When ecstatic love develops into the relationship of parenthood and becomes steadily established, the relationship is called vātsalya-rasa. The exhibition of this vātsalya-rasa standard of devotional service can be found in the dealings of Kṛṣṇa with His devotees who represent themselves as superior personalities like father, mother and teacher.
Bhakti-rasāmṛta-sindhu · BRS 3.4.1 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
vibhāvādyais tu vātsalyaṁ sthāyī puṣṭim upāgataḥ |
eṣa vatsala-nāmātra prokto bhakti-raso budhaiḥ ||1||
When vatsala-sthāyi-bhāva is nourished by vibhāva and the other elements, it is called vatsala-bhakti-rasa by the wise.
Bhakti-rasāmṛta-sindhu · BRS 3.4.2 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tatra ālambanāḥ –
kṛṣṇaṁ tasya gurūṁś cātra prāhur ālambanān budhāḥ ||2||
Ālambanas: The learned say that Kṛṣṇa, and the devotees acting as elders, are the ālambanas for this rasa.
Learned scholars have described the impetuses for parental love for Kṛṣṇa, existing in the elderly personalities who are in relation with Him, as follows: “The Supreme Personality of Godhead, whose bodily complexion is just like a bluish, new-grown lotus flower, whose body is very delicate and whose lotus eyes are surrounded by scattered hair as black as bees, was walking on the streets of Vṛndāvana when mother Yaśodā, the beloved wife of Nanda Mahārāja, saw Him. Immediately the milk began to flow from her breasts, soaking her body.” Some specific provocations for parental love of Kṛṣṇa are listed as His blackish bodily hue, which is very attractive and pleasing to see, His all-auspicious bodily features, His mildness, His sweet words, His simplicity, His shyness, His humility, His constant readiness to offer respect to the elderly and His charity. All of these qualities are considered ecstatic provocations for parental love.
Bhakti-rasāmṛta-sindhu · BRS 3.4.3 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tatra kṛṣṇo, yathā –
nava-kuvalaya-dāma-śyāmalaṁ komalāṅgaṁ
vicalad-alaka-bhṛṅga-krānta-netrāmbujāntam |
vraja-bhuvi viharantaṁ putram ālokayantī
vraja-pati-dayitāsīt prasnavotpīḍa-digdhā ||3||
Kṛṣṇa as the viṣaya of vātsalya-rasa: On seeing her son, who had the complexion of a fresh, blue lotus, who had a soft body, with lotus eyes touched by bee-like locks of hair, Yaśodā became wet with milk flowing forcefully from her breast.
Jīva Gosvāmī · Durgama-saṅgamanī
Utpīḍa means the milk forcibly came out on its own. Digdhā (anointed) means liptā, “she became wet,” according to the Saṅkīrṇa-varga of the Amara-kośa.
Bhakti-rasāmṛta-sindhu · BRS 3.4.4 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
śyāmāṅgo ruciraḥ sarva-sal-lakṣaṇa-yuto mṛduḥ |
priya-vāk saralo hrīmān vinayī mānya-māna-kṛt |
dātety-ādi-guṇo kṛṣṇo vibhāva iti kathyate ||4||
The vibhāva of vātsalya-rasa is Kṛṣṇa, with dark, attractive, soft body, endowed with all wonderful characteristics, speaking lovely words. He is honest, shy, obedient, respectful and generous.
Jīva Gosvāmī · Durgama-saṅgamanī
There may be a list of qualities mentioned (such as blackish limbs), but actually the object of motherly love is only that person who possesses the blackish limbs. (The verse is illustrating the vibhāva, not uddīpana.) Ramyāṅga (with beautiful limbs) is an alternative reading to śyāmāṅgaḥ (with dark limbs).
Bhakti-rasāmṛta-sindhu · BRS 3.4.5 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
evaṁ guṇasya cāsyānugrāhyatvād eva kīrtitā |
prabhāvānāspadatayā vedyasyātra vibhāvatā ||5||
Kṛṣṇa, endowed with the above-mentioned qualities, but without manifesting powers, is famous as the vibhāva of vatsala-rasa by accepting Himself as the object of compassion.
Jīva Gosvāmī · Durgama-saṅgamanī
Verse 5 elaborates on Kṛṣṇa as the ālambana. Asya refers to Kṛṣṇa, who appears in the form of a son, who is to be known (vedyasya) without manifestation of power (prabhāvānāspadatayā). Even if He sometimes shows such powers a little, the elders attribute the powers to something else. Because His mother and others think that He is their son, who is completely tender both internally and externally, He becomes the object of their desire to care for Him (anugrāhyatva). Because of this and only this--that is, becoming the object of their care and compassion (anugrāhyatvāt)—Kṛṣṇa, a son without manifestation of power, is famous as the vibhāva (vibhāvatā) in vatsala-rasa (atra). He is famous as that form which generates a taste for the rati called vatsala (vibhāvatā) in persons acting as parents. That vibhāva, accomplished by Kṛṣṇa manifesting Himself as their son (asya), and by the appearance of compassion in the elders as previously mentioned (anugrāhyatvāt), becomes completely glorious in all ways (kīrtitā). This vibhāva however generates taste for vatsala only by certain stimuli (uddīpana) or qualities in the vibhāva (Kṛṣṇa). Thus, the word guṇasya ca is used, referring to Kṛṣṇa with the qualities mentioned in the previous verse. Vātsalya and anugraha are differentiated as cause and effect. Vatsala is affection, thinking that Kṛṣṇa is one’s son or the son of a brother etc. Anugraha is the consequent desire to care for Kṛṣṇa.
In Śrīmad-Bhāgavatam, Tenth Canto, eighth chapter, verse 45, it is stated by Śukadeva Gosvāmī that mother Yaśodā accepted Lord Kṛṣṇa as her son, although He is accepted in the Vedas as the king of heaven, in the Upaniṣads as the impersonal Brahman, in philosophy as the supreme male, by the yogīs as the Supersoul and by the devotees as the Supreme Personality of Godhead. Once mother Yaśodā addressed one of her friends in this way: “Nanda Mahārāja, the leader of the cowherd men, worshiped Lord Viṣṇu, along with me, and as a result of this worship, Kṛṣṇa has been saved from the clutches of Pūtanā and other demons. The twin arjuna trees were, of course, broken due to a strong wind, and although Kṛṣṇa appeared to have lifted Govardhana Hill along with Balarāma, I think that Nanda Mahārāja actually held the mountain. Otherwise how could it have been possible for a little boy to lift such a great hill?” This is another example of ecstasy in parental love. This kind of parental love is generated in a devotee out of his conviction, in love, that he himself is superior to Kṛṣṇa and that without being taken care of by such a devotee, Kṛṣṇa could not possibly live. One devotee therefore prayed to the parents of Lord Kṛṣṇa as follows: “Let me take shelter of the elderly parental devotees of Lord Kṛṣṇa. They are always anxious to serve Kṛṣṇa and to maintain Him, and they are always so kind to Him. Let us offer our respectful obeisances unto them for being so kind to the Supreme Personality of Godhead, who is the parent of the whole universe!”
Bhakti-rasāmṛta-sindhu · BRS 3.4.6 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tathā śrī-daśame –
trayyā copaniṣadbhiś ca sāṅkhya-yogaiś ca sātvataiḥ |
upagīyamāna-māhātmyaṁ hariṁ sāmanyatātmajam ||6||
From the Tenth Canto: The glories of the Supreme Personality of Godhead are studied through the three Vedas, the Upaniṣads, the literature of Sāṅkhya-yoga, and other Vaiṣṇava literature, yet mother Yaśodā considered that Supreme Person her ordinary child. SB 10.8.45
Viśvanātha Cakravartī Ṭhākura · Bhakti-sāra-pradarśinī
This verse describes how Yaśodā’s motherly affection could not be inhibited by hearing about Kṛṣṇa’s powers. The Vedas glorify Him as the Lord of sacrifice. The Upaniṣads glorify Him as Brahman. Sāṅkhya philosophy calls Him the Puruṣa. Yoga calls Him the Paramātmā. The Pañcarātra scriptures call Him Bhagavān. His powers are glorified by all of these. But Yaśodā thought of Him as her son. This extraordinary son, who is glorified as the source of sacrifice by the karmīs, has been given to us by Nārāyaṇa, our family deity, because He has been satisfied with our worship and vows. Garga had said that their son was similar to Nārāyaṇa. This statement, as well as killing demons like Pūtana who could not otherwise be killed, should be a cause of their faith that He was Nārāyaṇa. “But actually He is my son, and not seeing me, His mother, He becomes disturbed. Being separated from Him for a moment, I become disturbed. Our experience as mother and father are the proof that He is only our son.” This is how she comprehended the matter in her mind. As the karmīs think of Him as the lord of sacrifice through the Vedas, she thinks of Kṛṣṇa as her son out of vātsalya-prema. The Lord, being pleased with the karmīs, is their benefactor and gives them and others results according to their desires. But Kṛṣṇa is unable to give proper results to Yaśodā according to her vātsalya-prema. He becomes a debtor, He becomes favored, and He becomes controlled. He is the Lord but is ruled by Yaśodā. Though he is satisfied with His own bliss, He cries for the nectar of her breast milk.
Bhakti-rasāmṛta-sindhu · BRS 3.4.7 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā vā –
viṣṇur nityam upāsyate sakhi mayā tenātra nītāḥ kṣayaṁ
śaṅke pūtanikādayaḥ kṣiti-ruhau tau vātyayonmūlitau |
pratyakṣaṁ girir eṣa goṣṭa-patinā rāmeṇa sārddhaṁ dhṛtas
tat-tat-karma duranvayaṁ mama śiśoḥ kenāsya sambhāvyate ||7||
Another example: Because I and my husband have worshiped Viṣṇu constantly, Pūtana and other demons have been destroyed. The two arjuna trees were uprooted by the wind (and Viṣṇu protected Him). I saw with my own eyes that Govardhana was held up by my husband, along with Balarāma’s help, because of worshipping Viṣṇu. How would it be possible for my baby to perform all these difficult tasks?
Jīva Gosvāmī · Durgama-saṅgamanī
Verse 6 shows the greatness of Yaśodā’s vātsalya-rasa. The Bhāgavatam confirms this:
nemaṁaviriñco na bhavo na śrīr apy aṅga-saṁśrayā
prasādaṁ lebhire gopī yat tat prāpa vimuktidāt
Neither Lord Brahmā, nor Lord Śiva, nor even the goddess of fortune, who is always the better half of the Supreme Lord, can obtain from the Supreme Personality of Godhead, the deliverer from this material world, such mercy as received by mother Yaśodā. SB 10.9.20
Now verse 7 shows clearly the purity of her love. It shows Yaśodā’s supreme simplicity in relation to Kṛṣṇa, as she explains everything in terms of protection by Viṣṇu. Or it can be taken as a joking conversation. The meaning is this. “Because the lord of the cowherd men, along with me, worshipped Viṣṇu, Pūtana and other demons have been destroyed. The two arjuna trees were uprooted just by the wind, not by Kṛṣṇa.” Thinking in this way, she concluded that Viṣṇu has protected her son. Govardhana was actually lifted by the chief of the cowherd men by the strength of his worshipping Viṣṇu as well, along with Balarāma. The hint here is that if her son could lift the mountain, then why not Balarāma also (rāmeṇa sārddham). This attitude is also expressed clearly in ancient depictions of Kṛṣṇa holding Govardhana with the assistance of others. Śrīdhara Svāmī has also explained this.
The sūtra concerning compounds says tena saheti tulyayoga: saha can combine with a word in the instrumental case to form a compound, provided the two persons are equally affected by an action. (Pāṇini 2.2.2) Thus, saha (with) has two distinct meanings: without the two persons being equally affected by the action and with the two being equally effected by the action. In the latter case, where both parties are equally affected, a compound is formed (saha putrena becomes saputraḥ) Thus, the words mayā sārddham and rāmeṇa sārddham, by not forming compounds, indicate that the two parties exist together without being equally affected. (Thus Nanda worshipped Viṣṇu in the presence of Yaśodā, but Nanda accrued the majority of the result—Viṣṇu’s mercy, and Nanda lifted the hill in the presence of Balarāma, but Nanda did most of the work—by Viṣṇu’s mercy.) Thus, Kṛṣṇa’s protection was accomplished by explaining that Nanda’s daily worship of Viṣṇu was the cause.
Bhakti-rasāmṛta-sindhu · BRS 3.4.8 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atha guravaḥ –
adhikaṁ-manya-bhāvena śikṣā-kāritayāpi ca |
lālakatvādināpy atra vibhāvā guravo matāḥ ||8||
The elders (āśraya): The elders become vibhāva of vatsala-rasa by thinking themselves greater than Kṛṣṇa, protecting Him and teaching Him.
Jīva Gosvāmī · Durgama-saṅgamanī
The instrumental case is used in describing the elders to emphasize their specific qualities.
Bhakti-rasāmṛta-sindhu · BRS 3.4.9 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā –
bhūry-anugraha-citena cetasā
lālanotkam abhitaḥ kṛpākulam |
gauraveṇa guruṇā jagad-guror
gauravaṁ gaṇam agaṇyam āśraye ||9||
An example: I take shelter of the countless elders, full of desire to remove Kṛṣṇa’s sorrow, who are eager to care for Him, with hearts filled with great desire to protect Him, though He is the guru for the universe.
Jīva Gosvāmī · Durgama-saṅgamanī
Anugraha here means desire to protect Kṛṣṇa who is weaker. Kṛpā means the desire to remove the sorrow of Kṛṣṇa.
There is a similar prayer by a brāhmaṇa who says, “Let others worship the Vedas and the Upaniṣads, and let others worship the Mahābhārata if they are afraid of material existence and want to become liberated from that condition. But as far as I am concerned, I wish only to worship Mahārāja Nanda, because the supreme absolute Personality of Godhead, Kṛṣṇa, is crawling in his courtyard as his own child.”
Following is a list of respectable personalities who enjoy parental affection toward Kṛṣṇa: (1) mother Yaśodā, the Queen of Vraja, (2) Mahārāja Nanda, the King of Vraja, (3) mother Rohiṇī, the mother of Balarāma, (4) all the elderly gopīs whose sons were taken away by Lord Brahmā, (5) Devakī, the wife of Vasudeva, (6) the other fifteen wives of Vasudeva, (7) Kuntī, the mother of Arjuna, (8) Vasudeva, the real father of Kṛṣṇa and (9) Sāndīpani Muni, Kṛṣṇa’s teacher. All these are considered respectable elderly personalities with parental love for Kṛṣṇa. This list is in order of superior importance, and thus we can see that mother Yaśodā and Mahārāja Nanda are considered to be the supermost of all elderly personalities.
In Śrīmad-Bhāgavatam, Tenth Canto, ninth chapter, verse 3, Śukadeva Gosvāmī gives Mahārāja Parīkṣit a description of the form and beauty of mother Yaśodā. He says, “My dear King, the wide hips of mother Yaśodā were surrounded by silk and linen clothes, and her breasts were flowing with milk because of her affection. When she was churning butter and tightly holding the rope, the bangles on her hands and the earrings on her ears were moving, and from the nice decoration in her hair the flowers were slackening and falling down. Due to her excessive labor, there were drops of perspiration on her face.”
Bhakti-rasāmṛta-sindhu · BRS 3.4.12 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tatra vrajeśvaryā rūpaṁ, yathā śrī-daśame –
kṣaumaṁ vāsaḥ pṛthu-kaṭi-taṭe bibhratī sūtra-naddhaṁ |
putra-sneha-snuta-kuca-yugaṁ jāta-kampaṁ ca subhrūḥ ||12||
The form of Yaśodā, from the Tenth Canto: Dressed in a saffron-yellow sari, with a belt tied about her full hips, mother Yaśodā pulled on the churning rope, laboring considerably, her bangles and earrings moving and vibrating and her whole body shaking. Because of her intense love for her child, her breasts were wet with milk. Her face, with its very beautiful eyebrows, was wet with perspiration, and mālatī flowers were falling from her hair. SB 10.9.3
Jīva Gosvāmī · Durgama-saṅgamanī
Kṣaumam means very fine cloth made of flax. Amara-kośa says atasī syad umā kṣumā: atasī, ksumā and umā are synonymous for flax.
There is another description of mother Yaśodā in a devotee’s prayer: “Let me be given protection by mother Yaśodā, whose curly hairs are bound with thread, whose hair is very brightly beautified by the vermillion placed in the part and whose bodily frame derides all her ornaments. Her eyes are always engaged in seeing the face of Kṛṣṇa, and thus they are always filled with tears. Her complexion, which resembles the bluish lotus flower, is enhanced in beauty by her dressing herself with many colorful garments. Let her merciful glance fall on all of us so that we may be protected from the clutches of māyā and smoothly progress in our devotional service!”
Bhakti-rasāmṛta-sindhu · BRS 3.4.13 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā vā –
ḍorī-juṭita-vakra-keśa-paṭalā sindūra-bindūllasat-
sīmānta-dyutir aṅga-bhūṣaṇa-vidhiṁ nāti-prabhūtaṁ śritā |
govindāsya-nisṛṣṭa-sāśru-nayana-dvandvā navendīvara-
śyāma-śyāma-rucir vicitra-sicayā goṣṭheśvarī pātu vaḥ ||13||
Another description of her form: The queen of the cowherds, Yaśodā, has wavy hair bound by cords, with a dot of sindhura at the parting of her hair. She does not wear many ornaments. Her eyes become filled with tears on seeing Kṛṣṇa. Her complexion is dark like a blue lotus, radiating a dark glow, and she wears colorful clothing. May she protect us!
Jīva Gosvāmī · Durgama-saṅgamanī
Concerning Yaśodā’s complexion, it corresponds to a description in the Krama-dīpikā (34-36). In the section describing āvaraṇa-pūja (worship of the Lord’s associates) starting with tato yajed dalāgreṣu vasudevaṁ ca devakīm nanda-gopaṁ yaśodāṁ ca: (one should worship on the tips of the petals Vasudeva, Devakī, Nanda and Yaśodā) it is then said:
jñāna-mudrābhaya-karau pitarau pīta-pāṇḍarau
divya-mālyāmbarālepa-bhūṣaṇe mātarau punaḥ
dhārayantyau ca varadaṁ pāyasāpūrṇa-pātrakam
aruṇāśyāmale hāra-maṇi-kuṇḍala-maṇḍite
The two fathers, light yellow in complexion have their hands in the jñāna and abhaya-mudrā positions. The two mothers are decorated with shining garlands and saffron unguent. They hold vessels of blessed milk rice in their hands. Devakī is pink in complexion and Yaśodā is blackish. They are decorated with necklaces and jewel earrings.
What is said in the Gautamīya-tantra however should also be considered:
tad bahir vasudevaṁ ca yaśodāṁ devakīm punaḥ
vasudevo hemagauro varābhaya-kara-sthitaḥ
devakī śyāmasubhagā sarvābharaṇa-śobhanā
yaśodā hema-saṅkāśā śita-vastra-yugānvitā
sarvābharaṇa sandīptā kuṇḍalodbhāsitānanā
rohiṇīṁ ca yajet tatra nandaṁ gauraṁ samarcayet
varadābhaya saṁyuktaṁ samasta-puruṣārthadam
Outside of this, are situated Vasudeva, Yaśodā and Devakī. Vasudeva is golden in complexion showing the vara and abhaya-mudrās. Devakī is beautiful with dark complexion, shining with ornaments. Yaśodā is golden in complexion wearing two pieces of white cloth. She glows with many ornaments, and her face shines with the reflections from her earrings. One should then worship Rohiṇī, and then worship golden Nanda, who is showing vara and abhaya-mudrās, and who bestows all blessings.
The phrase navendīvara-śyāma-śyāma-ruciḥ means “She has a dark complexion more beautiful than the blackish hue of a fresh blue lotus.” The words form a karma-dhāraya compound, the first member (navendīvara-śyāma) describing the second (śyāma-ruciḥ).
There is the following description of mother Yaśodā’s affection for Kṛṣṇa. After rising early in the morning, mother Yaśodā first of all offered her breast milk to Kṛṣṇa, and then she began to chant various mantras for His protection. Then she would decorate His forehead very nicely and bind His arms with protective talismans. By all of these activities, it is definitely understood that she is the emblem of all maternal affection for Kṛṣṇa.
Bhakti-rasāmṛta-sindhu · BRS 3.4.14 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
vātsalyam, yathā –
tanau mantra-nyāsaṁ praṇayati harer gadgadamayī
sa-bāṣpākṣī rakṣā-tilakam alike kalpayati ca |
snuvānā pratyūṣe diśati ca bhuje kārmaṇam asau
yaśodā mūrteva sphurati suta-vātsalya-paṭalī ||14||
Yaśodā’s motherly affection: Early in the morning, with milk dripping from her breasts, with choked voice and tears in her eyes, Yaśodā uttered mantras on Kṛṣṇa’s limbs, placed tilaka on his forehead for his protection, and tied protective herbs on His arm. She was the personification of maternal love.
Jīva Gosvāmī · Durgama-saṅgamanī
Kārmaṇa means “using roots for magical purposes, using herbs for protection.”
The description of Nanda Mahārāja’s bodily features is as follows: The hairs on his head are generally black, but some of them are gray. His garments are of greenish color, like the new-grown leaves of a banyan tree. His belly is fatty, his complexion is exactly like the full moon, and he has a beautiful mustache. When Kṛṣṇa was a baby, one day He was walking in the courtyard, capturing the finger of His father, and because He could not walk steadily He appeared to be almost falling down. While Nanda Mahārāja was giving protection to His transcendental son in this way, all of a sudden there were drops of tears in his eyes and he became overwhelmed with joy. Let us all offer our respectful obeisances unto the lotus feet of King Nanda!
Bhakti-rasāmṛta-sindhu · BRS 3.4.15 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
vrajādhīśasya rūpaṁ, yathā –
tila-taṇḍulitaiḥ kacaiḥ sphurantaṁ
nava-bhāṇḍīra-palāśa-cāru-celam |
ati-tundilam indu-kānti-bhājaṁ
vraja-rājaṁ vara-kūrcam arcayāmi ||15||
Nanda’s form: I worship Nanda, the corpulent king of Vraja, who has a mixture of white and black hair on his head, an attractive beard as white as moon, and clothing the color of a new banyan leaf.
Jīva Gosvāmī · Durgama-saṅgamanī
Tila-taṇḍulitaiḥ (sesame and rice) means his hair was a combination of black and white. Atitundilam means that Nanda was bulky, but in a praiseworthy way. Ati in the context does not mean excessively fat, but rather praiseworthy, according to Viśva-kośa. Viśva-kośa also says: kūrco vikatthane madhye bhruvoḥ śmaśruṇi kaitave: kūrca means false praise, the area between the eye brows, a beard, and a cheater.
Bhakti-rasāmṛta-sindhu · BRS 3.4.16 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
vātsalyam, yathā –
avalambya karāṅguliṁ nijāṁ
skhalad-aṅghri prasarantam aṅgane |
urasi sravad-aśru-nirjharo
mumude prekṣya sutaṁ vrajādhipaḥ ||16||
His parental affection: Kṛṣṇa held the fingers of Nanda as He walked about the yard on unsteady feet. Seeing his son begin to walk, Nanda became inundated with bliss, and his chest became covered with tears.
Childhood age, childish dress, movements by the child, sweet words spoken by the child, nice smiling and various forms of childish play are considered provocations for increasing parental love for Kṛṣṇa. The childhood ages of Kṛṣṇa are divided into three periods: the beginning of kaumāra age, the middle of kaumāra age and the end of kaumāra age. During the beginning and middle of the kaumāra age, Kṛṣṇa’s thighs are fatty, and the inner part of His eyes are whitish. There are signs of teeth coming out, and He is very mild and gentle. He is described as follows: “When Kṛṣṇa had only three or four teeth coming out of His gums, His thighs were fatty, His body was very, very short, and He began to enhance the parental love of Nanda Mahārāja and mother Yaśodā with the activities of His childish body. He was sometimes stepping with His legs again and again, sometimes crying, sometimes smiling, sometimes sucking His thumb and sometimes lying down flat. These are some of the different activities of the child Kṛṣṇa. When Kṛṣṇa was lying down flat, sometimes sucking the toes of His feet, sometimes throwing His legs upward, sometimes crying and sometimes smiling, mother Yaśodā, seeing her son in such pastimes, did not show any sign of restricting Him, but rather began to watch her child with eagerness, enjoying these childhood pastimes.” In the beginning of Kṛṣṇa’s kaumāra age, the nails of tigers were set in a golden necklace about His neck. There was protective tilaka on His forehead, black mascara around His eyes and silk thread around His waist. These are the descriptions of Kṛṣṇa’s dress at the beginning of the kaumāra age.
Bhakti-rasāmṛta-sindhu · BRS 3.4.17 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atha uddīpanāḥ –
kaumārādi-vayo-rūpa-veśāḥ śaiśava-cāpalam |
jalpita-smita-līlādyāḥ budhair uddīpanāḥ smṛtāḥ ||17||
Uddīpanas: The uddīpanas for vatsala-rasa are said to be His three ages starting with kaumāra, His form, His cloth, His naughty actions, His laughing and His playing.
Bhakti-rasāmṛta-sindhu · BRS 3.4.18 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tatra kaumāram –
ādyaṁ madhyaṁ tathā śeṣaṁ kaumāraṁ tri-vidhaṁ matam ||18||
The kaumāra age has three stages: beginning, middle and end.
Bhakti-rasāmṛta-sindhu · BRS 3.4.19 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tatra ādyam –
sthūla-madhyorutāpāṅga-śvetimā svalpa-dantatā |
pravyakta-mārdavatvaṁ ca kaumāre prathame sati ||19||
The first part of kaumāra: At the beginning of the kaumāra age, His waist and thighs are chubby. The edges of His eyes are white; His teeth begin to appear slightly and His body is very tender.
Jīva Gosvāmī · Durgama-saṅgamanī
Sthūla-madhyorutā means His middle section and thighs were bulky.
Bhakti-rasāmṛta-sindhu · BRS 3.4.20 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā –
tri-catura-daśana-sphuran-mukhenduṁ
pṛthutara-madhya-kaṭi-rakoru-sīmā |
nava-kuvalaya-komalaḥ kumāro
mudam adhikāṁ vraja-nāthayor vyatānīt ||20||
An example: This young boy, showing three or four teeth, with chubby waist and thighs, who was as soft as a fresh blue lotus, gave extraordinary joy to Nanda and Yaśodā.
Jīva Gosvāmī · Durgama-saṅgamanī
Tri-catura-daśana means three or four teeth. In order to express doubt, this bahuvrīhi compound is formed. It suggests, by this doubt, that the teeth must have been very small, and thus difficult to see and count. Sīmā (boundary) here means that Kṛṣṇa was the abode of a fat waist and thighs.
Bhakti-rasāmṛta-sindhu · BRS 3.4.21 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
asmin muhuḥ pada-kṣepe kṣaṇike rudita-smite |
svāṅguṣṭha-pānam uttāna-śayanādyaṁ ca ceṣṭitam ||21||
The activities of Kṛṣṇa at the beginning of the kaumāra age are kicking up His legs, momentary crying or laughing, sucking His thumb, and sleeping on His back.
Bhakti-rasāmṛta-sindhu · BRS 3.4.22 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā –
mukha-puṭa-kṛta-pādāmbhoruhāṅguṣṭha-mūrdha-
pracala-caraṇa-yugmaṁ putram uttāna-suptam |
kṣaṇam iha virudantaṁ smera-vaktraṁ kṣaṇaṁ sā
tilam api viratāsīn nekṣituṁ goṣṭha-rājñī ||22||
An example: Yaśodā could not stop looking at her son sucking His big toe, throwing His two feet in the air, lying on His back, sometimes crying and sometimes laughing.
Bhakti-rasāmṛta-sindhu · BRS 3.4.23 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atra vyāghra-nakhaṁ kaṇṭhe rakṣā-tilaka-maṅgalam |
paṭṭa-ḍorī kaṭau haste sūtram ity ādi maṇḍanam ||23||
The ornaments of the early kaumāra age are a tiger claw around His neck, tilaka for protection, mascara on His eyes, a cord around His waist and a string tied on His wrist.
When Nanda Mahārāja saw the beauty of child Kṛṣṇa, with tiger nails on His chest, a complexion like the new-grown tamāla tree, beautifully decorated tilaka made with cow’s urine, arm decorations of nice silk thread, and silk clothes tied around His waist – when Nanda Mahārāja saw his child like this, he never became satiated by the child’s beauty.
Bhakti-rasāmṛta-sindhu · BRS 3.4.24 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā –
tarakṣu-nakha-maṇḍalaṁ nava-tamāla-patra-dyutiṁ
śiśuṁ rucira-rocanā-kṛta-tamāla-patra-śriyam |
dhṛta-pratisaraṁ kaṭi-sphurita-paṭṭa-sūtra-srajaṁ
vrajeśa-gṛhiṇī sutaṁ na kila vīkṣya tṛptiṁ yayau ||24||
An example: Looking at her son possessing the complexion of a new tamāla leaf, with a tiger claw around His neck, with yellow gorocana tilaka, with a string tied on His wrist and silk cord around His waist, Yaśodā could never satisfy her eyes.
Jīva Gosvāmī · Durgama-saṅgamanī
Tarakṣu is actually a wolf, but by approximation stands for tiger in this case. The second mention of tamāla-patra means tilaka in this verse.
In the middle kaumāra age, the upper portion of Kṛṣṇa’s hair falls around His eyes. Sometimes He is covered with cloth around the lower part of His body, and sometimes He is completely naked. Sometimes He tries to walk, taking step by step, and sometimes He talks very sweetly, in broken language. These are some of the symptoms of His middle kaumāra age. He is thus described when mother Yaśodā once saw Him in His middle kaumāra age: His scattered hairs were touching His eyebrows, and His eyes were restless, but He could not express His feelings with proper words; still, when He was talking, His talk was so nice and sweet to hear. When mother Yaśodā looked at His little ears and saw Him naked, trying to run very quickly with His little legs, she was merged into the ocean of nectar. Kṛṣṇa’s ornaments at this age are a pearl hanging from the septum of His nose, butter on His lotuslike palms, and some small bells hanging from His waist. It is stated that when mother Yaśodā saw that the child was moving, ringing the bells on His waist, smiling at her with a pearl between His nostrils and with butter on His hands, she became wonderfully pleased to see her little child in that fashion.
Bhakti-rasāmṛta-sindhu · BRS 3.4.25 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atha madhyamam –
dṛk-taṭī-bhāg-alakatānagnatā cchidri-karṇatā |
kalokti-riṅganādyaṁ ca kaumāre sati madhyame ||25||
Middle kaumāra age: In the middle kaumāra age, Kṛṣṇa has locks of hair falling to His eyes. He appears with partial clothing. He has pierced ears, He utters sweet, unclear words, and beings to crawl.
Jīva Gosvāmī · Durgama-saṅgamanī
Ānagnatā means “somewhat naked.” This has two forms: not completely covered and sometimes naked. Though Kṛṣṇa eternally has holes pierced in His ears, the holes become visible at this time. Riṅganādyam means the beginning stages of crawling by moving His feet a little.
Bhakti-rasāmṛta-sindhu · BRS 3.4.26 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā –
vicalad-alaka-ruddha-bhrū-kuṭī cañcalākṣaṁ
kala-vacanam udañcan nūtana-śrotra-randhram |
alaghu-racita-riṅgaṁ gokule dig-dukūlaṁ
tanayam amṛta-sindhau prekṣya mātā nyamāṅkṣīt ||26||
An example: Mother Yaśodā drowned in an ocean of bliss on seeing her partially naked son with locks hanging down to His brow, with darting eyes, inarticulate words, and fresh holes in His ears, as He crawled about more frequently.
Jīva Gosvāmī · Durgama-saṅgamanī
He had restless locks of hair bordering His brows and fickle eyes. He had fresh holes in his two ears, while he spoke broken words. The stage of crawling mentioned in the previous verse is here described. Alaghu-racita-riṅgam means frequent (not a little) crawling about. For the first time, during the middle period, he crawls about frequently (alaghu). This means that at the end of the ādya-kaumāra period, there was a very small amount of crawling. Thus, in the middle period he crawled around more (alaghu). Riṅgam means crawling. Dig-dukūlam (having the directions for His dress) means as explained before, sometimes naked and sometimes partially naked. Tanayamana bhavantī sā sudhāmbhau vijahre (thinking of her son, she enjoyed a pool of nectar) is an alternative version in the last line.
Bhakti-rasāmṛta-sindhu · BRS 3.4.27 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
ghrāṇasya śikhare muktā nava-nītaṁ karāmbuje |
kiṅkiṇy-ādi ca kaṭyādau prasādhanam ihoditam ||27||
The decorations of the middle kaumāra period are a pearl at the tip of His nose, butter in His hand, and bells around His waist.
Jīva Gosvāmī · Durgama-saṅgamanī
Kṛṣṇa holds butter in His hand occasionally, not all the time. Because it produces a splendor, it is included with the ornaments.
Bhakti-rasāmṛta-sindhu · BRS 3.4.28 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā –
kvaṇita-kanaka-kiṅkiṇī-kalāpaṁ
smita-mukham ujjvala-nāsikāgram uktam |
kara-dhṛta-navanīta-piṇḍam agre
tanayam avekṣya nananda nanda-patnī ||28||
An example: The wife of Nanda derived great pleasure from seeing Kṛṣṇa in front of her, with small gold bells jingling around His waist, with the pearl in His nose and butter in His hand.
While Kṛṣṇa was in the middle of His kaumāra age, His waist became thinner, His chest became broader, and His head was decorated with His curly hairs, resembling the falling of the wings of a crow. These wonderful features of Kṛṣṇa’s body never failed to astonish mother Yaśodā. At the end of His kaumāra age, Kṛṣṇa carried a small stick in His hand, His clothing was a little longer, and He had a knot around His waist, resembling the hood of a snake. In that dress He used to take care of the calves near the house, and sometimes He played with cowherd boys of about the same age. He had a slender flute and a buffalo-horn bugle, and sometimes He played on a flute made from the leaves of trees. These are some of the symptoms of the end of Kṛṣṇa’s kaumāra age.
Bhakti-rasāmṛta-sindhu · BRS 3.4.29 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atha śeṣam –
atra kiñcit kṛśaṁ madhyam īṣat-prathima-bhāg uraḥ |
śiraś ca kāka-pakṣāḍhyaṁ kaumāre carame sati ||29||
Late kaumāra: During the last part of the kaumāra age, Kṛṣṇa’s waist becomes slightly thinner, His chest becomes slightly broader, and three braids hang down His back.
Bhakti-rasāmṛta-sindhu · BRS 3.4.30 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā –
sa manāg apacīyamāna-madhyaḥ
prathimopakrama-śikṣaṇārthi-vakṣāḥ |
dadhad-ākula-kāka-pakṣa-lakṣmīṁ
jananīṁ stambhayati sma divya-ḍimbhaḥ ||30||
An example: The sight of the charming child with thin waist, slightly broadened chest, and three braids tied at the back of His head completely stunned His mother.
Jīva Gosvāmī · Durgama-saṅgamanī
Apacīyamāna-madhyaḥ means that the waist became slightly thinner on its own, by itself. It is a reflexive verb form. Kāka-pakṣa means that three braids, one on the left, one on the right and one in the center, were tied together at the back.
Bhakti-rasāmṛta-sindhu · BRS 3.4.31 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
dhaṭī phaṇa-paḍī cātra kiñcid-vanya-vibhūṣaṇam |
laghu-vetra-karatvādi maṇḍanaṁ parikīrtitam ||31||
A long narrow cloth wrapped around the waist, cloth folded to resemble a serpent’s hood at the front, flower ornaments and a small stick in His hand are considered the ornaments of the last part of the kaumāra age.
Jīva Gosvāmī · Durgama-saṅgamanī
Dhaṭī is a long, narrow cloth. It looks attractive, wrapping the lower half of the body in various ways. Phaṇa-paḍī is piece of cloth that looks like serpent’s hood in front and sewn at the back to look like a small dhaṭī. It is tucked in at the waist.
Bhakti-rasāmṛta-sindhu · BRS 3.4.32 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
vatsa-rakṣā vrajābhyarṇe vayasyaiḥ saha khelanam |
pāva-śṛṅga-dalādīnāṁ vādanādy atra ceṣṭitam ||32||
The activities of the last part of the kaumāra age are herding the calves near Vraja, playing with friends, and playing on small flutes, horns and leaves.
Jīva Gosvāmī · Durgama-saṅgamanī
Pāva means a small flute.
When Kṛṣṇa was a little grown up and was taking care of the small calves, He would often go near the forest. And when He was a little bit late returning home, Nanda Mahārāja would immediately get up on the candra-śālikā (a small shed built on the roof for getting a bird’s-eye view all around), and he would watch for Him. Worrying about the late arrival of his little son, Nanda Mahārāja would remain on the candra-śālikā until he could indicate to his wife that Kṛṣṇa, surrounded by His little cowherd friends, was coming back with the calves. Nanda Mahārāja would point out the peacock feather on his child’s head and would inform his beloved wife how the child was pleasing his eyes.
Bhakti-rasāmṛta-sindhu · BRS 3.4.33 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā –
śikhaṇḍa-kṛta-śekharaḥ phaṇa-paṭīṁ dadhat
kare ca laguḍīṁ laghuṁ savayasāṁ kulair āvṛtaḥ |
avann iha śakṛt-karīn parisare vrajasya priye
sutas tava kṛtārthayaty ahaha paśya netrāṇi naḥ ||33||
An example of activities of late kaumāra: O dear wife! Look! Your son, with a peacock feather on His head and the hood-shaped cloth decoration, carrying a stick, and surrounded by His friends, is herding the calves at the edge of Vraja. By seeing Him, our eyes have become successful.
Jīva Gosvāmī · Durgama-saṅgamanī
Noticing that their son was late in returning, Nanda climbed to the pavilion on the roof, and in consternation spoke to his wife. Śakṛt-karīn (literally dung makers) means calves.
Mother Yaśodā would then address Nanda Mahārāja, “See my dear son, whose eyes are white, who has a turban on His head, a wrapper on His body and leg bells that tinkle very sweetly on His feet. He is coming near, along with His surabhi calves, and just see how He is wandering upon the sacred land of Vṛndāvana!”
Bhakti-rasāmṛta-sindhu · BRS 3.4.35 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā –
pathi pathi surabhīṇām aṁśukottaṁsi-mūrdhā
dhavalim ayug-apāṅgo maṇḍitaḥ kañcukena |
laghu laghu pariguñjan-mañju-mañjīra-yugmaṁ
vraja-bhuvi mama vatsaḥ kacca-deśād upaiti ||35||
An example: My son with white edges on His eyes, wearing a turban and jacket, is returning to Vraja from the river bank, following behind the cows, while His attractive ankle bells jingle.
Similarly, Mahārāja Nanda would address his wife, “My dear Yaśodā, just look at your offspring, Kṛṣṇa! See His blackish bodily luster, His eyes tinged with red color, His broad chest and His nice golden necklace! How wonderful He looks, and how He is increasing my transcendental bliss more and more!”
Bhakti-rasāmṛta-sindhu · BRS 3.4.36 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atha kaiśoram –
aruṇima-yug-apāṅgas tuṅga-vakṣaḥ-kapāṭī-
viluṭhad-amala-hāro ramya-romāvali-śrīḥ |
puruṣa-maṇir ayaṁ me devaki śyāmalāṅgas
tvad-udara-khani-janmā netram uccair dhinoti ||36||
Kaiśora age: O Yaśodā! That jewel of a man, dark in color, who came from the mine of your womb, with reddish edges on His eyes, with raised chest and necklace hanging on His throat, and a line of hair rising from His belly, is giving pleasure to my eyes.
When Kṛṣṇa, the beloved son of Nanda Mahārāja, steps into His kaiśora age, although He becomes more beautiful, His parents still consider Him to be in the paugaṇḍa age – even though He is between the ages of ten and fifteen. When Kṛṣṇa is in His paugaṇḍa age, some of His servants also accept Him as being in the kaiśora age. When Kṛṣṇa performs His childish pastimes, His general practice is to break the milk and yogurt pots, throw the yogurt in the courtyard and steal the cream from the milk. Sometimes He breaks the churning rod and sometimes He throws butter on the fire. In this way, He increases the transcendental pleasure of His mother, Yaśodā.
Bhakti-rasāmṛta-sindhu · BRS 3.4.37 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
navyena yauvanenāpi dīvyan goṣṭhendra-nandanaḥ |
bhāti kevala-vātsalya-bhājāṁ paugaṇḍa-bhāg iva ||37||
Though Kṛṣṇa is beautiful in the age of nava-yauvana (late kaiśora), He appears as if He were still in the paugaṇḍa age for those fixed in pure vātsalya-rasa.
Bhakti-rasāmṛta-sindhu · BRS 3.4.38 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
sukumāreṇa paugaṇḍa-vayasā saṅgato ’py asau |
kiśorābhaḥ sadā dāsa-viśeṣāṇāṁ prabhāsate ||38||
And when Kṛṣṇa is of the delicate paugaṇḍa age, He appears to be of the kaiśora age for certain types of persons in dāsya-rasa.
Jīva Gosvāmī · Durgama-saṅgamanī
Dāsa-viśeṣāṇām refers to devatās and others who usually see His mature form.
Bhakti-rasāmṛta-sindhu · BRS 3.4.39 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atha śaiśava-cāpalam –
pārīr bhinatti vikiraty ajire dadhīni
santānikāṁ harati kṛntati mantha-daṇḍam |
vahnau kṣipaty avirataṁ nava-nītam itthaṁ
mātuḥ pramoda-bharam eva haris tanoti ||39||
Insolence of His kaiśora age: Kṛṣṇa gave bliss to mother Yaśodā by breaking the milk pots, scattering the yogurt, stealing the cream off the milk, breaking the churning rod, and constantly throwing butter into the fire.
Jīva Gosvāmī · Durgama-saṅgamanī
Pārīḥ refers to drinking vessels according to Kṣīrasvāmī. So, it means milk pots. People of Mathurā say it means clay vessels with lids. Santānikām refers to the cream layer on top of the milk. Instead of kṣipaty avirataṁ (He constantly threw butter), sometimes kṣipaty api muhūr (same meaning) is seen.
In this connection mother Yaśodā once told Mukharā, her maidservant, “Just look at Kṛṣṇa looking stealthily toward all sides and slowly stepping forward from the bushes. It appears that He is coming just to steal the butter. Don’t expose yourself or He may understand that we are looking toward Him. I want to enjoy the sight of His eyebrows moving in this cunning way, and I want to see His fearful eyes and beautiful face.”
Bhakti-rasāmṛta-sindhu · BRS 3.4.40 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā vā –
prekṣya prekṣya diśaḥ sa-śaṅkam asakṛn mandaṁ padaṁ nikṣipan
nāyāty eṣa latāntare sphuṭam ito gavyaṁ hariṣyan hariḥ |
tiṣṭha svairam ajānatīva mukhare caurya-bhramad-bhrū-lataṁ
trasyal-locanam asya śuṣyad-adharaṁ ramyaṁ didṛkṣe mukham ||40||
Another example: O Mukharā! Kṛṣṇa, looking all around in fear and walking softly, has certainly come to steal the butter by darting out from behind the creepers. Remain here, pretending not to know. I desire to see His attractive face with dry face and frightened eyes, as He moves His brows---thinking how to steal the butter.
Jīva Gosvāmī · Durgama-saṅgamanī
Tiṣṭha svairam means “stand here without moving.” Nānārtha-varga of Amara-kośa says manda-svacchandayoḥ svairam: svairam means slowly or at will. He has brows which move about because of His thinking how to steal the butter.
In enjoying Kṛṣṇa’s attitude of stealing butter very stealthily, mother Yaśodā experienced the ecstasy of maternal love by smelling His head, sometimes patting His body with her hand, sometimes offering blessings, sometimes ordering Him, sometimes gazing at Him, sometimes maintaining Him and sometimes giving Him good instructions not to become a thief. Such activities are in maternal ecstatic love. An important point to be observed in this connection is that the childish propensity of stealing is there even in the Supreme Personality of Godhead, and therefore this propensity is not artificial. However, in the spiritual relationship there is no inebriety to this stealing propensity, as there is in the material world.
Bhakti-rasāmṛta-sindhu · BRS 3.4.41 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atha anubhāvāḥ –
anubhāvāḥ śiro-ghrāṇaṁ kareṇāṅgābhimārjanam |
āśīrvādo nideśaś ca lālanaṁ pratipālanam |
hitopadeśa-dānādyā vatsale parikīrtitāḥ ||41||
The anubhāvas in vatsala-rasa are smelling Kṛṣṇa’s head, rubbing His body with one’s hands, giving blessings to Him, giving Him orders, caring for Him, protecting Him, and giving beneficial instructions.
Jīva Gosvāmī · Durgama-saṅgamanī
Lālanam (caring for Him) refers to actions such as bathing Him. Pratipālanam means “protecting.”
In Śrīmad-Bhāgavatam, Tenth Canto, thirteenth chapter, verse 33, Śukadeva Gosvāmī tells King Parīkṣit, “My dear King, as soon as the elderly gopīs saw their sons coming, there was an inexpressible sign of parental love, and all of them became absorbed in affection. At first they were planning to chastise their sons for stealing butter, but as soon as the sons came before their eyes, they lost all of their angry attitudes and became overwhelmed with affection. They began to embrace their sons and smell their heads. While doing this, they became almost mad after their children.” In their childhood pastimes, all these cowherd boys joined with Kṛṣṇa in stealing butter. But rather than become angry, mother Yaśodā became wet from the milk flowing out of her breasts. Out of her affection for Kṛṣṇa, she began to smell His head repeatedly.
Bhakti-rasāmṛta-sindhu · BRS 3.4.42 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atra śiro-ghrāṇam, yathā śrī-daśame –
tad-īkṣaṇotprema-rasāplutāśayā
jātānurāgā gata-manyavo ’rbhakān |
uduhya dorbhiḥ parirabhya mūrdhani
ghrāṇair avāpuḥ paramāṁ mudaṁ te ||42||
Smelling His head, from the Tenth Canto: At that time, all the thoughts of the cowherd men merged in the mellow of paternal love, which was aroused by the sight of their sons. Experiencing a great attraction, their anger completely disappearing, they lifted their sons, embraced them in their arms and enjoyed the highest pleasure by smelling their sons’ heads. SB 10.13.33
Bhakti-rasāmṛta-sindhu · BRS 3.4.43 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā vā –
dugdhena digdhā kuca-vicyutena
samagram āghrāya śiraḥ sapiccham |
kareṇa goṣṭheśitur aṅganeyam
aṅgāni putrasya muhur mamārja ||43||
Another example: The wife of Nanda, with milk flowing from her breasts and soaking her body, after smelling His head bedecked with peacock feather, began to rub His limbs with her hands repeatedly.
The general activities of all the mothers of the cowherd boys were to kiss them, to embrace them, to call them by their names and sometimes to chastise them mildly for their stealing habits. These manifestations of parental love are called sāttvika ecstasy, wherein manifestations of eight kinds of ecstatic symptoms are visible in full. In Śrīmad-Bhāgavatam, Tenth Canto, thirteenth chapter, verse 22, Śukadeva Gosvāmī tells King Parīkṣit, “All the mothers of the cowherd boys were illusioned by the covering influence of the yoga-māyā potency of the Personality of Godhead, and as soon as they heard the flute playing of their boys, they immediately stood up and mentally embraced their sons, who had been created by the direct internal potency of Kṛṣṇa. Accepting them as their born sons, they lifted them into their arms and began to embrace them, resting the children’s bodies upon their own. The emotions created by this incident were sweeter than nectar turned into a palatable intoxicant, and the milk flowing out of their breasts was immediately drunk up by the children.”
Bhakti-rasāmṛta-sindhu · BRS 3.4.44 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
cumbāśleṣau tathāhvānaṁ nāma-grahaṇa-pūrvakam |
upālambhādayaś cātra mitraiḥ sādhāraṇāḥ kriyāḥ ||44||
The elders’ activities of kissing him, embracing him, calling out His name and criticizing Him are anubhāvas in common with the friends as well.
Bhakti-rasāmṛta-sindhu · BRS 3.4.45 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atha sāttvikāḥ –
navātra sāttvikāḥ stanya-srāvaḥ stambhādayaś ca te ||45||
Sāttvika-bhāvas: The sāttvika-bhāvas of vātsalya-bhakti-rasa are the eight starting with stambha (paralysis) and as well, milk flowing from the breasts of the women.
Bhakti-rasāmṛta-sindhu · BRS 3.4.46 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tatra stanya-srāvo, yathā śrī-daśame –
tan-mātaro veṇu-rava-tvarotthitā
utthāpya dorbhiḥ parirabhya nirbharam |
sneha-snuta-stanya-payaḥ-sudhāsavaṁ
matvā paraṁ brahma sutān apāyayan ||46||
Milking flowing from the breasts, from the Tenth Canto: The mothers of the boys, upon hearing the sounds of the flutes and bugles being played by their sons, immediately rose from their household tasks, lifted their boys onto their laps, embraced them with both arms and began to feed them with their breast milk, which flowed forth because of extreme love specifically for Kṛṣṇa. Actually, Kṛṣṇa is everything, but at that time, expressing extreme love and affection, they took special pleasure in feeding Kṛṣṇa, the Parabrahman, and Kṛṣṇa drank the milk from His respective mothers as if it were a nectarean beverage. SB 10.13.23
In the Lalita-mādhava, compiled by Rūpa Gosvāmī, Kṛṣṇa is addressed as follows: “My dear Kṛṣṇa, when You are engaged in herding the animals, the dust caused by the hooves of the calves and cows covers Your nice face and artistic tilaka, and You appear very dusty. But when You return home, the milk flowing out of the breasts of Your mother washes Your face of its dust covering and You appear to be purified by this milk, just as when the Deity is washed during the performance of the abhiṣeka ceremony.” It is the custom in the temples of Deities that if there have been some impure activities, the Deity has to be washed with milk. Kṛṣṇa is the Supreme Personality of Godhead, and He was washed by the milk from the breast of mother Yaśodā, which purified Him from the dust covering.
Bhakti-rasāmṛta-sindhu · BRS 3.4.47 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā vā lalita-mādhave (1.46) –
niculita-giri-dhātu-sphīta-patrāvalīkān
akhila-surabhi-reṇūn kṣālayadbhir yaśodā |
kuca-kalasa-vimuktaiḥ sneha-mādhvīka-medhyais
tava navam abhiṣekaṁ dugdha-pūraiḥ karoti ||47||
Another example, from Lalita-mādhava: O Kṛṣṇa! Yaśodā, by most pure streams of milk mixed with the honey of her affection flowing from the pots in the form of her breasts, is washing away the dust raised by the cows’ hooves which covers the painted patterns on Your body, derived from minerals found in the mountains. In this way, she performs a first bath for You.
Jīva Gosvāmī · Durgama-saṅgamanī
Niculita means covered. Yaśodā’s affection (sneha) was the honey (mādhvīka) used for the abhiṣeka. Medhya means “most pure.” Sneha-mādhvīka-medha is a compound of two adjectives (with the purity of honey-like affection). The suggestion is that this would be very enjoyable for Kṛṣṇa. Nava here means “first.” There would be another bath for Kṛṣṇa soon after, using water, but it would be insignificant compared to this bath with milk.
Sometimes there are examples of mother Yaśodā’s becoming stunned in ecstasy. This was exhibited when she saw her son lifting Govardhana Hill. When Kṛṣṇa was standing, raising the hill, mother Yaśodā hesitated to embrace Him and became stunned. The dangerous position that Kṛṣṇa had accepted by lifting the hill brought tears to her eyes. With her eyes filled with tears she could not see Kṛṣṇa anymore, and because her throat was choked up by anxiety she could not even instruct Kṛṣṇa as to what He should do in that position. This is a symptom of becoming stunned in ecstatic love.
Bhakti-rasāmṛta-sindhu · BRS 3.4.48 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
stambhādayo, yathā –
katham api parirabdhuṁ na kṣamā stabdha-gātrī
kalayitum api nālaṁ bāṣpa-pura-plutākṣī |
na ca sutam upadeṣṭuṁ ruddha-kaṇṭhī samarthā
dadhatam acalam āsīd vyākulā gokuleśā ||48||
Other sāttvika bhāvas: The disturbed queen of Gokula could not embrace Kṛṣṇa, the lifter of Govardhana, because her limbers were paralyzed. Nor could she gaze upon Him, because her eyes were filled with tears. Nor could she instruct Him, because her voice was choked up.
Jīva Gosvāmī · Durgama-saṅgamanī
Instead of gokuleśā (queen of Gokula) sometimes gopa-rājñī (queen of the cowherds) is seen in the texts.
Mother Yaśodā sometimes enjoyed transcendental ecstasy in happiness when her child was saved from a dangerous situation, such as being attacked by Pūtanā or some other demon. In Śrīmad-Bhāgavatam, Tenth Canto, seventeenth chapter, verse 19, Śukadeva Gosvāmī says that mother Yaśodā felt very, very fortunate when she got back her lost child. She immediately placed Him on her lap and began to embrace Him again and again. While she was thus embracing her son repeatedly, torrents of tears fell from her eyes, and she was unable to express her transcendental joy. It is stated in the Vidagdha-mādhava of Śrīla Rūpa Gosvāmī, “My dear Kṛṣṇa, the touch of Your mother is so pleasing and cooling that it surpasses the cooling capacity of the pulp of sandalwood and of bright moonshine mixed with the pulp of uśīra root.” (Uśīra is a kind of root which when soaked with water has a very, very cooling effect. It is especially used in the scorching heat of the sun.)
Bhakti-rasāmṛta-sindhu · BRS 3.4.50 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tatra harṣo, yathā śrī-daśame–
yaśodāpi mahābhāgā naṣṭa-labdha-prajā satī |
pariṣvajāṅkam āropya mumocāśru-kalāṁ muhuḥ ||50||
Harṣa (joy), from the Tenth Canto: The greatly fortunate mother Yaśodā, having lost her son and then regained Him, placed Him on her lap. That chaste lady cried constant torrents of tears as she repeatedly embraced Him. SB 10.17.20
Bhakti-rasāmṛta-sindhu · BRS 3.4.51 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā vā vidagdha-mādhave (1.20) –
jita-candra-parāga-candrikā
naladendīvara-candana-śriyam |
parito mayi śaitya-mādhurīṁ
vahati sparśa-mahotsavas tava ||51||
Another example, from Vidagdha-mādhava: O Kṛṣṇa! The great bliss generated from Your touch produces in me in the most pleasurable coolness, which conquers the coolness of abundant camphor, the moonlight, the herb uśīra (spikenard), the blue lotus or sandalwood.
Jīva Gosvāmī · Durgama-saṅgamanī
Candra-parāga means powered camphor. Nalada is uśīra. Śriyam means wealth. Camphor, uśīra, the blue lotus and sandalwood are also a wealth of sweet coolness (śaitya-mādhurīm), which is indicated by listing them in relation to the coolness of Kṛṣṇa’s touch.
The parental love of mother Yaśodā for Kṛṣṇa steadily increases, and her love and ecstasy are sometimes described as intense affection and sometimes as overwhelming attachment. An example of attachment for Kṛṣṇa with overwhelming affection is given in Śrīmad-Bhāgavatam, Tenth Canto, sixth chapter, verse 43, where Śukadeva Gosvāmī addresses Mahārāja Parīkṣit in this way: “My dear King, when magnanimous Nanda Mahārāja returned from Mathurā, he began to smell the head of his son, and he was merged in the ecstasy of parental love.” A similar statement is there in connection with mother Yaśodā when she was too anxious to hear the sound of Kṛṣṇa’s flute, expecting Him back from the pasturing ground. Because she thought that it was getting very late, her anxiety to hear the sound of Kṛṣṇa’s flute became doubled, and milk began to flow from her breast. In that condition she was sometimes going within the house, sometimes coming out of the house. She was constantly looking to see if Govinda was coming back along the road. When many very great sages were offering prayers to Lord Kṛṣṇa, glorifying His activities, the Queen of Gokula, mother Yaśodā, entered the Battlefield of Kurukṣetra, wetting the lower part of her sārī with the milk flowing from her breast. This entrance of mother Yaśodā at Kurukṣetra was not during the Battle of Kurukṣetra. At other times Kṛṣṇa went to Kurukṣetra from His paternal home (Dvārakā) during the solar eclipse, and at these times the residents of Vṛndāvana also went to see Him there.
Bhakti-rasāmṛta-sindhu · BRS 3.4.53 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yaśodādes tu vātsalya-ratiḥ prauḍhā nisargataḥ |
premavat snehavad bhāti kadācit kila rāgavat ||53||
The vatsala-rati of Yaśodā and others is at the stage of very intense rāga by its very nature. Just as other ratis gradually increase to prema, and then sneha, sometimes vatsala-rati also appears externally to increase to prema, sneha and rāga, but internally it is always on the level of rāga.
Jīva Gosvāmī · Durgama-saṅgamanī
Yaśodādeḥ indicates Yaśodā and other elders with vatsala-rasa. Yaśodā’s rati is naturally deep (prauḍhā). But other types of devotees also have deep rati. Therefore, prauḍhā here indicates that vatsala-rati is constituted of the highest stage of rāga. This rati appears (bhāti) to go through the stages of prema, sneha and rāga. However, internally it is always deep, being rāga. [Note: There is no praṇaya in vatsala rasa, since the elders can never think of Kṛṣṇa as being equal to themselves.]
Bhakti-rasāmṛta-sindhu · BRS 3.4.54 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tatra vātsalya-ratir, yathā śrī-daśame
nandaḥ sva-putram ādāya pretyāgatam udāra-dhīḥ |
mūrdhny upāghrāya paramāṁ mudaṁ lebhe kurūdvaha ||54||
Vatsala-rati from the Tenth Canto: O Mahārāja Parīkṣit, best of the Kurus, Nanda Mahārāja was very liberal and simple. He immediately took his son Kṛṣṇa on his lap as if Kṛṣṇa had returned from death, and by formally smelling his son’s head, Nanda Mahārāja undoubtedly enjoyed transcendental bliss. SB 10.6.43
Bhakti-rasāmṛta-sindhu · BRS 3.4.55 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā vā –
vinyasta-śruti-pālir adya muralī-nisvāna-śuśrūṣā
bhūyaḥ prasrava-varṣiṇī dviguṇitotkaṇṭhā pradoṣodaye |
gehād aṅganam aṅganāt punar asau gehaṁ viśanty ākulā
govindasya muhur vrajendra-gṛhiṇī panthānam ālokate ||55||
Another example: Today, in order to hear the sound of the flute, Yaśodā has pricked up her ears. But as evening approached, her longing doubled in intensity. Milk flowed from her breasts, and repeatedly she went out of the house into the yard and then reentered the house. In complete anxiety, she constantly gazed at the path by which Govinda would return.
Jīva Gosvāmī · Durgama-saṅgamanī
Pāli means the edge of the ear according to the Viśva-kośa. Here it indicates the whole ear. Yaśodā directed her whole ear to listening for the sound of the flute.
Bhakti-rasāmṛta-sindhu · BRS 3.4.56 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
premavad, yathā –
prekṣya tatra muni-rāja-maṇḍalaiḥ
stūyamānam api mukta-sambhramā |
kṛṣṇam aṅkam abhi gokuleśvarī
prasnutā kuru-bhuvi nyavīviśat ||56||
Yaśodā’s appearing to have prema: Knowing from talking to others that Kṛṣṇa was being glorified by the sages at that place, Yaśodā, milk flowing from her breasts, entered Kurukṣetra without reverence for Him as the Lord.
Jīva Gosvāmī · Durgama-saṅgamanī
Prekṣya means “understanding by talking to others.” She understood that she would be able to meet Him in the inner quarters. Prekṣā means intelligence. kuru-bhuvi nyavīviśat is the correct version.
When Kṛṣṇa arrived at Kurukṣetra on pilgrimage, all the people assembled there began to say that Kṛṣṇa, the son of Devakī, had arrived. At that time, Devakī, just like an affectionate mother, began to pat Kṛṣṇa’s face. And again when people cried that Kṛṣṇa, the son of Vasudeva, had come, both King Nanda and mother Yaśodā became overwhelmed with affection and expressed their great pleasure.
Bhakti-rasāmṛta-sindhu · BRS 3.4.57 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā vā –
devakyā vivṛta-prasū-caritayāpy unmṛjyamānānane
bhūyobhir vasudeva-nandanatayāpy udghūṣyamāṇe janaiḥ |
govinde mihira-grahotsukatayā kṣetraṁ kuror āgate
premā vallava-nāthayor atitarām ullāsam evāyayau ||57||
Another example: When Kṛṣṇa went with an eager heart to Kurukṣetra to observe the solar eclipse, people glorified Him as the son of Vasudeva. Devakī, performing activities suitable for a mother, wiped the tears from His face, while Nanda and Yaśodā’s prema simply increased even more.
Jīva Gosvāmī · Durgama-saṅgamanī
Devakī had to wipe His face because of His tears of joy at meeting Nanda and Yaśodā. Taking the occasion of the eclipse of the sun (mihira-graha), Kṛṣṇa became anxious (utsukatayā) to go there because Yaśodā and Nanda would also go there. Thus, the longing was not to go to Kurukṣetra for the eclipse, but to see them. Why did the prema of Nanda and Yaśodā increase to the extreme? The heightened prema in Nanda and Yaśodā appeared because of explanations from others about Kṛṣṇa which ran contrary to that prema. [Note: The definition of prema is that it does not reduce at all, even in trying circumstances.] Those contrary explanations simply caused their prema to increase.
What were those contrary explanations? Before the killing of Kaṁsa, Nanda and Yaśodā had not heard the real truth about Kṛṣṇa. After the killing of Kaṁsa, however, this was revealed to them. The Yādavas said that they were the kinsmen and parents of Kṛṣṇa, explaining about the message from the sky given to Kaṁsa that the eighth child of Devakī would kill him (and thus He was removed from Mathurā and separated from His parents).
asyās tvām aṣṭamo garbho hantā yāṁ vahase ’budha
“You foolish rascal, the eighth child of the woman you are carrying will kill you!” SB 10.1.34
If they were to reveal that they had exchanged Yaśodā’s child for Kṛṣṇa, it would show some selfish injustice on their part. Therefore, they concealed that fact. According to Hari-vaṁśa, which explains about the exchange, they also had to conceal the fact that Nārada had secretly disclosed the facts to Kaṁsa. [Note: Nārada tells Kaṁsa the story of the exchange of children SB 10.36.] This was the extent of explanation about Kṛṣṇa that Nanda and Yaśodā had heard from the Yadus. They thus explained that Kaṁsa had been given warnings when driving Devakī after her wedding, and that Kaṁsa later heard Devī speak from the sky:
kiṁ mayā hatayā manda jātaḥ khalu tavānta-kṛt
yatra kva vā pūrva-śatrur mā hiṁsīḥ kṛpaṇān vṛthā
O Kaṁsa, you fool, what will be the use of killing me? The Supreme Personality of Godhead, who has been your enemy from the very beginning and who will certainly kill you, has already taken His birth somewhere else. Therefore, do not unnecessarily kill other children. SB 10.4.12
Kaṁsa also understood the sin he was committing:
daivam apy anṛtaṁ vakti na martyā eva kevalam
yad-viśrambhād ahaṁ pāpaḥ svasur nihatavāṣ chiśūn
Alas, not only human beings but sometimes even providence lies. And I am so sinful that I believed the omen of providence and killed so many of my sister’s children. SB 10.4.17
If there had been some alternative, Vasudeva, who had no intention to deceive and was acting as an unmotivated friend, would not have spoken to Nanda as follows (with deception) shortly after Kṛṣṇa arrived in Gokula:
diṣṭyā bhrātaḥ pravayasa idānīm aprajasya te
prajāśāyā nivṛttasya prajā yat samapadyata
My dear brother Nanda Mahārāja, at an advanced age you had no son at all and were hopeless of having one. Therefore, that you now have a son is a sign of great fortune. SB 10.5.23
However, Garga had previously revealed as the real situation:
prāgayaṁ vasudevasya kvacij jātas tavātmajaḥ
vāsudeva iti śrīmān abhijñāḥ sampracakṣate
For many reasons, this beautiful son of Yours sometimes appeared previously as the son of Vasudeva. Therefore, those who are learned sometimes call this child Vāsudeva. SB 10.8.14
After the killing of Kaṁsa, this same knowledge was then revealed by the Yadus to Nanda and Yaśodā. So then, after the killing of Kaṁsa, and considering how to fulfill their past and present goals, the Yadus now spoke only of their own lineage with Kṛṣṇa. Well, let that be.
However, if persons suitable for a certain child take that child as their own, and act as the parents of the child, they certainly experience the happiness of being the parents. What then to speak of Nanda and Yaśodā, who by their love for Kṛṣṇa, were actually non-different from Vasudeva and Devakī! [Note: Kṛṣṇa and Balarāma pacify Nanda in Mathurā with such words in SB 10.45.22] Thinking about this, Kṛṣṇa himself (taking Nanda and Yaśodā as His real parents) had said:
yāta yūyaṁ vrajaṁn tāta vayaṁ ca sneha-duḥkhitān
jñātīn vo draṣṭum eṣyāmo vidhāya suhṛdāṁ sukham
Now you should all return to Vraja, dear Father. We shall come to see you, Our dear relatives who suffer in separation from Us, as soon as We have given some happiness to your well-wishing friends. SB 10.45.23
The meaning here is “We should do activities to give happiness to Vasudeva and your friends similar to the generous actions you performed in giving us happiness.” Kṛṣṇa then spoke His true feelings (indicating His real parents) to Uddhava in private.
gacchoddhava vrajaṁ saumya pitror nau prītim āvaha
gopīnāṁ mad-viyogādhiṁ mat-sandeśair vimocaya
Dear gentle Uddhava, go to Vraja and give pleasure to Our parents. And also, relieve the gopīs, suffering in separation from Me, by giving them My message. SB 10.46.3
At Kurukṣetra, Devakī said to Yaśodā:
etāv adṛṣṭa-pitarau yuvayoḥ sma pitroḥ samprīṇanābhyudaya-poṣaṇa-pālanāni
prāpyoṣatur bhavati pakṣma ha yadvad akṣṇor nyastāv akutra ca bhayau na satāṁ paraḥ svaḥ
Before these two boys had ever seen Their real parents, you acted as Their parents and gave Them all affectionate care, training, nourishment and protection. They were never afraid, good lady, because you protected Them just as eyelids protect the eyes. Indeed, saintly persons like you never discriminate between outsiders and their own kin. SB 10.82.38
But though Devakī said this, it should be understood that Yaśodā did not pay any attention to this statement, because of her feelings for her son whom she was meeting after such a long time. This is indicated by the fact that, after Devakī made that statement, Yaśodā did not give any reply. (Thus the whole disclosure only made Nanda and Yaśodā’s love for Kṛṣṇa stronger.)
When mother Yaśodā, the Queen of Gokula, was going to see her son Kṛṣṇa at Kurukṣetra, one of her friends addressed her thus: “My dear Queen, the milk flowing out of your breast-mountain has already whitened the river Ganges, and the tears from your eyes, mixed with black mascara, have already blackened the color of the Yamunā. And as you are standing just between the two rivers, I think that there is no need for your anxiety to see your son’s face. Your parental affection has already been exhibited to Him by these two rivers!”
Bhakti-rasāmṛta-sindhu · BRS 3.4.58 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
snehavat, yathā –
pīyūṣa-dyutibhiḥ stanādri-patitaiḥ kṣīrotkarair jāhnavī
kālindī ca vilocanābja-janitair jātāñjana-śyāmalaiḥ |
ārān-madhyama-vedim āpatitayoḥ klinnā tayoḥ saṅgame
vṛttāsi vraja-rājñi tat-suta-mukha-prekṣāṁ sphuṭaṁ vāñchasi ||58||
Yaśodā’s appearing to have sneha: O queen of Vraja! The Gaṅgā River has sprung up through streams of sweet milk falling from the mountains of your breasts, and the Yamunā has sprung up through the tears mixed with black mascara falling from your lotus eyes. [Note: The Yamunā is said to be blackish in color.] Those rivers are falling on the altar of your torso. Being bathed at the joining of the two rivers, you clearly desire to see the face of your son. [Note: The quality of sneha is that separation becomes intolerable.]
Jīva Gosvāmī · Durgama-saṅgamanī
On the pretext of pilgrimage to Kurukṣetra for observing the solar eclipse, Yaśodā went with great longing to see her son. One woman acquaintance performing austerities spoke these words to her. Kṣīra (milk) here refers also to the water of the Gaṅgā. Madhyama refers to the middle portion of the body, which is compared to an altar. Madhyama-vedī also means Prayāga, where the Gaṅgā and Yamunā meet.
The same friend of mother Yaśodā addressed Kṛṣṇa as follows: “My dear Mukunda, if mother Yaśodā, the Queen of Gokula, is forced to stand on fire but is allowed to see Your lotus face, then this fire will appear to her like the Himalaya Mountains: full of ice. In the same way, if she is allowed to stay in the ocean of nectar but is not allowed to see the lotus face of Your Grace, then even this ocean of nectar will appear to her like an ocean of arsenic poison.” Let the anxiety of mother Yaśodā of Vraja, always expecting to see the lotus face of Kṛṣṇa, be glorified all over the universe!
Bhakti-rasāmṛta-sindhu · BRS 3.4.59 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
rāgavat, yathā –
tuṣārati tuṣānalo ’py upari tasya baddha-sthitir
bhavantam avalokate yadi mukunda goṣṭheśvarī |
sudhāmbudhir api sphuṭaṁ vikaṭa-kāla-kūṭaty alaṁ
sthitā yadi na tatra te vadana-padmam udvīkṣyate ||59||
Yaśodā’s appearing to manifest rāga (though she always has rāga): O Mukunda! If Yaśodā is placed on a fire made from grain chaff--but can see You--the fire becomes as cool as ice. If she is placed in an ocean of nectar--but cannot see You--the ocean of nectar becomes as sharp as Kālakūṭa poison. [Note: The quality of rāga is that the person is willing to give up life for the Lord.]
Jīva Gosvāmī · Durgama-saṅgamanī
O Mukunda, if Yaśodā sees You, the fire from tuṣa becomes cold (tuṣārati). It acts as if it were ice. What is the condition in which she sees Kṛṣṇa? If she is bound on top of a fire made from burning chaff, and sees You, the fire becomes like ice.
Bhakti-rasāmṛta-sindhu · BRS 3.4.60 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atha ayoge utkaṇṭhitam, yathā –
vatsasya hanta śarad-indu-vinindi-vaktraṁ
sampādayiṣyati kadā nayanotsavaṁ naḥ |
ity acyute viharati vraja-bāṭikāyām
ūrvī tvarā jayati devaka-nandinīnām ||60||
Utkaṇṭhita (separation, not having met for the first time): When Kṛṣṇa was playing in the grounds of Vraja, the daughters of Devaka [Note: This refers to Devakī and others. Devakī had not seen Kṛṣṇa after His birth.] thought, “O! When will we see the face of Kṛṣṇa, which conquers the autumn moon?” All glories to their great impatience.
A similar statement was given by Kuntīdevī to Akrūra: “My dear brother Akrūra, my nephew Mukunda is long absent from us. Will you kindly tell Him that His aunt Kuntī is sitting among the enemy and would like to know when she will be able to see His lotus face again?”
Bhakti-rasāmṛta-sindhu · BRS 3.4.61 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā vā –
bhrātas tanayaṁ bhrātur
mama sandiśa gāndinī-putra |
bhrātṛvyeṣu vasantī
didṛkṣate tvāṁ hare kuntī ||61||
Another example: O Akrūra! Tell Kṛṣṇa, the son of my brother, that Kuntī, dwelling among the enemy, is longing to see Him.
Jīva Gosvāmī · Durgama-saṅgamanī
Bhrātṛvyeṣu means “among enemies.”
In Śrīmad-Bhāgavatam, Tenth Canto, forty-sixth chapter, verse 28, there is this statement: “When Uddhava was present at Vṛndāvana and was narrating the activities of Kṛṣṇa in Dvārakā, mother Yaśodā, while hearing this narration, began to pour milk from her breasts and shed tears from her eyes.” Another incident demonstrating Yaśodā’s extreme love for Kṛṣṇa occurred when Kṛṣṇa went to Mathurā, the kingdom of Kaṁsa. In separation from Kṛṣṇa, mother Yaśodā was looking at Kṛṣṇa’s makeup utensils, and she fell down on the ground almost unconscious, with a great sound. When she was rolling over on the ground, there were many scratches on her body, and in that piteous condition she began to cry, “O my dear son! My dear son!” And she slapped her breasts with her two hands. This activity of mother Yaśodā is explained by expert devotees as ecstatic love in separation. Sometimes there are many other symptoms, such as great anxiety, lamentation, frustration, being stunned, humility, restlessness, madness and illusion.
Bhakti-rasāmṛta-sindhu · BRS 3.4.62 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
viyogo, yathā śrī-daśame–
yaśodā varṇyamānāni putrasya caritāṇi ca |
śṛṇvaty aśrūṇy asrākṣīt sneha-snuta-payodharā ||62||
Separation after meeting, from the Tenth Canto: As mother Yaśodā heard the descriptions of her son’s activities in Mathurā, she poured out her tears, and milk flowed from her breasts out of love. SB 10.46.28
Bhakti-rasāmṛta-sindhu · BRS 3.4.63 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā vā –
yāte rāja-puraṁ harau mukha-taṭī vyākīrṇa-dhūmrālakā
paśya srasta-tanuḥ kaṭhora-luṭhanair dehe vraṇaṁ kurvatī |
kṣīṇā goṣṭha-mahī-mahendra-mahiṣī hā putra putrety asau
krośantī karayor yugena kurute kaṣṭād uras-tāḍanam ||63||
Another example: Just see! Now that Kṛṣṇa has gone to Mathurā, thin Yaśodā, her face covered by grey hair scattered here and there, injures her body by falling roughly on the ground. She shouts “O my son! O my son!” and beats her chest with her two hands.
Bhakti-rasāmṛta-sindhu · BRS 3.4.64 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
bahūnām api sad-bhāve viyoge ’tra tu kecana |
cintā viṣāda-nirveda-jāḍya-dainyāni cāpalam |
unmāda-mohāv ity ādyā atyudrekaṁ vrajanty amī ||64||
Though many vyabhicāri-bhāvas are possible in vatsala-rasa, during viyoga only cintā, viṣāda, nirveda, jāḍyam, dainyam, cāpalya, unmāda and moha are prominent.
As far as mother Yaśodā’s anxieties are concerned, when Kṛṣṇa was out of the house in the pasturing ground, a devotee once told her, “Yaśodā, I think your movements have been slackened, and I see that you are full of anxieties. Your two eyes appear to be without any movement, and I feel in your breathing a kind of warmth, which is bringing your breast milk to the boiling point. All these conditions prove that out of separation from your son you have a severe headache.” These are some of the symptoms of mother Yaśodā’s anxiety for Kṛṣṇa.
Bhakti-rasāmṛta-sindhu · BRS 3.4.65 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atra cintā –
manda-spandam abhūt klamair alaghubhiḥ sandānitaṁ mānasaṁ
dvandvaṁ locanayoś cirād avicala-vyābhugna-tāraṁ sthitam |
niśvāsaiḥ sravad eva pākam ayate stanyaṁ ca taptair idaṁ
nūnaṁ vallava-rājñi putra-virahodghūrṇābhir ākramyase ||65||
Cintā (pondering): O Yaśodā! You mind, tied up with heavy fatigue, has become devoid of function. The pupils of your eyes remain motionless, staring in a crooked manner. The milk flowing from your breasts has become cooked by your hot breathing. Certainly, you are afflicted with unsteadiness due to separation from your son.
Jīva Gosvāmī · Durgama-saṅgamanī
These words were spoken by someone to Yaśodā when Kṛṣṇa went to the forest. Sandānitam means “bound up.” The phrase “milk cooked by hot breath” hints at being separated from serving her son.
When Akrūra was present in Vṛndāvana and was narrating the activities of Kṛṣṇa in Dvārakā, mother Yaśodā was informed that Kṛṣṇa had married so many queens and was very busy there in His householder affairs. Hearing this, mother Yaśodā lamented how unfortunate she was that she could not get her son married just after He passed His kaiśora age and that she therefore could not receive both her son and daughter-in-law at her home. She exclaimed, “My dear Akrūra, you are simply throwing thunderbolts on my head!” These are signs of lamentation on the part of mother Yaśodā in separation from Kṛṣṇa.
Bhakti-rasāmṛta-sindhu · BRS 3.4.66 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
viṣādaḥ –
vadana-kamalaṁ putrasyāhaṁ nimīlati śaiśave
nava-taruṇimārambhonmṛṣṭaṁ na ramyam alokayam |
abhinava-vadhū-yuktaṁ cāmuṁ na harmyam aveśayaṁ
śirasi kuliśaṁ hanta kṣiptaṁ śvaphalka-sutena me ||66||
Viṣāda (remorse): I have not seen the attractive, shining face of my son in His period of new youth (late kaiśora period), after His childhood. I have not performed the gṛha-praveśa of my son when He got married. Oh! Akrūra has struck my head with a thunderbolt.
Jīva Gosvāmī · Durgama-saṅgamanī
Yaśodā speaks on hearing of Kṛṣṇa’s married life in Dvārakā.
Similarly, mother Yaśodā felt frustration when she thought, “Although I have millions of cows, the milk of these cows could not satisfy Kṛṣṇa. Therefore let a curse be on this milk! And I also am condemned, because although I am so opulent in material prosperity, I am now unable to smell the head of my child and feed Him with my breast milk as I used to do when He was here in Vṛndāvana.” This is a sign of frustration on the part of mother Yaśodā in separation from Kṛṣṇa.
Bhakti-rasāmṛta-sindhu · BRS 3.4.67 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
nirvedaḥ –
dhig astu hata-jīvitaṁ niravadhi-śriyo ’py adya me
yayā na hi hareḥ śiraḥ snuta-kucāgram āghrāyate |
sadā nava-sudhā-duhām api gavāṁ parārdhaṁ ca dhik
sa luñcati na cañcalaḥ surabhi-gandhi yāsāṁ dadhi ||67||
Nirveda (self-disgust): What an unfortunate life, in spite of all unlimited wealth, for I did not smell Kṛṣṇa’s head while milk flows from my breast. How unfortunate are the millions of cows which give continual milk like fresh nectar, for fickle Kṛṣṇa does not steal their fragrant yogurt?
Jīva Gosvāmī · Durgama-saṅgamanī
These are words uttered in parental affection out of unsteadiness of mind in thinking of separation from Kṛṣṇa. Thus, the person states that Kṛṣṇa does not steal, using the present tense. This version with sadā nava-sudhā-duhām etc. intensifies the sense of misfortune.
One friend of Kṛṣṇa’s addressed Him thus: “My dear lotus-eyed one, when You were living in Gokula You were always bearing a stick in Your hand. That stick is now lying idle in the house of mother Yaśodā, and whenever she sees it she becomes motionless just like the stick.” This is a sign of becoming stunned in separation from Kṛṣṇa. In separation from Kṛṣṇa, mother Yaśodā became so humble that she prayed to the creator of the universe, Lord Brahmā, with tears in her eyes, “My dear creator, won’t you kindly bring my dear son Kṛṣṇa back to me so that I can see Him at least for a moment?” Sometimes, in restlessness like a madwoman, mother Yaśodā used to accuse Nanda Mahārāja, “What are you doing in the palace? You shameless man! Why do people call you the King of Vraja? It is very astonishing that while being separated from your dear son Kṛṣṇa, you are still living within Vṛndāvana as a hardhearted father!”
Bhakti-rasāmṛta-sindhu · BRS 3.4.68 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
jāḍyam –
yaḥ puṇḍarīkekṣaṇa tiṣṭhatas te
goṣṭhe karāmbhoruha-maṇḍano ’bhūt |
taṁ prekṣya daṇḍa-stimitendriyād yad
daṇḍākṛtis te jananī babhūva ||68||
Jāḍyam (inaction): O lotus-eyed one! Seeing Your stick which was the ornament of Your lotus hand while you were in Gokula, You mother has today become like a stick, with all senses stopped.
Bhakti-rasāmṛta-sindhu · BRS 3.4.69 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
dainyam –
yācate bata vidhātar udasrā tvāṁ radais tṛṇam udasya yaśodā |
gocare sakṛd api kṣaṇam adya matsaraṁ tyaja mamānaya vatsam ||69||
Dainyam (lowness): O selfish Lord! With tears in her eyes and grass in her teeth, Yaśodā prays to you, “Give up hatred of me, and bring within my vision, just once for a short time today, my son.”
Bhakti-rasāmṛta-sindhu · BRS 3.4.70 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
cāpalam –
kim iva kurute harmye tiṣṭhann ayaṁ nirapatrapo
vrajapatir iti brūte mugdho ’yam atra mudā janaḥ |
ahaha tanayaṁ prāṇebhyo ’pi priyaṁ parihṛtya taṁ
kaṭhina-hṛdayo goṣṭhe svairī praviśya sukhīyati ||70||
Cāpalam (insolence): What is this shameless person doing sitting in the mansion? Ignorant people call him the lord of Vraja while smiling. How astonishing! (It is true.) Giving up a son dearer than life, this hard-hearted person, entering the village freely, thinks he is happy.
Jīva Gosvāmī · Durgama-saṅgamanī
These are the words of Yaśodā, filled with sorrow, talking about Nanda. People who are ignorant in this world (atra mugdhaḥ janaḥ), strangers who are actually inimical, call him the lord of Vraja, while smiling (mudā). However, such words of enemies are quite suitable, for he has given up his son, and still appears happy, strolling freely about the village in happiness.
Someone informed Kṛṣṇa about the madness of mother Yaśodā in the following words: “In madness mother Yaśodā has addressed the kadamba trees and inquired from them, ‘Where is my son?’ Similarly, she has addressed the birds and the drones and inquired from them whether Kṛṣṇa has passed before them, and she has inquired if they can say anything about You. In this way, mother Yaśodā in illusion was asking everybody about You, and she has been wandering all over Vṛndāvana.” This is madness in separation from Kṛṣṇa.
Bhakti-rasāmṛta-sindhu · BRS 3.4.71 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
unmādaḥ –
kva me putro nīpāḥ kathayata kuraṅgāḥ kim iha vaḥ
sa babhrāmābhyarṇe bhaṇata tam udantaṁ madhukarāḥ |
iti bhrāmaṁ bhrāmaṁ bhrama-bhara-vidūnā yadupate
bhavantaṁ pṛcchantī diśi diśi yaśodā vicarati ||71||
Unmāda (insanity): “O kadamba trees, where is my son? O deer, is my son wandering about near you? O bees! Please tell me some news about Him.” O Lord of the Yadus, in this way, with completely confused mind, the suffering Yaśodā wandered about in all directions asking news of You.
Jīva Gosvāmī · Durgama-saṅgamanī
These are the words of Yaśodā on hearing that Kṛṣṇa suddenly fled from Mathurā. Udantam means news.
When Nanda Mahārāja was accused by mother Yaśodā of being “hardhearted,” he replied, “My dear Yaśodā, why are you becoming so agitated? Kindly look more carefully. Just see, your son Kṛṣṇa is standing before you! Don’t become a madwoman like this. Please keep my home peaceful.” And Kṛṣṇa was informed by some friend that His father Nanda was also in illusion in this way, in separation from Him.
Bhakti-rasāmṛta-sindhu · BRS 3.4.72 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
mohaḥ –
kuṭumbini manas taṭe vidhuratāṁ vidhatse kathaṁ
prasāraya dṛśaṁ manāk tava sutaḥ puro vartate |
idaṁ gṛhiṇi gṛhaṁ na kuru śūnyam ity ākulaṁ
sa śocati tava prasūṁ yadu-kulendra nandaḥ pitā ||72||
Moha (vacant mind): “Dear wife! Why are you suffering so much in your mind? Open your eyes and see. Your son is standing in front of you. Dear wife! Do not make this house empty.” O king of the Yadu dynasty! In this way, your father Nanda reveals his grief to Your mother.
When all the wives of Vasudeva were present in the arena of Kaṁsa, they saw the most pleasing bodily features of Kṛṣṇa, and immediately, out of parental affection, milk began to flow from their breasts, and the lower parts of their sārīs became wet. This symptom of ecstatic love is an example of the result of fulfillment of desire.
Bhakti-rasāmṛta-sindhu · BRS 3.4.73 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atha yoge siddhiḥ –
vilokya raṅga-sthala-labdha-saṅgamaṁ
vilocanābhīṣṭa-vilokanaṁ harim |
stanyair asiñcan nava-kañcukāñcalaṁ
devyaḥ kṣaṇād ānakadundubhi-priyāḥ ||73||
Seeing Kṛṣṇa for the first time: When Vasudeva’s wives saw that Kṛṣṇa, object of their eyes’ desire, had entered the arena, for a short time their flowing breast milk dampened their new bodices.
In the First Canto of Śrīmad-Bhāgavatam, eleventh chapter, verse 29, it is stated, “When Kṛṣṇa entered Dvārakā after finishing the Battle of Kurukṣetra, He first of all saw His mother and all His different stepmothers and offered His respectful obeisances unto their feet. The mothers immediately took Kṛṣṇa upon their laps, and because of their parental affection, there was milk flowing out of their breasts. So their breast milk, mixed with the water of tears, became the first offering to Kṛṣṇa.” This is one of the examples of being satisfied after a great separation.
Bhakti-rasāmṛta-sindhu · BRS 3.4.74 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tuṣṭir, yathā prathame –
tāḥ putram aṅkam āropya sneha-snuta-payodharāḥ |
harṣa-vihvalitātmānaḥ siṣicur netrajair jalaiḥ ||74||
Meeting Kṛṣṇa after separation, from the First Canto: The mothers, after embracing their son, sat Him on their laps. Due to pure affection, milk sprang from their breasts. They were overwhelmed with delight, and the tears from their eyes moistened the Lord. SB 1.11.30
There is a similar statement in the Lalita-mādhava: “How wonderful it is that Yaśodā, the wife of King Nanda, out of her parental affection for Kṛṣṇa, mixed her tears and the milk from her breasts and thus bathed her dear son Kṛṣṇa.” In Vidagdha-mādhava, a devotee addresses Lord Kṛṣṇa as follows: “My dear Mukunda, just after seeing Your face, which was full with the scent of the lotus flower, mother Yaśodā, being attracted by the moonlight of Your face, became so overjoyed in her affection that immediately from the nipples of her water-potlike breasts, milk began to flow.” She was thus constantly engaged in supplying milk to Kṛṣṇa after wetting the covering cloth over the jug.
Bhakti-rasāmṛta-sindhu · BRS 3.4.75 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā vā lalita-mādhave (10.14) –
nayanayoḥ stanayor api yugmataḥ
paripatadbhir asau payasāṁ jharaiḥ |
ahaha vallava-rāja-gṛheśvarī
sva-tanayaṁ praṇayād abhiṣiñcati ||75||
Another example, from Lalita-mādhava: Out of affection, the wife of Nanda began to bathe her son in the water streaming from her eyes and the milk streaming from her breasts.
Jīva Gosvāmī · Durgama-saṅgamanī
Another version has the phrase vallava-rāja-vilāsinī (giver of delight to the king of the cowherd) instead of vallava-rāja-gṛheśvarī (the wife of the king of the cowherds).
Bhakti-rasāmṛta-sindhu · BRS 3.4.76 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
sthitir, yathā vidagdha-mādhave (1.19) –
ahaha kamala-gandher atra saundarya-vṛnde
vinihita-nayaneyaṁ tvan-mukhendor mukunda |
kuca-kalasa-mukhābhyām ambara-knopam ambā
tava muhur atiharṣād varṣati kṣīra-dhārām ||76||
Permanent association, from Vidagdha-mādhava: O Mukunda! Our mother, fixing her eyes on the beauty of Your moon-like face, fragrant as a lotus, out of great jubilation continually pours streams of milk from the mouths of the two pots in the form of her breasts. In this manner, her clothing becomes soaked.
Jīva Gosvāmī · Durgama-saṅgamanī
Ambara-knopam means “wetness of the cloth.” Sthitiḥ here means being eternally situated with the Lord, after His returning to Vraja. At the end of the section on preyo-rasa, this was inferred as a suitable conclusion. (BRS 3.3.128) This will be explained here a little more.
The Lord, who is glorified in the Vedas as being true to His promises, clearly made the promise to return to Vraja in the Tenth Canto of Bhāgavatam.
yāta yūyaṁ vrajaṁn tāta vayaṁ ca sneha-duḥkhitān
jñātīn vo draṣṭum eṣyāmo vidhāya suhṛdāṁ sukham
Now you should all return to Vraja, dear Father. We shall come to see you, Our dear relatives who suffer in separation from Us, as soon as We have given some happiness to your well-wishing friends. SB 10.45.22
Vo draṣṭum eṣyāmaḥ (we will come to see you) indicates that the goal of their efforts is to see Nanda and Yaśodā again, but should be understood to be an eternal situation of seeing (not that Kṛṣṇa would again leave Vraja). Draṣṭum (to see) can also mean “to be (and remain) the object of your sight.”
This is similar to the usage of viboddhum in the following verse, which means “to be the object of understanding.” This means that the impersonal brahman it is the object of continuous realization for the non-devotees.
tathāpi bhūman mahimāguṇasya te viboddhum arhaty amalāntar-ātmabhiḥ
avikriyāt svānubhavād arūpato hy ananya-bodhyātmatayā na cānyathā
Nondevotees, however, cannot realize You in Your full personal feature. Nevertheless, it may be possible for them to realize Your expansion as the impersonal Supreme by cultivating direct perception of the Self within the heart. But they can do this only by purifying their mind and senses of all conceptions of material distinctions and all attachment to material sense objects. Only in this way will Your impersonal feature manifest itself to them. SB 10.14.6
Kṛṣṇa’s returning to Vraja was also explained by Uddhava:
hatvā kaṁsaṁ raṅga-madhye pratīpaṁ sarva-sātvatām
yad āha vaḥ samāgatya kṛṣṇaḥ satyaṁ karoti tat
Having killed Kaṁsa, the enemy of all the Yadus, in the wrestling arena, Kṛṣṇa will now surely fulfill His promise to you by coming back. SB 10.46.35
āgamiṣyaty adīrgheṇa kālena vrajam acyutaḥ
priyaṁ vidhāsyate pitror bhagavān sātvatāṁ patiḥ
Infallible Kṛṣṇa, the Lord of the devotees, will soon return to Vraja to satisfy His parents. SB 10.46.34
“Kṛṣṇa will return to satisfy His parents” must mean there would be permanent living with them.
Now, Kṛṣṇa’s actual return took place after the killing of Dantavakra. That is hinted at by the Lord Himself during the Kurukṣetra pilgrimage:
api smaratha naḥ sakhyaḥ svānām artha-cikīrṣayā
gatāṁś cirāyitāṣ chatru-pakṣa-kṣapaṇa-cetasaḥ
My dear girlfriends, do you still remember Me? It was for My relatives’ sake that I stayed away so long, intent on destroying My enemies. SB 10.82.41
From this statement, it is understood that after killing His enemies, and finally killing Dantavakra, [Note: After killing Dantavakra, He did not kill any more demons.] He would return to Vraja in the future. This Kurukṣetra pilgrimage took place before the killing of Dantavakra. The Vana-parva of the Mahābhārata explains that the killing of Dantavakra, along with the killing of Śālva, took place simultaneously with the exile of the Pāṇḍavas to the forest. After they returned from the forest, the battle of Kurukṣetra took place, where Bhīṣma was killed. During the pilgrimage to Kurukṣetra for the solar eclipse, Bhīṣma was also present. Balarāma’s pilgrimage (chapter 79) which is described in the Bhāgavatam before the description of the pilgrimage to Kurukṣetra (chapter 82) in the Bhāgavatam, was actually completed on the day that Duryodhana was killed (and thus actually occurred after the pilgrimage to Kurukṣetra, since he was present at the Kurukṣetra eclipse as well).
Kṛṣṇa’s return to Vraja after killing Dantavakra is clearly described in the Padma Purāṇa, Uttara-khaṇḍa, in prose:
kṛṣṇo ’pi taṁ hatvā yamunām uttīrya nanda-vrajaṁ gatvā sotkaṇthau pitarāv abhivādyāśvāsya tābhyāṁ sāśrukaṇṭham āliṅgitaḥ sakala-gopa-vṛddhān praṇamyāśvāsya ca bahu-vastrābharaṇādibhis tatra sthān sarvān santarpayām āsa
Killing Dantavakra, Kṛṣṇa then crossed the Yamunā River and went to Vraja. He greeted and comforted His grieving parents. He was embraced by them, who were covered in tears. He bowed to all the elder cowherd men and comforted them. He satisfied all of them there with plenty of cloth and ornaments.
Also, in the Bhāgavatam, after the battle of Kurukṣetra, when Kṛṣṇa was entering Dvārakā, the citizens of Dvārakā indicate Kṛṣṇa’s return to Vraja:
arhy ambujākṣāpasasāra bho bhavān kurūn madhūn vātha suhṛd-didṛkṣayā
tatrābda-koṭi-pratimaḥ kṣaṇo bhaved raviṁ vinākṣṇor iva nas tavācyuta
O lotus-eyed Lord, whenever You go away to Mathurā, Vṛndāvana or Hastināpura to meet Your friends and relatives, every moment of Your absence seems like a million years. O infallible one, at that time our eyes become useless, as if bereft of sun. SB 1.11.9
According to Śrīdhara Svāmī madhūn means Mathurā, and therefore suhṛd (friends) would mean the friends in Vraja (part of Mathurā district), because all the people of Mathurā were transferred to Dvārakā, as explained in the following verse.
tatra yoga-prabhāvena nītvā sarva-janaṁ hariḥ
prajā-pālena rāmeṇa kṛṣṇaḥ samanumantritaḥ
nirjagāma pura-dvārāt padma-mālī nirāyudhaḥ
After transporting all His subjects to the new city by the power of His mystic Yogamāyā, Lord Kṛṣṇa consulted with Lord Balarāma, who had remained in Mathurā to protect it. Then, wearing a garland of lotuses but bearing no weapons, Lord Kṛṣṇa went out of Mathurā by its main gate. SB 10.50.57
In the following verse, also, the word suhṛd indicates the people of Vraja (not just friends, but parents etc.)
balabhadraḥ kuru-śreṣṭha bhagavān ratham āsthitaḥ
suhṛd-didṛkṣur utkaṇṭhaḥ prayayau nanda-gokulam
O best of the Kurus, once Lord Balarāma, eager to visit His well-wishing friends, mounted His chariot and traveled to Nanda Gokula. SB 10.65.1
Since it has been shown that there is agreement between the Bhāgavatam and Padma Purāṇa that Kṛṣṇa returned to Vraja, just as He desired, one should put aside arguments about where Dantavakra was killed, either by accepting the version of the Vaiṣṇava-toṣaṇi, or else attributing the different versions in scripture to different kalpas of time.
Kṛṣṇa’s return to Dvārakā after that was enacted through another of His forms suitable for Dvārakā. This is stated in the Padma Purāṇa later:
atha tatrasthā nandādayaḥ putra-dāra-sahitāḥ paśu-pakṣi-mṛgādayaś ca vāsudeva-prasādhena divya-rūpa-dharā vimānam āruḍhāḥ paramaṁ vaikuṇṭha-lokam avāpuḥ….. kṛṣṇās tu nandagopa-vrajaukasāṁ sarveṣāṁ nirāmayaṁ svapadaṁ dattvā divi deva-gaṇaih saṁstūyamāno dvāravatīṁ viveśa
Thus, all the persons there, Nanda and the cowherd men, the children and their wives, the cows, animals and birds, taking shining forms by the mercy of Vāsudeva, mounted an airplane and went to the supreme Vaikuṇṭha planet. Kṛṣṇa, having bestowed His infallible abode to all the inhabitants of Vraja, then entered Dvārakā, while being praised by the devatās in the sky.
The child of the chief person was Kṛṣṇa and the chief wife was Yaśodā. Thus, by the mention of the word putra (son), it is understood that Kṛṣṇa also entered that spiritual abode along with His parents and others in their own brilliant forms (divya-rūpa-dharā). In describing that the inhabitants of Vraja were endowed with divya forms by the mercy of Vāsudeva, the meaning is that the inhabitants took on brilliant forms out of jubilation for Kṛṣṇa’s mercy in returning to Vraja. [Note: It does not mean that they gave up material bodies and attained spiritual forms.] The description of attaining the supreme Vaikuṇṭha on an airplane is for deceiving materialistic persons. Actually, unseen by the materialists, they all entered into a special manifestation of Vṛndāvana (unmanifested), and having entered there, Kṛṣṇa made all their unmanifested forms which already existed there (in nitya-līlā) merge into the forms that they brought from the manifested pastimes. In a similar manner, after marrying sixteen thousand queens, by the potency of yoga-māyā as seen by Nārada, Kṛṣṇa, on leaving all of the palaces with sixteen thousand forms, would merge those forms into one form on entering the Sudharma hall.
Śukadeva has also explained that Kṛṣṇa made them enter that same Vṛndāvana previously. Following is the description of that event.
nandas tv atīndriyaṁ dṛṣṭvā loka-pāla-mahodayam
kṛṣṇe ca sannatiṁ teṣāṁ jñātibhyo vismito ’bravīt
Nanda Mahārāja had been astonished to see for the first time the great opulence of Varuṇa, the ruler of the ocean planet, and also to see how Varuṇa and his servants had offered such humble respect to Kṛṣṇa. Nanda described all this to his fellow cowherd men.
te cautsukya-dhiyo rājan matvā gopās tam īśvaram
api naḥ sva-gatiṁ sūkṣmām upādhāsyad adhīśvaraḥ
The cowherd men considered that Kṛṣṇa must be the Supreme Lord, and their minds, O King, were filled with eagerness. They thought, “Will the Supreme Lord bestow upon us His transcendental abode?”
iti svānāṁ sa bhagavān vijñāyākhila-dṛk svayam
saṅkalpa-siddhaye teṣāṁ kṛpayaitad acintayat
Because He sees everything, Lord Kṛṣṇa, the Supreme Personality of Godhead, automatically understood what the cowherd men were conjecturing. Wanting to show His compassion to them by fulfilling their desires, the Lord thought as follows.
jano vai loka etasminn avidyā-kāma-karmabhiḥ
uccāvacāsu gatiṣu na veda svāṁ gatiṁ bhraman
My own dearest people (janaḥ), the inhabitants of Vraja, thinking that they are wandering in this world (etasmin loke) in various destinations such as devatās, animals etc. (gatīṣu) by their own ignorance, do not know their real abode.
iti sañcintya bhagavān mahā-kāruṇiko hariḥ
darśayām āsa lokaṁ svaṁ gopānāṁ tamasaḥ param
Thus, deeply considering the situation, the all-merciful Supreme Personality of Godhead Hari revealed to the cowherd men His abode, which is beyond material darkness.
satyaṁ jñānam anantaṁ yad brahma-jyotiḥ sanātanam
yad dhi paśyanti munayo guṇāpāye samāhitāḥ
Lord Kṛṣṇa revealed the indestructible spiritual effulgence, which is unlimited, conscious and eternal. Sages see that spiritual existence in trance, when their consciousness is free of the modes of material nature.
te tu brahma-hradam nītā magnāḥ kṛṣṇena coddhṛtāḥ
dadṛśur brahmaṇo lokaṁ yatrākrūro ’dhyagāt purā
The cowherd men were brought by Lord Kṛṣṇa to Brahma-hrada, where Akrūra had gone previous to the Bhāgavatam narration, and were submerged in the water, and then lifted up. The cowherd men saw the abode of the Lord.
nandādayas tu taṁ dṛṣṭvā paramānanda-nivṛtāḥ
kṛṣṇaṁ ca tatra cchandobhiḥ stūyamānaṁ su-vismitāḥ
Nanda Mahārāja and the other cowherd men felt the greatest happiness when they saw that transcendental abode. They were especially amazed to see Kṛṣṇa Himself there, surrounded by the personified Vedas, who were offering Him prayers. SB 10.28.10-17
It should be understood that the inhabitants of Vraja later factually attained Kṛṣṇa’s own abode, which He had showed to them as their final abode previously (as described in the above verses). The place called brahma-hrada is identified as the place where Akrūra went, Akrūra Tīrtha. It indicates praise for Akrūra. Akrūra had gone there previous (purā) to the conversation of Śukadeva and Parīkṣit. Kṛṣṇa brought them there, submerged them in the brahma-hrada and then lifted them out. Lifting them out, He brought them to the area of Vṛndāvana, and there they saw the planet where the supreme brahman has a human form.
The brahma-hrada is described as that place where Akrūra had gone (which was not the impersonal brahman). Incidentally, purā, usually meaning in the past, can also mean “in the future,” for Viśva-prakāśa says purā purāṇe nikaṭe prabandhātīta bhāviṣu: purā means in the past, close by, and in the remote future. And the word brahma-loka means only the abode of the Lord (not the impersonal feature). The usage of brahma-loka is found in the Second Canto of Bhāgavatam:
grīvāyāṁ janaloko ’sya tapolokaḥ stana-dvayāt
mūrdhabhiḥ satyalokas tu brahmalokaḥ sanātanaḥ
From the forefront of the chest up to the neck of the universal form of the Lord are situated the planetary systems named Janaloka and Tapoloka, whereas Satyaloka, the topmost planetary system, is situated on the head of the form. The spiritual planets, however, are eternal. SB 2.5.39
Though the words sukṣma, tamasaḥ param, and satyaṁ jñānam employed to describe brahma-loka in the above verses are only general terms (which could apply to the impersonal form); with the words naḥ svargatiṁ sūkṣmam, na veda svāṁ gatim, gopānāṁ svaṁ lokam, and kṛṣṇaṁ ca tatra, the planet of Gopāla is understood, because of the specific descriptive terms involving the Lord.
There, Kṛṣṇa was being praised by the Vedas. Kṛṣṇa arranged for testimony of the highest scriptures describing His birth and activities to make the cowherd men recognize His position. Only because they were the associates of the Lord, and He willed it, they could experience this, for there are no descriptions of others seeing this. Relishing only Kṛṣṇa, they experienced the highest bliss (paramānanda), losing memory of their previous existence (since nirvṛtāḥ means extinction.)
When the Lord incarnated, they became ignorant of being associates of the Lord on His planet (and thus during this pastime, they requested Him to see the spiritual realm). This ignorance is explained in the verse starting jano vai. Jana can indicate svajana, Kṛṣṇa’s own associates. That the word jana indicates the Lord’s devotee is illustrated in the following verse:
sālokya-sārṣṭi-sāmīpya-sārūpyaikatvam apy uta
dīyamānaṁ na gṛhṇanti vinā mat-sevanaṁ janāḥ
A pure devotee does not accept any kind of liberation—sālokya, sārṣṭi, sāmīpya, sārūpya or ekatva—even though they are offered by the Supreme Personality of Godhead. SB 3.29.13
In fact, it should be understood that the inhabitants of Vraja were His most dear people. Kṛṣṇa thought in His mind (concerning Indra’s rainstorm):
tasmān mac-charaṇaṁ goṣṭhaṁ man-nāthaṁ mat-parigraham
gopāye svātma-yogena so ’yaṁ me vrata āhitaḥ
I must therefore protect the cowherd community by My transcendental potency, for I am their shelter, I am their master, and indeed they are My own family. After all, I have taken a vow to protect My devotees. SB 10.25.18
The meaning of the verse is therefore: My own dearest people (janaḥ), the inhabitants of Vraja, thinking that they are wandering in this world (etasmin loke) to various destinations such as devatās, animals etc. (gatīṣu) by their ignorance, oblivious of ātmā, do not know their real abode, which I will thus show to them.
In other words, their “ignorance” is caused by absorption in Kṛṣṇa’s human-like pastimes. The inhabitants of Vraja identify themselves as ordinary persons. This is illustrated in the following statements:
iti nandādayo gopāḥ kṛṣṇa-rāma-kathāṁ mudā
kurvanto ramamāṇāś ca nāvindan bhava-vedanām
In this way, all the cowherd men, headed by Nanda Mahārāja, enjoyed topics about the pastimes of Kṛṣṇa and Balarāma with great transcendental pleasure, and they could not even perceive material tribulations. SB 10.11.58
eṣāṁ ghoṣa-nivāsinām uta bhavān kiṁ deva rāteti naś
ceto viśva-phalāt phalaṁ tvad-aparaṁ kutrāpy ayan muhyati
sad-veṣād iva pūtanāpi sa-kulā tvām eva devāpitā
yad-dhāmārtha-suhṛt-priyātma-tanaya-prāṇāśayās tvat-kṛte
My mind becomes bewildered just trying to think of what reward other than You could be found anywhere. You are the embodiment of all benedictions, which You bestow upon these residents of the cowherd community of Vṛndāvana. You have already arranged to give Yourself to Pūtanā and her family members in exchange for her disguising herself as a devotee. So, what is left for You to give these devotees of Vṛndāvana, whose homes, wealth, friends, dear relations, bodies, children and very lives and hearts are all dedicated only to You? SB 10.14.36
pṛṣṭāś cānāmayaṁ sveṣu prema-gadgadayā girā
kṛṣṇe kamala-patrākṣe sannyastākhila-rādhasaḥ
With voices faltering out of love for Him, those cowherds, who had dedicated all their wealth to lotus-eyed Kṛṣṇa, asked about the health of their dear ones [in Dvārakā], and Balarāma in turn asked about the cowherds’ welfare. SB 10.65.6
Thus, from such seeming ignorance of their real natures, Nanda had asked Kṛṣṇa to show him His abode.
This very special manifestation of Vṛndāvana is described in the Varāha Purāṇa:
tatrāpi mahad āścaryaṁ paśyanti paṇḍitāḥ narāḥ
kāliya-hrada pūrveṇa kadambo mahito durmaḥ
śata-śākhaṁ viśālākṣi puṇyaṁ surabhi gandhi ca
sa ca dvādaśa-māsātimanojña śubha-śītalaḥ
puṣpāyati viśālākṣi prabhāsante diśo disaḥ
O large-eyed woman! The wise see something very astonishing there. In front of the lake of Kāliya, there is a huge, pure kadamba tree with hundreds of branches and sweet fragrance. All year, attractive and cool, it continues to flower. All the directions are illuminated by this tree.
tatrāścaryam pravakṣyāmi tac chṛṇu tvaṁ vasundhare
labhante manujāḥ siddhiṁ mama karma parāyaṇāḥ
tasya tatrottare pārśve ’śoka-vṛkṣaḥ śita-prabhaḥ
vaiśākhasya tu māsasya śukla-pakṣasya dvādaśī
sapuṣpati ca madhyāhne mama bhakta-sukhāvahaḥ
na kaścid api jānāti vinā bhāgavataṁ śucim
O earth! Listen as I explain something astonishing there. Men who are absorbed in service to Me attain that place. Near, to the north of that place, there is an aśoka tree emanating coolness. On the twelfth day of the waxing phase of Vaiśakha month, the tree blooms at noon, giving bliss to My devotees. Except for my pure devotee, no one knows this.
In talking to the earth, the Lord is explaining that even she does not know the wonder of Vṛndāvana. The above is a description of the glory of Brahma-kuṇda.
In the Skanda Purāṇa it is said:
vṛndāvanaṁ dvādaśamam vṛndayā pari rakṣitaṁ
hariṇādhiṣṭhitaṁ tac ca brahma-rudādi sevitam
Vṛndāvana, the twelfth forest, is protected by Vṛndā. The Lord is situated there, and it is worshipped by Brahmā, Śiva and others.
The Adi-Varāha Purāṇa says:
kṛṣṇa-krīḍā-setu-bandhaṁ mahāpātaka-nāśanam
balabhīṁ tatra krīḍārthaṁ kṛtvā devo gadādharaḥ
gopakaiḥ sahitas tatra kṣaṇam ekaṁ dine dine
tatraiva ramaṇārthaṁ hi nityaṁ kālaṁ sa gacchati
The bridge built for Kṛṣṇa’s pastimes destroys the greatest of sins. Having constructed a lookout pavilion there for playing, the Lord, holder of the club, goes there in a moment’s time every day, enjoying with His cowherd friends, eternally.
Also, the Skanda Puraṇa says:
vatsair vatsatarībhiś ca sākaṁ krīḍati mādhavaḥ
vṛndāvanāntaragataḥ sarāmo bālakair vṛtaḥ
Kṛṣṇa, along with Balarāma, surrounded by young boys, plays with the calves and newest calves within Vṛndāvana.
It is said, “If there is honey available, enjoy it. Why go to the mountain looking for it?” Thus, the inhabitants of Vraja did not have to go anywhere to attain perfection (not by the process of going to Vaikuṇṭha, as was stated in the Padma Purāṇa), since they already had it. By manifesting this special Vṛndāvana, the Lord completely concealed from them the process of going to a distant place to attain perfection (which is the case for sādhana-siddhas going from the material world). In conclusion, the inhabitants of Vraja entered into this special manifestation of Vṛndāvana beyond the sight of mortals. Moreover, this is mentioned in the Bṛhad-gautamīya-tantra by the Lord Himself:
idaṁ vṛndāvanaṁ ramyaṁ mama dhāmaiva kevalaṁ
tatra ye pāśavaḥ pakṣi mṛgāḥ kīṭā narāmaraḥ
ye vasanti mamādhiṣṇye mṛtā yanti mamālayam
tatra yā gopakanyāś ca nivasanti mamālaye
yoginyastā mayā nityaṁ mama sevā parāyaṇāḥ
pañca yojanam evāsti vanaṁ me deha-rūpakam
kālindīyaṁ suṣumnākhyā paramāmṛta vāhinī
atra devāś ca bhūtāni vartante sūkṣma-rūpataḥ
sarva-devamayaś cāhaṁ na tyajāmi vanam kvacit
āvirbhāvas tirobhāvo bhaven me ’tra yuge yuge
tejomayam idam ramyam adṛśyaṁ carma-cakṣuṣā
This pleasant Vṛndāvana is My only abode. There, all cows, animals, birds, insects and humans are without death. Those who live under My mercy come to My abode on dying. The daughters of the cowherd men live in My abode. Completely giving up all connections, they serve Me continually. This place, measuring five yojanas, is non-different from My body. The Yamunā, flowing with the sweetest nectar, is the suṣumnā (central nerve) of that body. All the devas and elements exist there in a transcendental form. The embodiment of all devas, I do not leave that forest for a moment, though I appear and disappear in this world age after age. But this radiant forest full of pleasure is invisible to the material eye.
In the Gopāla-tāpani Upaniṣad (2.23), Durvāsā speaks to Rādhā:
janma-jarābhyām bhinnaḥ sthāṇur ayam acchedyo ’yam yo ’sau saurye tiṣṭhati yo ’sau goṣṭhe tiṣṭhati yo ’sau gopāṇ pālayati yo ’sau gopeṣu tiṣṭhati yo ’sau sarvesu deveṣu tiṣthati yo ’sau sarvair vedair gīyate yo ’sau sarveṣu bhūtesv aviśya bhūtāni vidadhāti sa vo hi svāmī bhavatīti
He is beyond birth and death. He is fixed and indivisible. He exists as the soul of Vṛndāvana, and the soul of the pastures. He protects the cowherds. He resides in all the cowherds and in all devatās. He is glorified by all the Vedas. Entering all beings, He supports all beings. Kṛṣṇa indeed is the master.
Saurye in the above verse refers to saurī (daughter of the sun), indicating the Yamunā River, and thus Vṛndāvana, which is close to the Yamunā.
In conclusion, it should be understood that after killing all the demons starting with Kaṁsa and ending with Dantavakra, Kṛṣṇa returned to Vraja, and then arranged to live eternally, in nitya-sthiti, with all the inhabitants of Vraja in a secret manifestation of Vṛndāvana. Because of this, He is also described as the killer of Kaṁsa in the descriptions of Vṛndāvana pastimes in the Pātala-khaṇḍa (though in the ordinary view of the sequence of events the killing of Kaṁsa occurs after the Vṛndāvana pastimes end):
aho abhagyaṁ lokasya na pītaṁ yamunā-jalam
go-gopa-gopikā-saṅge yatra krīḍati kaṁsahā
People are unfortunate who have not drunk the water of the Yamunā, where the killer of Kaṁsa plays in association with the cows, cowherd boys and gopīs.
In the Baudhāyana-karma-vipāka, describing the worship of Govinda surrounded by the cows and cowherds, one mantra says:
govinda gopījana-vallabeśa kaṁsāsura-ghna tri-daśendra-vandya
O Govinda, beloved lord of gopīs, killer of Kaṁsa, worshipped by the devatās!
Similar way of speaking will also be found in the section on vīra-rasa concerning a mock battle:
protsāhayasy atitarāṁ kim ivāgraheṇa
māṁ keśisudana vidann api bhadrasenam
O killer of Keśi! Why are You so eager to fight with weak Balarāma, knowing that I, Bhadrasena, am present? BRS 4.3.15
From the meaning of the sentence, it must indicate the pastime of killing Keśi previously to the time of this mock battle, for it is impossible to make a different sequence of time simply by one’s own choice. (Thus the mock battle must have taken place after Kṛṣṇa’s return to Vraja.)
Another point should be made. In this book, there are three types of pastime descriptions: descriptions of pastimes in Vraja, descriptions of the pastimes of leaving Vraja, and descriptions of pastimes in the cities (Mathurā and Dvārakā). There are three types of listeners: followers of the inhabitants of Vraja, followers of the citizens of the cities, and those with feelings for both types of inhabitants. These types have here been distinguished in order to nourish the happiness of all three types of listeners. All three types of pastimes cause nourishment of happiness for devotees with mixed tendency, because all the pastimes are concerning only Kṛṣṇa. The Vraja pastimes (as well as the city pastimes) are also a cause of happiness for the followers of the city citizens. They think in the following manner about the Vraja pastimes: “The son of Vasudeva, our own person, after performing various pastimes in Vraja, then came to the city and increased the happiness of Vasudeva and others by having had a happy experience from His Vraja pastimes.”
For the followers of the people of Vraja, the pastimes related to the cities do not at all produce happiness, but rather give grief, because of the uncertainty of His returning to Vraja. But even the descriptions of Vraja pastimes result in giving them sorrow (since the pastimes apparently come to an end), what to speak of the pastimes of leaving Vraja. The author, however, has described all the pastimes with the desire to produce happiness for all the three types of persons. [Note: The followers of the inhabitants of Vraja need the explanations given by the commentator, so that the pastimes of separation end and Kṛṣṇa finally returns to Vraja and stays there permanently.]
It was said previously:
alaukikī tv iyaṁ kṛṣṇa-ratiḥ sarvādbhutādbhutā |
yoge rasa-viśeṣatvaṁ gacchanty eva hari-priye ||
Rati for Kṛṣṇa is most uncommon, more astonishing than the most astonishing, and attains special rasa in combination with His devotee. BRS 2.5.108
tatrāpi vallavādhīśa-nandanālambanā ratiḥ |
sāndrānanda-camatkāra-paramāvadhir iṣyate ||
That rati which has the son of Nanda, the leader of the cowherd men, as the object reaches the height of most intense bliss. BRS 2.5.110
By these clear statements the happiness of the followers of the inhabitants of Vraja should be nourished. In a similar way, it has been written in the summarized Bhāgavatāmṛta:
śrī-kṛṣṇasya punar vrajāgamana-pūrvakaṁ pura-tat-tad-vijaya-śravaṇād api puṣṭa-sukhānāṁ vraja-janānāṁ madhye nityāvasthānam eva grantha-kṛtāṁ hṛdgatam
It is accepted by the author that Kṛṣṇa, after returning to Vraja, resides there eternally amongst the inhabitants of Vraja, whose happiness increases from hearing about His victories in the city.
By hearing this, the followers of the inhabitants of Vraja will gain happiness.
It is said in the Bhāgavatam:
vedā brahmātma-viṣayās tri-kāṇḍa-viṣayā ime
parokṣa-vādā ṛṣayaḥ parokṣaṁ mama ca priyam
The Vedas, divided into three divisions, ultimately reveal the living entity as pure spirit soul. The Vedic seers and mantras, however, deal in esoteric terms, and I also am pleased by such confidential descriptions. SB 11.3.44
Thus, because of the Lord’s fondness for such manner of expression, it should be understood that the facts are not stated directly in all cases. It is also expressed in the Bhāgavatam that since Kṛṣṇa resides eternally there, what is the question of His accepting to go elsewhere?
eṣāṁ ghoṣa-nivāsinām uta bhavān kiṁ deva rāteti naś
ceto viśva-phalāt phalaṁ tvad-aparaṁ kutrāpy ayan muhyati
sad-veṣād iva pūtanāpi sa-kulā tvām eva devāpitā
yad-dhāmārtha-suhṛt-priyātma-tanaya-prāṇāśayās tvat-kṛte
My mind becomes bewildered just trying to think of what reward other than You could be found anywhere. You are the embodiment of all benedictions, which You bestow upon these residents of the cowherd community of Vṛndāvana. You have already arranged to give Yourself to Pūtanā and her family members in exchange for her disguising herself as a devotee. So, what is left for You to give these devotees of Vṛndāvana, whose homes, wealth, friends, dear relations, bodies, children and very lives and hearts are all dedicated only to You? SB 10.14.36
tāsām avirataṁ kṛṣṇe kurvatīnāṁ sutekṣaṇam
na punaḥ kalpate rājan saṁsāro ’jñāna-sambhavaḥ
Therefore, because of their eternal relationship as mother and son, although the gopīs were engaged in various family activities, one should never think that they returned to this material world as normal conditioned souls. SB 10.6.40
In the first of the two verses just quoted, because of having previous indebtedness to them, and because of their being with each other for beginningless kalpas, it should be understood that He must stay with them at all times. Sad-veśād means “because Pūtana disguised herself as a devotee, as a nurse.” In the second verse quoted, the meaning is “taking birth again in the material world did not occur, because they regarded Kṛṣṇa as their son (sutekṣaṇam) at the beginning, middle and end (aviratam).” This regard was continual. The particular arrangement for eternally living together is also expressed in the Uttara-gopāla-campu:
mātur lālanam etya saṁmatim itas tātasya ca bhrātṛbhiḥ sārddhaṁ dhenu-gaṇā ’hvanāya vipinam gatvā caran krīḍatam
āgamyātha gṛhaṁ samasta-suhrḍām īdṛk-pratītaṁ bhajaty eṣa śrī-vraja-rāja- nandana-varaḥ śvāso na eṣām
Receiving attention from His mother, and taking consent from His father, Kṛṣṇa, the ideal son of the king of Vraja, calling the cows, goes to the forest and plays, and then returns to His house. In this way, He enjoys with His friends. There is not even a breath of fatigue for the boys.
That He eternally resides in Mathurā and Dvārakā is also mentioned:
rājadhānī tataḥ sābhūt sarva-yādava-bhūbhujām
mathurā bhagavān yatra nityaṁ sannihito hariḥ
Since that time, the city of Mathurā had been the capital of all the kings of the Yadu dynasty. The city and district of Mathurā are very intimately connected with Kṛṣṇa, for Lord Kṛṣṇa lives there eternally. SB 10.1.28
nityaṁ sannihitas tatra bhagavān madhusūdanaḥ
smṛtyāśeṣāśubha-haraṁ sarva-maṅgala-maṅgalam
Lord Madhusūdana, the Supreme Personality of Godhead, is eternally present in Dvārakā. It is the most auspicious of all auspicious places, and merely remembering it destroys all contamination. SB 11.31.24
If one has more particular curiosity, one should see the Vaiṣṇava-toṣaṇi, Kṛṣṇa-sandarbha, the two parts of Gopala-campu, and the commentary on Ujjvala-nīlamaṇi called Locana-rocanī, in the section dealing with meeting and separation.
These are some of the signs of parental love for Kṛṣṇa by His mother, His father and elderly persons. Symptoms of ecstatic love in parental affection are expressed when Kṛṣṇa is accepted as the son. These constant transcendental emotions for Kṛṣṇa are called steady ecstasy in parental love.
Bhakti-rasāmṛta-sindhu · BRS 3.4.77 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
svīkurvate rasam imaṁ nāṭya-jñā api kecana ||77||
Some literary experts accept vatsala-bhakti-rasa as one of the rasas.
Bhakti-rasāmṛta-sindhu · BRS 3.4.78 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tathāhuḥ [Sāhitya-darpaṇa 3.201] –
sphuṭaṁ camatkāritayā vatsalaṁ ca rasaṁ viduḥ |
sthāyī vatsalatāsyeha putrādy-ālambanaṁ matam ||78||
The learned recognize vatsala-rasa as one of the rasas because of its clear expression of bliss. In this rasa, the sthāyi-bhāva is vatsala-rati and the ālambana is the son or other offspring.
Śrīla Rūpa Gosvāmī states herein that according to some learned scholars, the three kinds of transcendental mellow so far described – namely, servitude, fraternity and parental affection – are sometimes mixed. For example, the fraternal feelings of Balarāma are mixed with servitude and parental affection. Similarly, King Yudhiṣṭhira’s attraction for Kṛṣṇa is also mixed with parental affection and servitude. Similarly, the transcendental mellow of Ugrasena, Kṛṣṇa’s grandfather, is mixed with servitude and parental affection. The affection of all the elderly gopīs in Vṛndāvana is a mixture of parental love, servitude and fraternity. The affection of the sons of Mādrī – Nakula and Sahadeva – as well as the affection of the sage Nārada, is a mixture of friendship and servitude. The affection of Lord Śiva, Garuḍa and Uddhava is a mixture of servitude and fraternity.
Bhakti-rasāmṛta-sindhu · BRS 3.4.80 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
eṣā rasa-trayī proktā prītādiḥ paramādbhutā |
tatra keṣucid apy asyāḥ saṅkulatvam udīryate ||80||
What is astonishing is that all the three rasas just described—prīti-rasa, preyo-rasa and vatsala-rasa--are said to appear mixed together in some devotees.
Bhakti-rasāmṛta-sindhu · BRS 3.4.81 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
saṅkarṣaṇasya sakhyas tu prīti-vātsalya-saṅgatam |
yudhiṣṭhirasya vātsalyaṁ prītyā sakhyena cānvitam ||81||
Balarāma’s sakhya-rasa is mixed with dāsya and vatsala-rasa. Yudhiṣṭhira’s vatsala is mixed with dāsya and sakhya.
Jīva Gosvāmī · Durgama-saṅgamanī
Balarāma’s sakhya is illustrated as follows:
nṛtyato gāyataḥ kvāpi valgato yudhyato mithaḥ
gṛhīta-hastau gopālān hasantau praśaśaṁsatuḥ
Sometimes, as the cowherd boys danced, sang, moved about and playfully fought with each other, Kṛṣṇa and Balarāma, standing nearby hand in hand, would glorify Their friends’ activities and laugh. SB 10.15.15
His vatsala is illustrated as follows:
kvacit krīḍā-pariśrāntaṁ gopotsaṅgopabarhaṇam
svayaṁ viśramayaty āryaṁ pāda-saṁvāhanādibhiḥ
When His elder brother, fatigued from playing, would lie down with His head upon the lap of a cowherd boy, Lord Kṛṣṇa would help Him relax by personally massaging His feet and offering other services. SB 10.15.14
Balarāma’s prīti is illustrated as follows:
keyaṁ vā kuta āyātā daivī vā nāry utāsurī
prāyo māyāstu me bhartur nānyā me ’pi vimohinī
“Who is this mystic power, and where has she come from? Is she a demigod or a demoness? She must be the illusory energy of My master, Lord Kṛṣṇa, for who else can bewilder Me?” SB 10.13.37
It should be understood that one can find other examples by consulting the Purāṇas.
Bhakti-rasāmṛta-sindhu · BRS 3.4.82 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
āhuka-prabhṛtīnāṁ tu prītir vātsalya-miśritā |
jarad-ābhīrikādīnāṁ vātsalyaṁ sakhya-miśritam ||82||
Ugrasena and others have dāsya, mixed with some vatsala. Aged gopīs have vatsala mixed with sakhya.
Jīva Gosvāmī · Durgama-saṅgamanī
The element of sakhya in the elderly gopīs is because of a slight joking mood in their relationship with Kṛṣṇa.
Bhakti-rasāmṛta-sindhu · BRS 3.4.10 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
te tu tasyātra kathitā vraja-rājñī vrajeśvaraḥ |
rohiṇī tāś ca vallavyo yāḥ padmaja-hṛtātmajāḥ ||10||
devakī tat-sapatnyaś ca kuntī cānakadundubhiḥ |
sāndīpani-mukhāś cānye yathā-pūrvam amī varāḥ |
vrajeśvarī-vrajādhīśau śreṣṭhau gurujaneṣv imau ||11||
The elders of Kṛṣṇa are Yaśodā, Nanda, Rohiṇī, the gopīs whose sons were stolen by Lord Brahmā, Devakī and the other wives of Vasudeva, Kunti, Vasudeva, and Sāndīpani Muni. Among the elders, the first ones on the list are superior to the later ones.
Jīva Gosvāmī · Durgama-saṅgamanī
This list should also mean others elderly male and female associates. Devakī, Vasudeva and his other wives are considered lesser in status because their affection is less. This lesser degree of affection is caused by a prominence of jñāna in their bhakti and awareness of Kṛṣṇa as the Lord. Yaśodā is considered the best because she possesses pure affection and nothing else. This is expressed in the following verse.
itarau nānvavindetāṁ kṛṣṇodārārbhakehitam
gāyanty adyāpi kavayo yal loka-śamalāpaham
Although Kṛṣṇa was so pleased with Vasudeva and Devakī that He descended as their son, they could not enjoy Kṛṣṇa’s magnanimous childhood pastimes, which are so great that simply chanting about them vanquishes the contamination of the material world. Nanda Mahārāja and Yaśodā, however, enjoyed these pastimes fully, and therefore their position is always better than that of Vasudeva and Devakī. SB 10.8.47
Bhakti-rasāmṛta-sindhu · BRS 3.4.11 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
te tu tasyātra kathitā vraja-rājñī vrajeśvaraḥ |
rohiṇī tāś ca vallavyo yāḥ padmaja-hṛtātmajāḥ ||10||
devakī tat-sapatnyaś ca kuntī cānakadundubhiḥ |
sāndīpani-mukhāś cānye yathā-pūrvam amī varāḥ |
vrajeśvarī-vrajādhīśau śreṣṭhau gurujaneṣv imau ||11||
The elders of Kṛṣṇa are Yaśodā, Nanda, Rohiṇī, the gopīs whose sons were stolen by Lord Brahmā, Devakī and the other wives of Vasudeva, Kunti, Vasudeva, and Sāndīpani Muni. Among the elders, the first ones on the list are superior to the later ones.
Jīva Gosvāmī · Durgama-saṅgamanī
This list should also mean others elderly male and female associates. Devakī, Vasudeva and his other wives are considered lesser in status because their affection is less. This lesser degree of affection is caused by a prominence of jñāna in their bhakti and awareness of Kṛṣṇa as the Lord. Yaśodā is considered the best because she possesses pure affection and nothing else. This is expressed in the following verse.
itarau nānvavindetāṁ kṛṣṇodārārbhakehitam
gāyanty adyāpi kavayo yal loka-śamalāpaham
Although Kṛṣṇa was so pleased with Vasudeva and Devakī that He descended as their son, they could not enjoy Kṛṣṇa’s magnanimous childhood pastimes, which are so great that simply chanting about them vanquishes the contamination of the material world. Nanda Mahārāja and Yaśodā, however, enjoyed these pastimes fully, and therefore their position is always better than that of Vasudeva and Devakī. SB 10.8.47
Bhakti-rasāmṛta-sindhu · BRS 3.4.83 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
mādreya-nāradādīnāṁ sakhyaṁ prītyā karambitam |
rudra-tārkṣyoddhavādīnāṁ prītiḥ sakhyena miśritā ||83||
Nakula, Sahadeva, Nārada and others have sakhya mixed with prīti (dāsya). Śiva, Garuḍa, Uddhava and others have prīti (dāsya) mixed with sakhya-rasa.
Jīva Gosvāmī · Durgama-saṅgamanī
The element of sakhya in Śiva and others is seen in relation to some forms of Viṣṇu and forms such as Ajita. [Note: Ajita churned the ocean along with the devatās.]