• śarābhyām — with two arrows
  Dual instrumental of śara. The Bhāgavatam's combat scenes regularly notice the exact number of arrows — Kṛṣṇa's archery is precise, not excessive. Two arrows for a three-pronged trident split into three is the kind of detail Gauḍīya kathā-vācakas relish.
• tridhā — into three pieces
  Adverb from tri. The trident with three points dies in three pieces — a poet's symmetry. The verse rewards close reading; nothing is wasted.
• ruṣā — in anger
  Instrumental of ruṣ (anger). Mura's emotional state at the moment of action — Gauḍīyas note that anger directed at Bhagavān, though demoniac, still binds the asura's attention to Him, and Kṛṣṇa accepts even this currency.
• vyamuñcata — released
  From vi + √muc (to let go). The same root that names mukti — even the demon's hurling of his club is a 'release', a darker rhyme of the liberation he is moments away from receiving.

• Padaseva Pr SB 10-59-09 Oriya
  His Grace Padaseva Prabhu· Oriya

• Where does the Lord's surgical first response handle most of a threat before you realized it was over?
• How do you read His efficient interventions?

An archer splits a falling spear with two arrows the way a master calligrapher cancels a wrong stroke with two precise lines — economy without flourish. Kṛṣṇa does not destroy more than necessary; the demon is left with his anger to expend, which is itself part of his liberation.