FolioCorpusŚrīmad-Bhāgavatam

Śrīmad-Bhāgavatam 10.33.4

ततो दुन्दुभयो नेदुर्निपेतु: पुष्पवृष्टय: । जगुर्गन्धर्वपतय: सस्त्रीकास्तद्यशोऽमलम् ॥ ४ ॥
tato dundubhayo nedur
[tato dundubhayo nedur]
nipetuḥ puṣpa-vṛṣṭayaḥ
[nipetuh pushpa-vrishtayah]
jagur gandharva-patayaḥ
[jagur gandharva-patayah]
sa-strīkās tad-yaśo ’malam
[sa-streekaas tad-yasho ’malam]
tataḥ — then dundubhayaḥ — kettledrums neduḥ — resounded nipetuḥ — fell down puṣpa — of flowers vṛṣṭayaḥ — rain jaguḥ — they sang gandharva - patayaḥ — the chief Gandharvas sa - strīkāḥ — along with their wives tat — of Him, Lord Kṛṣṇa yaśaḥ — the glories amalam — spotless .
Blended reading (Sanskrit + English inline)
tato dundubhayo nedur
tataḥ
then
dundubhayaḥ
kettledrums
neduḥ
resounded
nipetuḥ puṣpa-vṛṣṭayaḥ
nipetuḥ
fell down
puṣpa
of flowers
vṛṣṭayaḥ
rain
jagur gandharva-patayaḥ
jaguḥ
they sang
gandharva - patayaḥ
the chief Gandharvas
sa-strīkās tad-yaśo ’malam
sa - strīkāḥ
along with their wives
tat
of Him, Lord Kṛṣṇa
yaśaḥ
the glories
amalam
spotless .
  • puṣpa-vṛṣṭayaḥ — rains of flowers
    Puṣpa (flower) + vṛṣṭi (rain). The same shower that fell at Kṛṣṇa's birth, at the lifting of Govardhana, and at Caitanya's saṅkīrtana — Gauḍīyas read these as one continuous celestial response to bhakti-līlā.
  • gandharva-patayaḥ — the chief Gandharvas
    Gandharva = celestial musician. Even the masters of music become listeners here. Gauḍīyas: the rāsa is the original music; what gandharvas know is its echo.
  • yaśaḥ-amalam — His spotless glories
    Yaśas (fame, glory) + amala (stainless). The gandharvas sing of the rāsa as spotless even before Parīkṣit will raise his doubt at v.26 — the song precedes and answers the objection.
Kettledrums then resounded in the sky while flowers rained down and the chief Gandharvas and their wives sang Lord Kṛṣṇa’s spotless glories.

As stated here, Lord Kṛṣṇa’s glory in dancing the rāsa dance is pure spiritual bliss. The demigods in heaven, in charge of maintaining propriety in the universe, ecstatically accepted the rāsa dance as the ultimate religious affair, completely different from the perverted reflection of romance we find in this mundane world.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Kettledrums then resounded in the sky while flowers rained down and the chief Gandharvas and their wives sang Lord Kṛṣṇa's spotless glories.
Jīva Gosvāmī Gauḍīya
Commentary

From the devatās and others (tataḥ) arose the sound of drums or after that (tataḥ), the drums sounds on their own since they were celestial instruments and because of the nature of the great, auspicious festival. That should be understood when drums are mentioned later also. First the drums sounded for auspiciousness and for gathering the different groups of gopīs. Showers of flowers fell everywhere (ni—petuḥ). Thus flowers were spread all over the dancing arena. The Gandharvas sang with their wives and the Apsarās. They were all dedicated to Kṛṣṇa, whose fame was spotless. Because of this, at this time they all were also spotless--free of all bad desires.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Aparigraha (Non-possessiveness)Tyaga (Renunciation / Letting Go)
Related verses
Drums sound, flowers rain, and Gandharvas sing Kṛṣṇa's spotless glories as the demigods receive the rāsa as the highest religious affair. What looks like romance to the world is, on the spiritual plane, the most sacred event.
Reflection Questions
  • Where in your judgments are you mistaking the spiritual original for its worldly distortion?
  • Can you praise Kṛṣṇa as 'spotless' even in His most intimate pastimes?

When the rāsa begins, the demigods' kettledrums do not announce the event — they confess that the highest event in the universe is not their own. Heaven leans down to Vṛndāvana, not Vṛndāvana up to heaven.

📝 My note

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