc in His hand astra — of the weapon ojasā — by the power saḥ — he nṛpa — O King bhagna - mukhaḥ — turning away nivṛttaḥ — having desisted vārānasīm — the city of Vārāṇasī parisametya — approaching on all sides sudakṣiṇam — Sudakṣiṇa tam — him sa — together with ṛtvik - janam — his priests samadahat — burned to death sva — by himself (Sudakṣiṇa) kṛtaḥ — created abhicāraḥ — meant for doing violence .
Blended reading (Sanskrit + English inline)
kṛtyānalaḥ pratihataḥ sa rathānga-pāṇer
kṛtyā
produced by mystic power
analaḥ
the fire
pratihataḥ
frustrated
saḥ
he
ratha - aṅga - pāṇeḥ
of Lord Kṛṣṇa, Who holds the Sudarśana disc in His hand
astraujasā sa nṛpa bhagna-mukho nivṛttaḥ
astra
of the weapon
ojasā
by the power
saḥ
he
nṛpa
O King
bhagna - mukhaḥ
turning away
nivṛttaḥ
having desisted
vārāṇasīṁ parisametya sudakṣiṇaṁ taṁ
vārānasīm
the city of Vārāṇasī
parisametya
approaching on all sides
sudakṣiṇam
Sudakṣiṇa
tam
him
sartvig-janaṁ samadahat sva-kṛto ’bhicāraḥ
sa
together with
ṛtvik - janam
his priests
samadahat
burned to death
sva
by himself (Sudakṣiṇa)
kṛtaḥ
created
abhicāraḥ
meant for doing violence .
  • kṛtyā — produced by mystic power
    From √kṛ (to make). The technical term for a conjured being — 'a made-thing.' Atharva-veda hymns invoke and counter kṛtyās. Gauḍīyas treat kṛtyā as the visible form of will-stuff: what was wished, walking. When the wish encounters Bhagavān's protection, the kṛtyā has nowhere to discharge but back to its source.
  • pratihataḥ — frustrated
    Past participle of prati-√han (to strike back, to repel). The kṛtyā is struck back by Sudarśana. Gauḍīyas note the precise word: not 'defeated' but 'struck back' — the violence of the kṛtyā is returned to it in mirror-image, which is exactly the principle of abhicāra-virodha in the Atharva-veda.
  • bhagna-mukhaḥ — turning away (lit. with face broken)
    Compound: bhagna (broken) + mukha (face). The kṛtyā's face — which had threatened Dvārakā — is now turned the other way. Gauḍīyas read the bhagna-mukha as a structural emblem: hostile attention to Bhagavān cannot sustain its forward orientation under His disc.
  • ṛtvik-janam — the priests
    Compound: ṛtvij (officiating priest) + jana (person). Sudakṣiṇa burns; so do his ṛtviks. Gauḍīyas note: the priests cooperated in the ritual and share in its return. Hari-bhakti-vilāsa warns priests not to officiate at abhicāras against Vaiṣṇavas precisely because of this verse's mechanism.
  • vārānasīm — the city of Vārāṇasī
    Accusative of Vārāṇasī (the form-name of Kāśī between the Varuṇā and Asī streams). The city receives back its own fire. Gauḍīyas note: Kāśī herself was not the offender — but the city had sheltered the offender and its rituals; karma is geographic as well as personal.
Frustrated by the power of Lord Kṛṣṇa’s weapon, O King, the fiery creature produced by black magic turned his face away and retreated. Created for violence, the demon then returned to Vārāṇasī, where he surrounded the city and then burned Sudakṣiṇa and his priests to death, even though Sudakṣiṇa was his creator.

Śrīla Prabhupāda comments as follows: “Having failed to set fire to Dvārakā, the fiery demon went back to Vārāṇasī, the kingdom of Kāśirāja. As a result of his return, all the priests who had helped instruct the black art of mantras, along with their employer, Sudakṣiṇa, were burned into ashes by the glaring effulgence of the fiery demon. According to the methods of black-art mantras instructed in the tantra, if the mantra fails to kill the enemy, then, because it must kill someone, it kills the original creator. Sudakṣiṇa was the originator, and the priests assisted him; therefore all of them were burned to ashes. This is the way of the demons: the demons create something to kill God, but by the same weapon the demons themselves are killed.”

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Frustrated by the power of Lord Kṛṣṇa's weapon, O King, the fiery creature produced by black magic turned his face away and retreated. Created for violence, the demon then returned to Vārāṇasī, where he surrounded the city and then burned Sudakṣiṇa and his priests to death, even though Sudakṣiṇa was his creator.
Jīva Gosvāmī Gauḍīya
Commentary

Kṛṣṇa was the holder of the cakra (rathāṅa-paneḥ). This shows that it was always in his hand. The cakra is thus glorified. The fire turned around and went back to Vārānasī and burned up completely (sam—adahat) Sudakṣiṇa along with the Pramathas, till they were only ashes. The fire was Sudakṣiṇa’s creation (sva-kṛtaḥ). This phrase produces astonishment and bliss.

Related values
Prema (Divine Love)Bhakti (Devotion)
Concepts
MantraRasaJiva
The fiery demon, defeated by the cakra, turned back and consumed its own creator — Sudakṣiṇa. Black magic, when it fails against its target, must kill someone, and it kills the one who summoned it.
Reflection Questions
  • What destructive intentions am I sending into the world that may return to me?
  • What inner shift would replace those intentions with something life-giving?

An arrow shot into the wind comes back to the archer's chest. The kṛtyā, defeated by Sudarśana, walks home to its summoner and consumes him in his own fire. Abhicāra against Bhagavān is the cleanest case of self-immolation by intention.

Vṛtra and the karma of misdirected sacrifice

In SB 6.9, Tvaṣṭā performs a sacrifice intending the destruction of Indra and, through a slip of accent (indra-śatru, meaning 'destroyer of Indra' or 'destroyed by Indra'), produces Vṛtra — who is killed by Indra. The śāstra's lesson: ritual against a Vaiṣṇava (or against one whom Bhagavān protects) misfires at the speaker.

Sudakṣiṇa's case is the cleaner version: no slip of accent, just a wrong target. The fire returns because the target (Kṛṣṇa) was un-burnable by definition. Gauḍīyas warn: any sādhana, mantra, or ritual aimed at a devotee or at Bhagavān is karmically a suicide.

📝 My note

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