Śrīmad-Bhāgavatam 10.51.1-6
Blended reading (Sanskrit + English inline)
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śyāmam
—
dark blue
The Gauḍīya signature complexion of Bhagavān — ghana-śyāma, the rain-cloud hue that the gopīs, Yaśodā and the cowherd boys drink with their eyes. Not a generic 'blue god'; this exact śyāma is what Nārada had described to Kālayavana as the mark of Vāsudeva.
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śrīvatsa-lāñchanaḥ
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marked with Śrīvatsa
Compound: śrīvatsa (the curl of hair on the Lord's chest, the resting-place of Lakṣmī) + lāñchanaḥ (bearing as a mark). One of the diagnostic Vaiṣṇava lakṣaṇas — Bhagavān alone bears it; demigods do not.
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catuḥ-bhujaḥ
—
four-armed
Bhagavān's aiśvarya-form here briefly displaces the two-armed Vraja-Kṛṣṇa, so that the lakṣaṇas Nārada specified can be confirmed. Gauḍīyas note that Kṛṣṇa shows whichever form serves the līlā — four arms to convince Kālayavana, two arms for Vraja's intimacy.
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vāsudevaḥ
—
Vāsudeva, son of Vasudeva
The name under which Bhagavān is worshiped as the omnipresent Supreme — vasati sarvatra iti vāsudevaḥ. Kālayavana names Him correctly even while attacking; even asuric recognition is a kind of remembrance, and Mucukunda will redeem this same name in stuti.
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nārada-proktaiḥ
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described by Nārada Muni
Compound: nārada + proktaiḥ (declared). The Vaiṣṇava lakṣaṇas reach even Kālayavana through Nāradīya transmission. Paramparā is so potent that an asura can identify Bhagavān correctly when a pure devotee has told him what to look for.
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durāpam
—
difficult to attain
From dur (difficult) + āp (attain). The very Lord whom yogīs cannot catch in meditation deliberately makes Himself appear catchable to Kālayavana — His durāpatva and His sulabhatva (easy approachability) are the same compassion seen from two angles.
Although Kālayavana was seeing Lord Kṛṣṇa with his own eyes, he could not adequately appreciate the beautiful Lord. Thus instead of worshiping Kṛṣṇa, he attacked Him. Similarly, it is not uncommon for modern men to attack Kṛṣṇa in the name of philosophy, “law and order” and even religion.
In the fifty first chapter Mucukunda burns up Kalayavana with his glance and satisfies Krsna with his prayers. Krsna gives Mucunda benediction. Though others who are qualified by devotion can appreciate the beauty of Krsna, the asuras cannot taste that beauty even if the Lord is before their eyes, because of their inimical attitude. To show that fact, this verse describes the beauty of Krsna as he stood before Kalayavana. Kalayavana chased Krsna who was fleeing away (pradravantam).
Kālayavana saw him coming out of the city. The word vi--niṣkrantam indicates he was certain that Kṛṣṇa had come out. Śukadeva describes Kṛṣṇa, by seeing his real nature out of prema. This is not how Kālayavana saw him, since if he did, he could not have had enmity with him. Nāhaṁ prakāśaḥ sarvasya yoga-māyā-samāvṛtaḥ: being covered by my yoga-māyā, I am not visible at all to the fools. (BG 7.26) Just as a person fond of bitter foods does not appreciate sweet foods, demons see only a dull shadow of the real Kṛṣṇa. Though they see Kṛṣṇa, they do not really see him. Because Kṛṣṇa appeared according to Nārada’s description, with four long, thick arms, because of the distinguishing characteristics related by Nārada, Kālayavana quickly understood that this was Kṛṣṇa. He had eyes pink like a fresh lotus. According to Amara-koṣa, aruṇa means very pale red. His cheeks possessed beauty (śrīmat). The suffix mat is used to suggest praise. Sukapola indicates the excellence of his body parts. He smiled because of pleasure. His earrings and other ornaments as well sparkled (sphūran). The first three verses describe Kṛṣṇa. Kālayavana thought, “This must be Vāsudeva. It cannot be anyone else.” He then describes Kṛṣṇa. Kṛṣṇa was going at quite a fast pace in a playful manner (pra—ā—dravantam). Out of pride Kālayavana wanted to catch him. But because Kṛṣṇa was difficult to catch even for yogīs, Kālayavana would be a laughing stock.
Kālayavana saw him coming out of the city, strolling at a casual pace, alone (vi-niṣkrantam). He was like the rising moon, a disc of light which gives joy to the mind and eye. Thus he saw the Lord clearly (vilokya), though he was at a distance. He is depicted as most beautiful. Nārada, having always seen the four armed form, described this to Kālayavana. Thus he saw Kṛṣṇa in his form now. His eyes were red like fresh lotuses. Also implied by the word nava (new) are the eyes’ wideness and happiness since these are constant qualities of his eyes. He was ever joyful and thus endowed with all beauty (śrīmat). Another cause of beauty is mentioned. He was endowed with or manifested (vibhrāṇam) beautiful cheeks, smile and lotus face. This person must be the son of Vasudeva, with extraordinary qualities like the Śrīvatsa mark. He was most beautiful with the lotus garland extending to his feet. The previously mentioned details of his form are also understood in what Kālayavana described. He recognized the Lord by what Nārada had described (iti). Or he thought (iti), “It cannot be anyone else.” He then decided, “Since he has no weapons I will also fight without weapons.” Kṛṣṇa was walking slightly fast, and casually (prādravantam). He wanted to catch Kṛṣṇa, out of pride, and because he thought he could do it. He pursued Kṛṣṇa on foot, though Kṛṣṇa could not be caught by yogīs. This shows the demon’s foolishness.
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- Where do you see something true but fail to worship it because you can't yet perceive its weight?
- What grace would shift your seeing into actual recognition?
Kṛṣṇa walking unarmed out of Mathurā is the moon rising over a dark fortress — beauty itself stepping into the open, drawing the enemy outward. Kālayavana sees the four arms, Śrīvatsa, Kaustubha, makara earrings — every detail Nārada had described — and concludes, 'This must be Vāsudeva.' Even a barbarian, given the Vaiṣṇava lakṣaṇas in advance, can recognize Bhagavān when He appears.
Earlier in this same canto (SB 10.39), Akrūra, on his way to Mathurā, sees Kṛṣṇa and Balarāma in the Yamunā exactly as the śāstras describe — śyāma, four-armed in vision, marked with Śrīvatsa, garlanded with vanamālā. He recognizes Bhagavān by the lakṣaṇas because Nārada and the Bhāgavata tradition had given him the map.
Kālayavana's recognition here is the asuric mirror of Akrūra's: same lakṣaṇas, same Vāsudeva, but pursued with weapons rather than with prayers. The form is identical; the mood determines the fruit.
My note
Source: vedabase.io