FolioCorpusŚrīmad-Bhāgavatam

Śrīmad-Bhāgavatam 10.42.1

श्रीशुक उवाच अथ व्रजन् राजपथेन माधव: स्त्रियं गृहीताङ्गविलेपभाजनाम् । विलोक्य कुब्जां युवतीं वराननां पप्रच्छ यान्तीं प्रहसन् रसप्रद: ॥ १ ॥
śrī-śuka uvāca
[shree-shuka uvaacha]
atha vrajan rāja-pathena mādhavaḥ
[atha vrajan raaja-pathena maadhavah]
striyaṁ gṛhītāṅga-vilepa-bhājanām
[striyam griheetaanga-vilepa-bhaajanaam]
vilokya kubjāṁ yuvatīṁ varānanāṁ
[vilokya kubjaam yuvateem varaananaam]
papraccha yāntīṁ prahasan rasa-pradaḥ
[paprachcha yaanteem prahasan rasa-pradah]
śrī - śukaḥ uvāca — Śukadeva Gosvāmī said atha — then vrajan — walking rāja - pathena — along the King’s road mādhavaḥ — Kṛṣṇa striyam — a woman gṛhīta — holding aṅga — for the body vilepa — with ointments bhājanām — a tray vilokya — seeing kubjām — hunchbacked yuvatīm — young vara - ānanām — with an attractive face papraccha — He inquired yāntīm — going prahasan — smiling rasa — of the pleasure of love pradaḥ — the bestower .
Blended reading (Sanskrit + English inline)
śrī-śuka uvāca
śrī - śukaḥ uvāca
Śukadeva Gosvāmī said
atha vrajan rāja-pathena mādhavaḥ
atha
then
vrajan
walking
rāja - pathena
along the King’s road
mādhavaḥ
Kṛṣṇa
striyaṁ gṛhītāṅga-vilepa-bhājanām
striyam
a woman
gṛhīta
holding
aṅga
for the body
vilepa
with ointments
bhājanām
a tray
vilokya kubjāṁ yuvatīṁ varānanāṁ
vilokya
seeing
kubjām
hunchbacked
yuvatīm
young
vara - ānanām
with an attractive face
papraccha yāntīṁ prahasan rasa-pradaḥ
papraccha
He inquired
yāntīm
going
prahasan
smiling
rasa
of the pleasure of love
pradaḥ
the bestower .
  • mādhavaḥ — Kṛṣṇa (lord of Lakṣmī, of madhu, of springtime)
    From mā (Lakṣmī) + dhava (husband); also of the Madhu dynasty. Gauḍīyas savor the choice of name here: as He walks toward Kubjā, Bhāgavata calls Him Mādhava — the husband of Śrī — to mark that even fallen attraction can ripen into rasa under His glance.
  • kubjām — the hunchbacked woman
    From √kubj, to bend. She is bent in three places (trivakrā). Gauḍīya commentary: the threefold crookedness signifies body-mind-speech distortion of the conditioned soul — and Kṛṣṇa straightens all three by His touch.
  • prahasan — smiling
    Present participle of pra + √has. Kṛṣṇa initiates the encounter with laughter, not with rebuke. Gauḍīya note: the Lord's smile (smita) is itself the first mercy — Vraja-rasa begins where His face brightens.
  • rasa — the pleasure of love
    The technical term Gauḍīyas inherit from the Bhāgavatam. Here qualified by pradaḥ — 'giver of rasa.' Even in this minor-key encounter with Kubjā, the verse marks Kṛṣṇa's defining function: rasa-distribution.
  • pradaḥ — the bestower
    From pra + √dā. Kṛṣṇa is the giver. Kubjā has not asked; He has already begun to give. Gauḍīya doctrine: kṛpā precedes prayer.
Śukadeva Gosvāmī said: As He walked down the King’s road, Lord Mādhava then saw a young hunchback woman with an attractive face, who carried a tray of fragrant ointments as she walked along. The bestower of the ecstasy of love smiled and inquired from her as follows.

According to Śrīla Viśvanātha Cakravartī Ṭhākura, the young hunchbacked girl was actually a partial expansion of the Lord’s wife Satyabhāmā. Satyabhāmā is the Lord’s internal energy known as Bhū-śakti, and this expansion of hers, known as Pṛthivī, represents the earth, which was bent down by the great burden of countless wicked rulers. Lord Kṛṣṇa descended to remove these wicked rulers, and thus His pastime of straightening out the hunchback Trivakrā, as explained in these verses, represents His rectifying the burdened condition of the earth. At the same time, the Lord awarded Trivakrā a conjugal relationship with Himself. In addition to the given meaning, the word rasa-pradaḥ indicates that the Lord amused His cowherd boyfriends by His dealings with the young hunchback.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Śukadeva Gosvāmī said: As He walked down the King's road, Lord Mādhava then saw a young hunchback woman with an attractive face, who carried a tray of fragrant ointments as she walked along. The bestower of the ecstasy of love smiled and inquired from her as follows.
Commentary

This chapter describes the curing of the hunchback Kubja, breaking the bow, slaying Kamsa’ soldiers, Kamsa’s seeing omens and the festival in the arena. Kubja was carrying various ointments for the body such as sandalwood. Krsna is described as rasa prada, one who gives rasa. To Kubja, he gave conjugal rasa, to his friends he gave hasya rasa, and to the general public astonishment. Kubja was an expansion of Satyabhama, or bhu sakti. The earth is also one of her external manifestations. Being non different from the earth, Kubja showed herself as bent over with the burden of thousands of evil asuras. On the road, associating with the earth, who was filled with the greatest devotion, she showed devotion by offering to Krsna the essence of earth element, fragrance, represented by the sandalwood. Accepting the sandalwood with great joy, Krsna bestowed madhurya rasa on her and said, "O my devotee earth! Know that the burdens caused by Kamsa and others have now been taken by me. Therefore now you should stand up straight." Comforting her in this way, he straightened up the blissful Kubja. Some explain the event in this way.

Jīva Gosvāmī Gauḍīya
Commentary

Kṛṣṇa performed this pastime in order to show that he was the giver of happiness to all people. Though Kubjā was a hunchback the other limbs of her body were beautiful (yuvatīm, varānanām). She was going to Kaṁsa’s palace with the ointment. Hari-vamśa she says rājñaḥ snānagṛhaṁ yāmi: I am going to the bath house of the king. He laughed in amusement (pra—hasan). By his very nature he was the giver of rasa: he gave śṛṅgara-rasa to Kubjā and hāsya-rasa (laughing) to his friends, and adbhūta-rāsa (astonishment) to all people present.

Śrīdhara Svāmī Gauḍīya
Commentary

Atha indicates auspiciousness, in remembrance of the gopīs rasa. The longer meter introduces a new topic. He walked on the road so many people could see him in order to see the beauty of the city, to break the bow and to come near Kaṁsa’s house. He was the beloved of Lakṣmī (mādhavaḥ). This shows his great skill in love. Or he was born in the Madhu dynasty. He was pleasing to the Yadus. She carried a container of sandalwood and other unguents. Kubjā’ body was bent in three places. But she had a beautiful face and was young. Thus in all other ways she was attractive. In Hari-vamśa she says rājñaḥ snānagṛhaṁ yāmi: I am going to the bath house of the king. He laughed in amusement (pra—hasan). By his very nature he was the giver of happiness or attraction (rasa-pradaḥ).

Related values
Anahankarah (Freedom from False Ego)Apaishunam (Non-slander)Kshama (Forgiveness / Patience)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)Atma Nigraha (Self-control)
Related verses
Walking down the king's road, Kṛṣṇa sees a young hunchback woman with an attractive face carrying ointments and smiles at her with inquiry. The Lord notices and approaches those the world has dismissed as unattractive — He sees what others overlook.
Reflection Questions
  • Whom in your world have you walked past because their form was unattractive?
  • Where might Kṛṣṇa be approaching you in a form you would not have chosen?

A traveling king, walking the dust roads of His own capital, stops to speak to a crooked maidservant carrying perfumes for His enemy — and His first word is a smile. The road to Kṛṣṇa begins not with our straightness but with His turning toward us as we are.

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