• niśā-mukham — the face/beginning of night
  Niśā (night) + mukha (face, opening). Literally 'the mouth of night' — the dusk. Sanskrit poetic convention treats nightfall as a face emerging from the day; Gauḍīyas note that yogamāyā arranges every Vraja-evening as a stage-set for the next līlā.
• mānayantau — the two of Them honoring/praising
  Present participle dual of √man (to honor, regard). Kṛṣṇa and Balarāma honor the night — Bhagavān models that even the elements of creation deserve appreciation when they serve līlā. Vaiṣṇava aesthetics is the opposite of indifferent.
• mallikā-gandha — the fragrance of jasmine
  Mallikā = jasmine; gandha = fragrance. The flower of Vraja-night, sacred to Rādhā and the gopīs. Gauḍīyas pair jasmine with the sandal-paste of v. 21 — Vraja's olfactory ecology is the smell of bhakti-rasa concentrated.
• matta-ali — by intoxicated bees
  Matta (intoxicated) + ali (bee). Bees drunk on flower-nectar are the standard Bhāgavata simile for souls drunk on Bhagavat-rasa. The whole forest is conducting bhakti in its way — bees on jasmine, breeze through lotuses, gopīs around Kṛṣṇa.

• What about this present hour could you praise instead of escaping?
• Where do you wait for ideal conditions when the Lord is praising the current ones?

Moonrise, jasmine-scented breeze, bees drunk on flowers — the Vraja night is itself a co-conspirator of līlā. Even creation arranges Itself decoratively when Bhagavān comes out to play; the breeze is His attendant, the moon His lamp-bearer.