FolioCorpusŚrīmad-Bhāgavatam

Śrīmad-Bhāgavatam 10.55.27-28

तं द‍ृष्ट्वा जलदश्यामं पीतकौशेयवाससम् । प्रलम्बबाहुं ताम्राक्षं सुस्मितं रुचिराननम् ॥ २७ ॥ स्वलङ्कृतमुखाम्भोजं नीलवक्रालकालिभि: । कृष्णं मत्वा स्‍त्रियो ह्रीता निलिल्युस्तत्र तत्र ह ॥ २८ ॥
taṁ dṛṣṭvā jalada-śyāmaṁ
[tam drishtvaa jalada-shyaamam]
pīta-kauśeya-vāsasam
[peeta-kausheya-vaasasam]
pralamba-bāhuṁ tāmrākṣaṁ
[pralamba-baahum taamraaksham]
su-smitaṁ rucirānanam
[su-smitam ruchiraananam]
sv-alaṅkṛta-mukhāmbhojaṁ
[sv-alankrita-mukhaambhojam]
nīla-vakrālakālibhiḥ
[neela-vakraalakaalibhih]
kṛṣṇaṁ matvā striyo hrītā
[krishnam matvaa striyo hreetaa]
nililyus tatra tatra ha
[nililyus tatra tatra ha]
tam — Him dṛṣṭvā — seeing jala - da — like a cloud śyāmam — of dark blue complexion pīta — yellow kauśeya — silk vāsasam — whose dress pralamba — long bāhum — whose arms tāmra — reddish akṣam — whose eyes su - smitam — with a pleasing smile rucira — charming ānanam — face su - alaṅkṛta — nicely decorated mukha — face ambhojam — lotuslike nīla — blue vakra — curling ālaka - ālibhiḥ — with locks of hair kṛṣṇam — Kṛṣṇa matvā — thinking Him striyaḥ — the women hrītāḥ — becoming bashful nililyuḥ — hid themselves tatra tatra — here and there ha — indeed .
Blended reading (Sanskrit + English inline)
taṁ dṛṣṭvā jalada-śyāmaṁ
tam
Him
dṛṣṭvā
seeing
jala - da
like a cloud
śyāmam
of dark blue complexion
pīta-kauśeya-vāsasam
pīta
yellow
kauśeya
silk
vāsasam
whose dress
pralamba-bāhuṁ tāmrākṣaṁ
pralamba
long
bāhum
whose arms
tāmra
reddish
akṣam
whose eyes
su-smitaṁ rucirānanam
su - smitam
with a pleasing smile
rucira
charming
ānanam
face
su - alaṅkṛta
nicely decorated
sv-alaṅkṛta-mukhāmbhojaṁ
mukha
face
ambhojam
lotuslike
nīla-vakrālakālibhiḥ
nīla
blue
vakra
curling
ālaka - ālibhiḥ
with locks of hair
kṛṣṇaṁ matvā striyo hrītā
kṛṣṇam
Kṛṣṇa
matvā
thinking Him
striyaḥ
the women
hrītāḥ
becoming bashful
nililyus tatra tatra ha
nililyuḥ
hid themselves
tatra tatra
here and there
ha
indeed .
  • jala-da-śyāmam — dark-blue like a rain cloud
    Compound: jala-da (water-giver, cloud) + śyāmam (dark blue). Kṛṣṇa's signature complexion. The first listed feature is the diagnostic one; everyone in Dvārakā would recognize it instantly.
  • pīta-kauśeya-vāsasam — yellow silk-garmented
    Compound: pīta (yellow) + kauśeya (silk) + vāsasam (clothed). Pītāmbara — the second diagnostic of Kṛṣṇa's image, immortalized in every Vaiṣṇava temple. The son inherits the dress as well as the body.
  • mukha-ambhojam — lotus face
    Compound: mukha (face) + ambhojam (lotus). The standard Vaiṣṇava facial image — round, open, fragrant, opening toward bhaktas as a lotus opens to the sun. Gauḍīyas dwell on Kṛṣṇa's mukha-ambhoja in countless verses; here it migrates to Pradyumna.
  • nīla-vakra-ālaka-ālibhiḥ — with rows of curling blue locks
    Compound: nīla (blue) + vakra (curling) + ālaka (locks of hair) + ālibhiḥ (with rows). The hair-style is so specific that it functions as a fingerprint. The Bhāgavatam refuses generic description even at the cost of polysyllabic verses.
  • hrītāḥ-nililyuḥ — becoming bashful, they hid
    Compound verbal phrase: hrītāḥ (made shy) + nililyuḥ (concealed themselves). The queens' modesty is the proof of identification — they would only hide from their own husband. Hrī (shyness) is a Vaiṣṇavī signature; the body responds correctly even when the mind misreads.
The women of the palace thought He was Lord Kṛṣṇa when they saw His dark-blue complexion the color of a rain cloud, His yellow silk garments, His long arms and red-tinged eyes, His charming lotus face adorned with a pleasing smile, His fine ornaments and His thick, curly blue hair. Thus the women became bashful and hid themselves here and there.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
The women of the palace thought He was Lord Kṛṣṇa when they saw His dark-blue complexion the color of a rain cloud, His yellow silk garments, His long arms and red-tinged eyes, His charming lotus face adorned with a pleasing smile, His fine ornaments and His thick, curly blue hair. Thus the women became bashful and hid themselves here and there.
Jīva Gosvāmī Gauḍīya
Commentary

Because he was similar to Kṛṣṇa the women thought he was Kṛṣṇa. He is described by seven phrases. His eyes were pink at the edges like lotus petals (tāmrākṣam—red eyes). That is the meaning of the phrase “red eyes” since usually his eyes are compared to lotus petals. Ha indicates surprise.

Śrīdhara Svāmī Gauḍīya
Commentary

Because he was similar to Kṛṣṇa, the women thought he was Kṛṣṇa. He is described by seven phrases. He was dark like a fresh cloud about to shower rain. His eyes were pink at the edges like lotus petals (tāmrākṣam—red eyes). This was previously described. He had a charming face. This indicates that his nose and other features were beautiful. He was approaching new youth, with soft qualities. Dhanyāyāḥ khalu putro ‘yam’ vartate navayauvanaḥ: this son has reached the age of new youth. (Viṣṇu Purāṇa) His lotus face was decorated with earrings. The earrings were like bees on a lotus. Successively the features reminded the women of Kṛṣṇa. Only this much is described to indicate other features of beauty also, since his beauty was extraordinary. Or by that alone they thought he was Kṛṣṇa. Or the description indicates his beauty. Yellow cloth shows the skill in ornamentation. His long arms indicate the symmetry of his limbs. His red eyes indicate his beauty. His smile indicates his sweetness. His attractive face indicates the natural beauty of his face and its elements as well as his age. The special beauty of his face is indicated by his locks and earrings. The queens hid themselves here and there, because they were bashful. Ha indicates surprise, or “clearly.”

Related values
Bhakti (Devotion)Tejas (Inner Radiance / Vigour)Daksya (Resourcefulness / Skill)Ishvara Pranidhana (Surrender to God)
Related verses
Concepts
Jiva
Palace women think He is Kṛṣṇa — dark-blue, yellow silk, long arms, red-tinged eyes, charming lotus face. Father-son resemblance can be mistaken for identity; the family quality is unmistakable.
Reflection Questions
  • Where does someone in your family carry an unmistakable resemblance to the source?
  • How do you honor the source through the descendant?

Dark-blue complexion, yellow silk, long arms, lotus face, curling blue locks — the women see Kṛṣṇa Himself walk in, and hide in shyness. Pradyumna's body is so exactly the father's that the queens of Kṛṣṇa mistake the son for the husband. Inheritance, in Bhagavān's family, is iconographic to the millimeter.

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