FolioCorpusBhagavad-gītā

Bhagavad-gītā 11.10-11

అనేకవక్‍త్రనయనమనేకాద్భ‍ుతదర్శనమ్ । అనేకదివ్యాభరణం దివ్యానేకోద్యతాయుధమ్ ॥ ౧౦ ॥ దివ్యమాల్యామ్బరధరం దివ్యగన్ధానులేపనమ్ । సర్వాశ్చర్యమయం దేవమనన్తం విశ్వతోముఖమ్ ॥ ౧౧ ॥
aneka-vaktra-nayanam
[aneka-vaktra-nayanam]
anekādbhuta-darśanam
[anekaadbhuta-darshanam]
aneka-divyābharaṇaṁ
[aneka-divyaabharanam]
divyānekodyatāyudham
[divyaanekodyataayudham]
divya-mālyāmbara-dharaṁ
[divya-maalyaambara-dharam]
divya-gandhānulepanam
[divya-gandhaanulepanam]
sarvāścarya-mayaṁ devam
[sarvaashcharya-mayam devam]
anantaṁ viśvato-mukham
[anantam vishvato-mukham]
aneka — various vaktra — mouths nayanam — eyes aneka — various adbhuta — wonderful darśanam — sights aneka — many divya — divine ābharaṇam — ornaments divya — divine aneka — various udyata — uplifted āyudham — weapons divya — divine mālya — garlands ambara — dresses dharam — wearing divya — divine gandha — fragrances anulepanam — smeared with sarva — all āścarya - mayam — wonderful devam — shining anantam — unlimited viśvataḥ - mukham — all-pervading .
Blended reading (Sanskrit + English inline)
aneka-vaktra-nayanam
aneka
various
vaktra
mouths
nayanam
eyes
anekādbhuta-darśanam
aneka
various
adbhuta
wonderful
darśanam
sights
aneka-divyābharaṇaṁ
aneka
many
divya
divine
ābharaṇam
ornaments
divyānekodyatāyudham
divya
divine
aneka
various
udyata
uplifted
divya-mālyāmbara-dharaṁ
divya-gandhānulepanam
sarvāścarya-mayaṁ devam
āyudham
weapons
divya
divine
mālya
garlands
ambara
dresses
dharam
wearing
divya
divine
gandha
fragrances
anantaṁ viśvato-mukham
anulepanam
smeared with
sarva
all
āścarya - mayam
wonderful
devam
shining
anantam
unlimited
viśvataḥ - mukham
all-pervading .
  • aneka — many
    Repeated four times in two verses. Sañjaya's vocabulary breaks down under the pressure of plurality — he can only keep saying aneka, aneka, aneka.
  • vaktra — mouths
    Mouths in particular, because the mouths will become terrible in verses 25–30 — the same vaktras that now hold garlands will later devour kings. The seed of the awful is in the wonderful.
  • divya — divine, celestial
    Used four times — for ornaments, weapons, garments, garments-and-fragrances. Everything Arjuna sees is divya; the material register has been suspended.
  • udyata — upraised
    Past participle of ud-yam, 'to lift.' The weapons are not at rest — they are raised, in active readiness. Even at this descriptive moment, the form is implicitly about to act.
  • anantam — unlimited
    Neuter singular, agreeing with devam. Sañjaya's last word in the description: after every count and catalogue, the only honest adjective is 'limitless.'
  • viśvataḥ - mukham — facing all directions
    Compound: 'with mouth(s) on every side.' The Lord has no front and no back; every approach meets a face. This will become Arjuna's terror in verse 24.
Arjuna saw in that universal form unlimited mouths, unlimited eyes, unlimited wonderful visions. The form was decorated with many celestial ornaments and bore many divine upraised weapons. He wore celestial garlands and garments, and many divine scents were smeared over His body. All was wondrous, brilliant, unlimited, all-expanding.

In these two verses the repeated use of the word many indicates that there was no limit to the number of hands, mouths, legs and other manifestations Arjuna was seeing. These manifestations were distributed throughout the universe, but by the grace of the Lord, Arjuna could see them while sitting in one place. That was due to the inconceivable potency of Kṛṣṇa.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
10. It had many mouths and eyes, many astonishing aspects, many wonderful ornaments, uplifting many wonderful weapons. 11. That form wore astonishing garlands and dress, astonishing perfumes and ointments. It was shining, greatly amazing, infinite, with faces in every direction.
Commentary

Viśvato mukham means “whose faces are everywhere.”

Baladeva Vidyābhūṣaṇa Gauḍīya
Translation
10. It had many mouths and eyes, many astonishing aspects, many wonderful ornaments, uplifting many wonderful weapons. 11. That form wore astonishing garlands and dress, astonishing ointments and fragrances. It was shining, greatly amazing, beyond compare, with faces in every direction.
Commentary

That form had thousands (aneka) of mouths and eyes, since later there is a description of the form with thousands of arms: sahasra-bāho bhava viśva-mūrte (BG 11.46) The use of the word aneka here indicates that the arms and eyes were so numerous that they could not be counted (instead of just several, which is the other meaning of aneka.) This is understood from the śruti statement viśvataś cakṣur uta viśvatomukhaḥ: His eyes are everywhere, His faces are everywhere. (Śvetāśvatara Upaniṣad 3.3) In that form he saw many astonishing things (anekādbhuta darśanam).

That form had celestial fragrances and ointments. It was shining (devam), unprecedented (anantam), and had faces in all directions (viśvato mukham).

Gauranga Priya Dāsa Study
Bhakti-śāstrī Notes, ISKCON Chowpatty (2009)
Theme

The word divya is used four times in these two verses to describe the extraordinary ornaments,

weapons, garlands and fragrances of the universal form. Śrīla Prabhupāda describes the word aneka

(“many”) in the purport, showing that Arjuna saw unlimited manifestations distributed throughout

the universe.

Śrī Śaṅkarācārya Classical
Translation
11.10 A form aneka-vaktra-nayanam, having many faces and eyes; aneka-adbhuta-darsanam, possessing many wonderful sights; as also aneka-divya-abharanam, adorned with numerous celestial ornaments; and divya-aneka-udyata-ayudham, holding many uplifted heavenly weapons. This whole portion is connected with the verb '(He) showed' in the earlier verse. Moreover,
Śrī Rāmānujācārya Classical
Translation
11.10 - 11.11 'Divyam' means resplendent. 'Anantam' (boundless) means that form is not limited by time and space because of its being the foundation of the entire universe in the past, present and future. 'Visvatomukham' means facing in all directions. This form is adorned with divine raiments, perfumes, garlands, ornaments and weapons appropriate to it. He explains the same resplendence expressed by the term 'Divyam':
Śrī Abhinavagupta Classical
Translation
11.10 Sri Abhinavagupta did not comment upon this sloka.
Swami Sivananda Classical
Translation
11.10 With numerous mouths and eyes, with numerous wonderful sights, with numerous divine ornaments, with numerous divine weapons uplifted (such a form He showed).
Commentary

11.10 अनेकवक्त्रनयनम् with numerous mouthsand eyes? अनेकाद्भुतदर्शनम् with numerous wonderful sights? अनेकदिव्याभरणम् with numerous divine ornaments? दिव्यानेकोद्यतायुधम् with numerous divine weapons uplifted.Commentary Countless faces appeared there. Arjuna looked at this Cosmic Form in all its magnificence. He saw the Lord everywhere and in everything. The whole manifestation appeared as one gigantic body of the Lord. He saw the Lord as the allinall.

Swami Gambhīrānanda Classical
Translation
11.10 Having many faces and eyes, possessing many wonderful sights, adorned with numerous celestial ornaments, holding many uplifted heavenly weapons;
Shri Purohit Swami Classical
Translation
11.10 There were countless eyes and mouths, and mystic forms innumerable, with shining ornaments and flaming celestial weapons.
Related values
Atma Nigraha (Self-control)Daksya (Resourcefulness / Skill)Abhaya (Fearlessness)Vairagya (Detachment / Dispassion)
Related verses
BG 13.14 BG 11.16 BG 10.12 SB 2.1.26 SB 3.6.7 SB 10.3.9 CC Madhya 21.40 CC Madhya 20.393 CC Madhya 21.101 Muṇḍaka Upaniṣad 2.1.10Śvetāśvatara Upaniṣad 3.14
Concepts
Bhava
Arjuna saw unlimited mouths, unlimited eyes, unlimited wonderful visions, weapons, garlands, anointed with celestial perfumes — all wonderful, brilliant, unlimited.
Practical Applications
  • Don't reduce the universal form to symbol; the verse says actual unlimited features.
  • Honor the multisensory richness of the vision.
  • Cultivate the imagination to receive scriptural description.
Reflection Questions
  • Where have I reduced spiritual reality to mere symbol?
  • What imaginative receptivity is being asked?

Imagine a king's coronation portrait: every ornament catalogued, every weapon held aloft, every fragrance noted. The catalogue itself is the portrait. So Sañjaya, unable to paint, lists — and the list becomes the form.

Markaṇḍeya in the Belly of Viṣṇu

When the sage Markaṇḍeya was swept into the cosmic waters of dissolution (Mahābhārata, Vana-parva 188–189; Bhāgavatam 12.9), he wandered inside the body of the Supreme Lord and saw the same kinds of marvels Arjuna now sees — unlimited mouths, eyes, ornaments, weapons, garlands, all radiant beyond measure.

The Gītā's description in 11.10–11 echoes Markaṇḍeya's seeing. The viśva-rūpa is not a one-off display for a battlefield; it is the standing truth, occasionally unveiled to a few prepared souls.

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