bhaktāḥ sarva-vidhā eva hite caivāhite tathā ||2||
There are three viṣayas for krodha-rati: Kṛṣṇa, friendly persons and unfriendly persons. All types of devotees such as the sakhīs and elderly women are the āśrayas for krodha directed towards Kṛṣṇa, and for krodha directed against the friendly or unfriendly.
Purport
In ecstatic loving service to Kṛṣṇa in anger, Kṛṣṇa is always the object.
sakhī-krodhe bhavet sakhyāḥ kṛṣṇād atyāhite sati ||3||
[sakhee-krodhe bhavet sakhyaah krishnaad atyaahite sati ||3||]
Blended reading (Sanskrit + English inline)
tatra kṛṣṇe sakhyāḥ krodhaḥ –
sakhī-krodhe bhavet sakhyāḥ kṛṣṇād atyāhite sati ||3||
Sakhīs’ anger at Kṛṣṇa: The sakhīs will manifest anger towards Kṛṣṇa when their leader experiences great alarm caused by Kṛṣṇa.
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Atyāhite means having great fear or danger. Ablative case (kṛṣṇāt) is used with atyāhite according to the rule bhītrānāṁ bhaya-hetuḥ: with words implying fear and protection from danger, ablative case is used for the cause of the danger or fear (Pāṇini 1.4.25).
From Vidagdha-mādhava: Today we will die, being afflicted by such great suffering. Kṛṣṇa cannot stop His cheating smiles. O intelligent Rādhā! Why were you so much in love with the lusty cowherd Kṛṣṇa covered with so much deceit?
Purport
In Vidagdha-mādhava, Second Act, verse 37, Lalitā-gopī expressed her anger, which was caused by Kṛṣṇa, when she addressed Śrīmatī Rādhārāṇī thus: “My dear friend, my inner desires have been polluted. Therefore I shall go to the place of Yamarāja. But I am sorry to see that Kṛṣṇa has still not given up His smiling over cheating You. I do not know how You could repose all Your loving propensities upon this lusty young boy from the neighborhood of the cowherds.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
On this occasion, Rādhā was greatly fearful because Kṛṣṇa put on a show of indifference in order to test her.
[tavorasi nireekshyate bata na neti kim jalpasi |]
aho vraja-nivāsinaḥ śṛṇuta kiṁ na vikrośanaṁ
[aho vraja-nivaasinah shrinuta kim na vikroshanam]
vrajeśvara-sutena me suta-gṛhe ’gnir utthāpitaḥ ||6||
[vrajeshvara-sutena me suta-grihe ’gnir utthaapitah ||6||]
Blended reading (Sanskrit + English inline)
yathā –
are yuvati-taskara prakaṭam eva vadhvāḥ paṭas
tavorasi nirīkṣyate bata na neti kiṁ jalpasi |
aho vraja-nivāsinaḥ śṛṇuta kiṁ na vikrośanaṁ
vrajeśvara-sutena me suta-gṛhe ’gnir utthāpitaḥ ||6||
Govardhana’s mother: Young thief! I see clearly on your chest a woman’s shawl. Why are you denying this? People of Vraja! Hear my shouting! Can you not hear? The son of Nanda has set fire to my son’s house.
Purport
After seeing Kṛṣṇa, Jaratī sometimes said, “O You thief of young girls’ properties! I can distinctly see the covering garment of my daughter-in-law on Your person.” Then she cried very loudly, addressing all the residents of Vṛndāvana to inform them that this son of King Nanda was setting fire to the household life of her daughter-in-law.
[sarveshaam eva govinde ratih praudhaa viraajate ||7||]
Blended reading (Sanskrit + English inline)
govardhanaṁ mahā-mallaṁ vinānyeṣāṁ vrajaukasām |
sarveṣām eva govinde ratiḥ prauḍhā virājate ||7||
Except for the strong Govardhana (husband of Candrāvalī), all the inhabitants of Vraja possess the highest stage of rati for Govinda.
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Why would an old woman become angry with Kṛṣṇa? By evidence of hundreds of descriptions in the Bhāgavatam, it is not possible that the inhabitants of Vraja, who were always engaged in serving Kṛṣṇa favorably, overcoming all obstacles and offering everything, had any selfishness.
aho bhāgyam aho bhāgyaṁ nanda-gopa-vrajaukasām
yan-mitraṁ paramānandaṁ pūrṇaṁ brahma sanātanam
How greatly fortunate are Nanda Mahārāja, the cowherd men and all the other inhabitants of Vrajabhūmi! There is no limit to their good fortune, because the Absolute Truth, the source of transcendental bliss, the eternal Supreme Brahman, has become their friend. SB 10.14.32
This verse answers. Govardhana was only the apparent husband of Candrāvalī. He was somewhat notorious as a cowherd of Kaṁsa, who came to live in Vraja as a stranger. Therefore, he is excluded from being a devotee in this verse. Other than him, everyone else in Vraja had the highest level of prema. The old woman’s anger at Kṛṣṇa indicates that she put on this overt display, with the intention of bringing about auspiciousness for Kṛṣṇa. That anger is not without affection or rati for Kṛṣṇa. This has been explained before. Thus the other people do not listen (since they have love for Kṛṣṇa), and the old woman shouts (out of apparent anger). It is not that the others would hear her shouting in anger and take it seriously.
kvacit tatra pramatto yaḥ prokto ’navahito ’tra saḥ ||9||
[kvachit tatra pramatto yah prokto ’navahito ’tra sah ||9||]
Blended reading (Sanskrit + English inline)
tatra anavahitaḥ –
kṛṣṇa-pālana-kartāpi tat-karmābhiniveśataḥ |
kvacit tatra pramatto yaḥ prokto ’navahito ’tra saḥ ||9||
The inattentive person: Those who are responsible for protecting Kṛṣṇa but, because of being absorbed in some service, become careless in their duties are called anavahita (inattentive).
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
In protecting Kṛṣṇa, sometimes a devotee becomes inattentive by mental confusion, caused by his absorption in a bhāva relating to Kṛṣṇa. The devotee cannot put aside that state even though it is extremely detrimental for himself and Kṛṣṇa. This person is called inattentive.
An example: Oh! You have fainted! Get up, and do not delay uselessly. You think yourself so skilful in teaching your son! O friend! Your bound-up son is moving between the two broken arjuna trees.
Purport
Similar ecstatic love for Kṛṣṇa in anger was expressed by Rohiṇī-devī when she heard the roaring sound of the two falling arjuna trees to which Kṛṣṇa had been tied. The whole neighborhood proceeded immediately toward the place where the accident had taken place, and Rohiṇī-devī took the opportunity to rebuke Mother Yaśodā as follows: “You may be very expert in giving lessons to your son by binding Him with rope, but don’t you look to see if your son is in a dangerous spot? The trees are falling on the ground, and He is simply loitering there!” This expression of Rohiṇī-devī’s anger toward Yaśodā is an example of ecstatic love in anger caused by Kṛṣṇa.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Paṇḍita-māninī (thinking yourself learned) here means “you think you know how to train your son.” Truṭyat means “is being broken.” Though the breaking took place in the past, the present tense is used. There is a rule vartamāna-sāmīpye vartamānavat vā: affixes applied for the present tense can be used to indicate action of the past or future not remote from the present (Pāṇini 3.3.131). Rohiṇī had gone with Balarāma to the house of Upananda on invitation on that day. On hearing the sound of the breaking trees, Rohiṇī came to the spot. Seeing that Nanda and others had come there for Kṛṣṇa, she entered Yaśodā’s house. These are words of Rohiṇī on entering the house and seeing Yaśodā just getting up after fainting from fear when she heard the sound of the falling trees.
“Kṛṣṇa has gone to Tālavan on the instructions of His dear friends.” Hearing this, Yaśodā began staring at the faces of the boys while her eyebrows moved up and down with a frown.
Purport
Once, while Kṛṣṇa was in the pasturing ground with His cowherd boys, His friends requested Him to go to the Tālavana forest, where Gardabhāsura, a disturbing demon in the shape of an ass, resided. The friends of Kṛṣṇa wanted to eat the fruit from the forest trees, but they could not go because of fear of the demon. Thus they requested Kṛṣṇa to go there and kill Gardabhāsura. After Kṛṣṇa did this, they all returned home, and their report of the day’s activity perturbed Mother Yaśodā because Kṛṣṇa had been sent alone into such danger in the Tālavana forest. Thus she looked upon the boys with anger.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Sthapuṭita means made uneven. Sthapuṭa means “uneven” according to the Trikāṇdaśeṣa commentary on Amara-kośa. In this context, it means raising and lowering the eyebrows.
An example: O Rādhā! You were agitated by the churning rod of indignation. What shall I say to you? Go away! I am burning up just being near you! Though the peacock feather decorating Kṛṣṇa’s hair was fanning the tips of your toes when He bowed down to you, you were red-faced with anger.
Purport
There is another instance of anger on the part of a friend of Rādhārāṇī’s. When Rādhārāṇī was dissatisfied with the behavior of Kṛṣṇa and had stopped talking with Him, Kṛṣṇa was very sorry for Rādhārāṇī’s great dissatisfaction, and in order to beg forgiveness, He fell down at Her lotus feet. But even after this, Rādhārāṇī was not satisfied, and She did not talk with Kṛṣṇa. At that time, one of Her friends chastised Her in the following words: “My dear friend, You are allowing Yourself to be churned by the rod of dissatisfaction, so what can I say unto You? The only advice I can give You is that You had better leave this scene immediately, because Your misbehavior is giving me too much pain. I cannot bear to see Your behavior, because even though Kṛṣṇa’s peacock feather has touched Your feet, You still appear to be red-faced.”
strīṇāṁ prāṇair api niyutaśo hanta yātrā vyadhāhi [Note: This verse is somewhat different in some versions of Uddhava-sandeśa.] 17||
From Uddhava-sandeśa: O Akrūra! Look closely! When you mount your chariot and start to go to Mathurā, millions of our life airs will also depart. O merciless one, Akrūra! You are cruel, forcibly taking Kṛṣṇa away from Vraja. Do not destroy respect for the Yadu dynasty!
Purport
When Akrūra was leaving Vṛndāvana, some of the elderly gopīs rebuked him as follows: “O son of Gāndinī, your cruelty is defaming the dynasty of King Yadu. You are taking Kṛṣṇa away, keeping us in such a pitiable condition without Him. Now, even before you have left, the life air of all the gopīs has practically disappeared.”
trir asya mukuṭopari sphuṭam udīrya savyaṁ padam ||19||
An example: Bhīma, forcefully placing his left foot--fearful as the punishment of Yama--on top of Śiśupāla’s crown, kicked him decisively three times. This Śiśupāla had insulted the Lord whose lotus feet are lit by and worshipped by the rays emanating from the crest jewels of the Vedas (Upaniṣads).
Purport
When Kṛṣṇa was insulted by Śiśupāla in the assembly of the Rājasūya yajña convened by Mahārāja Yudhiṣṭhira, there was a great turmoil among the Pāṇḍavas and Kurus, involving grandfather Bhīṣma. At that time Nakula said with great anger, “Kṛṣṇa is the Supreme Personality of Godhead, and the nails of His toes are beautified by the light emanating from the jeweled helmets of the authorities of the Vedas. If He is derided by anyone, I declare herewith as a Pāṇḍava that I will kick his helmet with my left foot and I will strike him with my arrows, which are as good as yama-daṇḍa, the scepter of Yamarāja!” This is an instance of ecstatic love for Kṛṣṇa in anger.
In raudra-bhakti-rasa, the uddīpanas for becoming angry are sarcastic laughs, deceptive speaking, frowns and disrespect expressed by enemies of Kṛṣṇa and by friendly persons.
Purport
In such a transcendental angry mood sometimes sarcastic remarks, unfavorable glances and insulting words are exhibited.
The anubhāvas of raudra-bhakti-rasa are wringing the hands, grinding the teeth, reddening of the eyes, biting the lips, deeply contracting the brows, flinging the arms, beating others, silence, hanging the head down, heavy breathing, glancing with hostility, cursing, shaking the head, having the edges of the eyes turn pink, frowning, and quivering of the lower lip. All the sāttvika-bhāvas such as paralysis manifest.
Purport
Sometimes there are other symptoms, like rubbing of the two hands, clacking of the teeth, clamping of the lips, moving of the eyebrows, scratching of the arms, lowering of the head, rapid breathing, uttering of strong words, nodding of the head, yellowishness at the corners of the eyes, and trembling lips. Sometimes the eyes turn red, and sometimes they fade. And there are sometimes chastisement and silence. All these symptoms of anger may be divided into two parts: constitutional and unconstitutional, or permanent and temporary symptoms.
The anubhāvas of raudra-bhakti-rasa are wringing the hands, grinding the teeth, reddening of the eyes, biting the lips, deeply contracting the brows, flinging the arms, beating others, silence, hanging the head down, heavy breathing, glancing with hostility, cursing, shaking the head, having the edges of the eyes turn pink, frowning, and quivering of the lower lip. All the sāttvika-bhāvas such as paralysis manifest.
Purport
Sometimes there are other symptoms, like rubbing of the two hands, clacking of the teeth, clamping of the lips, moving of the eyebrows, scratching of the arms, lowering of the head, rapid breathing, uttering of strong words, nodding of the head, yellowishness at the corners of the eyes, and trembling lips. Sometimes the eyes turn red, and sometimes they fade. And there are sometimes chastisement and silence. All these symptoms of anger may be divided into two parts: constitutional and unconstitutional, or permanent and temporary symptoms.
The anubhāvas of raudra-bhakti-rasa are wringing the hands, grinding the teeth, reddening of the eyes, biting the lips, deeply contracting the brows, flinging the arms, beating others, silence, hanging the head down, heavy breathing, glancing with hostility, cursing, shaking the head, having the edges of the eyes turn pink, frowning, and quivering of the lower lip. All the sāttvika-bhāvas such as paralysis manifest.
Purport
Sometimes there are other symptoms, like rubbing of the two hands, clacking of the teeth, clamping of the lips, moving of the eyebrows, scratching of the arms, lowering of the head, rapid breathing, uttering of strong words, nodding of the head, yellowishness at the corners of the eyes, and trembling lips. Sometimes the eyes turn red, and sometimes they fade. And there are sometimes chastisement and silence. All these symptoms of anger may be divided into two parts: constitutional and unconstitutional, or permanent and temporary symptoms.
Typical vyabhicāri-bhāvas are āvega, jaḍatā, garva, nirveda, moha, cāpalya, asūyā, augrya, amarṣa, and śrama.
Purport
Sometimes great emotion, bewilderment, pride, frustration, illusion, impotence, jealousy, dexterity, negligence and signs of hard labor are also manifest as unconstitutional symptoms.
atra krodha-ratiḥ sthāyī sa tu krodhas tridhā mataḥ |
[atra krodha-ratih sthaayee sa tu krodhas tridhaa matah |]
kopo manyus tathā roṣas tatra kopas tu śatru-gaḥ ||25||
[kopo manyus tathaa roshas tatra kopas tu shatru-gah ||25||]
manyur bandhuṣu te pūjya-sama-nyūnās tridhoditāḥ |
[manyur bandhushu te poojya-sama-nyoonaas tridhoditaah |]
roṣas tu dayite strīṇām ato vyabhicaraty asau ||26||
[roshas tu dayite streenaam ato vyabhicharaty asau ||26||]
Blended reading (Sanskrit + English inline)
atra krodha-ratiḥ sthāyī sa tu krodhas tridhā mataḥ |
kopo manyus tathā roṣas tatra kopas tu śatru-gaḥ ||25||
manyur bandhuṣu te pūjya-sama-nyūnās tridhoditāḥ |
roṣas tu dayite strīṇām ato vyabhicaraty asau ||26||
In raudra-bhakti-rasa, krodha-rati is the sthāyi-bhāva. It has three types: kopa, manyu and roṣa. Kopa is anger directed towards enemies. Manyu is anger directed to one’s friends. Friends are of three types: superior, equal and inferior. Roṣa is a woman’s anger directed against Kṛṣṇa. This actually becomes a vyabhicāri-bhāva in madhura-rasa.
Purport
In all these humors of ecstatic love, the feeling of anger is accepted as the steady factor.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
In madhura-rasa (between the gopīs and Kṛṣṇa), this anger (roṣa) becomes a vyabhicāri-bhāva. For the elder women and the sakhīs, kopa and manyu become a sthāyi-bhāva, but for the women lovers in madhura-rasa, anger, called roṣa, directed to Kṛṣṇa, does not become a sthāyi-bhāva in raudra-rasa. [Note: Thus it is not discussed here.] Among the previously mentioned vyabhicāri-bhāvas, when augrya (ferocity) is prominent, it is directed to enemies. When amarṣa (indignation) is prominent it is directed to friends. When asūyā (fault-finding) is prominent it is directed to the lover.
atra krodha-ratiḥ sthāyī sa tu krodhas tridhā mataḥ |
[atra krodha-ratih sthaayee sa tu krodhas tridhaa matah |]
kopo manyus tathā roṣas tatra kopas tu śatru-gaḥ ||25||
[kopo manyus tathaa roshas tatra kopas tu shatru-gah ||25||]
manyur bandhuṣu te pūjya-sama-nyūnās tridhoditāḥ |
[manyur bandhushu te poojya-sama-nyoonaas tridhoditaah |]
roṣas tu dayite strīṇām ato vyabhicaraty asau ||26||
[roshas tu dayite streenaam ato vyabhicharaty asau ||26||]
Blended reading (Sanskrit + English inline)
atra krodha-ratiḥ sthāyī sa tu krodhas tridhā mataḥ |
kopo manyus tathā roṣas tatra kopas tu śatru-gaḥ ||25||
manyur bandhuṣu te pūjya-sama-nyūnās tridhoditāḥ |
roṣas tu dayite strīṇām ato vyabhicaraty asau ||26||
In raudra-bhakti-rasa, krodha-rati is the sthāyi-bhāva. It has three types: kopa, manyu and roṣa. Kopa is anger directed towards enemies. Manyu is anger directed to one’s friends. Friends are of three types: superior, equal and inferior. Roṣa is a woman’s anger directed against Kṛṣṇa. This actually becomes a vyabhicāri-bhāva in madhura-rasa.
Purport
In all these humors of ecstatic love, the feeling of anger is accepted as the steady factor.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
In madhura-rasa (between the gopīs and Kṛṣṇa), this anger (roṣa) becomes a vyabhicāri-bhāva. For the elder women and the sakhīs, kopa and manyu become a sthāyi-bhāva, but for the women lovers in madhura-rasa, anger, called roṣa, directed to Kṛṣṇa, does not become a sthāyi-bhāva in raudra-rasa. [Note: Thus it is not discussed here.] Among the previously mentioned vyabhicāri-bhāvas, when augrya (ferocity) is prominent, it is directed to enemies. When amarṣa (indignation) is prominent it is directed to friends. When asūyā (fault-finding) is prominent it is directed to the lover.
dṛg-anta-pāṭalatvādyā roṣe tu kathitāḥ kriyāḥ ||27||
[drig-anta-paatalatvaadyaa roshe tu kathitaah kriyaah ||27||]
Blended reading (Sanskrit + English inline)
hasta-peṣādayaḥ kope manyau tuṣṇīkatādayaḥ |
dṛg-anta-pāṭalatvādyā roṣe tu kathitāḥ kriyāḥ ||27||
The anubhāvas of kopa are wringing the hands and other actions. The anubhāvas of manyu are silence and other actions, and the anubhāvas of roṣa are the edges of the eyes turning pink.
[mridhe magadha-bhoopatau kim api vaktram aakroshati |]
dṛśaṁ kavalita-dviṣad-visara-jāṅgale (lāṅgale) [Note: This word is not in the text, but should probably be inserted since the meter is incomplete without it.]
[drisham kavalita-dvishad-visara-jaangale (laangale) [note: this word is not in the text, but should probably be inserted sinche the meter is inchomplete without it.]]
dṛśaṁ kavalita-dviṣad-visara-jāṅgale (lāṅgale) [Note: This word is not in the text, but should probably be inserted since the meter is incomplete without it.]
Kopa against an enemy: When crazy Jarāsandha, surrounding Mathurā, hurled unspeakable abuses at Kṛṣṇa, who possesses an unfathomable wealth of strength in battle, Balarāma, with eyes read as burning coals, glanced at His plow capable of devouring the flesh of a multitude of enemies.
Purport
When Jarāsandha angrily attacked the city of Mathurā, he looked at Kṛṣṇa with sarcastic glances. At that time Baladeva took up His plow weapon and gazed upon Jarāsandha with colored eyes.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Kavalita-dviṣad-visara-jāṅgale (lāṅgale) nunoda means (glanced at the plow capable of devouring the flesh of all his enemies). Iṅgala means coals.
Manyu against elders, from Vidagdha-mādhava: O angry mother! When I shout to call someone, strong Kṛṣṇa immediately covers my mouth with His soft hand. When I try to flee in fear, He stretches His arms and blocks the path. When I bite my lower lip in anger, He falls down at my feet repeatedly. Please tell me how can I protect myself from Kṛṣṇa?
Purport
There is a statement in the Vidagdha-mādhava wherein Śrīmatī Rādhārāṇī, in an angry mood, addressed Paurṇamāsī after she had accused Rādhārāṇī of going to Kṛṣṇa. “My dear mother,” Rādhā declared, “what can I say to you? Kṛṣṇa is so cruel that He often attacks Me on the street, and if I want to cry out very loudly, this boy with a peacock feather on His head immediately covers My face so that I cannot cry. And if I want to go away from the scene because I am afraid of Him, He will immediately spread His arms to block My path. If I piteously fall down at His feet, then this enemy of the Madhu demon, in an angry mood, bites My face! Mother, just try to understand My situation, and don’t be unnecessarily angry with Me. Instead, please tell Me how I can save Myself from these terrible attacks of Kṛṣṇa!”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
These are the angry words of Rādhā to Paurṇamāsī, who was testing her love. She describes the behavior of Kṛṣṇa when He makes His appearance before her, as if He were actually present.
Manyu against equals: Jaṭilā: Ugly faced Mukharā! Hearing your words the core of my life is burning up. Mukharā: O Jaṭilā! Hearing your words, my head is burning up. Tell me, fool, when did Kṛṣṇa arrogantly touch my grand-daughter?
Purport
Sometimes among contemporary personalities there are signs of ecstasy in anger because of love for Kṛṣṇa. An example of such anger was exhibited in a quarrel between Jaṭilā and Mukharā. Jaṭilā was the mother-in-law of Rādhārāṇī, and Mukharā was Her grandmother. Both of them were talking about Kṛṣṇa’s unnecessary harassment of Rādhārāṇī when She was walking on the street. Jaṭilā said, “You cruel-faced Mukharā! By hearing your words my heart feels like it is burning in a fire!” And Mukharā replied, “You sinful Jaṭilā, by hearing your words, there is aching in my head! You cannot give any evidence that Kṛṣṇa has attacked Rādhārāṇī, the daughter of my daughter Kīrtidā.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This is a private quarrel between Jaṭilā, Rādhā’s mother-in-law, and Mukharā, who acted like a grandmother to Kṛṣṇa. Murmuraḥ means “burning chaff.” Niṭile means “on the head.”
Manyu against inferiors: Hey everyone! Look! This attractive necklace from Kṛṣṇa’s throat looks so nice on Rādhā’s breast! Aagh! This little girl, a black sprout in my family, is cheating me with duplicity.
Purport
Once, when Rādhārāṇī was taking off the necklace given to Her by Kṛṣṇa, Jaṭilā, her mother-in-law, told a friend, “My dear friend, just see the beautiful necklace that Kṛṣṇa has presented to Rādhārāṇī. She is now holding it, but still She wants to tell us that She has no connection with Kṛṣṇa. This girl’s activities have disgraced our whole family!”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
These are the words of Jaṭilā to Rādhā’s sakhīs, on seeing a pearl necklace of Kṛṣṇa being quickly removed from Rādhā’s body.
Rati (love for Kṛṣṇa) does not clearly manifest in this manyu (anger against friends). Thus, manyu is discussed here just to give examples.
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Na tādśrsaḥ means “not clear.” Since it was explained in verse 7 that all inhabitants of Vraja are filled with rati for Kṛṣṇa, with the exception of Govardhana, husband of Candrāvalī, the appearance of manyu among the inhabitants of Vraja along with the disappearance of rati is not factual.
krodho rati-vinābhāvān na bhakti-rasatāṁ vrajet ||33||
[krodho rati-vinaabhaavaan na bhakti-rasataam vrajet ||33||]
Blended reading (Sanskrit + English inline)
krodhāśrayāṇāṁ śatrūṇāṁ caidyādīnāṁ svabhāvataḥ |
krodho rati-vinābhāvān na bhakti-rasatāṁ vrajet ||33||
The inherent anger of enemies like Śiśupāla, being devoid of rati, does not become bhakti-rasa. Thus ends the Fifth Wave, concerning raudra-bhakti-rasa, in the Northern Section of Bhakti-rasāmṛta-sindhu.
Purport
Natural jealousy of Kṛṣṇa by persons like Śiśupāla cannot be accepted as ecstatic love in anger with Kṛṣṇa.
4.6 The Sixth Wave
Concerning
Bhayānaka-bhakti-rasa
In the Northern Section of Bhakti-rasāmṛta-sindhu
Outline of Bhayānaka-rasa
I. Definition
II. Ālambana:
A. Fear related to committing offenses against Kṛṣṇa
1. Viṣaya: self
2. Āśraya: self
3. Cause: Kṛṣṇa
B. Fear related to Demons attacking Kṛṣṇa:
1. Viṣaya: Kṛṣṇa
2. Āśraya: Devotee
3. Cause: demons
III. Uddīpanas
IV. Anubhāvas
V. Sāttvika-bhāvas: all except tears
VI. Vyabhicāri-bhāvas
VII. Sthāyi-bhāva: bhaya-rati
A. Causes of Fear
1. Fearful forms
2. Fearful qualities
3. Fearful powers