Śrīmad-Bhāgavatam 1.1.19
Blended reading (Sanskrit + English inline)
There is a great difference between mundane stories, fiction, or history and the transcendental pastimes of the Lord. The histories of the whole universe contain references to the pastimes of the incarnations of the Lord. The Rāmāyaṇa, the Mahābhārata, and the Purāṇas are histories of bygone ages recorded in connection with the pastimes of the incarnations of the Lord and therefore remain fresh even after repeated readings. For example, anyone may read Bhagavad-gītā or the Śrīmad-Bhāgavatam repeatedly throughout his whole life and yet find in them new light of information. Mundane news is static whereas transcendental news is dynamic, inasmuch as the spirit is dynamic and matter is static. Those who have developed a taste for understanding the transcendental subject matter are never tired of hearing such narrations. One is quickly satiated by mundane activities, but no one is satiated by transcendental or devotional activities. Uttama-śloka indicates that literature which is not meant for nescience. Mundane literature is in the mode of darkness or ignorance, whereas transcendental literature is quite different. Transcendental literature is above the mode of darkness, and its light becomes more luminous with progressive reading and realization of the transcendental subject matter. The so-called liberated persons are never satisfied by the repetition of the words ahaṁ brahmāsmi. Such artificial realization of Brahman becomes hackneyed, and so to relish real pleasure they turn to the narrations of the Śrīmad-Bhāgavatam. Those who are not so fortunate turn to altruism and worldly philanthropy. This means the Māyāvāda philosophy is mundane, whereas the philosophy of Bhagavad-gītā and Śrīmad-Bhāgavatam is transcendental.
Uttama-śloka means “he whose fame or good qualities are the best.” Or it came mean “he who is praised by the best persons.” We are not completely satisfied in hearing about the exploits of Uttama-śloka. We do not consider that it is sufficient. In other words, we are completely satisfied with whatever we have done in performing sacrifices and yoga. Let us continue to hear about the activities of the Lord. Or the sentence can mean “Let others be satisfied, but we are not.” That is indicated by the word tu. The meaning is this. In three ways one knows that one has had enough of something and is satisfied: by sufficiency of quantity (as with food in the belly), by lack of awareness of the taste, and by lack of relishing the object. In this verse, there is insufficiency for the hearers (śṛṇvatām) because the exploits are not directly present, being present only as sound in the ether contacting the ear. Satisfaction is negated for a person who is not capable of appreciating the taste or rasa, for a person who is just like an animal. However the sages have appreciation of rasa (rasa-jṇānām). But still they are not satisfied. Unlike chewed sugarcane which loses its taste and becomes detestable, the topics of the Lord are most excellent because of the increase in taste at every moment (pade pade) after tasting. The sages have not lost taste, but are still dissatisfied. The locative termination on pada pada (pade pade) indicates “at every moment.”
- Priya Valabha Mataji SB 01-01-19 Hindi
- Balaram Shakti Pr SB - Sarartha Darsini-Verse 01-19-20-34
- Balaram Shakti Pr SB - Sarartha Darsini-Verse 01-19-35-40
- Balaram Shakti Pr SB - Sarartha Darsini-Verse 01-19-13-19
- Balaram Shakti Pr SB - Sarartha Darsini-Verse 01-19-01-12
- SDAP SB 01-01-19 - 2007-04-20 Sillamae Estonia
- SDAP SB 01-01-19 - 2011-04-07 Vrindavan
- Shubha Krishna Pr SB 01-01-19 Hindi
- Tamohara Pr SB 01-01-19 - 2019-10-18 ISKCON Alachua
- Vishwarup Pr Hindi SB 01-01-19 - Higher Taste - 2011-06-22 Vrindavan Hospice
- BVGS SB 01-01-19 Bengali - 2023-12-04 Lalgola Hajarduwari Murshidabad
- JAS SB 01-01-19 - 2010-04-21 Nairobi
- JAS SB 01-01-19 - 2017-11-09 Bhaktivedanta Manor
- SP SB 1-01-19 Auckland 1973-02-20 The Acharya Knows How to--etc
- What spiritual taste in me has actually deepened over the last year — and what fed it?
- Where do I confuse novelty (new content) with depth (deeper hearing)?
My note
Source: vedabase.io