Śrīmad-Bhāgavatam 10.12.36
Blended reading (Sanskrit + English inline)
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ājagaram carma
—
the python's skin
Compound: ājagara (python) + carma (skin). Only the skin remained — the demon's body was emptied of life and of poison. Gauḍīyas: when Kṛṣṇa removes evil, He leaves the form harmless. The dried skin is the visible record of His act.
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vraja-okasām
—
for the residents of Vraja
Compound: vraja + okas (dweller). The same term used in verse 12. Vraja-okasaḥ are the privileged audience and beneficiaries of every līlā — even of a demon's death-cave.
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ākrīḍa
—
play-ground
From ā + krīḍ- (to play). A formal noun for 'place of play.' The verse names the demon's corpse an ākrīḍa — playground. Gauḍīyas: in Vraja, everything tends toward līlā; even death-relics become play-equipment.
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bahu-titham
—
for many days
Compound: bahu (many) + titha (day). The site remained for a long time — Bhāgavatam is interested in geographic permanence. Vraja-sthalas are not metaphors; they are physical places that the Gosvāmīs later mapped.
The dry skin of the snake remained there for a long time (bahutitham) and became a cave in which the children used to carry out various pastimes.
By the power of Kṛṣṇa’s touch the demon became successful. What more can be said? As in the case of Pūtanā, even his dead body became fragrant and most attractive. Śukadeva addressed Parīkṣit out of great astonishment.
By the power of Kṛṣṇa’s touch the demon became successful. What more can be said? As in the case of Pūtanā, even his dead body became fragrant and most attractive. Śukadeva addressed Parīkṣit out of great astonishment or joy. The skin became suitable for playing, used as an instrument etc. It stayed there for a long time. It was also a cave used for playing in all sorts of ways (ākrīḍa).
- What past 'demon' in my life has Kṛṣṇa converted into a place I now visit safely, even gratefully?
- Could I revisit one painful memory not to relive it but to see how His mercy redecorated it?
Picture a children's play-place that is also a sacred site — a hollow skin of a great demon, dried and emptied, become a cave for tag and stories. Vraja absorbs even its enemies as architecture. The python who came to swallow the children ends as their playhouse.
When Caitanya Mahāprabhu sent Rūpa and Sanātana to Vṛndāvana, the holy places had been overgrown for centuries. The Six Gosvāmīs walked the dust of Vraja, identifying each spot — this is where Kṛṣṇa danced the rāsa, this is where Pūtanā fell, this is the very cave that was once Aghāsura's body.
Gauḍīyas treat 10.12.36 as the textual basis for the existence of Aghāsura-līlā-sthala as a pilgrimage site. The verse explicitly says it 'remained a play-place for a long, long time' — meaning the very ground of Vraja is the archive of Kṛṣṇa's pastimes.
My note
Source: vedabase.io