When the sthāyi-bhāva of sakhya-rati is nourished by suitable vibhāvas and the other elements in the devotee, it is known as preyo-bhakti-rasa (or sakhya-rasa).
Purport
NoD 41: Fraternal Devotion
When a devotee is permanently situated in devotional service, and by different symptoms of ecstasy he has developed and matured a fraternal mellow or flavor in relationship with the Personality of Godhead, his feeling is called fraternal love of Godhead.
hariś ca tad-vayasyāś ca tasminn ālambanā matāḥ ||2||
[harish cha tad-vayasyaash cha tasminn aalambanaa mataah ||2||]
Blended reading (Sanskrit + English inline)
tatra ālambanāḥ –
hariś ca tad-vayasyāś ca tasminn ālambanā matāḥ ||2||
The Lord and His friends of the same age are the ālambanas.
Purport
The impetus for such fraternal love of God is God Himself. When one is liberated and discovers his eternal relationship with the Supreme Lord, the Lord Himself becomes the impetus for increasing fraternal love.
The Lord: The two-armed and four-armed forms of the Lord as previously described in prīti-bhakti-rasa are the forms of the Lord as ālambana.
Purport
The impetus for such fraternal love of God is God Himself. When one is liberated and discovers his eternal relationship with the Supreme Lord, the Lord Himself becomes the impetus for increasing fraternal love.
The form in Vraja: As the slayer of Agha returns from the cow pens, with his complexion like a delicate blue sapphire, His brilliant white smile like a kunda flower, His cloth yellow like the golden ketakī flower, forest garland shining on His chest, He steals the minds of us cowherd friends.
Purport
The eternal associates of the Lord in Vṛndāvana have described this as follows: “The Lord, Hari, whose bodily hue is like the indranīla jewel, whose smiling is as beautiful as the kunda flower, whose silk dress is as yellow as golden autumn foliage, whose chest is beautified with garlands of flowers and who is always playing upon His flute—this enemy of the Agha demon is always attracting our hearts by wandering about Vṛndāvana.”
In other places: Seeing Kṛṣṇa in a yellow cloth, with complexion defeating the effulgence of a beautiful emerald, with Kaustubha jewel flashing rays of moonlight, holding the club, cakra, lotus and conch in His four hands, the Pāṇḍavas forgot themselves in the sweet experience of bliss.
Purport
There are similar statements of fraternal love expressed outside the jurisdiction of Vṛndāvana. When the sons of Pāṇḍu, headed by Mahārāja Yudhiṣṭhira, saw Kṛṣṇa in His four-handed form on the Battlefield of Kurukṣetra, holding His conchshell, disc, club and lotus flower, they completely forgot themselves and became merged in the ocean of nectarean happiness. This shows how the sons of Pāṇḍu—King Yudhiṣṭhira, Bhīma, Arjuna, Nakula and Sahadeva—were all caught up in fraternal love for Kṛṣṇa.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
These are the words of Dāruka. Kṛṣṇa had on his chest Kaustubha jewel giving (cañcat) off moonlight rays (kaumudī). Ātma-sambhāva means “awareness of one’s identity.” This is a general description of the Pāṇḍavas’ bhakti because from the description in verse 12 of this chapter, it is understood that Yudhiṣṭhira and others also had vatsala and dāsya affection. That is because in the suhṛt and sakha types of sakhya-rasa, traces of vatsala and dāsya are present. This will be explained in verse 22: vātsalya-gandhi-sakhyās tu kiñcit te vayasādhikāḥ: in these suhṛts there is sakhya with a tinge of vātsalya. And verse 30 explains that the younger friends show a tinge of prīti-rasa (dāsya): kaniṣṭha-kalpāḥ sakhyena saṁbaddhāḥ prīti-gandhinā. Though the vibhāva in this verse is the four-armed form, there is still sakhya or friendly love, because that form does not seem unusual to the Pāṇḍavas from their constantly seeing it. Thus, in the Gītā, Arjuna says:
kirīṭinaṁ gadinaṁ cakra-hastam icchāmi tvāṁ draṣṭum ahaṁ tathaiva
tenaiva rūpeṇa catur-bhujena sahasra-bāho bhava viśva-mūrte
I wish to see You wearing a crown, holding a club and cakra. O thousand-armed one, form of the universe! Appear with that four-armed form. BG 11.46
Even with four arms, Kṛṣṇa is still considered to be situated in His human form. This is understood from verses such as the following:
yūyaṁ nṛ-loke bata bhūri-bhāgā lokaṁ punānā munayo ’bhiyanti
yeṣāṁ gṛhān āvasatīti sākṣād gūḍhaṁ paraṁ brahma manuṣya-liṅgam
My dear Mahārāja Yudhiṣṭhira, all of you [the Pāṇḍavas] are extremely fortunate, for the Supreme Personality of Godhead, Kṛṣṇa, lives in your palace just like a human being. Great saintly persons know this very well, and therefore they constantly visit this house. SB 7.10.48
The friends will be described in verse 8 as having similar form, cloth and qualities as the Lord, but they do not have four arms as the Lord does.
The qualities of the Lord in preyo-bhakti-rasa are: dressing attractively, possessing all good qualities, being best of the strong, being knowledgeable of many languages, being talkative, fully knowledgeable of all branches of learning, quick-witted, skillful, merciful, most courageous, learned in arts, intelligent, tolerant, attractive to all people, prosperous, jovial, and the most prominent among all persons.
Purport
Sometimes Kṛṣṇa’s different names, forms, paraphernalia and transcendental qualities provoke fraternal love. For instance, Kṛṣṇa’s nice dress, His strongly built body, the all-auspicious symptoms on His body, His knowledge of different languages, His learned teachings in Bhagavad-gītā, His uncommon genius in all fields of endeavor, His exhibition of expert knowledge, His mercy, His chivalry, His behavior as a conjugal lover, His intelligence, His forgiveness, His attraction for all kinds of men, His opulence and His happiness—all provoke fraternal love.
The qualities of the Lord in preyo-bhakti-rasa are: dressing attractively, possessing all good qualities, being best of the strong, being knowledgeable of many languages, being talkative, fully knowledgeable of all branches of learning, quick-witted, skillful, merciful, most courageous, learned in arts, intelligent, tolerant, attractive to all people, prosperous, jovial, and the most prominent among all persons.
Purport
Sometimes Kṛṣṇa’s different names, forms, paraphernalia and transcendental qualities provoke fraternal love. For instance, Kṛṣṇa’s nice dress, His strongly built body, the all-auspicious symptoms on His body, His knowledge of different languages, His learned teachings in Bhagavad-gītā, His uncommon genius in all fields of endeavor, His exhibition of expert knowledge, His mercy, His chivalry, His behavior as a conjugal lover, His intelligence, His forgiveness, His attraction for all kinds of men, His opulence and His happiness—all provoke fraternal love.
His friends (āśraya): Those whose form, qualities and dress are similar to Kṛṣṇa’s, who are not restricted like the dāsas because they are endowed with deep trust and familiarity (viśrambha) in relation to the Lord, are known as vayasya or friends.
Purport
The impetus to fraternal love upon seeing the associates of Kṛṣṇa in Vṛndāvana is also very natural, for their personal bodily features, their qualities and their dress are all equal to Kṛṣṇa’s. These associates are always happy in their service to Kṛṣṇa, and they are generally known as vayasyas, or friends of the same age. The vayasyas are fully confident of protection by Kṛṣṇa.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Samyag-ayantritāḥ means that, unlike the dāsas, they are devoid of restrictions in their feelings. This is because they have viśrambha, familiarity with the Lord. Viśrambha will be explained in verse 106 as intensely deep trust in and familiarity with the Lord, with no restriction.
This is expressed in the following verse: I offer my respects to the friends of Kṛṣṇa, who serve Him, with deep trust, without restriction, without fear, while thinking that He is their equal.
Purport
Devotees sometimes pray, “Let us offer our respectful obeisances unto the vayasyas of Kṛṣṇa, who are firmly convinced of Kṛṣṇa’s friendship and protection and whose devotion to Kṛṣṇa is ever fixed. They are fearless, and on a level equal with Kṛṣṇa they discharge their transcendental loving devotional service.”
te pura-vraja-sambandhād dvi-vidhāḥ prāya īritāḥ ||10||
There are two types of friends: those in the city and those in Vraja.
Purport
Such eternal vayasyas are also found beyond the jurisdiction of Vṛndāvana, in places such as Dvārakā and Hastināpura. Except for Vṛndāvana, all the places of Kṛṣṇa’s pastimes are called puras (towns). Mathurā and Hastināpura, the capital of the Kurus, are both puras.
tam avaśādhiyaḥ prauḍhānandād arundhata pāṇḍavāḥ ||12||
Their friendship: When Kṛṣṇa arrived in Indraprastha, Yudhiṣṭhira, with unsteady mind, immediately smelled his head. [Note: This is a sign of affection of a father for his son.] Bhīma and Arjuna, with hairs standing on end, embraced His iron arms. Nakula and Sahadeva fell at His lotus feet with tears in their eyes. In this way, the Pāṇḍavas, with hearts agitated with joy, impeded Kṛṣṇa’s entry into the city.
Purport
How the sons of Pāṇḍu, the Pāṇḍavas, enjoy Kṛṣṇa’s association is described as follows: “When Śrī Kṛṣṇa arrived in Indraprastha, the capital of the Kurus, Mahārāja Yudhiṣṭhira immediately came out to smell the fragrance of Kṛṣṇa’s head.” It is the Vedic custom that a superior smells the heads of his subordinates when the subordinates offer respect to the superior by touching his feet. Similarly, Arjuna and Bhīma embraced Kṛṣṇa with great jubilation, and the two younger brothers, namely Nakula and Sahadeva, touched the lotus feet of Kṛṣṇa with tears in their eyes and offered their respects. In this way all the five Pāṇḍava brothers enjoyed the fraternal friendship of Kṛṣṇa in transcendental mellow.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
In this verse Bhīma and Arjuna should be understood as the examples of sakhya-rasa. Śrīdāma brāhmaṇa and Draupadī are also included in this group. Śliṣṭau (they were embraced) actually stands for śliṣṭavantau (they embraced), according to the rule gaty arthākarmaka śliṣa: the suffix ta is employed to denote the agent as well as the act and the object after verbs implying motion, after intransitive roots and after the verbs śliṣ (to embrace). (Pāṇini 3.4.72) The iron arms and the lotus feet should be understood to belong to Kṛṣṇa, not to Bhīma, Arjuna or their two younger brothers. They are part of the viṣaya, object of love, according to the context.
Arjuna’s form: Arjuna, with Gāṇḍiva bow in hand, with thighs like elephant trunks, with the complexion of a blue lotus, and with reddish eyes, looked splendid as he mounted the jewel-studded chariot with Kṛṣṇa, holder of the cakra.
Purport
He has a nice bow called Gāṇḍīva in his hand. His thighs are compared to the trunks of elephants, and his eyes are always reddish. When Kṛṣṇa and Arjuna are together on a chariot, they become celestial beauties, pleasing to the eyes of everyone.
Arjuna’s friendship: Arjuna, with smiling face, looked splendid as he sat on the same large seat as Kṛṣṇa, placing his head on His bosom in affection without fear, expertly joking in original ways.
Purport
It is said that once Arjuna was lying on his bed with his head upon Kṛṣṇa’s lap and was talking and joking with Kṛṣṇa in great relaxation, enjoying Kṛṣṇa’s company with smiling and great satisfaction.
The friends in Vraja: The friends in Vraja suffer from not seeing Kṛṣṇa even for a moment. They play with Him at all times and their very life depends on Kṛṣṇa. For this reason, they are considered the chief among all the friends.
Purport
As far as the vayasyas (friends) in Vṛndāvana are concerned, they become greatly distressed when they cannot see Kṛṣṇa even for a moment.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The following Bhāgavatam verses illustrate their love:
ūcuś ca suhṛdaḥ kṛṣṇaṁ sv-āgataṁ te ’ti-raṁhasā
naiko ’py abhoji kavala ehītaḥ sādhu bhujyatām
The cowherd boyfriends said to Lord Kṛṣṇa: You have returned so quickly! We have not eaten even one morsel in Your absence. Please come here and take Your meal without distraction. SB 10.14.45
kṛṣṇaṁ mahā-baka-grastaṁ dṛṣṭvā rāmādayo ’rbhakāḥ
babhūvur indriyāṇīva vinā prāṇaṁ vicetasaḥ
When Balarāma and the other boys saw that Kṛṣṇa had been devoured by the gigantic duck, they became almost unconscious, like senses without life. SB 10.11.49
Their forms: The cowherd friends of Kṛṣṇa are the same age as Kṛṣṇa, with similar qualities, activities, clothing and beauty. They are equipped with pleasing flutes, horns and vallakī leaves, [Note: The list of instruments is rather unclear. Vallakī can mean a vīṇa, but also a type of plant. Dala means leaf. Viṣāṇa means a horn, especially made of animal horns. These can be taken separately as vīṇa, leaves, horns and flutes or together as horns made of vallakī leaves and flutes, or vallakī leaves, horns and flutes. The latter seems preferable, since horns (buffalo) are described elsewhere as the uddīpana for Kṛṣṇa. Patra which means the same as dala are also described elsewhere as an instrument being carried by the cowherd boys. Perhaps they use the leaves as small whistles.] and have complexions of dark blue, gold, crystal and ruby. Always filled with love for Kṛṣṇa, may they protect you!
Purport
There is the following prayer by a devotee for the vayasyas in Vṛndāvana: “All glories to Kṛṣṇa’s vayasyas, who are just like Kṛṣṇa in their age, qualities, pastimes, dress and beauty. They are accustomed to playing on their flutes made of palm leaves, and they all have buffalo-horn bugles ornamented like Kṛṣṇa’s with jewels such as indranīla and with gold and coral. They are always jubilant like Kṛṣṇa. May these glorious companions of Kṛṣṇa always protect us!”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The cowherd friends carry with them flutes, horns and vallakī leaves (made into flutes), which are all auspicious, making the inauspicious most auspicious (priyaṅkaraṇa). Other versions of the verse are not acceptable.
ādhir vidhyati nas tvam arpaya kare kiṁ vā kṣaṇaṁ dakṣiṇe
doṣṇas te karavāma kāmam adhunā savyasya saṁvāhanam ||18||
Their friendship: You have spent seven nights standing constantly without sleep holding up Govardhana. You must be very tired. O my friend Kṛṣṇa, throw the mountain into Śrīdāma’s hand. [Note: This Śrīdāma is the elder brother of Rādhā, distinct from Śrīdāma brāhmaṇa.] Our minds are very disturbed seeing you in this condition. Or at least place mountain in Your right hand. Then we will be able to massage Your left hand.
Purport
The vayasyas in Vṛndāvana are in such intimate friendship with Kṛṣṇa that sometimes they think themselves as good as Kṛṣṇa. Here is an instance of such friendly feeling: When Kṛṣṇa was holding up Govardhana Hill with His left hand, the vayasyas said, “Dear friend, You have been standing for the last seven days and nights without any rest. This is very troublesome for us, because we see that You have undertaken a severely laborious task. We think, therefore, that You need not continue to stand in that way holding the hill. You can just transfer it onto Sudāmā’s hand. We are very much aggrieved to see You in this position. If you think that Sudāmā is not able to support Govardhana Hill, then at least You should change hands. Instead of supporting it with Your left hand, please transfer it to Your right hand, so that we can give Your left hand a massage.” This is an instance of intimacy, showing how much the vayasyas considered themselves to be equal to Kṛṣṇa.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
These are the cowherd boyfriends speaking to Kṛṣṇa. On seeing the display of the Lord’s powers, they became instead absorbed in the considerations mentioned in this verse. This verse indicates samatva-bhāvanā-maya-sneha: sneha generated by the thought of the Lord as an equal. The next example shows sneha generated by playing together. That is the difference.
Another example, from the Tenth Canto: Here is the Supreme Person, who is considered the impersonal Brahman by great sages, a most worshipable form by the dāsya-bhaktas, and the son of a human being by ordinary men. Now these boys, who have performed many, many pleasing activities in their past lives, are playing with that Supreme Personality of Godhead in the form of a cowherd boy. SB 10.12.11
Purport
In Śrīmad-Bhāgavatam, Tenth Canto, Twelfth Chapter, verse 11, Śukadeva Gosvāmī tells King Parīkṣit, “My dear King, Kṛṣṇa is the Supreme Personality of Godhead to the learned transcendentalist, He is the supreme happiness for the impersonalist, He is the supreme worshipable Deity for the devotee, and He is just like an ordinary boy to one who is under the spell of māyā. And just imagine—these cowherd boys are now playing with the Supreme Person as though they were on an equal level! By this anyone can understand that these boys must have accumulated heaps of the results of pious activities to enable them to associate with the Supreme Personality of Godhead in such intimate friendship.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Satām means “of those who have realized the highest form of existence,” or by proximity to the word brahma, the word sat describes brahman. Thus, satām indicates “those who have realized brahman.” In either case satām refer to the jñānīs. Anubhūti means a self-revealing object (perception or consciousness), opposite of dull matter. This consciousness itself is happiness, since this is the shelter of an attributeless prema, produced through realization of ātmā. That consciousness is also called brahman, meaning “the greatest,” since it is the ultimate essence of everything. This is the explanation of the phrase brahma-sukhānubhūti. The jñānīs realize the Lord as a self-revealing object which is happiness and is called brahman, the greatest (brahma-sukhānubhūtyā).
Those who possess dāsya-bhakti (dāsyaṁ gatānām) realize the Lord as a form which is supremely worshipable (para-daivatena), filled with all powers. The Lord is realized in this form in order that people see His greatness. To show that both these types of realization are very rare, the verse then says that those who have fallen under the control of material illusion (māyāśritānām) see the Lord only as a human child, because they lack both jñāna and bhakti.
taṁ brahma paramaṁ sākṣād bhagavantam adhokṣajam
manuṣya-dṛṣṭyā duṣprajñā martyātmāno na menire
The brāhmaṇas failed to recognize that He is the Supreme Absolute Truth, the directly manifest Personality of Godhead, whom the material senses cannot ordinarily perceive. Thus, bewildered by their false identification with the mortal body, they did not show Him proper respect. SB 10.23.11
But the cowherd boys played with the Lord (sārddham). He awarded them His association, being controlled by His own prema for them. Though He appeared in a human form, that form surpassed in sweetness the sweetness of all other forms. The cowherd boys played with that form of the Lord. Therefore, those boys must have done piles of pious actions in previous lives. This is the meaning from the common, material point of view. But actually, they performed piles of pleasing (puṇya) actions which caused the highest mercy of the Lord. Amara-kośa says puṇyas tu cāru: puṇya means pleasing. If one is particularly inquisitive one can consult Vaiṣṇava-toṣaṇī commentary on this verse.
[kshanam aham avaseedan shoonya-chittas tad aasam ||20||]
Blended reading (Sanskrit + English inline)
eṣu kṛṣṇasya sakhyaṁ, yathā –
sahacara-nikurambaṁ bhrātar ārya praviṣṭaṁ
drutam agha-jaṭharāntaḥ-koṭare prekṣamāṇaḥ |
skhalad-aśiśira-bāṣpa-kṣālita-kṣāma-gaṇḍaḥ
kṣaṇam aham avasīdan śūnya-cittas tad āsam ||20||
Kṛṣṇa’s friendship with the boys: O brother! O respected one! On seeing all My friends quickly enter the stomach of the Agha demon, hot tears began flowing from My eyes, and My cheeks became thin. Being despondent, for some time My mind became vacant.
Purport
There is a description of Kṛṣṇa’s feeling for His vayasyas in Vṛndāvana. He once said to Balarāma, “My dear brother, when My companions were being devoured by the Aghāsura, hot tears poured down from My eyes. And as they were washing My cheeks, My dear elder brother, for at least one moment I completely lost Myself.”
There are four types of friends in Gokula: suhṛt, sakha, priya-sakha and priya-narma-sakha.
Purport
Within Gokula, Kṛṣṇa’s vayasyas are generally divided into four groups: (1) well-wisher friends, (2) friends, (3) confidential friends and (4) intimate friends.
The suhṛts have friendship mixed with a tinge of vatsala. They are slightly older than Kṛṣṇa, and, carrying weapons, they are always ready to protect Kṛṣṇa from demons.
Purport
Kṛṣṇa’s well-wisher friends are a little bit older than Kṛṣṇa, and they have some parental affection for Him. Because of their being older than Kṛṣṇa, they always try to protect Him from any harm. As such, they sometimes bear weapons so that they can chastise any mischievous persons who want to do harm to Kṛṣṇa.
Subhadra, Maṇḍalībhadra, Bhadravardhana, Gobhaṭa, Yakṣa, Indrabhaṭa, Bhadrāṅga, Vīrabhadra, Mahāguṇa, Vijaya and Balabhadra are some of the suhṛts.
Purport
Counted among the well-wisher friends are Subhadra, [Note: Not to be confused with Kṛṣṇa’s sister, Subhadrā.] Maṇḍalībhadra, Bhadravardhana, Gobhaṭa, Yakṣa, Indrabhaṭa, Bhadrāṅga, Vīrabhadra, Mahāguṇa, Vijaya and Balabhadra. They are older than Kṛṣṇa and are always thinking of His welfare.
śaktiṁ na kṣipa bhadravardhana puro govardhanaṁ gāhate
garjann eṣa ghano balī na tu balīvardākṛtir dānavaḥ ||24||
Their friendship: O Maṇḍalībhadra! Why are you running around swinging that sword? O respectable Balarāma! Don’t take up that heavy club. Vijaya! Do not uselessly become agitated. Bhadravardhana! Do not throw your strength around. What is approaching Govardhana and making a roaring sound is not the powerful demon Ariṣṭāsura with a bull shape, but only a cloud.
Purport
One of the elderly friends said, “My dear Maṇḍalībhadra, why are you wielding a shining sword as though you were running toward Ariṣṭāsura to kill him? My dear Baladeva, why are You unnecessarily bearing that heavy plow? My dear Vijaya, don’t be unnecessarily agitated. My dear Bhadravardhana, there is no need to make these threatening motions. If you will all look more closely you will see that it is only a thundercloud upon Govardhana Hill; it is not the Ariṣṭāsura in the shape of a bull, as you have imagined.” These older, well-wishing friends of Kṛṣṇa had imagined a large cloud to be the Ariṣṭāsura, appearing in the shape of a huge bull. In the midst of their excitement one of them ascertained that it was actually only a cloud on Govardhana Hill. He therefore informed the others not to take the trouble of worrying about Kṛṣṇa, because there was no present danger from Ariṣṭāsura.
The form of Maṇḍalībhadra: Maṇḍalībhadra appears with pink cloth decorating his shining limbs, club in hand, peacock feather on his head, with the shining black complexion of a bee.
Purport
Maṇḍalībhadra is described as follows. His complexion is yellowish, and his dress is very attractive. He always carries a stick of various colors. He wears a peacock feather on his head and always looks very beautiful.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Pāṭala means a combination of red and white. His limbs shine with that pink cloth.
tvam asya visṛjann alaṁ subala sakthinī lālaya ||27||
The friendship of Maṇḍalībhadra: Our friend Kṛṣṇa has become very tired because of wandering around playing in the forest for a long time. Now, He should sleep comfortably in His house in Vraja at night. I will gently massage His head. Subala! You should massage His legs while speaking in His ear.
Purport
Maṇḍalībhadra’s attitude is revealed in this statement: “My dear friends, our beloved Kṛṣṇa is now very tired from working with the cows in the pasturing grounds and from traveling all over the forests. I can see that He is very fatigued. Let me massage His head silently while He is taking rest in His house. And you, Subala—you just massage His thighs.”
The form of Balarāma: I take shelter of Baladeva, enemy of Pralamba. On the edge of His cheek dangles one earring. The lotuses decorating His ears are covered with bees. His tilaka is made of musk. On His broad chest shines a guñja berry necklace. His complexion is as white as an autumn cloud. His cloth is blue, His voice is deep, and His arms hang down to His knees.
Purport
One devotee described the personal beauty of Baladeva as follows “Let me take shelter of the lotus feet of Balarāma, whose beauty is enhanced by the earrings touching His cheeks. His face is decorated with tilaka made from kastūrī [musk], and His broad chest is decorated with a garland of guñjā [small conchshells]. His complexion is as white as an autumn cloud, He wears garments of blue color, and His voice is very grave. His arms are very long, touching His thighs, and He has shown His great strength by killing the Pralamba demon. Let me take shelter of this chivalrous Balarāma.” [Note: Balarāma and Baladeva are different names for the same expansion of Kṛṣṇa. He is Kṛṣṇa’s elder brother.]
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Citrakam is tilaka. The second line is kastūrī-kṛta-citrakaṁ pṛthu-hṛdi bhrājiṣṇu guñjā-srajam. This is the correct version.
Baladeva’s friendship: Today is My birth tithi. Therefore, My affectionate mother has kept Me at home in order to bathe Me. Subala! Tell Kṛṣṇa that I said that He should by no means go to Kāliya’s lake today.
Purport
Baladeva’s affection for Kṛṣṇa is illustrated in this statement to Subala: “My dear friend, please inform Kṛṣṇa not to go to Kāliya’s lake today. Today is His birthday, and so I wish to go along with Mother Yaśodā to bathe Him. Tell Him He should not leave the house today.” This shows how Balarāma, Kṛṣṇa’s elder brother, took care of Kṛṣṇa with parental love, within the scope of fraternal affection.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This is not the yearly birthday, but a monthly day when the moon enters His birth constellation, because on His actual birthday, which would be a big celebration, Kṛṣṇa would not go out. It should be understood that the message could not be delivered quickly by Subala, who delayed going. Otherwise, as on previous days, Kṛṣṇa would not have disobeyed Balarāma’s instructions on this day and gone to Kāliya’s lake.
The sakhas: Friends who are slightly younger than Kṛṣṇa, who have a touch of dāsya in relationship with Kṛṣṇa are called sakhas. They are very attached to the happiness derived from serving Kṛṣṇa. Among them are Viśāla, Vṛṣabha, Ojasvī, Devaprastha, Varūthapa, Maranda, Kusumāpīḍa, Maṇibandha, and Karandhama.
Purport
Friends who are younger than Kṛṣṇa, who are always attached to Him and who give Him all kinds of service are called ordinary friends, or, simply, friends. Such ordinary friends are called sakhās, and the names of some sakhās are Viśāla, Vṛṣabha, Ojasvī, Devaprastha, Varūthapa, Maranda, Kusumāpīḍa, Maṇibandha and Karandhama. All of these sakhā friends of Kṛṣṇa seek only to serve Him. Sometimes some of them would rise early in the morning and immediately go to Kṛṣṇa’s place and wait at the door to see Kṛṣṇa and to accompany Him to the pasturing grounds. In the meantime, Kṛṣṇa would be dressed by Mother Yaśodā, and when she would see a boy standing at the door, she would call him, “Well, Viśāla, why are you standing there? Come here!” So with the permission of Mother Yaśodā, he would immediately enter the house. And while Mother Yaśodā was dressing Kṛṣṇa, he would try to help put on Kṛṣṇa’s ankle bells, and Kṛṣṇa would jokingly strike him with His flute. Then Mother Yaśodā would call, “Kṛṣṇa, what is this? Why are You teasing Your friend?” And Kṛṣṇa would laugh, and the friend would also laugh. These are some of the activities of Kṛṣṇa’s sakhās. Sometimes the sakhās would take care of the cows who were going hither and thither. They would tell Kṛṣṇa, “Your cows were going off here and there,” and Kṛṣṇa would thank them.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Viśāla-vṛṣabhaurjasvi is the version in the Gauḍiya edition. The Kāśi edition has vṛṣāla-vṛṣa-tesasvī.
The sakhas: Friends who are slightly younger than Kṛṣṇa, who have a touch of dāsya in relationship with Kṛṣṇa are called sakhas. They are very attached to the happiness derived from serving Kṛṣṇa. Among them are Viśāla, Vṛṣabha, Ojasvī, Devaprastha, Varūthapa, Maranda, Kusumāpīḍa, Maṇibandha, and Karandhama.
Purport
Friends who are younger than Kṛṣṇa, who are always attached to Him and who give Him all kinds of service are called ordinary friends, or, simply, friends. Such ordinary friends are called sakhās, and the names of some sakhās are Viśāla, Vṛṣabha, Ojasvī, Devaprastha, Varūthapa, Maranda, Kusumāpīḍa, Maṇibandha and Karandhama. All of these sakhā friends of Kṛṣṇa seek only to serve Him. Sometimes some of them would rise early in the morning and immediately go to Kṛṣṇa’s place and wait at the door to see Kṛṣṇa and to accompany Him to the pasturing grounds. In the meantime, Kṛṣṇa would be dressed by Mother Yaśodā, and when she would see a boy standing at the door, she would call him, “Well, Viśāla, why are you standing there? Come here!” So with the permission of Mother Yaśodā, he would immediately enter the house. And while Mother Yaśodā was dressing Kṛṣṇa, he would try to help put on Kṛṣṇa’s ankle bells, and Kṛṣṇa would jokingly strike him with His flute. Then Mother Yaśodā would call, “Kṛṣṇa, what is this? Why are You teasing Your friend?” And Kṛṣṇa would laugh, and the friend would also laugh. These are some of the activities of Kṛṣṇa’s sakhās. Sometimes the sakhās would take care of the cows who were going hither and thither. They would tell Kṛṣṇa, “Your cows were going off here and there,” and Kṛṣṇa would thank them.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
Viśāla-vṛṣabhaurjasvi is the version in the Gauḍiya edition. The Kāśi edition has vṛṣāla-vṛṣa-tesasvī.
Their friendship: Today our friend has become very tired from intense combat. Viśāla! Fan Him with a lotus leaf. Varūthapa, tidy up His hair! Vṛṣabha, massage his limbs without unnecessary talk!
Purport
Sometimes when Kṛṣṇa and His sakhās went to the pasturing ground, Kaṁsa would send a demon to kill Kṛṣṇa. Therefore, almost every day there was a fight with some different kind of demon. After fighting with a demon, Kṛṣṇa would feel fatigued, the hairs on His head would be scattered, and the sakhās would immediately come and try to relieve Him in different ways. Some friends would say, “My dear Viśāla, please take this fan of lotus leaves and fan Kṛṣṇa so that He may feel some comfort. Varūthapa, you just brush the scattered hairs on Kṛṣṇa’s head which have fallen upon His face. Vṛṣabha, don’t talk unnecessarily! Immediately massage Kṛṣṇa’s body. His arms have become tired from fighting and wrestling with that demon. Oh, just see how our friend Kṛṣṇa has become tired!” These are some examples of the treatment given to Kṛṣṇa by the sakhās.
Devaprastha’s form: With a ball in his hand, with light yellow cloth, top-knot tied with a cord, and red complexion, strong Devaprastha, romping around like the king of the elephants, walks by Kṛṣṇa’s side.
Purport
He is very strong, a ready scholar, and is very expert in playing ball. He wears a white dress, and he ties his hair into a bunch with a rope. Whenever there is a fight between Kṛṣṇa and the demons, Devaprastha is the first to help, and he fights just like an elephant.
Devaprastha’s friendship: O beautiful young woman! In a mountain cave, Kṛṣṇa lay down and rested His head in the broad arms of Śrīdāma, with Dāma’s left hand covering His chest. Expert Devaprastha gave pleasure to his beloved Kṛṣṇa by massaging His feet in affection.
Purport
One of the gopīs once said to her friend, “My dear beautiful friend, when Kṛṣṇa, the son of Mahārāja Nanda, was taking rest within the cave of a hill, He was keeping His head on the arms of Śrīdāmā, and He was putting His left hand on Dāmā’s chest. Taking this opportunity, Devaprastha, out of his strong affection for Kṛṣṇa, immediately began to massage His legs.” Such are the activities of Kṛṣṇa’s friends out on the pasturing grounds.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Out of affection, Dāma placed his left hand on Kṛṣṇa’s chest (savya kareṇa ruddha-hṛdayam). In the compound ruddha-hṛdaya the modifying word ruddha (covered) maintains its original passive participle function with the instrumental phrase savya-kareṇa. This follows the grammatical rule samastasyāsamastena nityāpekṣeṇa saṅgati: A word inside a compound can be considered connected with a word outside the compound if their meanings are unavoidably connected by a semantic expectation. (Harināmāmṛta-vyākaraṇa 6.104)
Priya-sakhas: Those who are the same age as Kṛṣṇa, with only pure sakhya, are called priya-sakhas. Śrīdāma, Sudāma, Dāma, Vasudāma, Kiṅkiṇi, Stokakrṣṇa, Aṁśu, Bhadrasena, Vilāsī, Puṇḍarīka, Viṭaṅka and Kalabiṇka are priya-sakhas.
Purport
The more confidential friends are called priya-sakhās and are almost Kṛṣṇa’s age. Because of their very confidential friendship, their behavior is only on the basis of pure friendship. The behavior of other friends is on the ground of paternal love or servitude, but the basic principle of the confidential friends is simply friendship on an equal level. Some confidential friends are as follows: Śrīdāmā, Sudāmā, Dāmā, Vasudāmā, Kiṅkiṇi, Stoka-kṛṣṇa, Aṁśu, Bhadrasena, Vilāsī, Puṇḍarīka, Viṭaṅka and Kalaviṅka.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Though mentioned here to be priya-sakhas, Dāma, Sudāma, Vasudāma and Kiṅkiṇī should be understood to be priya-narma-sakhas. They enter all intimate places because they are the very heart and soul of Kṛṣṇa. In the Gautamīya-tantra, they are mentioned as the first āvaraṇa (first circle of associates), in the worship of the Lord. “One should worship Dāma, Sudāma, Vasudāma and Kiṅkiṇī with sandalwood and flowers. They are known as the very heart of Kṛṣṇa. They are worshipped as non-different from Kṛṣṇa. They are worshipped just as Kṛṣṇa is worshipped.”
Priya-sakhas: Those who are the same age as Kṛṣṇa, with only pure sakhya, are called priya-sakhas. Śrīdāma, Sudāma, Dāma, Vasudāma, Kiṅkiṇi, Stokakrṣṇa, Aṁśu, Bhadrasena, Vilāsī, Puṇḍarīka, Viṭaṅka and Kalabiṇka are priya-sakhas.
Purport
The more confidential friends are called priya-sakhās and are almost Kṛṣṇa’s age. Because of their very confidential friendship, their behavior is only on the basis of pure friendship. The behavior of other friends is on the ground of paternal love or servitude, but the basic principle of the confidential friends is simply friendship on an equal level. Some confidential friends are as follows: Śrīdāmā, Sudāmā, Dāmā, Vasudāmā, Kiṅkiṇi, Stoka-kṛṣṇa, Aṁśu, Bhadrasena, Vilāsī, Puṇḍarīka, Viṭaṅka and Kalaviṅka.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
Though mentioned here to be priya-sakhas, Dāma, Sudāma, Vasudāma and Kiṅkiṇī should be understood to be priya-narma-sakhas. They enter all intimate places because they are the very heart and soul of Kṛṣṇa. In the Gautamīya-tantra, they are mentioned as the first āvaraṇa (first circle of associates), in the worship of the Lord. “One should worship Dāma, Sudāma, Vasudāma and Kiṅkiṇī with sandalwood and flowers. They are known as the very heart of Kṛṣṇa. They are worshipped as non-different from Kṛṣṇa. They are worshipped just as Kṛṣṇa is worshipped.”
Their friendship: One priya-sakha jokes using puns in a choked voice. Another embraces Kṛṣṇa with arms full of goose bumps. Another sneaks up behind Kṛṣṇa and covers His eyes with his quick hand. O thin-waisted woman! In this way, the priya-sakhas give pleasure to Your friend Kṛṣṇa.
Purport
The behavior of these confidential friends is described by a friend of Rādhārāṇī who told Rādhārāṇī, “My dear graceful Rādhārāṇī, Your intimate friend Kṛṣṇa is also served by His intimate boyfriends. Some of them cut jokes with Him in mild voices and please Him very much by this.” For example, Kṛṣṇa had one brāhmaṇa friend whose name was Madhumaṅgala. This boy would joke by playing the part of a greedy brāhmaṇa. Whenever the friends ate, he would eat more than all others, especially laḍḍus, of which he was very fond. Then after eating more laḍḍus than anyone else, Madhumaṅgala would still not be satisfied, and he would say to Kṛṣṇa, “If You give me one more laḍḍu, then I shall be pleased to give You my blessings so that Your friend Rādhārāṇī will be very much pleased with You.” The brāhmaṇas are supposed to give blessings to the vaiśyas (farming and merchant caste), and Kṛṣṇa presented Himself as the son of Mahārāja Nanda, a vaiśya; so the brāhmaṇa boy was right in giving blessings to Kṛṣṇa. Thus Kṛṣṇa was very pleased by His friend’s blessings, and He would supply him with more and more laḍḍus.
Sometimes a confidential friend would come before Kṛṣṇa and embrace Him with great affection and love. Another friend would then come up from the rear and cover Kṛṣṇa’s eyes with his hands. Kṛṣṇa would always feel very happy by such dealings with His confidential friends.
Śrīdāma’s form: I worship Śrīdāma, with yellow-greenish cloth and dark blue complexion, holding a horn in his hand, wearing a copper colored turban and a flower garland. Out of friendship, he competes with Kṛṣṇa.
Purport
Śrīdāmā used to put on a yellow-colored dress. He would carry a buffalo horn, and his turban was of reddish, copper color. His bodily complexion was blackish, and around his neck there was a nice garland. He would always challenge Kṛṣṇa in joking friendship. Let us pray to Śrīdāmā to bestow his mercy upon us!
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Verse 2.5.59, in describing utsāha-rati, shows Śrīdāma in competitive spirit (baddha-spardham). Since friendship becomes hidden when competitive spirit appears, that is described in a separate place.
diṣṭyā dṛṣṭim ito ’si hanta niviḍāśleṣaiḥ sakhīn prīṇaya |
brūmaḥ satyam adarśane tava manāk kā dhenavaḥ ke vayaṁ
kiṁ goṣṭhaṁ kim abhīṣṭam ity acirataḥ sarvaṁ viparyasyati ||42||
His friendship: You are so cruel! Why did you suddenly leave us at the bank of the Yamunā and go away? We are very fortunate to have seen You. Now, please us by giving us a strong embrace. Not seeing You for even a short time, the cows, ourselves, the cowsheds, and Your gopīs all fall into the worst misfortune.
Purport
Sometimes Śrīdāmā used to address Kṛṣṇa, “Oh, You are so cruel that You left us alone on the bank of the Yamunā, and we were all mad from not seeing You there! Now it is our great fortune that we are able to see You here. If You want to pacify us, You must embrace each one of us with Your arms. But believe me, my dear friend, a moment’s absence from You creates great havoc, not only for us but for the cows also. Everything becomes disarranged, and we become mad after You.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Without Kṛṣṇa, what happens to the cows (kā dhenavaḥ)? The cows no longer are cows. We are not ourselves. The cowsheds are no longer cowsheds. The gopīs are no longer gopīs. That is because (iti) everything becomes opposite, falling into the greatest misfortune, by not seeing You.
subalārjuna-gandharvās te vasantojjvalādayaḥ ||43||
[subalaarjuna-gandharvaas te vasantojjvalaadayah ||43||]
Blended reading (Sanskrit + English inline)
atha priya-narma-vayasyāḥ –
priya-narma-vayasyās tu pūrvato ’py abhito varāḥ |
ātyantika-rahasyeṣu yuktā bhāva-viśeṣiṇaḥ |
subalārjuna-gandharvās te vasantojjvalādayaḥ ||43||
The priya-narma-sakhas are superior to the suhṛts, sakhas and priya-sakhas, and possess a very special bhāva. They engage in the most confidential pastimes. Subala, Arjuna, Gandharva, Vasanta and Ujjvala are priya-narma-sakhas.
Purport
There are other friends who are still more confidential. They are called priya-narmā, or intimate friends. Counted among the priya-narmā friends are Subala, Arjuna, Gandharva, Vasanta and Ujjvala.
Their friendship: O thin-waisted woman! Subala is whispering information about Rādhā’s in Kṛṣṇa’s ear. Ujjvala is handing Śyāmā’s love letter to the lotus hand of Kṛṣṇa in a solitary place. Catura is offering betel nut given by Pālī into Kṛṣṇa’s mouth. Kokila is putting a garland sent by Tārā over Kṛṣṇa’s head. In this way, the priya-narma-sakhas serve Kṛṣṇa.
Purport
There was talk among the friends of Rādhārāṇī, the gopīs, about these most intimate friends. One gopī addressed Rādhārāṇī thus: “My dear Kṛśāṅgī [delicate one], just see how Subala is whispering Your message into Kṛṣṇa’s ear, how he is delivering the confidential letter of Śyāmā-dāsī silently into Kṛṣṇa’s hand, how he is delivering the betel nuts prepared by Pālikā into Kṛṣṇa’s mouth, and how he is decorating Kṛṣṇa with the garland prepared by Tārakā. Did you know, my dear friend, that all these most intimate friends of Kṛṣṇa are always engaged in His service in this way?”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The special bhāva mentioned in the previous verse is the desire to give pleasure to Kṛṣṇa by helping His girlfriends. This verse describes that service. This is a conversation between two women go-betweens.
Subala’s form: I offer my respects to Subala, with a complexion that conquers gold, who wears a pearl necklace and green cloth, whose eyes are like blue lotuses, and who gives joy to his friends by his conduct.
Purport
Subala’s body is described as follows. His complexion is just like molten gold. He is very, very dear to Kṛṣṇa. He always has a garland around his neck, and he wears yellow clothing. His eyes are just like lotus flower petals, and he is so intelligent that by his talking and his moral instructions all the other friends take the highest pleasure. Let us all offer our respectful obeisances unto Kṛṣṇa’s friend Subala!
Subala’s friendship: Mādhava discussed with Subala topics full of allusions difficult to understand by others in the assembly skilful at interpreting gestures.
Purport
The degree of intimacy shared by Kṛṣṇa and Subala can be understood by the fact that the talks between them were so confidential that no one else could understand what they were saying.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
According to Amara-kośa the word saṁjñā means consciousness, name, and indication using the hands: saṁjñā syāc cetanā nāma hastādyaiś cārtha-sucana.
The form of Ujjvala: I worship Ujjvala, dear to the Lord, with his orange cloth, restless eyes, complexion dark blue like Kṛṣṇa’s. He is decorated with spring flowers and wears a jewel necklace.
Purport
The description of Ujjvala, another intimate friend, is given as follows. Ujjvala always wears some garment of orange color, and the movements of his eyes are always very restless. He likes to decorate himself with all kinds of flowers, his bodily hue is almost like Kṛṣṇa’s, and on his neck there is always a necklace of pearls. He is always very dear to Kṛṣṇa. Let us all worship Ujjvala, the most intimate friend of Kṛṣṇa!
[kaa vaa vrishasyati na gopa-vrisham kishoree ||49||]
Blended reading (Sanskrit + English inline)
asya sakhyaṁ, yathā –
śaktāsmi mānam avituṁ katham ujjvalo ’yaṁ
dūtaḥ sameti sakhi yatra milaty adūre |
sāpatrapāpi kulajāpi pativratāpi
kā vā vṛṣasyati na gopa-vṛṣaṁ kiśorī ||49||
Ujjvala’s friendship: O friend! Kṛṣṇa’s messenger Ujjvala is approaching. How will I protect my honor? Is there any chaste, shy respectable woman here who would remain without desiring the best of cowherd boys, when Ujjvala is nears?
Purport
About the confidential service of Ujjvala, this statement is to be found, addressed by Rādhārāṇī to one of Her friends: “My dear friend, it is impossible for Me to keep My prestige! I wanted to avoid talking to Kṛṣṇa anymore—but just see! There again is His friend Ujjvala, coming to Me with his canvassing work. His entreaties are so powerful that it is very difficult for a gopī to resist her love for Kṛṣṇa, even though she may be very bashful, devoted to her family duties and most faithful to her husband.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Śaktāsmi mānam avituṁ katham is one sentence. Ujjvalo ’yaṁ dūtaḥ sameti is another sentence. The rest is another sentence. Though they respect the rules, since they are respectable, shy, and fearful, among all of the women, who will not have intense love (vṛṣasyati) for the best cowherd boy, Kṛṣṇa? All certainly desire Him.
[tad iyam aghahara tvaam eti sarvaadhvanaiva ||51||]
Blended reading (Sanskrit + English inline)
yathā –
sphurad-atanu-taraṅgā vardhitānalpa-velaḥ
sumadhura-rasa-rūpo durgamāvāra-pāraḥ |
jagati yuvati-jātir nimnagā tvaṁ samudras
tad iyam aghahara tvām eti sarvādhvanaiva ||51||
O killer of Agha! You are an incomparable ocean of sweet rasa, and like the high tide, You transgress all the boundaries of morality. The young women of this world are rivers filled with waves of love. Whatever path they take, they end up meeting You.
Purport
“My dear Kṛṣṇa, O killer of Aghāsura, You have extended Your loving affairs so much that You can be compared to the great ocean, which is without limitations. At the same time, the young girls of the world, who are all searching after the perfect lover, have become just like rivers running into this ocean. Under the circumstances, all these rivers of young girls may try to divert their courses to some other place, but at the end they must come unto You.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Vardhitānalpa-velaḥ means that the ocean has risen to high tide with its water. Referring to Kṛṣṇa, it means He has broken all the moral codes of the gopīs. Amara-kośa says velā syat tira nīrayoḥ: velā means shore or water.
saumyāḥ sūnṛtayā vācā dhanyā dhinvanti taṁ pare ||55||
[saumyaah soonritayaa vaachaa dhanyaa dhinvanti tam pare ||55||]
Blended reading (Sanskrit + English inline)
nitya-priyāḥ sura-carāḥ sādhakāś ceti te tridhā |
kecid eṣu sthirā jātyā mantrivat tam upāsate ||53||
taṁ hāsayanti cāpalāḥ kecid vaihāsikopamāḥ |
kecid ārjava-sāreṇa saralāḥ śīlayanti tam ||54||
vāmā vakrima-cakreṇa kecid vismāyayanty amum |
kecit pragalbhāḥ kurvanti vitaṇḍām amunā |
saumyāḥ sūnṛtayā vācā dhanyā dhinvanti taṁ pare ||55||
There are three types of friends: nitya-priya (nitya-siddha), devatā (previously) and sādhana-siddha. Some, steady and acting like advisors, worship Kṛṣṇa. Others have a fickle nature and make Kṛṣṇa laugh in the manner of jesters. Others, with meek nature, make Him happy by their serious behavior. Others astonish Him by crooked behavior. Other confident friends argue with Him. Some peaceful, fortunate boys please Him with truthful, pleasing words.
Purport
There are three divisions among Kṛṣṇa’s friends: some are eternally in friendship with Kṛṣṇa, some are elevated demigods, and some are perfected devotees. In all of these groups there are some who by nature are fixed in Kṛṣṇa’s service and are always engaged in giving counsel; some of them are very fond of joking and naturally cause Kṛṣṇa to smile by their words; some of them are by nature very simple, and by their simplicity they please Lord Kṛṣṇa; some of them create wonderful situations by their activities, apparently against Kṛṣṇa; some of them are very talkative, always arguing with Kṛṣṇa and creating a debating atmosphere; and some of them are very gentle and give pleasure to Kṛṣṇa by their sweet words.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Sādhaka here means sādhana-siddha (since those performing sādhana could not directly associate with the Lord.) The suracaras (those who were previously devatās) are also sādhana-siddha, but they have been considered separately to show their different origin.
Vismāyayanti is the original version. Because the agent (subject) is not the direct cause of astonishment the form vismāpayanti is not used. They cause astonishment by crooked behavior. (Pāṇini 7.3.40 in relation to bhaya) The form vismerayanti from the noun vismera could also be used, though usually in making causative verbs there is reversion to the root of the verb. Thus, karoti (he does) becomes the causative kārayati (cause him to do) by adding the suffix ya to the root. Some forms of the verbs drop the causative suffix ya however. The causative form vāditavān (he causes someone to speak) formed from the past passive participle from the root vad, drops the ya, as does the causative form of aorist tense avīvadat (he caused someone to speak). Of course, there are examples like the noun ūḍhi (fame), derived from the verb root vah (to carry), which could become the verb ūḍhayati (he causes fame or he becomes famous), which could form the aorist aujiḍhat (he became famous). If such forms are not seen however, what is the loss?
saumyāḥ sūnṛtayā vācā dhanyā dhinvanti taṁ pare ||55||
[saumyaah soonritayaa vaachaa dhanyaa dhinvanti tam pare ||55||]
Blended reading (Sanskrit + English inline)
nitya-priyāḥ sura-carāḥ sādhakāś ceti te tridhā |
kecid eṣu sthirā jātyā mantrivat tam upāsate ||53||
taṁ hāsayanti cāpalāḥ kecid vaihāsikopamāḥ |
kecid ārjava-sāreṇa saralāḥ śīlayanti tam ||54||
vāmā vakrima-cakreṇa kecid vismāyayanty amum |
kecit pragalbhāḥ kurvanti vitaṇḍām amunā |
saumyāḥ sūnṛtayā vācā dhanyā dhinvanti taṁ pare ||55||
There are three types of friends: nitya-priya (nitya-siddha), devatā (previously) and sādhana-siddha. Some, steady and acting like advisors, worship Kṛṣṇa. Others have a fickle nature and make Kṛṣṇa laugh in the manner of jesters. Others, with meek nature, make Him happy by their serious behavior. Others astonish Him by crooked behavior. Other confident friends argue with Him. Some peaceful, fortunate boys please Him with truthful, pleasing words.
Purport
There are three divisions among Kṛṣṇa’s friends: some are eternally in friendship with Kṛṣṇa, some are elevated demigods, and some are perfected devotees. In all of these groups there are some who by nature are fixed in Kṛṣṇa’s service and are always engaged in giving counsel; some of them are very fond of joking and naturally cause Kṛṣṇa to smile by their words; some of them are by nature very simple, and by their simplicity they please Lord Kṛṣṇa; some of them create wonderful situations by their activities, apparently against Kṛṣṇa; some of them are very talkative, always arguing with Kṛṣṇa and creating a debating atmosphere; and some of them are very gentle and give pleasure to Kṛṣṇa by their sweet words.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
Sādhaka here means sādhana-siddha (since those performing sādhana could not directly associate with the Lord.) The suracaras (those who were previously devatās) are also sādhana-siddha, but they have been considered separately to show their different origin.
Vismāyayanti is the original version. Because the agent (subject) is not the direct cause of astonishment the form vismāpayanti is not used. They cause astonishment by crooked behavior. (Pāṇini 7.3.40 in relation to bhaya) The form vismerayanti from the noun vismera could also be used, though usually in making causative verbs there is reversion to the root of the verb. Thus, karoti (he does) becomes the causative kārayati (cause him to do) by adding the suffix ya to the root. Some forms of the verbs drop the causative suffix ya however. The causative form vāditavān (he causes someone to speak) formed from the past passive participle from the root vad, drops the ya, as does the causative form of aorist tense avīvadat (he caused someone to speak). Of course, there are examples like the noun ūḍhi (fame), derived from the verb root vah (to carry), which could become the verb ūḍhayati (he causes fame or he becomes famous), which could form the aorist aujiḍhat (he became famous). If such forms are not seen however, what is the loss?
saumyāḥ sūnṛtayā vācā dhanyā dhinvanti taṁ pare ||55||
[saumyaah soonritayaa vaachaa dhanyaa dhinvanti tam pare ||55||]
Blended reading (Sanskrit + English inline)
nitya-priyāḥ sura-carāḥ sādhakāś ceti te tridhā |
kecid eṣu sthirā jātyā mantrivat tam upāsate ||53||
taṁ hāsayanti cāpalāḥ kecid vaihāsikopamāḥ |
kecid ārjava-sāreṇa saralāḥ śīlayanti tam ||54||
vāmā vakrima-cakreṇa kecid vismāyayanty amum |
kecit pragalbhāḥ kurvanti vitaṇḍām amunā |
saumyāḥ sūnṛtayā vācā dhanyā dhinvanti taṁ pare ||55||
There are three types of friends: nitya-priya (nitya-siddha), devatā (previously) and sādhana-siddha. Some, steady and acting like advisors, worship Kṛṣṇa. Others have a fickle nature and make Kṛṣṇa laugh in the manner of jesters. Others, with meek nature, make Him happy by their serious behavior. Others astonish Him by crooked behavior. Other confident friends argue with Him. Some peaceful, fortunate boys please Him with truthful, pleasing words.
Purport
There are three divisions among Kṛṣṇa’s friends: some are eternally in friendship with Kṛṣṇa, some are elevated demigods, and some are perfected devotees. In all of these groups there are some who by nature are fixed in Kṛṣṇa’s service and are always engaged in giving counsel; some of them are very fond of joking and naturally cause Kṛṣṇa to smile by their words; some of them are by nature very simple, and by their simplicity they please Lord Kṛṣṇa; some of them create wonderful situations by their activities, apparently against Kṛṣṇa; some of them are very talkative, always arguing with Kṛṣṇa and creating a debating atmosphere; and some of them are very gentle and give pleasure to Kṛṣṇa by their sweet words.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
Sādhaka here means sādhana-siddha (since those performing sādhana could not directly associate with the Lord.) The suracaras (those who were previously devatās) are also sādhana-siddha, but they have been considered separately to show their different origin.
Vismāyayanti is the original version. Because the agent (subject) is not the direct cause of astonishment the form vismāpayanti is not used. They cause astonishment by crooked behavior. (Pāṇini 7.3.40 in relation to bhaya) The form vismerayanti from the noun vismera could also be used, though usually in making causative verbs there is reversion to the root of the verb. Thus, karoti (he does) becomes the causative kārayati (cause him to do) by adding the suffix ya to the root. Some forms of the verbs drop the causative suffix ya however. The causative form vāditavān (he causes someone to speak) formed from the past passive participle from the root vad, drops the ya, as does the causative form of aorist tense avīvadat (he caused someone to speak). Of course, there are examples like the noun ūḍhi (fame), derived from the verb root vah (to carry), which could become the verb ūḍhayati (he causes fame or he becomes famous), which could form the aorist aujiḍhat (he became famous). If such forms are not seen however, what is the loss?
The uddīpanas for preyo-rasa are the Lord’s age, form, horn, flute, conch, sports, joking, heroism, His intimate devotees, and imitating the actions of kings and devatās.
Purport
NoD 42: Fraternal Loving Affairs
Kṛṣṇa’s age, His beauty, His bugle, His flute, His conchshell and His pleasing attitude all provoke love in friendship for Him. His exceptional joking abilities, exhibited sometimes by His pretending to be a royal prince, or even the Supreme Personality of Godhead, also give impetus to devotees developing love for Kṛṣṇa in friendship.
According to the wise, Kṛṣṇa has three ages: kaumāra, paugaṇḍa and kaiśora. [Note: In 2.1.309 it is described that kaumāra age lasts till the fifth year, paugaṇḍa till the tenth year, and kaiśora till the fifteenth year. From the sixteenth year is yauvana. However in the case of Kṛṣṇa the ages appear earlier than usual.] Kṛṣṇa is visible in kaumāra and paugaṇḍa ages only in Gokula, but He is visible in kaiśora age in Gokula, Mathurā and Dvārakā. [Note: Kṛṣṇa does not advance to yauvana even after leaving Vṛndāvana.]
Purport
Learned scholars have divided Kṛṣṇa’s age into three periods: the age up through five years is called kaumāra, the age from the sixth through the tenth year is called paugaṇḍa, and the age from the eleventh through fifteenth year is called kaiśora. While Kṛṣṇa is spending His days as a cowherd boy, He is in the kaumāra and paugaṇḍa ages. In the kaiśora age, when Kṛṣṇa appeared in Gokula, He acted as a cowherd boy, and then, when He was sixteen, He went to Mathurā to kill Kaṁsa.
From the Tenth Canto: Kṛṣṇa is yajña-bhuk—that is, He eats only offerings of yajña—but to exhibit His childhood pastimes, He now sat with His flute tucked between His waist and His tight cloth on His right side and with His horn bugle and cow-driving stick on His left. Holding in His left hand a very nice preparation of yogurt and rice, he held a small portion in His right hand ready to eat it. He sat like the whorl of a lotus flower, looking forward toward all His friends, personally joking with them and creating jubilant laughter among them as He ate. At that time, the denizens of heaven were watching, struck with wonder at how the Personality of Godhead, who eats only in yajña, was now eating with His friends in the forest. [Note: The kaumāra ages lasts till the fifth year. Then paugaṇḍa age starts. (BRS 2.1.309) According to Bhāgavatam 13.37, the killing of Aghāsura and the bewilderment of Brahmā took place before Kṛṣṇa entered paugaṇḍa, but was reported by the cowherd boys one year later when Kṛṣṇa had reached the paugaṇḍa age. However it should also be considered that Kṛṣṇa covered those ages quicker than normal. Thus Viśvanātha’s commentary on Bhāgavatam 10.45.3 says: At the age of three years and four months, Kṛṣṇa displayed the qualities of a five year old. During this kaumāra age, Kṛṣṇa stayed in Mahāvana. From that time till the age of six years and eight months, during His paugaṇḍa age, He stayed in Vṛndāvana. From six years and eight months until His tenth year He experienced kaiśora age while living in Nandīśvara. In the seventh month of the tenth year during the month of Caitra on the kṛṣṇa-trayodaśī, He went to Mathurā and on the caturdaśī he killed Kaṁsa. Therefore the tenth year was the end of His kaiśora age, but thereafter He remained at the same age.] SB 10.13.11
Purport
In the Tenth Canto, Thirteenth Chapter, verse 11, of Śrīmad-Bhāgavatam, Śukadeva Gosvāmī tells King Parīkṣit, “My dear King, although Lord Kṛṣṇa is the supreme enjoyer and the beneficiary of all kinds of sacrificial ceremonies, He still used to eat with His cowherd boyfriends. This is because at that time He accepted the pastimes of an ordinary boy, keeping His flute under His arm and His bugle on the right side in His belt, along with His cane. In His left hand He would hold a lump of rice paste with yogurt, and in His fingers would be pīlu, the king of fruits. When He would thus sit among His friends, it would appear that He was the whorl of a lotus flower and that the friends surrounding Him were petals. As they thus enjoyed joking among themselves, the denizens of heaven would become struck with wonder and would only stare at the scene.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The meaning is this. He carried his flute between His cloth and His waist. On His left hip, He carried a horn and stick. In His left hand, He held a ball of rice mixed with thick yogurt, without a plate. He held in the fingers of His right hand that portion that He was about to taste. He held it with pleasure in such a way that His fingers would not touch His mouth while eating. He made His friends who surrounded Him laugh with unusual, joking words. While the inhabitants of Svargaloka were looking on in astonishment, the enjoyer of sacrifice, the Supreme Lord, was playing as a small child. This was the cause of their astonishment. He who is the enjoyer of sacrifices, whom they could see with their eyes, was now enjoying the food, frolicking as a small child (bāla).
[adharaadeh sulauhityam jatharasya cha taanavam |]
kambu-grīvodgamādyaṁ ca paugaṇḍe prathame sati ||62||
[kambu-greevodgamaadyam cha paugande prathame sati ||62||]
Blended reading (Sanskrit + English inline)
tatra ādyaṁ paugaṇḍaṁ –
adharādeḥ sulauhityaṁ jaṭharasya ca tānavam |
kambu-grīvodgamādyaṁ ca paugaṇḍe prathame sati ||62||
In the first part of paugaṇḍa age, His lips are very red, His waist is thin, and three lines appear on His throat like a conch.
Purport
In the beginning of the paugaṇḍa age there is a very nice reddish luster on His lips, His abdomen is very thin, and on His neck are circles like those on a conchshell.
O Kṛṣṇa! Your abdomen has the beauty of an aśvattha leaf. O lotus eyed one! Your throat is beautified by three lines like a conch. O moon on earth! Your lips conquer the red effulgence of fresh rubies. What can be said? This new, indescribably beauty is giving bliss to the eyes of Your friends.
Purport
Sometimes, some outside visitors would return to Vṛndāvana to see Kṛṣṇa and, upon seeing Him again, would exclaim, “My dear Mukunda, Your beauty is gradually increasing, just like the leaf on a banyan tree! My dear lotus-eyed one, Your neck is gradually manifesting circles like those of the conchshell. And in the shining moonlight Your teeth and cheeks are competing with the padmarāga jewels in their beautiful arrangement. I am sure that Your beautiful bodily development is now giving much pleasure to Your friends.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
These are the words of some singers from another locality who previously had come, and now have returned, seeing Kṛṣṇa at an older age. Aruddhe means “it conquers.” Kambuvat means “like a conch” according to the rule tena tulyaṁ kriyā ced vatiḥ: vat added to a word means “equal to that.” (Pāṇini 5.1.115) This means His neck became like a conch with three lines. Kuruvinda means ruby. Sā kāpi means “it is impossible to describe.”
In the beginning of the paugaṇḍa age, there are varieties of flower ornaments on Kṛṣṇa, marking on His body made of minerals, and yellow silk cloth.
Purport
At this age Kṛṣṇa was garlanded with various kinds of flowers. He used to put on a silk dress, colored with various kinds of dye. Such beautiful decorations are considered cosmetics for Kṛṣṇa.
The activities of this age are herding the calves in all the forests, learning hand to hand combat, playing games and dancing.
Purport
Kṛṣṇa would wear this dress when He used to go into the forest to tend the cows. Sometimes He would wrestle there with His different friends, and sometimes they would dance all together in the forest. These are some of the specific activities of the paugaṇḍa age.
Kṛṣṇa wore a guñja berry necklace, a crown of peacock feathers, karṇika flowers in His ears, a jasmine garland on His chest, and yellow silk cloth. Absorbed in the pastime of protecting the cows of glorious Vṛndāvana, dancing like an actor in the combat arena, He gave bliss to His friends.
Purport
The cowherd friends of Kṛṣṇa were so happy in His company that they expressed their transcendental feelings within themselves thus: “Dear Kṛṣṇa, You are always busy tending the cows which are scattered all over beautiful Vṛndāvana. You have a beautiful garland, a small conchshell, a peacock feather on Your turban, yellow-colored silk cloth, decorations of karṇikāra flowers on Your ears and a mallikā flower garland on Your chest. Appearing so beautiful, when You pretend, just like an actor, to be fighting with us, You give us unlimited transcendental bliss.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
He wore a garland of blossoming jasmine on His chest. Mallīka meaning “jasmine” is the correct form given by Ujjvala Datta in his work on the uṇādi-sūtras. Mallī is actually an incorrect form of the word. The usage is found in Amara-kośa: tṛṇa-śūṇyam mallikā. However, there are examples like dara-vidalita mallī, sphuran mallī-halliśaka, milan-mandākinī mallī-dama etc. accepted by poets. A shortened ending on the word however is never seen. Other versions of the text are rejected.
pārśvādy-aṅgaṁ suvalitaṁ paugaṇḍe sati madhyame ||67||
[paarshvaady-angam suvalitam paugande sati madhyame ||67||]
Blended reading (Sanskrit + English inline)
atha madhya-paugaṇḍam –
nāsā suśikharā tuṅgā kapolau maṇḍalākṛtī |
pārśvādy-aṅgaṁ suvalitaṁ paugaṇḍe sati madhyame ||67||
In the middle of the paugaṇḍa age, the tip of His nose becomes raised, His cheeks become round and His sides and other bodily parts become graceful.
Purport
When Kṛṣṇa is more grown up, in the middle age of paugaṇḍa, His nails become finely sharp, and His chubby cheeks become lustrous and round. On the two sides of His waist above His belt there are three distinct lines of folded skin, called trivalī.
The beauty of His nose derides the sesame flower, His cheeks crush the pride of a mirror made of fresh jewels, and His smooth thorax became raised. Kṛṣṇa gave happiness to His friends by this beauty.
Purport
The cowherd boyfriends of Kṛṣṇa felt very proud of their association with Him. At that time the tip of His nose defeated the beauty of sesame flowers, the luster of His cheeks defeated the glow of pearls, and the two sides of His body were exquisitely beautiful.
bhāṇḍīre krīḍanaṁ śailoddhāraṇādyaṁ ca ceṣṭitam ||69||
The decorations of the middle paugaṇḍa age are a turban tied with silk cords shining like lightning and a black staff four and half feet long with a golden tip. The activities of the middle paugaṇḍa age are playing in Bhāṇḍira forest and climbing Govardhana.
Purport
In this age Kṛṣṇa wore a silk dress that glittered like lightning, His head was decorated with a silk turban covered with gold lace, and in His hand He carried a stick about fifty-six inches long. [Note: The specific pastimes in this period took place in the forest known as Bhāṇḍīravana. This Bhāṇḍīravana, along with eleven other vanas, or forests, is still existing in the Vṛndāvana area, and devotees who circumambulate the whole area of Vṛndāvana can know the beauty of these forests even today.]
O friend! Look, in that direction. Mukunda, shining brightly with a clump of flower buds on His head, wearing a turban bound by a golden cloth cord, holding a black staff four and a half feet long, capped at both ends with gold, is giving bliss to His friends.
Purport
Seeing this exquisitely beautiful dress of Kṛṣṇa, one devotee addressed his friend in this manner: “My dear friend, just look at Kṛṣṇa! See how He is carrying in His hand a stick which is bound up and down with golden rings, how His turban with golden lace is showing such a beautiful luster, and how His dress is giving His friends the highest transcendental pleasure!”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Caṭula-camarī-cāru-cūḍojjvala-śrīḥ means He has shining beauty caused by the beautiful clump of quivering buds, placed not too high, enclosing the edges of the fine, brightly colored turban. The turban is made beautiful by the cords of golden silk, which partly encircles the turban.
In the middle of the paugaṇḍa age the Lord, engaged in playing, seems to partake of the first part of kaiśora age because of having an astonishing form caused by His sweetness.
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
He has a form which astonishes everyone by its sweetness—by the attractiveness of color, firmness etc. (mādhuryādbhuta-rūpatvāt). Because of that form, He seems to partake of the first part of kaiśora age. Just as other young princes, being endowed with all good qualities, appear older than they actually are, Kṛṣṇa, being filled with completely remarkable qualities, partakes of the first part of kaiśora, even when He is still at the middle paugaṇḍa age.
[amsayos tungatety aadi paugande charame sati ||72||]
Blended reading (Sanskrit + English inline)
atha śeṣa-paugaṇḍam –
veṇī nitamba-lambāgrā līlālaka-latā-dyuti |
aṁsayos tuṅgatety ādi paugaṇḍe carame sati ||72||
At the end of the paugaṇḍa age, Kṛṣṇa has a long braid extending to His waist, locks of hair falling playfully, and strong shoulders.
Purport
At the end of Kṛṣṇa’s paugaṇḍa age, Kṛṣṇa’s hair sometimes hangs down to His hips, and sometimes it becomes scattered. In this age His two shoulders become higher and broader, and His face is always decorated with marks of tilaka. When His beautiful hair scatters over His shoulders, it appears to be a goddess of fortune embracing Him, and this embracing is highly relished by His friends.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
He is effulgent with creepers of hair locks falling here and there (līlālaka-latā-dyuti).
nyasyann eva priya-savayasāṁ gokulān nirjihīte ||73||
With His locks of hair falling playfully over His face, with His braid at the back reaching His hips, and with His full shoulders, the killer Agha departs from Gokula, giving pleasure to His friends by His physical beauty.
Purport
At the end of Kṛṣṇa’s paugaṇḍa age, Kṛṣṇa’s hair sometimes hangs down to His hips, and sometimes it becomes scattered. In this age His two shoulders become higher and broader, and His face is always decorated with marks of tilaka. When His beautiful hair scatters over His shoulders, it appears to be a goddess of fortune embracing Him, and this embracing is highly relished by His friends.
The ornaments of the late paugaṇḍa age are His tilted turban, the play lotus in His hand, and tilaka on His forehead made of saffron.
Purport
At the end of Kṛṣṇa’s paugaṇḍa age, Kṛṣṇa’s hair sometimes hangs down to His hips, and sometimes it becomes scattered. In this age His two shoulders become higher and broader, and His face is always decorated with marks of tilaka. When His beautiful hair scatters over His shoulders, it appears to be a goddess of fortune embracing Him, and this embracing is highly relished by His friends.
veṣaḥ keśava peśalaḥ subalam apy āghūrṇayaty adya te
vikrāntaṁ kim uta svabhāva-mṛdulāṁ goṣṭhābalānāṁ tatim ||75||
O Keśava! Your attractive clothing—the tilted turban, the play lotus in Your hand, the golden tilaka on the forehead, and the dot of musk—are making me, courageous Subala, completely dizzy! How much more this will affect the naturally soft gopīs!
Purport
Subala once addressed Him in this way: “My dear Keśava, Your round turban, the lotus flower in Your hand, the vertical marks of tilaka on Your forehead, Your kuṅkuma-scented musk and all of Your beautiful bodily features are defeating me today, although I am usually stronger than You or any of our friends. Since this is so, I do not know how these features of Your body can fail to defeat the pride of all the young girls of Vṛndāvana. When I am so defeated by this beauty, what chance is there for those who are naturally very simple and flexible?”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Instead of gaura-śrīr urdhva-tilakaḥ (beautiful reddish tilaka) there is another version bhāle kuṁkuma-divyad-urdhva-tilakaḥ (on His forehead shining tilaka made of kuṁkuma).
The activities of the late paugaṇḍa age are word play, enjoying intimate conversations with narma-sakhas, and praising the forms of the young girls of Gokula in front of His friends.
Purport
At this age Kṛṣṇa took pleasure in whispering into the ears of His friends, and the subject of His talks was the beauty of the gopīs, who were just tarrying before them.
Kṛṣṇa! You are crafty, because You have understood what is in my heart. Therefore, I am saying in Your ear, that the young gopīs are now showing increased power of bewildering. Among them, five or six young girls have become most attractive. O friend! It seems that Cupid has become mad with bliss, giving them his own duty of conquering the world.
Purport
Subala once addressed Kṛṣṇa thus: “My dear Kṛṣṇa, You are very cunning. You can understand the thoughts of others; therefore I am whispering within Your ear that all of these five gopīs, who are most beautiful, have been attracted by Your dress. And I believe that Cupid has entrusted them with the responsibility of conquering You.” In other words, the beauty of the gopīs was capable of conquering Kṛṣṇa, although Kṛṣṇa is the conqueror of all universes.
See! The best of creepers with three prominent folds, clothed in attractive lightning, replete with the fragrance of blossoming forest flowers, with the radiance of the black tamāla tree, the cloud in the form of Dāmodara, quenches with full delight the devotees’ eyes, which are like cātaka birds seeing immanent rain. And consequently, Śrīdāma remains standing like a tree whose branches are erupting with pleasing bristles.
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The phrases utsikta-balī-trayī-vara-late and pronmīlad-vana-mālikā-parimala-stome, when applied to describing Dāmodara, should be taken in the locative case (in apposition to dāmodarāmbhodare). For describing the cloud, they should be taken in the instrumental case (accompanying the cloud). Thus, the first meaning is as follows: Dāmodara is the best of graceful forms with three prominent lines on His abdomen, whose cloth is like charming lightning, who is a heap of fragrance of blossoming garlands, and whose complexion is like that of a tamāla tree, and who sprinkles the eager eyes, like cātaka birds eager for rain drops, with full delight. In the presence of Kṛṣṇa, Śrīdāma stands with the hairs on his arms attractively standing on end.
Describing the rain cloud, the meaning would be as follows. While the best of creepers, graceful with three bends, rises up with eagerness for water, and while profuse fragrance begins to diffuse from the blossoming forest jasmines in anticipation of rain, the cloud, black like the tamāla tree, black like Dāmodara, clothes itself in lightning, and lures the cātaka bird’s eye with pleasing water which is now beginning to fall. (The cātaka bird is said to subsist on rain drops.)
The tree, the giver of wealth, in expectation of the rain, stands with its buds erect like hairs standing on end. Thus, the verse has two different meanings.
Or this verse can be taken as a description of Śrīdāma and Kṛṣṇa embracing out of great love, comparing them to a tree and a cloud closely interacting. The descriptions of the creeper, the forest flowers and the tree, by their self-willed actions, should be understood to be inviting the rain. Everyone’s eyes are compared to cātaka birds (ambaka-cātakān), which constantly look to the sky for the rain drops. The cloud of Kṛṣṇa sprinkles water or pleasure on those cātaka-like eyes. In proximity to that cloud-like Kṛṣṇa, Śrīdāma looks beautiful with his hairs standing on end. Dāmodara, considered non-different from the cloud (dāmodarāmbhodharam), is described with various phrases in the first part of the verse. Śrīdāma, representing the forest (śākhī) is then described. His limbs, with arms like branches of a tree, are attractively spread (ākīrṇa) with hairs which are standing on end (roma-kalikā).
tena yauvana-śobhāsya neha kācit prapañcitā ||80||
Kṛṣṇa of kaiśora age is most attractive for all the devotees. Thus, the beauty of yauvana age does not appear in Kṛṣṇa, and is not described here at all.
Purport
… and it is at this age that devotees generally most appreciate Kṛṣṇa. Kṛṣṇa with Rādhārāṇī is worshiped as Kiśora-kiśorī. Kṛṣṇa does not increase His age that although He is the oldest personality and has innumerable different forms, His original form is always youthful. In the pictures of Kṛṣṇa on the Battlefield of Kurukṣetra we can see that He is youthful, although at that time He was old enough to have sons, grandsons and great-grandsons.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This form of Kṛṣṇa (ayam) during kaiśora period, being yauvana mixed with the previous age (up to sixteen years), is most pleasurable to all the devotees. The form of Kṛṣṇa during kaumāra and paugaṇḍa ages are also pleasurable, but to less degrees (paugaṇḍa) and to lesser degrees (kaumāra). [Note: The kaumāra age is especially attractive to the vātsalya-bhaktas, and sakhya relationships only appear at the very end of the period. Paugaṇḍa age is most attractive to the sakhya-bhaktas, but dāsya and vatsala relationships are also present. The kaiśora age is especially attractive to the madhura-bhaktas, but is also attractive to the dāsya-bhaktas, sakhya-bhaktas, and vatsala-bhaktas.] Because of this (tena) the beauty of the pure yauvana age, beyond the kaiśora age, does not appear in Kṛṣṇa (na iha), since it is just a shadow of the other ages. Thus, is not described even a little (kācit).
The form of Kṛṣṇa as uddīpana: O lotus eyed Kṛṣṇa! Intelligent boy! What is the use of decorating Your body with ornaments? Your body pleases us friends with its own luster.
Purport
The cowherd boyfriends of Kṛṣṇa once said, “Dear Kṛṣṇa, You need not decorate Your body with so many ornaments. Your transcendental features are themselves so beautiful that You do not require any ornamentation.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Alaṅkāram alaṅkṛtvā means “What is the use of decorating Your body with ornaments.”
The horn as uddīpana: When the horn sounded loudly from the steps of the roof-top pavilion in the summer season in Vraja, all the cowherd boys woke up with hairs standing on end.
Purport
At this age, whenever Kṛṣṇa begins to vibrate His flute early in the morning, all of His friends immediately get up from bed just to join Him in going to the pasturing grounds.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The pavilion on the roof of Kṛṣṇa’s house served as a sleeping place during the summer in Vraja. Māgha-kāvya says yasyām asevanta namad valīkāḥ samaṁ vadhūbhir vaḍabhīr yuvānaḥ: the young men used the roof-top pavilion made of bending thatch with the women 3.53
The flute as uddīpana: O friends! Do not go the bank of the Yamunā to search for Kṛṣṇa out of despair, for the messenger in the form of the flute sound from the top of Govardhana is telling us about Him and is giving us pleasure.
Purport
One of the friends once said, “My dear cowherd friends, the sound of Kṛṣṇa’s flute from above Govardhana Hill is telling us that we need not go to search Him out on the bank of the Yamunā.”
The conch as uddīpana: Look, the five Pāṇḍavas, hearing the sound of the Pāñcajanya conch, became white like Śiva in great joy.
Purport
Pārvatī, the wife of Lord Śiva, told her husband, “My dear Pañcamukha [five-faced], just look at the Pāṇḍavas! After hearing the sound of Kṛṣṇa’s conchshell, known as Pāñcajanya, they have regained their strength and are just like lions.”
priya-sakhi subalo ’bhūd vismitaḥ sa-smitaś ca ||85||
[priya-sakhi subalo ’bhood vismitah sa-smitash cha ||85||]
Blended reading (Sanskrit + English inline)
vinoda, yathā –
sphurad-aruṇa-dukūlaṁ jāguḍair gaura-gātraṁ
kṛta-vara-kavarīkaṁ ratna-tāṭaṅka-karṇam |
madhuripum iha rādhā-veṣam udvīkṣya sākṣāt
priya-sakhi subalo ’bhūd vismitaḥ sa-smitaś ca ||85||
Diversions as uddīpana: Dear friend! When Kṛṣṇa put on Rādhā’s clothing, and appeared with bright pink cloth, golden limbs smeared with kuṁkuma, hair bound up beautifully, and earrings, Subala was astonished and smiled.
Purport
At this age, Kṛṣṇa once dressed Himself up exactly like Rādhārāṇī, just to create fun among His friends. He put on golden earrings, and because He was blackish, He smeared the pulp of kuṅkuma all over His body in order to become as fair as She. By seeing this dress, Kṛṣṇa’s friend Subala became very astonished.
Pleasing Kṛṣṇa by hand to hand combat, playing ball and dice, riding on each other’s shoulders, stick fighting, sleeping and sitting with Kṛṣṇa on a bed, seat or swing, telling pleasing jokes, playing in the water, and singing and dancing with Kṛṣṇa are the activities (anubhāvas) common to all types of friends.
Purport
Kṛṣṇa played with His intimate friends sometimes by fighting or wrestling with their arms, sometimes by playing ball and sometimes by playing chess. Sometimes they carried one another on their shoulders, and sometimes they exhibited their expertness at whirling logs. And the cowherd friends used to please Kṛṣṇa by sitting together with Him on couches or on swings, by lying together on their beds, by joking together and by swimming in the pool. All these activities are called anubhāva. Whenever all the friends would assemble in the company of Kṛṣṇa, they would immediately engage in all these functions, especially in dancing together.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Yugmatve means together with Kṛṣṇa. These are the common anubhāvas of all types of friends (sarva-sādhāraṇāḥ kriyāḥ).
Pleasing Kṛṣṇa by hand to hand combat, playing ball and dice, riding on each other’s shoulders, stick fighting, sleeping and sitting with Kṛṣṇa on a bed, seat or swing, telling pleasing jokes, playing in the water, and singing and dancing with Kṛṣṇa are the activities (anubhāvas) common to all types of friends.
Purport
Kṛṣṇa played with His intimate friends sometimes by fighting or wrestling with their arms, sometimes by playing ball and sometimes by playing chess. Sometimes they carried one another on their shoulders, and sometimes they exhibited their expertness at whirling logs. And the cowherd friends used to please Kṛṣṇa by sitting together with Him on couches or on swings, by lying together on their beds, by joking together and by swimming in the pool. All these activities are called anubhāva. Whenever all the friends would assemble in the company of Kṛṣṇa, they would immediately engage in all these functions, especially in dancing together.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
Yugmatve means together with Kṛṣṇa. These are the common anubhāvas of all types of friends (sarva-sādhāraṇāḥ kriyāḥ).
Pleasing Kṛṣṇa by hand to hand combat, playing ball and dice, riding on each other’s shoulders, stick fighting, sleeping and sitting with Kṛṣṇa on a bed, seat or swing, telling pleasing jokes, playing in the water, and singing and dancing with Kṛṣṇa are the activities (anubhāvas) common to all types of friends.
Purport
Kṛṣṇa played with His intimate friends sometimes by fighting or wrestling with their arms, sometimes by playing ball and sometimes by playing chess. Sometimes they carried one another on their shoulders, and sometimes they exhibited their expertness at whirling logs. And the cowherd friends used to please Kṛṣṇa by sitting together with Him on couches or on swings, by lying together on their beds, by joking together and by swimming in the pool. All these activities are called anubhāva. Whenever all the friends would assemble in the company of Kṛṣṇa, they would immediately engage in all these functions, especially in dancing together.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
Yugmatve means together with Kṛṣṇa. These are the common anubhāvas of all types of friends (sarva-sādhāraṇāḥ kriyāḥ).
Pleasing Kṛṣṇa by combat: Killer of Agha! Thinking that You are victorious, with arms itching for battle, You wander amongst Your friends praising Your prowess. But tell me, seeing the action of my thick arms, having given up Your eagerness to fight, can You remain standing there with weak limbs?
Purport
Regarding their wrestling, one friend once asked Kṛṣṇa, “My dear friend, O killer of the Agha demon, You are very proudly wandering among Your friends trying to exhibit Your arms as very strong. Is it that You are envious of me? I know that You cannot defeat me in wrestling, and I also know that You were sitting idly for a long time because You were hopeless of defeating me.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Jita-kāśi (literally clenched fist) means “conveying victory” according to Kṣīrasvāmī. In this context, it means “thinking Himself victorious.”
The activities of the suhṛts (those friends older than Kṛṣṇa) are giving advice on what should be done or not done, engaging in beneficial acts, and being eager to perform all types of service.
Purport
All the friends were very daring and would risk any difficulty, because they were confident that Kṛṣṇa would help them to be victorious in all adventures. They used to sit together and advise one another what to do, sometimes inducing one another to be engaged in welfare work.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Yuktāyuktādi-kathanam means talking about what is suitable and what is not suitable, or pointing out what should be done and what should not be done.
Putting tāmbula in Kṛṣṇa’s mouth, applying His tilaka, smearing sandalwood on His body, and painting designs on His face are the activities of the sakhas (those friends younger than Kṛṣṇa).
Purport
Sometimes they would offer betel nuts to one another, decorate one another’s faces with tilaka or smear pulp of candana on one another’s bodies. Sometimes, for the sake of amusement, they used to decorate their faces in strange ways.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Sthāsaka means smearing the body with ointments like sandalwood.
Defeating Kṛṣṇa in battle, pulling His cloth, stealing flowers and other things from His hand, being decorated by Kṛṣṇa, and hand to hand combat are the activities of the priya-sakhas (those friends of equal age as Kṛṣṇa).
Purport
Another business of the friends was that each of them wanted to defeat Kṛṣṇa. Sometimes they used to snatch His clothing or snatch away the flowers from His hands. Sometimes one would try to induce another to decorate his body for him, and failing this, they were always ready to fight, challenging one another to combat in wrestling. These were some of the general activities of Kṛṣṇa and His friends.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Hastāhasti means combat involving pulling back and forth using the hands.
karṇākarṇi-kathādyāś ca priya-narma-sakha-kriyāḥ ||94||
Carrying messages among the young women of Vraja, encouraging the gopīs’ love for Kṛṣṇa, taking Kṛṣṇa’s side when the gopīs are present and Kṛṣṇa is not present, showing skill at siding with the chief gopīs when Kṛṣṇa is present but the gopīs are not, and arguing intensely by whispering in each other’s ears, are the activities of the priya-narma-sakhas.
Purport
Another important pastime of the friends of Kṛṣṇa was that they served as messengers to and from the gopīs; they introduced the gopīs to Kṛṣṇa and canvassed for Kṛṣṇa. When the gopīs were in disagreement with Kṛṣṇa, these friends would support Kṛṣṇa’s side in His presence—but when Kṛṣṇa was not present, they would support the side of the gopīs. In this way, sometimes supporting one side, sometimes the other, they would talk very privately, with much whispering in the ears, although none of the business was very serious.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Praṇaya-gāmitā means “being sympathetic to their love.” When Kṛṣṇa engages in various pastimes with the gopīs, the priya-narma-sakhas side with Kṛṣṇa when the gopīs are present and Kṛṣṇa is not. When the gopīs are not present however, and Kṛṣṇa is present, they are skilful in siding with the gopīs heading the various groups. It should be understood that if both Kṛṣṇa and the gopīs are present, they take Kṛṣṇa’s side. Karṇākarṇi was explained in 2.1.333 as “engaging as if in battle whispering to each other, when disagreement takes place.”
karṇākarṇi-kathādyāś ca priya-narma-sakha-kriyāḥ ||94||
Carrying messages among the young women of Vraja, encouraging the gopīs’ love for Kṛṣṇa, taking Kṛṣṇa’s side when the gopīs are present and Kṛṣṇa is not present, showing skill at siding with the chief gopīs when Kṛṣṇa is present but the gopīs are not, and arguing intensely by whispering in each other’s ears, are the activities of the priya-narma-sakhas.
Purport
Another important pastime of the friends of Kṛṣṇa was that they served as messengers to and from the gopīs; they introduced the gopīs to Kṛṣṇa and canvassed for Kṛṣṇa. When the gopīs were in disagreement with Kṛṣṇa, these friends would support Kṛṣṇa’s side in His presence—but when Kṛṣṇa was not present, they would support the side of the gopīs. In this way, sometimes supporting one side, sometimes the other, they would talk very privately, with much whispering in the ears, although none of the business was very serious.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
Praṇaya-gāmitā means “being sympathetic to their love.” When Kṛṣṇa engages in various pastimes with the gopīs, the priya-narma-sakhas side with Kṛṣṇa when the gopīs are present and Kṛṣṇa is not. When the gopīs are not present however, and Kṛṣṇa is present, they are skilful in siding with the gopīs heading the various groups. It should be understood that if both Kṛṣṇa and the gopīs are present, they take Kṛṣṇa’s side. Karṇākarṇi was explained in 2.1.333 as “engaging as if in battle whispering to each other, when disagreement takes place.”
Decorating Kṛṣṇa with forest flowers and jewel ornaments, singing and dancing in front of Kṛṣṇa, caring for the cows, massaging His body, fanning Him as well as other activities are activities that the friends share in common with the dāsas. Among all the anubhāvas (activities) mentioned previously, some which are suitable, though not mentioned here, are also accepted as the anubhāvas of the friends by the wise.
Purport
The servants of Kṛṣṇa were sometimes engaged in collecting flowers, decorating His body with valuable ornaments and trinkets, dancing before Him, singing, helping Him herd the cows, massaging His body, preparing flower garlands and sometimes fanning His body. These were some of the primary duties of the servants of Kṛṣṇa. The friends and servants of Kṛṣṇa were combined together in serving Him, and all of their activities are known as anubhāva.
Decorating Kṛṣṇa with forest flowers and jewel ornaments, singing and dancing in front of Kṛṣṇa, caring for the cows, massaging His body, fanning Him as well as other activities are activities that the friends share in common with the dāsas. Among all the anubhāvas (activities) mentioned previously, some which are suitable, though not mentioned here, are also accepted as the anubhāvas of the friends by the wise.
Purport
The servants of Kṛṣṇa were sometimes engaged in collecting flowers, decorating His body with valuable ornaments and trinkets, dancing before Him, singing, helping Him herd the cows, massaging His body, preparing flower garlands and sometimes fanning His body. These were some of the primary duties of the servants of Kṛṣṇa. The friends and servants of Kṛṣṇa were combined together in serving Him, and all of their activities are known as anubhāva.
Sāttvika-bhāvas, paralysis: When Kṛṣṇa emerged from the water after conquering Kāliya, Śrīdāma wanted to embrace Him immediately, but his thick arms became paralyzed and he was unable to lift them.
Purport
When Kṛṣṇa came out from the Yamunā after chastising the Kāliya-nāga, Śrīdāmā wanted to embrace Him first, but he could not raise his arms because of his great feeling of respect.
Perspiration: When the cloud called Mukunda appeared during the period when the moon entered Svāti constellation, made pleasant sounds (of rumbling or from the flute), and rained blissful showers of joyful pastimes, the oyster in the form of Śrīdāma (giver of wealth) began to produce pearls as perspiration.
Purport
When Kṛṣṇa used to play on His flute, the vibration appeared just like the roaring of clouds in the sky during the constellation of Svātī. According to Vedic astronomical calculation, if there is rain during the constellation of the Svātī star, any rain falling on the sea will produce pearls, and rain falling on a serpent will produce jewels. Similarly, when Kṛṣṇa’s flute roared like a thundercloud under the Svātī constellation, the resulting perspiration on Śrīdāmā’s body appeared to be just like pearls.
kva subala purā siddha-kṣetre cakartha kiyat-tapaḥ ||99||
Hair standing on end, from Dāna-keli-kaumudī: O Subala! You are fortunate because in the presence of the elders you embrace Kṛṣṇa freely, spreading out your arms with hairs standing on end, and Kṛṣṇa places His arm on your shoulder. Tell me at which pure holy place did you perform innumerable austerities? In the presence of elders Kṛṣṇa puts you on his lap embraces you freely with his snake-like arms.
Purport
When Kṛṣṇa and Subala were embracing one another, Śrīmatī Rādhārāṇī became a little envious, and hiding Her hot temperament She said, “My dear Subala, you are very fortunate because even in the presence of superiors you and Kṛṣṇa have no hesitation in putting your arms on each other’s shoulders. I think it must be admitted that in your previous lives you have succeeded in many kinds of austerities.” The idea is that although Rādhārāṇī was accustomed to putting Her arms on Kṛṣṇa’s shoulders, it was not possible for Her to do such a thing in the presence of Her superiors, whereas Subala could do so freely. Rādhārāṇī therefore praised his good fortune.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
These are Rādhā’s mental words of regret. “Elders” refers to persons like Śrīrāma (Balarāma). (Viśvanātha Cakravartī adds Śrī Nanda as an elder.)
Trembling, change of color, choking of the voice, fainting: When Kṛṣṇa entered into Kāliya’s lake, the friends became afflicted with trembling. They lost their color and from some time could not speak properly. They fell on the ground and became unconscious.
Purport
When Kṛṣṇa entered the lake of Kāliya, His intimate friends became so perturbed that their bodily colors faded, and they all produced horrible gurgling sounds. At that time all of them fell down on the ground as if unconscious.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This verse illustrates four sāttvika-bhāvas: trembling, change of color, choking of the voice and fainting. The order of the bhāvas in the verse is not according to the order originally given in verse 2.3.16. For some time (kṣaṇāt) their voices were choked up; then they fell on the ground; and then they stopped moving. Suṣuptim here means that they stopped movement rather than sleeping.
Tears: Seeing the forest fire spread around through the cotton from dry reeds, Kṛṣṇa’s friends, not considering their own bodies, surrounded Kṛṣṇa on all sides, appearing to extinguish the fire with the tears from their eyes.
Purport
Similarly, when there was a forest fire, all of Kṛṣṇa’s friends neglected their own protection and surrounded Kṛṣṇa on all sides to protect Him from the flames. This behavior of the friends toward Kṛṣṇa is described by thoughtful poets as vyabhicārī. In vyabhicārī ecstatic love for Kṛṣṇa there is sometimes madness, dexterity, fear, laziness, jubilation, pride, dizziness, meditation, disease, forgetfulness and humbleness. These are some of the common symptoms in the stage of vyabhicārī ecstatic love for Kṛṣṇa.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Iṣīka-tulaiḥ means by the cotton-like material found on the reeds. Iṣṭakeṣikāmālānāṁ cita tūla bhāriṣu: a short vowel substitutes for a long vowel for īṣṭakā before cita, for īṣīkā before tūla and for mālā before bhāriṣu. Pāṇini 6.3.65) Thus īṣīkā-tūla becomes iṣīka-tūla. The friends made a line (vithiḥ) around the Lord. According to the present context the word ābhīra (cowherds) means His young friends. It is improper to think that they shed tears out of fear. Rather, they experienced grief at the danger to Kṛṣṇa, and thus began shedding tears.
Those knowledgeable of bhāva say that all the vyabhicāri-bhāvas except augrya, trāsa and ālasya are present in preyo-rasa. However, in separation from Kṛṣṇa, mada, harṣa, garva, nidrā and dhṛti do not appear. In union with Kṛṣṇa, mṛti, klama (glāni), vyādhi, apasmṛti and dīnatā (dainyam) do not appear.
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Augratā (augrya) directed to Kṛṣṇa, and trāsa caused by Kṛṣṇa are absent (since the friends are always friendly towards Him and never terrified of Him). Ālasya is absent unless favorable for serving Kṛṣṇa. This does not apply to those types of ālaysa etc. which are appearances only.
Those knowledgeable of bhāva say that all the vyabhicāri-bhāvas except augrya, trāsa and ālasya are present in preyo-rasa. However, in separation from Kṛṣṇa, mada, harṣa, garva, nidrā and dhṛti do not appear. In union with Kṛṣṇa, mṛti, klama (glāni), vyādhi, apasmṛti and dīnatā (dainyam) do not appear.
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
Augratā (augrya) directed to Kṛṣṇa, and trāsa caused by Kṛṣṇa are absent (since the friends are always friendly towards Him and never terrified of Him). Ālasya is absent unless favorable for serving Kṛṣṇa. This does not apply to those types of ālaysa etc. which are appearances only.
Joy: When Kṛṣṇa returned to His friends after driving out Kāliya, they lost control of their bodies in great joy. They could not stand on their feet and their words became incoherent.
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Skhalat-pada in reference to speaking means that they could not properly distinguish the proper endings to phrases. Vivaśāṅga in relation to words means that they could not distinguish proper endings on words. Otherwise, it means stumbling on their feet and powerless limbs.
Sthāyi-bhāva: When there is a rati (attraction) based on mutual trust between two friends as equals without respect, it is called sakhya-rati. This becomes the sthāyi-bhāva of sakhya-rasa.
Purport
When there are dealings between Kṛṣṇa and His friends which are completely devoid of any feelings of respect and they all treat one another on an equal level, such ecstatic love in friendship is called sthāyī.
Deep, familiar trust without restriction is called viśrambha (confidence). This viśrambha or sakhya-rati increases gradually through praṇaya, prema, sneha and rāga. Thus, sakhya-rati has five types. [Note: The examples of rati, praṇaya, prema, sneha and rāga are given in that order in the verses from 107-113. The definition of praṇaya given in verse 108 says that praṇaya is that type of sakhya-rati where respect does not appear at all, even when there are opportunities to give respect. Therefore praṇaya would appear only in the Vraja gopas in a continuous manner, and would appear occasionally in other friends such as the Pāṇḍavas. It does not appear at all in dāsya-bhaktas. ]
Purport
When one is situated in this confidential friendly relationship with Kṛṣṇa, one shows symptoms of love such as attraction, affection, affinity and attachment.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Gāḍha-viṣvāsa-viśesāḥ means (special deep faith) a feeling of non-difference between two persons in all ways. And there should be no restrictions. Then it is called viśrambha.
Sakhya-rati: O Akrūra, son of Gāndinī! You should tell Mukunda, ’’Possessor of the mark of Garuḍa! When will Arjuna be able to embrace You?’’
Purport
An example of sthāyī was exhibited when Arjuna [Note: This Arjuna, living in Vṛndāvana, is different from the friend of the same name to whom Bhagavad-gītā was spoken.] told Akrūra, “My dear son of Gāndinī, please ask Kṛṣṇa when I shall be able to embrace Him in my arms.”
When sakhya rati is completely free of any touch of respect, though there are clear opportunities to show respect, it is called praṇaya.
Purport
When there is full knowledge of Kṛṣṇa’s superiority and yet in dealings with Him on friendly terms respectfulness is completely absent, that stage is called affection.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The definitions for prema, sneha and rāga are the same as those given previously. The qualities of praṇaya are here discussed. [Note: In madhura-rasa the order of development is madhura-rati, prema, sneha, māna, praṇaya, rāga, anurāga and mahā-bhāva. (Ujjvala Nīlamaṇi 14.59).]
Though the devatās headed by Śiva began praising Kṛṣṇa announcing His supreme position as the Lord, Arjuna, Kṛṣṇa’s friend in Vraja, [Note: This Arjuna in Vraja is mentioned as a priya-narma-sakha in BRS 3.3.43. It is also possible that it is referring to Pāṇḍava Arjuna.] just put his arm with hairs standing on end upon Kṛṣṇa’s shoulder and wiped the dust from His peacock feather.
Purport
There is one brilliant example of this affection. When the demigods, headed by Lord Śiva, were offering respectful prayers to Kṛṣṇa, describing the glorious opulences of the Lord, Arjuna stood before Him with his hand on His shoulders and brushed the dust from His peacock feather. [Note: This Arjuna, living in Vṛndāvana, is different from the friend of the same name to whom Bhagavad-gītā was spoken.]
parantu vavṛdhe tvayi dvi-guṇam eva sakhyāmṛtam ||110||
[parantu vavridhe tvayi dvi-gunam eva sakhyaamritam ||110||]
Blended reading (Sanskrit + English inline)
prema, yathā –
bhavaty udayatīśvare suhṛdi hanta rājya-cyutir
mukunda vasatir vane para-gṛhe ca dāsya-kriyā |
iyaṁ sphuṭam amaṅgalā bhavatu pāṇḍavānāṁ gatiḥ
parantu vavṛdhe tvayi dvi-guṇam eva sakhyāmṛtam ||110||
O Mukunda! Though You, the Supreme Lord, have appeared as the friend of the Pāṇḍavas, they met with so many calamities such as losing the kingdom, living in the forest, and acting as servants in someone else’s house. However, their sweet friendship for You doubled in spite of this. [Note: The definition of prema is that rati becomes so firm that there is no danger of it disappearing. BRS 3.2.81]
Purport
When the Pāṇḍavas were banished by Duryodhana and forced to live incognito in the forest, no one could trace out where they were staying. At that time, the great sage Nārada met Lord Kṛṣṇa and said, “My dear Mukunda, although You are the Supreme Personality of Godhead, the all-powerful person, by making friendship with You the Pāṇḍavas have become bereft of their legitimate right to the kingdom of the world—and, moreover, they are now living in the forest incognito. Sometimes they must work as ordinary laborers in someone else’s house. These symptoms appear to be very inauspicious materially, but the beauty is that the Pāṇḍavas have not lost their faith in You or their love for You, in spite of all these tribulations. In fact, they are always thinking of You and chanting Your name in ecstatic friendship.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
These are the words of Nārada at the time the Pāṇḍavas were living incognito. Iyam amaṇgalā bhavatu (let that calamitous situation be) is in the imperative, expressing farewell to let one do as one pleases (forget about that situation). That is because that misfortune did not reduce the friendship that the Pāṇḍavas had with the Supreme Lord, but rather (parantu) it increased their relation of sakhya with Him. “Their love for You was not produced by Your helping them, but by experiencing Your profusion of wonderful qualities unequalled in anyone else. Their appreciation of Your qualities destroyed their experience of suffering (which You did not prevent), and increased their prema for You.” Using the perfect tense for vavṛdhe (it increased) indicates that it was an established fact, thus showing that their prema was very firm. “Though He was not visible during these calamities, they could directly experience those qualities. For myself (Nārada) however, I can only indirectly infer the Lord by recalling His qualities.”
gāyanti sma mahārāja sneha-klinna-dhiyaḥ śanaiḥ ||111||
[gaayanti sma mahaaraaja sneha-klinna-dhiyah shanaih ||111||]
Blended reading (Sanskrit + English inline)
sneho, yathā śrī-daśame –
anye tad-anurūpāṇi manojñāni mahātmanaḥ |
gāyanti sma mahārāja sneha-klinna-dhiyaḥ śanaiḥ ||111||
Sneha, from the Tenth Canto: My dear King, other boys would sing enchanting songs appropriate to the occasion, and their hearts would melt out of love for the Lord. [Note: The definition of sneha is that the heart melts. BRS 3.2.84] SB 10.15.18
Purport
Another example of acute affection for Kṛṣṇa is given in the Tenth Canto, Fifteenth Chapter, verse 18, of Śrīmad-Bhāgavatam. In the pasturing ground Kṛṣṇa felt a little tired and wanted to take rest, so He lay down on the ground. At that time, many cowherd boys assembled there and with great affection began to sing suitable songs so that Kṛṣṇa would rest very nicely.
When the black cloud (Kṛṣṇa) sprinkled a rain of pastimes, all the mountains (cowherd friends) crumbling because of getting wet, colored with various mineral dyes, in disheveled array (breathing heavily), revealed something astonishing. The river Sarasvatī, in charge of words, got blocked up the throat (valley) of the friend (mountains), and streams of water, which were previously not visible, began to continuously flow (from their eyes).
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
When the black rain cloud showers playful streams of water (līlārasam) something astonishing happened on the group of mountains (gotreṣu) which were like friends, whose sides were covered with bright minerals like gaurika, which were slipping down (skhalad) because of the wetness, and which were increasing in size (ucchvasiteṣu) because of the trees growing up in the rain. At the base of the mountain, a river which used to flow became blocked up, and where there was no visible river, water began to flow constantly (sadā nīra). Sadā nīra can also refer to a river also called Karatoyā.
The other meaning is as follows. When Kṛṣṇa (kṛṣṇa-mudire) manifested His joyful pastimes (līlārasam) something astonishing happened to the group (gotreṣu) of His friends, whose bodies were painted with bright mineral dyes, and who began to stumble (skhalad) because of the softness in their limbs (ārdrāṅga) produced by prema, and who began to breathe heavily (ucchvasiteṣu). Words (sarasvatī) which were previously present became choked up in their throats. Broad streams of water (nīrorudhāra) which were not present previously in their eyes began to flow constantly.
[jaataasya saa kusuma-vrishtir ivotsavaaya ||113||]
Blended reading (Sanskrit + English inline)
rāgo, yathā –
astreṇa duṣpariharā haraye vyakāri
yā patri-paṅktir akṛpeṇa kṛpī-sutena |
utplutya gāṇḍiva-bhṛtā hṛdi gṛhyamāṇā
jātāsya sā kusuma-vṛṣṭir ivotsavāya ||113||
When the cruel Aśvatthāmā showered invincible arrows at Kṛṣṇa, Arjuna jumped forward and received the arrows on his chest. Those arrows gave pleasure to Arjuna like a shower of flowers. [Note: The definition of rāga is that one’s own distress turns to happiness by a slight relationship with Kṛṣṇa, and the devotee will give his life for the Lord. BRS 3.2.87]
Purport
There is a nice example of the friendship between Kṛṣṇa and Arjuna on the Battlefield of Kurukṣetra. When the fighting was going on, Aśvatthāmā, the son of Droṇācārya, unceremoniously attacked Kṛṣṇa, although according to the prevailing rules of chivalry one’s chariot driver should never be attacked by the enemy. Aśvatthāmā behaved heinously in so many ways that he did not hesitate to attack Kṛṣṇa’s body, although Kṛṣṇa was acting only as charioteer for Arjuna. When Arjuna saw that Aśvatthāmā was releasing various kinds of arrows to hurt Kṛṣṇa, he immediately stood in front of Kṛṣṇa to intercept all of them. At that time, although Arjuna was being harmed by those arrows, he felt an ecstatic love for Kṛṣṇa, and the arrows appeared to him like showers of flowers.
Another example of rāga: When Vṛṣabha, Kṛṣṇa’s friend, arrived at noon to pick flowers for making garlands for Kṛṣṇa by wandering all over the forest, the hot rays of the summer sun in Vṛṣabha zodiac sign (Taurus) were like the cool rays of the moon for him.
Purport
There is another instance of ecstatic love for Kṛṣṇa in friendship. Once when a cowherd boy named Vṛṣabha was collecting flowers from the forest to prepare a garland to be offered to Kṛṣṇa, the sun reached its zenith, and although the sunshine was scorching hot, Vṛṣabha felt it to be like the moonshine. That is the way of rendering transcendental loving service to the Lord; when devotees are put into great difficulties—even like the Pāṇḍavas, as described above—they feel all their miserable conditions to be great facilities for serving the Lord.
Utkaṇṭhitam (separation, not having met Kṛṣṇa before) O Kṛṣṇa! The middle Pāṇḍava, Arjuna, while studying the military arts, embraced You by means of words mixed with his tears. [Note: This would be at the time before first meeting Kṛṣṇa.]
Purport
Another instance of Arjuna’s friendship with Kṛṣṇa was described by Nārada, who reminded Kṛṣṇa, “When Arjuna was learning the art of shooting arrows, he could not see You for so many days. But when You arrived there, he stopped all His activities and immediately embraced You.” This means that even though Arjuna was engaged in learning about the military art, he had not forgotten Kṛṣṇa for a moment, and as soon as there was an opportunity to see Kṛṣṇa, Arjuna immediately embraced Him.
kathaṁ na viraha-jvarād avasitān sakhīn adya naḥ ||116||
[katham na viraha-jvaraad avasitaan sakheen adya nah ||116||]
Blended reading (Sanskrit + English inline)
atha viyoge, yathā –
aghasya jaṭharānalāt phaṇi-hradasya ca kṣveḍato
davasya kavalād api tvam avitātra yeṣām abhūḥ |
itas tritayato ’py atiprakaṭa-ghora-dhāṭī-dharāt
kathaṁ na viraha-jvarād avasitān sakhīn adya naḥ ||116||
Viyoga (separation after meeting): You protected us, your friends, from the fire of digestion of Aghāsura, from the poison of Kāliya and from the appetite of the forest fire. But how will You protect us despairing friends from the attack of the fever of separation—which is far more ferocious than these three dangers?
Purport
One servant of Kṛṣṇa named Patrī once addressed Him like this: “My dear Lord, You protected the cowherd boys from the hunger of the Aghāsura demon, and You protected them from the poisonous effects of the Kāliya snake. And You also saved them from the fierce forest fire. But I am suffering from Your separation, which is more severe than the hunger of Aghāsura, the poison of Lake Kāliya and the burning of the forest fire. So why should You not protect me from the pangs of separation?”
Heat in the body: O enemy of Kaṁsa! The strong heat generated by separation from You is most amazing, because it causes even more intense heat in a very cool place. It has multiplied its heat in the waters of the cool Yamunā River, and is burning Your friends headed by Subala. [Note: The friends, in remembering Kṛṣṇa, are like cool storehouses. However, separation causes them to become even hotter with pain than others.]
Purport
Another friend once told Kṛṣṇa, “My dear enemy of Kaṁsa, since You have left us, the heat of separation has become extraordinary. And this heat is felt more severely when we understand that in Bhāṇḍīravana You are being refreshed by the waves of the cooling river known as Bhānu-tanayā [Rādhārāṇī].” The purport is that when Kṛṣṇa was engaged with Rādhārāṇī, the cowherd boys headed by Subala were feeling great separation, and that was unbearable for them.
Thinness: O enemy of the demons! When You went to Mathurā to liberate Kaṁsa, the four elements, earth, water, fire and ether in the cowherd boys became meager due to their intense sorrow. Only the air element passing through their nostrils became strong.
Purport
Another friend addressed Kṛṣṇa thus: “My dear Kṛṣṇa, O killer of Aghāsura, when You left Vṛndāvana to kill King Kaṁsa in Mathurā, all the cowherd boys became bereft of their four bhūtas [the elements earth, water, fire and space]. And the fifth bhūta, the air, was flowing very rapidly within their nostrils.” When Kṛṣṇa went to Mathurā to kill King Kaṁsa, all the cowherd boys became so afflicted by the separation that they almost died. When a person is dead it is said that he has given up the five elements, known as bhūtas, as the body again mixes with the five elements from which it was prepared. In this case, although the four elements earth, water, fire and ether were already gone, the remaining element, air, was still very prominent and was blowing through their nostrils furiously. In other words, after Kṛṣṇa left Vṛndāvana, the cowherd boys were always anxious about what would happen in His fight with King Kaṁsa.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The four elements (catūrṇāṁ bhūtānām) are earth, water, fire and ether. They are understood to have become thin (tanimā). The thinness of ether is understood because the openings of the body become very small as the body becomes thin.
Insomnia: O king of the Yadus! Seeing the tears in the lotus eyes of Your friend Varūthapa, the bees of sleep have given up those lotus eyes out of disgust.
Purport
Another friend once informed Kṛṣṇa, “When one of Your friends was feeling much separation from You, there were tears covering his lotus eyes, and so the black drones of sleep became discouraged from entering his eyes and left that place.” When there is a lotus flower, the black drones fly into it to collect honey. The eyes of Kṛṣṇa’s friend are compared to the lotus flower, and because they were full of tears the black drones of sleep could not collect honey from his lotus eyes and therefore left the place. In other words, because he was too much afflicted, his eyes were full of tears, and he could not sleep. This is an example of staying up at night because of separation from Kṛṣṇa.
[laghu-bhritam sadyah patad-atitaraam utpatad api |]
na hi bhrāmaṁ bhrāmaṁ bhajati caṭulaṁ tulam iva me
[na hi bhraamam bhraamam bhajati chatulam tulam iva me]
nirālambaṁ cetaḥ kvacid api vilambaṁ lavam api ||121||
[niraalambam chetah kvachid api vilambam lavam api ||121||]
Blended reading (Sanskrit + English inline)
ālambana-śūnyatā –
gate vṛndāraṇyāt priya-suhṛdi goṣṭheśvara-sute
laghu-bhṛtaṁ sadyaḥ patad-atitarām utpatad api |
na hi bhrāmaṁ bhrāmaṁ bhajati caṭulaṁ tulam iva me
nirālambaṁ cetaḥ kvacid api vilambaṁ lavam api ||121||
Vacant mind: Since the son of the king of Vraja, my dear friend, left Vṛndāvana, my fickle mind, without support, has become so light that it rises and falls like a piece of cotton, spins around constantly and cannot find a point of concentration.
Purport
An example of helplessness is described in the following statement: “Due to Kṛṣṇa’s departure from Vṛndāvana to Mathurā, Kṛṣṇa’s dearest cowherd boys felt as mentally light as possible. They were like fragments of cotton, lighter than the air, and were all floating in the air without any shelter.” In other words, the minds of the cowherd boys became almost vacant on account of Kṛṣṇa’s separation.
yaduvara virahāt te nārthitāṁ bandhu-vargaḥ ||122||
[yaduvara virahaat te naarthitaam bandhu-vargah ||122||]
Blended reading (Sanskrit + English inline)
adhṛtiḥ –
racayati nija-vṛttau pāśupālye nivṛttiṁ
kalayati ca kalānāṁ vismṛtau yatna-koṭim |
kim aparam iha vācyaṁ jīvite ’py adya dhatte
yaduvara virahāt te nārthitāṁ bandhu-vargaḥ ||122||
Detachment: O best of the Yadus! In separation from You, Your friends are no longer interested in their occupation of herding the cows. They make millions of attempts to forget about singing and dancing. What more can I say? They do not desire to remain alive.
Purport
An example of impatience was also shown by the cowherd boys when Kṛṣṇa went to Mathurā. Out of the sorrow of separation, all these boys forgot to take care of their cowherding and tried to forget all the melodious songs they used to sing in the pasturing ground. At last they had no desire to live anymore, being separated from Kṛṣṇa.
Dullness: O Mukunda! Your friends appear like trees on the top of a mountain. As the trees have no leaves, they have no clothing. As the tree has no beauty, they have no luster. As the tree is silent without birds, they are silent. As the tree is without fruit, they are without actions. They are thin, with worn, rough limbs.
Purport
An example of stillness was described by a friend of Kṛṣṇa’s who informed Him in Mathurā that all the cowherd boys had become just like leafless trees on the tops of hills. They appeared almost naked, being skinny and frail, and did not carry any fruits or flowers. He informed Kṛṣṇa that all the cowherd boys residing in Vṛndāvana were as still as the trees at the tops of hills.
Sickness: Hero of the Yadus! Suffering from heat of the fever in separation from You, all Your young cowherd friends have been lying on the bank of the Yamunā with limp limbs for many days.
Purport
Sometimes they felt diseased from their separation from Kṛṣṇa, and being so greatly disappointed, they were aimlessly wandering on the banks of the Yamunā.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Separation is the fever or illness (viraha-jvara). Burning with the heat (saṁjvareṇa) of that sickness of separation, their bodies have become limp, without energy (viślatha-gātra).
[jagad-vyavahriti-kramam nikhilam eva vismaaritaah |]
luṇṭhanti bhuvi śerate bata hasanti dhāvanty amī
[lunthanti bhuvi sherate bata hasanti dhaavanty amee]
rudanti mathurā-pate kim api vallavānāṁ gaṇāḥ ||125||
[rudanti mathuraa-pate kim api vallavaanaam ganaah ||125||]
Blended reading (Sanskrit + English inline)
unmādaḥ –
vinā bhavad-anusmṛtiṁ viraha-vibhrameṇādhunā
jagad-vyavahṛti-kramaṁ nikhilam eva vismāritāḥ |
luṇṭhanti bhuvi śerate bata hasanti dhāvanty amī
rudanti mathurā-pate kim api vallavānāṁ gaṇāḥ ||125||
Insanity: Lord of Mathurā! Unable to think of You because of the confusion caused by separation, the cowherd boys have now forgotten how to conduct themselves in this world. Sometimes they fall on the ground. Sometimes they lie down, sometimes they laugh, sometimes they run, and sometimes they weep.
Purport
There is also an example of madness caused by separation from Kṛṣṇa. When Kṛṣṇa was absent from Vṛndāvana, all the cowherd boys became bewildered, and having given up all kinds of activities, they appeared to be mad and forgot all their regular business. They were sometimes lying down on the ground, sometimes rolling in the dust, sometimes laughing and sometimes running very swiftly. All of these symptoms gave them the appearance of madmen.
Fainting: The Lord of the Madhus, having attained a kingdom at sweet Mathurā, now enjoys Himself and gives bliss to the world. But crying and fainting repeatedly, Gokula has become completely confused.
Purport
One friend of Kṛṣṇa’s criticized Him by saying, “My dear Lord, You have become the King of Mathurā after killing Kaṁsa, and that is very good news for us. But at Vṛndāvana all the residents have become blind from their continuous crying over Your absence. They are full only of anxieties and are not cheered at all by Your becoming the King of Mathurā.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This is a message given by one cowherd boy living in Vraja to Kṛṣṇa when He was residing in Mathurā. Ruditāndhe (darkness after crying) implies continuous state of fainting after crying. The word Gokula actually indicates the speaker, a cowherd boyfriend of Kṛṣṇa. (This is an example of fainting in separation for those in sakhya-rasa). Ākulatā means “By again and again crying and fainting, I have become completely bewildered.”
śocanty adya yathā ciraṁ paricaya-snigdhāḥ kuraṅgā api ||127||
Death-like state: O enemy of Kaṁsa! Worn out with the pain arising from the waves of fever of separation, the cowherd boys have fallen down on the plateau of Govardhana and are breathing only slightly. Just as people lament with tears in their eyes when they see that acquaintances have fallen into difficulty, today, the deer lament for them, soaking their motionless bodies with their profuse tears.
Purport
Sometimes there were also signs of death caused by separation from Kṛṣṇa. Once Kṛṣṇa was told, “My dear enemy of Kaṁsa, because of their separation from You, the cowherd boys are suffering too much, and they are now lying down in the valleys, breathing only slightly. In order to sympathize with the boys’ regrettable condition, even the forest friends, the deer, are shedding tears.”
kṛṣṇena viprayogaḥ syān na jātu vraja-vāsinām ||128||
[krishnena viprayogah syaan na jaatu vraja-vaasinaam ||128||]
Blended reading (Sanskrit + English inline)
prokteyaṁ virahāvasthā spaṣṭa-līlānusārataḥ |
kṛṣṇena viprayogaḥ syān na jātu vraja-vāsinām ||128||
The separation which has been described here is in accordance with the pastimes of the Lord when He appears on earth. However, the inhabitants of Vraja are never separated from Kṛṣṇa (in His eternal pastimes.)
Purport
In the Mathurā-khaṇḍa chapter of the Skanda Purāṇa, there is a description of Kṛṣṇa and Balarāma, surrounded by all the cowherd boys, always engaged in taking care of the cows and calves. When Kṛṣṇa was met by Arjuna at a potter’s shop in the city of Drupada-nagara, because of the similarity of their bodily features they made intimate friendship. This is an instance of friendship caused by the attraction of similar bodies.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Viśvanātha Cakravartī Ṭhākura
Gauḍīya
Bhakti-sāra-pradarśinī
Commentary
States of separation such as pūrva-rāga (before meeting for first time in madhura-rasa) or when Kṛṣṇa is out herding the cows--leaving for a short time only--are relished by the sādhakas, the siddhas, the eternal associates, the gopīs and Kṛṣṇa, because there always remains the relationship of āśraya and viṣaya ālambanas. But when Kṛṣṇa departs for Mathurā and stays away for a very long time, the pain of separation is intolerable. That is explained in this verse. The pain of separation when Kṛṣṇa goes to Mathurā which has been described (prokteyam) belongs to the prakaṭa-līlā. In the aprakaṭa-līlā, separation from Kṛṣṇa by His going to Mathurā does not exist for the inhabitants of Vraja at all. This is proved by a statement from the Skanda Purāṇa, the next verse in the text. It is also said:
kṛṣṇo ’nyo yadu-sambhūto yaḥ purṇaḥ so ’sty ataḥ paraḥ
vṛndāvanaṁ paritjajya sa kvacin naiva gacchati
Kṛṣṇa, who is complete in Himself, is different from Kṛṣṇa of the Yadu dynasty. Kṛṣṇa never leaves Vṛndāvana to go elsewhere. Laghu-bhāgavatāmṛta 461
One should not come to the following conclusion however. “There are two types of pastimes: prakaṭa and aprakaṭa. The prakaṭa pastimes are those which are visible to the people of this world. They are occasional and temporary. The aprakaṭa pastimes are those which are not visible to this world. They exist eternally in Vṛndāvana and other places.”
This cannot be said. If one attributes a temporary nature to the prakaṭa pastimes described by Śrī Śukadeva, Parāśara, Vyāsa and others in the Bhāgavatam, Viṣṇu Purāṇa, Hari-vamśa, Padma Purāṇa and other scriptures, one can as well logically attribute a temporary nature to the aprakaṭa pastimes described by the same authors, who are recent beings. By claiming the temporary nature of all pastimes after showing the aprakaṭa pastimes to be temporary by equating them with the temporary prakaṭa pastimes, all pastimes end up as mere material actions.
If the pastimes such as being born are shown to the people of this world out of mercy, they are called prakaṭa pastimes and if those pastimes are concealed from the world’s view, they are called aprakṛta. Thus, in essence, there is no difference between the prakaṭa and aprakaṭa pastimes. Thus, it is stated:
anādim eva janmādi-līlām eṣa tathādbhutām
hetunā kenacit kṛṣṇaḥ prāduskuryāt kadācana
The extraordinary pastimes such as birth of the Lord are without beginning. Kṛṣṇa never deteriorates at all by any cause. Laghu-bhāgavatāmṛta 387
Thus, the scriptures have shown that the prakaṭa pastimes are eternal. This will now be explained. Like the Lord who is one but has infinite forms, Vraja also has infinite forms but in this world people see only the pastimes appearing in one manifestation of Vraja. They do not see the pastimes in the other manifestations of Vraja. The pastimes of birth, kaumāra, paugaṇḍa and kaiśora ages and the departure to Mathurā of Kṛṣṇa situated in that manifestation appear in millions of universes one after the other, and are seen by the people of one universe at a particular time, but those pastimes are not seen all the time in all the universes. It is just like the rising of the sun situated in a particular position in the zodiac, morning, noon and afternoon. These are all seen in different parts of India, but are not seen everywhere at the same time. There is difference however. The rising of the sun, morning, noon and afternoon are not real (only apparent) and not eternal (though repetitive). But Kṛṣṇa’s pastimes in Vraja are real and eternal as testified by the scriptures. That is the difference. Just as there is always a rising of the sun, morning, noon and afternoon at some place, Kṛṣṇa always has a birth, childhood, killing of demons and a departure for Mathurā in some universe. Thus, the prakaṭa pastimes are eternal. Just as the sun is perceived in all conditions in all places over a period of twenty-four hours, the pastimes of Kṛṣṇa will be perceived in all the different universes during the day of Brahmā in a scheduled manner. The prakṛta pastimes which are seen by people are actually the aprakṛta pastimes, but appearing to be dependent on time and space. As Uddhava says:
kṛṣṇa-dyumaṇi nimloce gīrṇeṣv ajagareṇa ha
kiṁ nu naḥ kuśalaṁ brūyāṁ gata-śrīṣu gṛheṣv aham
My dear Vidura, the sun of the world, Lord Kṛṣṇa, has set, and our house has now been swallowed by the great snake of time. What can I say to you about our welfare? SB 3.2.7
This applies also to the pastimes in Mathurā and Dvārakā. The pastimes taking place in the multitude of manifestations of Vraja are not seen by the people of the world. These manifestations are unlimited, and are not connected with each other. This is understood from the following statement:
kṛṣṇa-bālyādi-līlābhir bhūṣitāni samantataḥ
śaila-goṣṭha-vanādīnāṁ santi rūpāṇi anekaśaḥ
At present, however, the many hills, forests, villages and other places in Vṛndāvana that had been decorated with Lord Kṛṣṇa's childhood and other pastimes still wonderfully remain. Laghu-bhāgavatāmṛta 513
In all these manifestations, the awareness of the Lord’s associates also remains separate, because the multitude of manifestations remains separate. In those manifestations Kṛṣṇa separately has pastimes of birth, bālya, paugaṇḍa and kaiśora ages. Sometimes these manifestations appear in sequence one after the other and sometimes they appear together. In any case, the appearances are certain. But in the aprakaṭa manifestation, the pastimes of departing for Mathurā does not take place, because Kṛṣṇa and His devotees always remain performing pastimes in the aprakaṭa manifestations of Mathurā.
It is also stated:
tatra prakaṭa-līlāyām eva syātaṁ gamāgamau
gokule mathurāyāṁ ca dvāravatyāṁ ca śārṅgiṇāh
In His prakaṭa pastimes, Lord Kṛṣṇa will go from Gokula to Mathurā to Dvārakā, and then He will return. Laghu-bhāgavatāmṛta 439
From Vraja, Kṛṣṇa goes to Mathurā, and then Dvārakā, and then returns from Dvārakā to Vraja after killing Dantavakra. This will happen in the prakaṭa pastimes and not in the aprakaṭa pastimes. This can also be understood to mean that in Vraja itself there will be going to the forest from the village and returning from Mahāvana to Vṛndāvana.
One should not say however that the aprakaṭa pastimes are superior to the prakaṭa pastimes, since there is no pain of separation by Kṛṣṇa’s going to Mathurā in the aprakaṭa pastimes, because the pain of separation is a manifestation of transformations that take place in mahā-bhāva, the highest form of bliss, expressed in song of the bee, which is a lamentation in transcendental insanity. Uddhava, seeing the supreme form of the gopīs’ love, became astonished at superiority of the gopīs’ love to the love of Lakṣmī.
āsām aho caraṇa-reṇu-juṣām ahaṁ syāṁ vṛndāvane kim api gulma-latauṣadhīnām
yā dustyajaṁ sva-janam ārya-pathaṁ ca hitvā bhejur mukunda-padavīṁ śrutibhir vimṛgyām
The gopīs of Vṛndāvana have given up the association of their husbands, sons and other family members, who are very difficult to give up, and they have forsaken the path of chastity to take shelter of the lotus feet of Mukunda, Kṛṣṇa, which one should search for by Vedic knowledge. Oh, let me be fortunate enough to be one of the bushes, creepers or herbs in Vṛndāvana, because the gopīs trample them and bless them with the dust of their lotus feet. SB 10.47.61
nāyaṁ śriyo ’ṅga u nitānta-rateḥ prasādaḥ svar-yoṣitāṁ nalina-gandha-rucāṁ kuto ’nyāḥ
rāsotsave ’sya bhuja-daṇḍa-gṛhīta-kaṇṭha-labdhāśiṣāṁ ya udagād vraja-vallabhīnām
When Lord Śrī Kṛṣṇa was dancing with the gopīs in the rāsa-līlā, the gopīs were embraced by the arms of the Lord. This transcendental favor was never bestowed upon the goddess of fortune or other consorts in the spiritual world. Indeed, never was such a thing even imagined by the most beautiful girls in the heavenly planets, whose bodily luster and aroma resemble the lotus flower. And what to speak of worldly women who are very beautiful according to material estimation? SB 10.47.60
One should also not consider that separation is inferior to meeting with Kṛṣṇa, because even in separation the two lovers possessing sthāyi-bhāvas with rati, prema, sneha and higher levels of attachment, by memory alone, stimulated by the vibhāvas, become filled with unlimited pleasure of enjoying each other through direct contact, with embraces, kissing and contact with mind, eye and body.
saṅgama-viraha-vikalpe varam iha viraho na saṅgamān tasya
ekaḥ sa eva saṅge tri-bhuvanam api tan-mayaṁ virahe
Separation from Kṛṣṇa is better than meeting Him. When I meet Him, there is only one Kṛṣṇa, but when I am separated from Him the three worlds become filled with Kṛṣṇas. Padyāvalī 240
One should not say that when an appearance of the Lord through remembrance or through actual presence ends there is sorrow due to the intolerable pain of separation. This pain is another form of bliss, because its nature is purely spiritual, caused by the hladinī and samvit śaktis. The author explains how this pain is actually a form of knowledge in the Ujjvala-nīlamaṇi. One should also understand that there are degrees of intensity in the separation and meeting in dāsya, sakhya and vatsala relationships.
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Spaṣṭa-līlā means the pastimes on earth (prakaṭa-līlā). The condition of separation occurs during the pastimes on earth, but there is no separation from Kṛṣṇa at all for the inhabitants of Vraja with the aspaṣṭa-līlā, the pastimes in the spiritual world. That meaning should be supplied in the last line. There are two types of pastimes: prakaṭa and aprakaṭa. Prakaṭa-līlā means pastimes visible to people of this world. These are occasional appearances. Aprakaṭa-līlās are those pastimes which cannot be seen by people of this world. These are eternal, and take place in Vṛndāvana and other places. These eternal pastimes are glorified in the Skanda Purāṇa, Āgama scriptures, the Gopāla-tāpanī Upaniṣad and Bhāgavatam:
Jayati [Note: The present tense is used to express the eternal nature of what is described in the verse.] jana-nivāso devakī-janma-vādo yadu-vara-pariṣat svair dorbhir asyann adharmam
sthira-cara-vṛjina-ghnaḥ su-smita-śrī-mukhena vraja-pura-vanitānāṁ vardhayan kāma-devam
Lord Śrī Kṛṣṇa lives eternally among the cowherd men and the Yādavas, and is conclusively both the son of Devakī and Yaśodā. He is the guide of the Yadu dynasty and the cowherd men, and with His mighty arms He kills everything inauspicious, in Vraja, Mathurā and Dvārakā. By His presence He destroys all things inauspicious for all living entities, moving and inert, and the suffering of separation of the inhabitants of Vraja and Dvārakā. His blissful smiling face always increases the desires of the gopīs of Vṛndāvana and women of Mathurā and Dvārakā. He remains eternally in this situation. SB 10.90.48
In those aprakaṭa pastimes, the Lord does not leave and go to other places, because the pastimes are eternal there (and separation would stop those pastimes). In the earthly pastimes, however occasionally the Lord leaves Vraja and goes to other places. Thus, the various bhāvas of the Lord along with His associates exhibited during His earthly pastimes, associated with the particular earthly pastimes, will also be occasional (and different from those in the eternal pastimes). Because of the differences in manifestation of these earthly pastimes from the eternal pastimes, Kṛṣṇa and His devotees during the earthly pastimes will take up identities different from their identities in the eternal pastimes, by arrangement of the līlā-śakti. It is similar to Kṛṣṇa manifesting different identities for each queen when He married sixteen thousand maidens. However, in order to maintain the rasas in the earthly and eternal pastimes, the Lord and His devotees will never investigate their separate identities in the earthly and eternal pastimes. If they were simultaneously aware of the eternal pastimes during the earthly pastimes, there could not be any separation after meeting during earthly pastimes (such as Kṛṣṇa going to Mathurā and not returning).
Thus, when the verse says that that there is no separation at all for the inhabitants of Vraja, it means that though there is separation after meeting in the earthly pastimes, there is no separation at all in the eternal, non-earthly pastimes. However, even during the earthly pastimes, there is an arrangement for all things to be accomplished perfectly, and thus the experience of pleasure ultimately manifests during the earthly pastimes. By finally reuniting with the inhabitants of Vraja, the Lord makes the two types of pastimes become one (the earthly pastime identities of Kṛṣṇa and His devotees merge with their eternal pastime identities), and the separation experienced in the earthly pastimes comes to an end. This will be understood from the descriptions at the end of the section on vatsala-rasa (3.4.76).
This is stated in the Skanda Purāṇa, Mathurā-khaṇḍa: Kṛṣṇa, along with Balarāma, surrounded by the boys of Vraja, plays eternally in Vṛndāvana with the cows and calves.
Purport
In the Mathurā-khaṇḍa chapter of the Skanda Purāṇa, there is a description of Kṛṣṇa and Balarāma, surrounded by all the cowherd boys, always engaged in taking care of the cows and calves. When Kṛṣṇa was met by Arjuna at a potter’s shop in the city of Drupada-nagara, because of the similarity of their bodily features they made intimate friendship. This is an instance of friendship caused by the attraction of similar bodies.
citrākāraṁ bhajann eva mitrākāram adarśayat ||130||
[chitraakaaram bhajann eva mitraakaaram adarshayat ||130||]
Blended reading (Sanskrit + English inline)
atha yoge siddhir, yathā –
pāṇḍavaḥ puṇḍarīkākṣaṁ prekṣya cakri-niketane |
citrākāraṁ bhajann eva mitrākāram adarśayat ||130||
Siddhi (meeting Kṛṣṇa for the first time): Arjuna, seeing Kṛṣṇa in the house of the potter in Drupada’s town, became motionless like a picture, and thus revealed himself as a true friend.
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Pāṇḍava here refers to Arjuna, since he is the chief among the Pāṇḍavas in sakhya-rasa. Cakri refers to the potter’s house in Drupada’s town, where the Pāṇḍavas were staying during Draupadī’s svayaṁvara ceremony. This is understood from the story in Mahābhārata. [Note: Ādi Parvā, 193.] Arjuna became motionless, just like a figure in a picture (citrākāram). Mitrākāram means that this showed that he was qualified to be a friend of Kṛṣṇa.
Tuṣṭi (meeting Kṛṣṇa after some separation), from the Tenth Canto: Then Bhīma, his eyes brimming with tears, laughed with joy as he embraced his maternal cousin, Kṛṣṇa. Arjuna and the twins—Nakula and Sahadeva—also joyfully embraced their dear most friend, the infallible Lord, and they cried profusely. SB 10.71.27
Purport
In the Tenth Canto of Śrīmad-Bhāgavatam, Seventy-first Chapter, verse 27, it is stated that when Kṛṣṇa arrived in the city of Indraprastha, Bhīma was so overwhelmed with joy that with tears in his eyes and a smiling face he immediately embraced his maternal cousin. Following him were his young brothers Nakula and Sahadeva, along with Arjuna, and they all became so overwhelmed at seeing Kṛṣṇa that with full satisfaction they embraced the Lord, who is known as Acyuta (the infallible).
Another example: His friends from Vraja, who had longed to see Him for so long, seeing Kṛṣṇa at Kurukṣetra, embraced Him with all their arms erupting in goose bumps.
Purport
There is a similar statement about the cowherd boys of Vṛndāvana. When Kṛṣṇa was on the Battlefield of Kurukṣetra, all the cowherd boys came to see Him, wearing jeweled earrings in their ears. Becoming so greatly overjoyed, they extended their arms and embraced Kṛṣṇa as their old friend. These are instances of full satisfaction in friendship with Kṛṣṇa.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This verse described meeting the group from Vraja after a long separation (tuṣṭi) during the pastimes on earth. Kurujāṅgala means Kurukṣetra. Priya-saṅgamaṁ harim means “the Lord whose association (saṅgamam) was desired (priya) by them.”
Sthiti (permanent association), from the Tenth Canto: Yogīs may undergo severe austerities and penances for many births by practicing yama, niyama, āsana and prāṇāyāma, none of which are easily performed. Yet in due course of time, when these yogīs attain the perfection of controlling the mind, they will still be unable to taste even a particle of dust from the lotus feet of the Supreme Personality of Godhead. What then can we describe about the great fortune of the inhabitants of Vrajabhūmi, these cowherd boys, with whom the Supreme Personality of Godhead personally lives permanently and who see the Lord face to face? SB 10.12.12
Purport
In the Tenth Canto, Twelfth Chapter, verse 12, of Śrīmad-Bhāgavatam, it is stated that even after undergoing severe penances and austerities and performing the yogic principles, the great mystic yogīs can hardly become eligible to achieve the dust of the lotus feet of Kṛṣṇa, but the same Personality of Godhead, Kṛṣṇa, is easily available to the vision of the residents of Vṛndāvana. This means there is no comparison to the great fortune of these devotees.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The yogīs have gained control of their minds (dhṛtātma) by practice of aṣṭāṅga-yoga, causing much suffering (kṛcchrataḥ) for many lifetimes, but they cannot attain the dust from the Lord’s feet. It is impossible to attain even the dust of the Lord’s feet by such a controlled mind. What past pious actions can be ascribed to the inhabitants of Vraja, for whom the Lord Himself, Kṛṣṇa (sa eva)-- not any of His expansions--by His own choice (svayam), spontaneously, not by any other cause---becomes continually the object of their eyes (yad dṛg-viṣayaḥ sthitaḥ)? No pious actions at all can be ascribed for this! That exalted position of continually seeing the Lord was natural for them. What then can be said of Kṛṣṇa’s friends previously described, who actually played with the Lord (not just seeing Him continually)? The past participle sthita (situated) is used with the sense of the present tense as in the case of śīlita and other words (Pāṇini 3.2.188). [Note: The past participle affix “ta” as in sthita denotes the present tense (though usually it indicates past tense) after roots meaning inclination, understanding, respect, and after other roots also.] (Thus He is eternally situated as the object of their eyes.) The following is another example of sthita used with the present sense.
yac ca kiñcij jagaty asmin dṛśyate śrūyate ’pi vā
antar-bahiś ca tat sarvaṁ vyāpya nārāyaṇah sthitaḥ
Nārāyaṇa is situated inside and outside, pervading everything that can be seen or heard in this universe.
preyān kām api puṣṇāti rasaś citta-camatkṛtim ||134||
[preyaan kaam api pushnaati rasash chitta-chamatkritim ||134||]
Blended reading (Sanskrit + English inline)
dvayor apy eka-jātīya-bhāva-mādhurya-bhāg asau |
preyān kām api puṣṇāti rasaś citta-camatkṛtim ||134||
This preyo-rasa or sakhya-rasa, in which Kṛṣṇa and the devotee partake of the sweetness of one type of love, nourishes astonishing bliss in the heart
Purport
The friendly relationship of the cowherd boys with Kṛṣṇa is a particular type of spiritual ecstasy almost similar to the ecstasy of conjugal love. This ecstasy of loving affairs between the cowherd boys and Kṛṣṇa is very difficult to explain. Great expert devotees like Rūpa Gosvāmī express their astonishment at the inconceivable feelings which are in Kṛṣṇa and His cowherd boyfriends.
This particular type of ecstatic love shared between Kṛṣṇa and His confidential friends further develops into parental love, and on from there it may develop into conjugal love, the most exalted humor, or mellow, of ecstatic love between Lord Kṛṣṇa and His devotees.
In prīti-rasa (dāsya rasa) and vātsalya-rasa, Kṛṣṇa’s and the devotee’s love are of different types. [Note: In prīti-rasa the devotee is servant and Kṛṣṇa is the master. In vatsala-rasa Kṛṣṇa is a child and the devotee is a parent.]
Purport
The friendly relationship of the cowherd boys with Kṛṣṇa is a particular type of spiritual ecstasy almost similar to the ecstasy of conjugal love. This ecstasy of loving affairs between the cowherd boys and Kṛṣṇa is very difficult to explain. Great expert devotees like Rūpa Gosvāmī express their astonishment at the inconceivable feelings which are in Kṛṣṇa and His cowherd boyfriends.
This particular type of ecstatic love shared between Kṛṣṇa and His confidential friends further develops into parental love, and on from there it may develop into conjugal love, the most exalted humor, or mellow, of ecstatic love between Lord Kṛṣṇa and His devotees.
For this reason, those devotees devoted to sakhya-rasa understand that this sakhya-rasa is the best among all rasas.
Purport
The friendly relationship of the cowherd boys with Kṛṣṇa is a particular type of spiritual ecstasy almost similar to the ecstasy of conjugal love. This ecstasy of loving affairs between the cowherd boys and Kṛṣṇa is very difficult to explain. Great expert devotees like Rūpa Gosvāmī express their astonishment at the inconceivable feelings which are in Kṛṣṇa and His cowherd boyfriends.
This particular type of ecstatic love shared between Kṛṣṇa and His confidential friends further develops into parental love, and on from there it may develop into conjugal love, the most exalted humor, or mellow, of ecstatic love between Lord Kṛṣṇa and His devotees.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This verse is linked to the previous two verses, the previous verses being the cause of this final statement.
Thus ends the Third Wave, concerning preyo-bhakti-rasa, in the Western Section of the Bhakti-rasāmṛta-sindhu.
3.4 The Fourth Wave
Concerning
Vatsala-bhakti-rasa
In the Western Section of Bhakti-rasāmṛta-sindhu
Outline of Vatsala-rasa
I. Definition
II. Ālambana
A. Viṣaya: Kṛṣṇa
B. Āśraya: Elders:
1. Ideal: Nanda, Yaśodā
2. Form
i) Yaśodā
ii) Nanda
3. Their Vātsalya-bhakti
i) Yaśodā
ii) Nanda
III. Uddīpana
A. Age
1. Kaumāra
i) Ādya: Beginning
a) Form
b) Activities
c) Decoration
ii) Madhyama: Middle
a) Form
b) Decoration
iii) Śeṣa: End
a) Form
b) Decoration
c) Activities
2. Paugaṇḍa
3. Kaiśora
IV. Anubhāvas
V. Sāttvika-bhāvas: all plus milk flowing from breasts
VI. Vyabhicāri-bhāvas: twenty-five
VII. Sthāyi-bhāva: Vatsala-rati
A. Rāga with occasional appearance of prema and sneha
VIII. Ayoga
A. Utkaṇṭhita
B. Viyoga
1. Vyabhicāri-bhavas Eight
IX. Yoga
A. Siddhi
B. Tuṣṭi
C. Sthiti
X. Saṅkula: Mixtures of Vatsala, Sakhya and Prīti