• pāribarham — the dowry
  Repeated from verse 50 — the gift travels. Gauḍīya: the Bhāgavatam tracks the gift to its destination, reminding us that Nagnajit's giving has continuing reality in Dvārakā's stores.
• satyayā — with Satyā
  Instrumental — with Satyā as companion. Her name reappears now in the Dvārakā context, marking her transition. Gauḍīya: she remains the same Satyā; the household has changed.
• reme — enjoyed
  From √ram — to delight. Kṛṣṇa enjoys with Satyā in Dvārakā. Gauḍīya: ramaṇa is the verb of Lord Rāma's name and of Bhagavān's enjoyment with His consorts; the same root names the relish that runs through every kṛṣṇa-līlā.
• devakī - sutaḥ — the son of Devakī
  Compound — Devakī's son. The Bhāgavatam shifts to His mother-bond at the closing of this marriage-story. Gauḍīya: Kṛṣṇa always remains Devakī-suta even as queens are added; the mother is constitutive.

• Where do you treat dramatic acquisitions as needing more drama to follow?
• How could ordinary happy continuation be the real reward?

A new wife in Dvārakā joins a household where Lakṣmī is already settled — and yet the household has the strange wealth that no new arrival ever displaces another. Satyā's entry adds to a rasa that does not subtract.