• aravinda - akṣaḥ — lotus-eyed
  Aravinda (lotus) + akṣa (eye). The standard Bhāgavata epithet for Kṛṣṇa at moments of rescue — His glance precedes His hand. Gauḍīyas read His eye as the first instrument of deliverance; the touch comes second.
• viśva - bhāvanaḥ — maintainer of the universe
  Viśva (the all) + bhāvana (one who maintains, brings into being). Lifting a lizard out of a well, He is simultaneously the one holding all worlds in being. The asymmetry of effort and magnitude is the whole point.
• vāmena — with the left (hand)
  Instrumental of vāma (left). The same left hand that lifted Govardhana (SB 10.25). For Kṛṣṇa, deliverance is so light a matter He performs it with the secondary hand — the poet's signal that this is līlā, not exertion.
• līlayā — easily, playfully
  Instrumental of līlā. The technical Gauḍīya term: Kṛṣṇa's every act is play, including rescue. Effortlessness is not indifference — it is the precise mode of His sovereignty.

• What heavy thing in my life is asking for Kṛṣṇa's left hand rather than my exhausted struggle?
• How does watching Kṛṣṇa do what I could not change my idea of where strength lies?

The same hand that holds the Sudarśana, that lifted Govardhana for seven days, that pulled the calves out of Aghāsura's belly — now lifts a lizard with the left hand, easily, as if it were nothing. For Bhagavān every uddhāra is līlā; for the rescued, every uddhāra is the whole world.