The continuous ecstasy of love can remain like a powerful king, subduing all temporary manifestations of love as well as any opposing elements of anger. It can be exhibited directly or indirectly, and thus ecstatic love can be described as direct or indirect. These symptoms of ecstatic love are possible only when one is fully situated in a transcendental position. Direct ecstatic love can be divided into two groups – namely, selfish and selfless.
Bhakti-rasāmṛta-sindhu · BRS 2.5.1 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
aviruddhān viruddhāṁś ca bhāvān yo vaśatāṁ nayan |
su-rājeva virājeta sa sthāyī bhāva ucyate ||1||
That bhāva which, controlling other favorable bhāvas such as hāsya and contradictory bhāvas such as krodha, presides in the manner of an efficient ruler, is called the sthāyi-bhāva.
Jīva Gosvāmī · Durgama-saṅgamanī
The non-contradictory bhāvas (aviruddhān) are those such as hāsya-rati (laughter) and the contradictory bhāvas are those such as krodha-rati (anger). The bhāva which rules over all these bhāvas is called the sthāyi-bhāva or permanent bhāva.
Bhakti-rasāmṛta-sindhu · BRS 2.5.2 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
sthāyī bhāvo ’tra sa proktaḥ śrī-kṛṣṇa-viṣayā ratiḥ |
mukhyā gauṇī ca sā dvedhā rasa-jñaiḥ parikīrtitā ||2||
In this context, the rati directed towards Kṛṣṇa is called the sthāyi-bhāva. Those knowledgeable of rasa say that there are two types of sthāyi-bhāva: mukhya (primary) and gauṇa (secondary).
Jīva Gosvāmī · Durgama-saṅgamanī
In order to give additional understanding to the previous statement, this verse is spoken. It was stated that the sthāyi-bhāva is rati directed towards Kṛṣṇa in 2.1.5. Now this is repeated with elaboration. Thus two types of sthāyi-bhāva are explained. The primary ratis are described starting with verse 3 of this chapter, and the secondary ratis are described from verse 39 till the end of the chapter.
Bhakti-rasāmṛta-sindhu · BRS 2.5.3 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tatra mukhyā –
śuddha-sattva-viśeṣātmā ratir mukhyeti kīrtitā |
mukhyāpi dvi-vidhā svārthā parārthā ceti kīrtyate ||3||
Mukhya-rati (Primary rati) A rati which is śuddha-sattva-viśeṣātmā (composed of the hlādinī and saṁvit śaktis) is called a primary rati. Though this is the primary rati, it takes two forms: svārtha and parārtha.
Jīva Gosvāmī · Durgama-saṅgamanī
The words śuddha-sattva-viśeṣātmā refers to the definition given in 1.3.1.
When noncontradictory symptoms of ecstatic love are distinctly manifest, any contradictory symptoms create a sense of abomination. Contradictory ecstatic love is called selfish. That ecstatic love that can adjust all contradictory or noncontradictory symptoms is called direct selfless love. These selfless symptoms can again be divided into five groups: neutrality, servitude, fraternity, parenthood and conjugal love. Such ecstatic love assumes a particular mode in contact with different objects of love.
Bhakti-rasāmṛta-sindhu · BRS 2.5.4 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tatra svārthā –
aviruddhaiḥ sphuṭaṁ bhāvaiḥ puṣṇāty ātmānam eva yā |
viruddhair duḥkha-glāniḥ sā svārthā kathitā ratiḥ ||4||
That primary rati which clearly nourishes itself with non-contradictory bhāvas and becomes intolerably depressed with sorrow by contradictory bhāvas is called the svārtha-rati (nourishing itself).
Bhakti-rasāmṛta-sindhu · BRS 2.5.6 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
śuddhā prītis tathā sakhyaṁ vātsalyaṁ priyatety asau |
svaparārthyaiva sā mukhyā punaḥ pañca-vidhā bhavet ||6||
A primary rati in these two forms has five varieties: śuddha, prīti (or dāsya), sakhya, vatsala (or vātsalya) and priyatā (or madhura).
Bhakti-rasāmṛta-sindhu · BRS 2.5.7 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
vaiśiṣṭyaṁ pātra-vaiśiṣṭyād ratir eṣopagacchati |
yathārkaḥ pratibimbātmā sphaṭikādiṣu vastuṣu ||7||
The rati takes on a specific type (one of the five) according to the individual nature of the devotee. Just as the sun takes on various forms when reflected through crystals and other items, the rati takes on various forms when manifesting in different individuals.
Jīva Gosvāmī · Durgama-saṅgamanī
The example of the reflection of the sun in crystal and other items is used to illustrate the variety that rati assumes in different individuals, and not to illustrate that those who receive rati have only some reflection, and not genuine rati (since it is composed of the hlādinī and saṁvit śaktis). Because of particular differences, five distinct conditions appear which are given five different names.
NEUTRALITY
Neutrality can be further subdivided into general, transparent and peaceful. An attraction for Kṛṣṇa by the people in general or by children cannot take any specific or satisfactory position. It can be manifest sometimes in trembling of the body and changing of the color of the eyes (to red, white, etc.), although there is no symptom of any particular affection.
Bhakti-rasāmṛta-sindhu · BRS 2.5.8 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tatra śuddhā –
sāmānyāsau tathā svacchā śāntiś cety ādimā tridhā |
eṣāṅga-kampatā-netrāmīlanonmīlanādi-kṛt ||8||
Śuddha-rati: The first rati, called śuddha-rati, has three types: sāmānya, svaccha and śānta. [Note: The words śānti and śānta are used interchangeably.] It produces quivering of the body, and closing and opening of the eyes.
Jīva Gosvāmī · Durgama-saṅgamanī
This śuddha-rati is also called kevala-rati. It will be explained later that this rati is not endowed with particular tastes such as those of prīti, sakhya, vatsala and priyatā (madhura).
This śuddha-rati, the first (ādimā), has three types: sāmānya, svaccha and śānta.
Bhakti-rasāmṛta-sindhu · BRS 2.5.9 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tatra sāmānyā –
kañcid viśeṣam aprāptā sādhāraṇa-janasya yā |
bālikadaiś ca kṛṣṇe syāt sāmānyā sā ratir matā ||9||
Sāmānya-śuddha-rati: The rati manifested in ordinary people and children for Kṛṣṇa is called sāmānya-rati or ordinary rati. It does not have the distinguishing qualities of even svaccha-rati or śānta-rati.
Jīva Gosvāmī · Durgama-saṅgamanī
Śuddha-rati directed towards Kṛṣṇa does not have the excellent qualities found in other types of rati such as prīti-rati. Thus it is discussed separately from the others. When it does not have particular features (kañcid viśeṣam aprāptā) of even svaccha or śānta forms of śuddha-rati, it is called sāmānya-rati or ordinary rati. But by attaining higher levels of excellence, progressing through the form of svaccha-rati, it finally becomes śānta-rati. This sāmānya-rati will be found in ordinary people: This means it is found everywhere or commonly.
One old man was told by a young man, “Just see how this child – only three years old – is so jubilant! Simply by seeing Kṛṣṇa he is running so swiftly, making a tumultuous sound. Just see!” This is an instance of neutral ecstatic love in the heart of a child, without any specific subdivision.
Due to the different types of attraction for Kṛṣṇa, there are different varieties of devotees. Their symptoms are manifested transparently, just like jewels. It is said that a great devotee brāhmaṇa would sometimes address the Supreme Personality of Godhead as master and sometimes joke with the Lord, using different kinds of familiar words. Sometimes he would protect the Lord with a filial affection, sometimes he would cry out to the Lord, addressing the Lord as his beloved, and sometimes he would meditate on the Lord as the Supersoul. This means that the brāhmaṇa expressed his ecstatic loving symptoms in different ways at different times. But in each instance, because of ecstatic love, the brāhmaṇa merged himself in the ocean of happiness and became situated in pure love. Thus he was a transparent medium, like a jewel that shows reality in varying colors according to its own nature.
Bhakti-rasāmṛta-sindhu · BRS 2.5.12 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atha svacchā –
tat-tat-sādhanato nānā-vidha-bhakti-prasaṅgataḥ |
sādhākānāṁ tu vaividhyaṁ yāntī svacchā ratir matā ||12||
Svaccha-śuddha-rati: When rati manifests many varieties because the practitioner associates with various types of devotees and performs various practices, it is called svaccha-rati (transparent).
Bhakti-rasāmṛta-sindhu · BRS 2.5.13 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yadā yādṛśī bhakte syād āsaktis tādṛśaṁ tadā |
rūpaṁ sphaṭikavad dhatte svacchāsau tena kīrtitā ||13||
When a devotee’s rati, like a clear crystal, becomes similar in form to that of the devotee to whom he is attached, it is called svaccha-rati.
Jīva Gosvāmī · Durgama-saṅgamanī
Verses 12 and 13 explain svaccha-rati.
bhavāpavargo bhramato yadā bhavej
janasya tarhy acyuta sat-samāgamaḥ
sat-saṅgamo yarhi tadaiva sad-gatau
parāvareśe tvayi jāyate matiḥ
When the material life of a wandering soul has ceased, O Acyuta, he may attain the association of Your devotees. And when he associates with them, there awakens in him devotion unto You, who are the goal of the devotees and the Lord of all causes and their effects. SB 10.51.53
This verse shows how devotee association acts as the seed of rati. Through association with various types of devotees, various types of sādhana which are like watering the seed will be performed. This will produce various bhāvas in the practicing devotee. The type of śuddha-rati previously mentioned, which produces such variety in a devotee is called svaccha. The cause of variety is explained in verse 13. The devotee’s rati, like a crystal, takes on a form similar to that of another devotee to whom he is attached. The example of the crystal is used because of its quality of taking on a variety of conditions, but not to indicate that this rati is only a reflection (not the real thing), since it is included in the topic of śuddha-rati, which is included in the topic of forms of genuine rati. However, this svaccha-rati is included in śuddha-rati because the particular tastes it manifests are temporary (rather than permanent as in prīti or other forms of rati). This also agrees with the later statement in verse 21, which describes śuddha-rati (which includes svaccha-rati) as being devoid of distinctive taste. Śuddha-rati has no mixture of the tastes found in the other types of rati such as prīti-rati.
Bhakti-rasāmṛta-sindhu · BRS 2.5.14 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā –
kvacit prabhur iti stuvan kvacana mitram ity uddhasan
kvacit tanaya ity avan kvacana kānta ity ullasan |
kvacin manasi bhāvayan parama eṣa ātmety asāv
abhūd vividha-sevayā vividha-vṛttir āryo dvijaḥ ||14||
An example: One brāhmaṇa fixed on following the injunctions of scripture sometimes praised the Lord as master, sometimes joked with Him as a friend, sometimes protected Him as his son, sometimes craved for Him as a lover, and sometimes meditated in his heart on the Lord as Paramātmā. In this way, by various modes of service, he was endowed with various inclinations of mind.
When the great sage Nārada was glorifying the pastimes of the Lord with his vīṇā, the four Kumāras, headed by Sanaka, although merged in the impersonal conception of Brahman, were trembling all over. Another devotee once exclaimed, “Although I can achieve liberation simply by serving the devotees, my mind is still very much anxious to see the Supreme Personality of Godhead, whose bodily complexion is just like a dark cloud.” When a devotee is so anxious to contact the Supreme Personality of Godhead, that can also be accepted as a symptom of neutral love.
Bhakti-rasāmṛta-sindhu · BRS 2.5.19 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā –
devarṣi-vīṇayā pīte hari-līlā-mahotsave |
sanakasya tanau kampo brahmānubhavino ’py abhūt ||19||
An example: When Nārada sang about the pastimes of the Lord on his vīṇā, Sanaka’s body began to tremble, even though he was a brahma-jñānī.
Bhakti-rasāmṛta-sindhu · BRS 2.5.20 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā vā –
hari-vallabha-sevayā samantād
apara-vargānubhavaṁ kilāvadhīrya |
ghana-sundaram ātmano ’py abhīṣṭaṁ
paramaṁ brahma didṛkṣate mano me ||20||
Another example: Because of serving the devotees, I have given up the happiness of liberation as insignificant and, surpassing the impersonal brahman, I desire to see the dark-hued Lord, the highest form of brahman.
Jīva Gosvāmī · Durgama-saṅgamanī
Ātmanaḥ here means “having surpassed the brahman.”
PURE AND MIXED FLAVORS
Generally, a devotee of Lord Kṛṣṇa may be placed into one of three groups. One group consists of those who are completely dependent on the merciful affection of the Supreme Personality of Godhead, another group consists of devotees who are dealing with Kṛṣṇa on friendly terms, and the third group consists of those who are dealing with Kṛṣṇa as His superiors, with parental affection. These three classes of devotees gradually develop different relationships of transcendental mellow with the Personality of Godhead. When the attraction for Kṛṣṇa is based on only one particular humor, that humor is called kevalā, or the pure state. One in this pure state of devotional service gradually develops the desire to follow in the footsteps of an eternal associate of Kṛṣṇa, e.g., to follow in the footsteps of Rasāla, the personal attendant of Kṛṣṇa in Goloka Vṛndāvana, or to follow Kṛṣṇa’s friends, like Śrīdāmā and Sudāmā, or to follow Nanda and Yaśodā, devotees in parenthood. Ecstatic love for Kṛṣṇa is never manifested directly with Kṛṣṇa Himself. The devotee has to follow in the footsteps of the eternal associates of Kṛṣṇa in Goloka Vṛndāvana.
Bhakti-rasāmṛta-sindhu · BRS 2.5.22 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atha bheda-trayī hṛdyā rateḥ prīty-ādir īryate |
gāḍhānukūlatotpannā mamatvena sadāśritā ||22||
The three types of rati –prīti, sakhya and vatsala—are pleasing to the heart. They arise from deep friendliness to the Lord and are always endowed with possessiveness of the Lord.
Bhakti-rasāmṛta-sindhu · BRS 2.5.23 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
kṛṣṇa-bhakteṣv anugrāhya-sakhi-pūjyeṣv anukramāt |
tri-vidheṣu trayī prītiḥ sakhyaṁ vatsalatety asau ||23||
When rati (with deep friendship and possessiveness) is found in three types of devotees—recipients of mercy, friends and elders—it becomes prīti-rati, sakhya-rati and vatsala-rati.
Bhakti-rasāmṛta-sindhu · BRS 2.5.24 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atra netrādi-phullatva-jṛmbhaṇodghūrṇanādayaḥ |
kevalā saṅkulā ceti dvi-vidheyaṁ rati-trayī ||24||
In these three types of rati there is opening of the eyes, stretching the limbs and unsteadiness. These three types have two varieties: kevala and saṅkula.
Bhakti-rasāmṛta-sindhu · BRS 2.5.25 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tatra kevalā –
raty-antarasya gandhena varjitā kevalā bhavet |
vrajānuge rasālādau śrīdāmādau vayasyake |
gurau ca vrajanāthādau krameṇaiva sphuraty asau ||25||
Kevala-rati: When the rati has no trace of other types of rati it is called kevala-rati (pure rati). In Vraja, it is found in Kṛṣṇa’s servants such as Rasāla, in friends such as Śrīdāma and elders such as Nanda.
When transcendental humors in relationship with Kṛṣṇa become mixed (e.g., when the relationships with Kṛṣṇa in friendship, servitorship and parental love become mixed together), the result is called mixed humor or flavor. Such mixed transcendental flavors are manifested by such devotees as Uddhava, Bhīma and Mukharā, the personal attendant of mother Yaśodā. Although devotional humors are sometimes found in mixtures, a particular humor is always found to be a prominent and constant factor. That prominent humor is to be accepted as the devotee’s main relationship with Kṛṣṇa. For example, Uddhava is in relationship with Kṛṣṇa as a friend, but in Uddhava’s character a trace of servitude to Kṛṣṇa is also visible. Such friendship is called friendship in reverence. The friendship typified by Śrīdāmā and Sudāmā, however, is the standard of friendship without any tinge of reverence.
Bhakti-rasāmṛta-sindhu · BRS 2.5.26 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tatra saṅkulā –
eṣāṁ dvayos trayāṇāṁ vā sannipātas tu saṅkulā |
udbhavādau ca bhīmādau mukharādau krameṇa sā |
yasyādhikyaṁ bhaved yatra sa tena vyapadiśyate ||26||
Saṅkula-rati: When two or three of the three types of rati are found together in a person, it is called saṅkula-rati (mixed rati). It is found in Uddhava, Bhīma and Mukharā. A person is identified by the rati which is most prominent.
Jīva Gosvāmī · Durgama-saṅgamanī
In these three types of rati, there is permanence of the various ratis, whereas in svaccha-śuddha-rati the taste is not permanent, even though various types of rati manifest. Mukharā, referred to in the verse, is an old woman who acted as a nurse for Yaśodā. [Note: Mukharā was a friend of Kṛṣṇa’s grandmother.] Because of treating the quality and the possessor of the quality as non-different, a devotee is designated by the particular rati which is most prominent in him. Thus though Uddhava has sakhya-bhāva he is predominantly a servant. Thus he is designated as a servant.
SUBORDINATE ECSTATIC LOVE
The devotees who always think of Kṛṣṇa as a superior are in subordinate ecstatic love. To such a devotee the concept of inferiority to the Lord is very prominent, and he rarely takes interest in any other kind of transcendental loving humor with the Lord.
Bhakti-rasāmṛta-sindhu · BRS 2.5.27 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atha prītiḥ –
svasmād bhavanti ye nyūnās te ’nugrāhyā harer matāḥ |
ārādhyatvātmikā teṣāṁ ratiḥ prītir itīritā ||27||
Prīti-rati: When persons identify themselves as inferior to the Lord they are called the recipients of mercy (anugrāhyā). Their rati, in which Kṛṣṇa is perceived as worthy of worship, is called prīti.
Jīva Gosvāmī · Durgama-saṅgamanī
Those who identify themselves as inferiors to the Lord (svasmād nyūnāḥ) are called anugrāhyā (recipients of mercy). That rati whose essence (ātmikā) is to think of the Lord as worshipable (ārādhyatva) is called prīti-rati. This use of the word prīti is used in a specific sense (called paribhāṣika), being distinct from the previous usage of the word (where it meant joy or pleasure). Elsewhere, prīti is used differently to mean bhakti. Similarly, anugrāhyā is used with a more specialized meaning than previously (here it means dāsya-bhaktas).
Bhakti-rasāmṛta-sindhu · BRS 2.5.28 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tatrāsakti-kṛd anyatra prīti-saṁhāriṇī hy asau ||28||
This prīti-rati produces attachment for the object of worship and destroys affection for other objects.
Jīva Gosvāmī · Durgama-saṅgamanī
This is a further explanation. The author shows the specific quality of this prīti. Hi indicates a reason (because) and tatra means “for Kṛṣṇa.” This rati (asau) for Kṛṣṇa (tatra), which is called prīti, which accepts Kṛṣṇa as worshipable, produces attachment to Kṛṣṇa and destroys attachment to all other persons or things. When this prīti-rati manifests for Kṛṣṇa, rati for other objects is destroyed. Where there is attraction for other objects in prīti-rati, it should be understood that these objects are related to Kṛṣṇa.
In the Mukunda-mālā-stotra, compiled by King Kulaśekhara, one of the prayers says, “My dear Lord, You are the deliverer of living entities from the hellish condition of materialistic life, but that does not matter to me. Whether I am elevated to the heavenly platform or remain on this earthly planet or am dispatched to some hellish planet, that does not matter at all to me. My only prayer is that at the time of my death I may simply remember Your two beautiful feet, which are just like lotus flowers fructifying during the autumn season.”
Bhakti-rasāmṛta-sindhu · BRS 2.5.29 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā mukunda-mālāyām (8)–
divi vā bhuvi vā mamāstu vāso
narake vā narakāntaka prakāmam |
avadhīrita-śāradāravindau
caraṇau te maraṇe ’pi cintayāmi ||29||
An example from Mukunda-mālā: O destroyer of the demon Naraka! Wherever I live, according to Your desire, in heaven, on earth or in hell, I will remember even at the time of death Your two feet whose beauty defeats the lotuses blooming in the autumn season.
Jīva Gosvāmī · Durgama-saṅgamanī
This verse is an example of the statement made in the previous verse. Though I go anywhere, I will maintain my prīti for You, and not for anyone else. In the other ratis starting with sakhya, there are other distinctive attributes however. That is the difference between prīti and the superior ratis.
FRIENDSHIP
As far as friendship is concerned, those high-grade devotees who are almost like Kṛṣṇa are considered to be great authorities in the modes of friendly relations with the Supreme Personality of Godhead. On that friendly platform there are different kinds of laughing and joking conversations. An example of such a friendly relationship with Kṛṣṇa is described in Śrīmad-Bhāgavatam when Kṛṣṇa was once thinking, “Today, while I was engaged in tending the cows in the pasturing ground of Vṛndāvana, I went to collect some flowers in a beautiful garden. At that time My friends, the cowherd boys, were unhappy even to tolerate a two-minute separation from Me. And when they found Me, there was competition between us as to who would touch the other first with the flowers we had in hand.”
Bhakti-rasāmṛta-sindhu · BRS 2.5.30 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atha sakhyam –
ye syus tulyā mukundasya te sakhāyaḥ satāṁ matāḥ |
sāmyād viśrambha-rūpaiṣāṁ ratiḥ sakhyam ihocyate |
parihāsa-prahāsādi-kāriṇīyam ayantraṇā ||30||
Sakhya-rati: Those who identify themselves as equal to Mukunda are called sakhas or friends. Their rati, with familiarity arising from the sense of equality, is called sakhya-rati. In this rati, there is loud laughing, joking and no sense of reserve.
Jīva Gosvāmī · Durgama-saṅgamanī
Tulyā does not mean equal in all ways, but having an identity of being equal. That rati which reveals familiarity or lack of restriction (viśrambha) caused by the sense of equality with Kṛṣṇa (sāmyāt) is called sakhyam. That familiarity is characterized by actions such as joking and loud laughing.
One friend criticized Kṛṣṇa thus: “My dear Dāmodara, although You have been defeated by Śrīdāmā and have become sufficiently minimized in strength, by a false expression of strength You have somehow covered Your shameful condition of defeat.”
Bhakti-rasāmṛta-sindhu · BRS 2.5.32 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā vā –
śrīdāma-dor-vilasitena kṛto ’si kāmaṁ
dāmodara tvam iha darpa-dhurā daridraḥ |
sadyas tvayā tad api kathanam eva kṛtvā
devyai hriye trayam adāyi jvalāñjalīnām ||32||
Another example: Śrīdāma said: Your pride has become impoverished enough in being defeated by the strength of my arms. Having boasted, say goodbye to the queen called shame (and defeat me).
Jīva Gosvāmī · Durgama-saṅgamanī
Considering yourself a king, your queen (devyai hriye) is shame. Instead of devyai sometimes sakhyai (friend) is seen in the verse.
PARENTHOOD, OR SUPERIORITY
When mother Yaśodā heard that Kṛṣṇa’s cows were being forcibly moved by the strong servants of Kaṁsa and that the tender cowherd boys were trying to protect their cows, she began to think, “How can I protect these poor boys from the invasion of Kaṁsa’s servants?” This is an instance of a superior attitude in a devotee.
Bhakti-rasāmṛta-sindhu · BRS 2.5.34 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā –
agrāsi yan-nirabhisandhi-virodha-bhājaḥ
kaṁsasya kiṅkara-gaṇair girito ’py udagraiḥ |
gās tatra rakṣitum asau gahane mṛdur me
bālaḥ prayāty avirataṁ bata kiṁ karomi ||34||
An example: The forest is filled with inimical Kaṁsa’s servants, who are more solid than mountains. In that dense forest, my tender boy goes constantly. Oh! What should I do?
As soon as mother Yaśodā found her son Kṛṣṇa returning from the pasturing ground, she immediately began to pat Him, touching her fingers to the cheeks of the Lord.
Bhakti-rasāmṛta-sindhu · BRS 2.5.35 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā vā –
sutam aṅgulibhiḥ snuta-stanī
cibukāgre dadhatī dayārdra-dhīḥ |
samalālayad ālayāt puraḥ
sthiti-bhājaṁ vraja-rāja-gehinī ||35||
Another example: Yaśodā, whose heart was soft with affection and whose breasts flowed with milk, caressed her son Kṛṣṇa, while holding His chin in her fingers.
CONJUGAL LOVE
Above even the humor of love between Kṛṣṇa and His parents is the relationship of conjugal love. The Lord and the young gopīs exhibit this in different ways – glancing, moving the eyebrows, speaking very sweet words and exchanging smiles.
Bhakti-rasāmṛta-sindhu · BRS 2.5.36 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atha priyatā:
mitho harer mṛgākṣyāś ca sambhogasyādi-kāraṇam |
madhurāpara-paryāyā priyatākhyoditā ratiḥ |
asyāṁ kaṭākṣa-bhrū-kṣepa-priya-vāṇī-smitādayaḥ ||36||
Priyatā-rati: That rati found in the doe-eyed women and which is the root cause of eight types of enjoyment between the women and Kṛṣṇa is called priyatā-rati. It is also called madhura-rati. In this rati, there are side-long glances, moving the eyebrows, and affectionate words and slight smiles etc.
Jīva Gosvāmī · Durgama-saṅgamanī
The rati of the women which is the root cause of eight types of mutual enjoyment (such as seeing or remembering) between the Lord and the doe-eyed women is called priyatā-rati. This rati is defined in this way with the perception of the devotee as the experiencer and Kṛṣṇa as the object of experience. When Kṛṣṇa is the experiencer and the devotee (gopī) is the object of His experience, that rati becomes a stimulus or uddīpana for further rati in the devotee.
The word priyatā means the emotional state of the female lover (who is called priyā). Thus this definition of priyatā-rati describes the devotee’s or gopī’s emotional state of being a lover of Kṛṣṇa. According to the rule tasya bhāvas tva talau (Pāṇini 5.1.119) tva and tā are added as suffixes to indicate “having the nature of...” They thus indicate qualities. Thus priyatā-rati means that rati which has the quality of being a female lover. Used to indicate qualities, they are added to masculine forms of words. In the Kātantra grammar this is explained: guṇa-grahaṇenātra jāti-saṁjñayor nivṛttiḥ kriyate tena pācikāyāḥ pācakatvam: when a word becomes descriptive of quality by addition of tā, it first loses its original gender and name, as in pācikā becoming pācakatvam. This priyatā-rati is also called madhura-rati (madhurāpara-paryāyā). The example given in the following verse should be understood to illustrate this rati to a small degree.
There is a statement in the Govinda-vilāsa to this effect: “Śrīmatī Rādhārāṇī was looking for Kṛṣṇa very anxiously and almost disappointedly.” When there is such an indirect expression of conjugal love, there is smiling, astonishment, enthusiasm, lamentation, anger, dread and sometimes ghastliness. These seven exchanges of conjugal love form another state of ecstatic love.
Bhakti-rasāmṛta-sindhu · BRS 2.5.38 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathottaram asau svāda-viśeṣollāsamayy api |
ratir vāsanayā svādvī bhāsate kāpi kasyacit ||38||
These five types of rati progressively (from śuddha to priyatā-rati) become more blissful by increasing tastes. The particular taste arises in a devotee according to his previous experiences.
Jīva Gosvāmī · Durgama-saṅgamanī
After the five types of rati have been described, a doubt arises. Should all these types be considered equal or successively superior? If they are equal, then all the ratis should have the same inclinations. If they are successively superior, what is the cause for differing inclinations in people for different ratis? This verse answers. Increasing from first to last (yathottaram), from śuddha-rati to priyatā-rati, they become progressively filled with taste or delight.
But what determines who takes up which type of rati? Is it decided by having no impressions of a particular rati from previous lives, by having an impression of one type of rati from previous lives, or by having impressions of many types of rati? In the first option--absence of impressions--rati cannot occur at all, because no taste could arise. In the case of persons having impressions of many types of rati, a particular rati could not manifest prominently because conflicting tastes would result in improper manifestation of rasa (rasābhāsa). Therefore, impressions of only one type carried from previous lives produce the specific taste. Though not being in a position to perceive the depth of that rasa, one can confirm its identity by comparing scriptural descriptions of rasas with one’s own inclinations, and by inference through seeing how rasas, different from one’s own rasa, either nourish or fail to nourish the total ingredients. [Note: For each primary rasa, certain other primary and secondary rasas restrict or increase it.]
Viśvanātha Cakravartī Ṭhākura · Bhakti-sāra-pradarśinī
…Among the various tastes such as sweet, sour and bitter, a particular person has a particular liking because of previous impressions. Because of impressions from past life of a particular rasa such as dāsya, in this life also, the person has that taste alone and not others, by the mercy of a great devotee with a similar taste. This is the case of for the two types of dāsya and the other three higher rasas.
In a direct relationship of conjugal love, there is laughter, astonishment, chivalry, lamentation, anger and dread, but there is no ghastliness. These expressions are considered to be great reservoirs of pleasure. When these seven kinds of ecstatic loving exchanges are manifested, they attain the status of steadiness by which the taste of conjugal love expands.
Bhakti-rasāmṛta-sindhu · BRS 2.5.5 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atha parārthā –
aviruddhaṁ viruddhaṁ ca saṅkucantī svayaṁ ratiḥ |
yā bhāvam anugṛhṇāti sā parārthā nigadyate ||5||
The same primary rati which, restricting itself, accepts both non-contradictory and contradictory bhāvas (which then become prominent), is called parārtha (nourishing the other bhāvas). [Note: The primary ratis become secondary when they allow the seven bhāvas such as hāsa to predominate. These seven then take the form of secondary sthāyi-bhāvas.]
Bhakti-rasāmṛta-sindhu · BRS 2.5.11 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā vā –
tri-varṣā bālikā seyaṁ varṣīyasi samīkṣyatām |
yā puraḥ kṛṣṇam ālokya huṅkurvaty abhidhāvati ||11||
Another example: O old woman! See that child, just three years old, who, on seeing Kṛṣṇa in front of her, is running after Him and calling out.
Jīva Gosvāmī · Durgama-saṅgamanī
The compound tri-varṣā should be analyzed as follows. According to the rule, tam adhiṣṭo bhṛto bhūto bhāvī (Pāṇini 5.1.80), the suffix ka is used after a word expressing time (eg. varṣikā) in the accusative case to mean “to give instruction for such a period, to be hired for such a period, or to indicate that something has lasted that long or will last that long.” In this case, the meaning is that three years have passed. According to the rule varṣāl luk (Pāṇini 5.1.88) after a dvandva compound with the word varṣa, the suffix na or ka can be dropped. Furthermore, according to the rule cittavati nityam (Pāṇini 5.1.89), the suffix meaning “accomplished” or “in the past” (the suffix ka, as in varṣikā, having passed three years) must be dropped after the word varṣā in a dvandva compound referring to a living entity with reasoning power. Therefore, tri-varṣikā bālikā becomes tri-varṣā bālikā. This means a girl child who has already passed three years of age.
Another version of the verse has tri-vārṣikī bālikeyam. According to the rule kālāṭh ṭhaṣ (Pāṇini 4.3.11), the suffix ka is added after a word denoting time. To avoid the rule 5.1.88 (ka must be dropped if the word indicates the past tense), if ka remains, it must refer to the future. This indicates a girl is about to become three years old, in the state of three years which have not yet finished. By the rule uttara-padasya (Pāṇini 7.3.9), the first vowel of the second member of a compound becomes vṛddhi (tri-vārṣikī instead of tri-varsīkī). In other words, it means “the child, not even three years old, can run after Kṛṣṇa.” According to the rule tatra bhavaḥ (Pāṇini 4.3.3), ka can be added to a word to indicate “existence” after a word in the locative case. Thus the meaning is “someone existing in three years.” Another form tri-varṣīyā is rejected. Varṣīyasi means “O old woman!”
Bhakti-rasāmṛta-sindhu · BRS 2.5.21 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
agrato vakṣyamāṇais tu svādaiḥ prīty-ādi-saṁśrayaiḥ |
rater asyā asamparkād iyaṁ śuddheti bhaṇyate ||21||
That rati which is not mixed with the tastes found in the other types of rati starting with prīti-rati, which will be explained later, is called śuddha-rati.
Bhakti-rasāmṛta-sindhu · BRS 2.5.31 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā –
māṁ puṣpitāraṇya-didṛkṣayāgataṁ
nimeṣa-viśleṣa-vidīrṇa-mānasāḥ |
te saṁspṛśantaḥ pulakāñcita-śriyo
dūrād ahaṁpūrvikayādya remire ||31||
An example: Today, when I went to see the flowering forests of Vṛndāvana, my friends were suffering by even a moment’s separation from Me. From far off, they said, “I will be touched by Him first! I will be touched by Him first!” With hairs standing on end, they played in this way.
Jīva Gosvāmī · Durgama-saṅgamanī
These are the thoughts of Kṛṣṇa in lamentation when Brahmā stole the cowherd boys. Or these are the words of Kṛṣṇa to Uddhava in Mathurā. All those who were sent by Kṛṣṇa to gather the calves engaged in playing, while saying “I will return and be touched first by Kṛṣṇa!”
Bhakti-rasāmṛta-sindhu · BRS 2.5.33 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atha vātsalyam –
guravo ye harer asya te pūjyā iti viśrutāḥ |
anugraha-mayī teṣāṁ ratir vātsalyam ucyate |
idaṁ lālana-bhavyāśīś cibuka-sparśanādi-kṛt ||33||
Vatsala-rati: Those persons whose rati identifies them as superiors to the Lord are known as pūjya, worthy of respect or elders. Their rati, which gives mercy to Kṛṣṇa, is called vātsalya or vatsala. In this rati, there is protecting Kṛṣṇa, blessing Him, kissing Him and touching Him.
Jīva Gosvāmī · Durgama-saṅgamanī
The word guravaḥ (elders or superiors) indicates those who identify themselves as elders or parents of Kṛṣṇa. The word vatsala means “those who give (lānti) their breasts to their children (vatsam). Thus vatsala refers to parents and vātsalyam refers to their emotional state or bhāva. This usage of the word vatsalā is found in the Bhāgavatam in relation to Devahūti:
vanaṁ pravrajite patyāv apatya-virahāturā
jñāta-tattvāpy abhūn naṣṭe vatse gaur iva vatsala
Devahūti’s husband had already left home and accepted the renounced order of life, and then her only son, Kapila, left home. Although she knew all the truths of life and death, and although her heart was cleansed of all dirt, she was very aggrieved at the loss of her son, just as a cow is affected when her calf dies. SB 3.33.21
Bhakti-rasāmṛta-sindhu · BRS 2.5.37 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā govinda-vilāse –
ciram utkaṇṭhita-manaso rādhā-mura-vairiṇoḥ ko ’pi |
nibhṛta-nirīkṣaṇa-janmā pratyāśā-pallavo jayati ||37||
An example from Govinda-vilāsa: For a long time, Rādhā and Kṛṣṇa have been longing to see each other. All glories to the new sprout of hope of being able to see each other alone