darśanāc chravaṇāc ceti smaraṇāc ca prakīrtitāḥ ||3||
[darshanaach chravanaach cheti smaranaach cha prakeertitaah ||3||]
Blended reading (Sanskrit + English inline)
kṛṣṇaś ca dāruṇāś ceti tasminn ālambanā dvidhā |
anukampyeṣu sāgassu kṛṣṇas tasya ca bandhuṣu ||2||
dāruṇāḥ snehataḥ śaśvat-tad-aniṣṭhāpti-darśiṣu |
darśanāc chravaṇāc ceti smaraṇāc ca prakīrtitāḥ ||3||
The viṣayas in bhayānaka-rasa are Kṛṣṇa and the demons. When āśrayas such as dāsas or sons commit offense to Kṛṣṇa, Kṛṣṇa becomes the viṣaya of this rasa. Since Kṛṣṇa’s friends always worry out of affection that He will be harassed by the demons, through seeing, hearing and remembering, the demons become the viṣaya of this rasa.
Purport
In ecstatic love for Kṛṣṇa in dread, there are two causes of fear: either Kṛṣṇa Himself or some dreadful situation for Kṛṣṇa. When a devotee feels himself to be an offender at Kṛṣṇa’s lotus feet, Kṛṣṇa Himself becomes the object of dreadful ecstatic love. And when, out of ecstatic love, friends and well-wishers of Kṛṣṇa apprehend some danger for Him, that situation becomes the object of their dread.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Though Kṛṣṇa and His devotees should be the viṣaya of this rasa, it is said that Kṛṣṇa and the demons are the viṣaya. Mention of the demons is according to those learned in material rasa. However, according to the author, the ālambana as viṣaya is defined as the experience of rati (expressing affection) in relation to a certain person (locative case), not fear from a certain person (ablative case) [Note: Ablative case is used to express the source of fear: I experience fear from the tiger. (Pāṇini 1.25) Locataive case is used in relation to objects of affection, respect or love.] (BRS 2.1.15). That the author is only repeating the ideas of the scholars of material rasa is written later.
hāsyādīnāṁ rasatvaṁ yad gauṇatvenāpi kīrtitam
prācāṁ matānusāreṇa tad vijñeyaṁ manīṣibhiḥ
That the ratis starting with hāsya are accepted as secondary rasas is understood by the wise to be according to the opinions of ancient scholars such as Bharata Muni. BRS 4.7.13
In the author’s opinion, in the first case (that of the devotee committing offense to the Lord) that devotee is both the viṣaya (fear related to himself committing offenses) and the āśraya experiencing the fear, with Kṛṣṇa as the ultimate cause. In the second case (fear related to demons), Kṛṣṇa is the viṣaya (the devotee’s fear for Kṛṣṇa’s safety), the friends of Kṛṣṇa are the āśraya experiencing the fear, and the demons are the cause.
darśanāc chravaṇāc ceti smaraṇāc ca prakīrtitāḥ ||3||
[darshanaach chravanaach cheti smaranaach cha prakeertitaah ||3||]
Blended reading (Sanskrit + English inline)
kṛṣṇaś ca dāruṇāś ceti tasminn ālambanā dvidhā |
anukampyeṣu sāgassu kṛṣṇas tasya ca bandhuṣu ||2||
dāruṇāḥ snehataḥ śaśvat-tad-aniṣṭhāpti-darśiṣu |
darśanāc chravaṇāc ceti smaraṇāc ca prakīrtitāḥ ||3||
The viṣayas in bhayānaka-rasa are Kṛṣṇa and the demons. When āśrayas such as dāsas or sons commit offense to Kṛṣṇa, Kṛṣṇa becomes the viṣaya of this rasa. Since Kṛṣṇa’s friends always worry out of affection that He will be harassed by the demons, through seeing, hearing and remembering, the demons become the viṣaya of this rasa.
Purport
In ecstatic love for Kṛṣṇa in dread, there are two causes of fear: either Kṛṣṇa Himself or some dreadful situation for Kṛṣṇa. When a devotee feels himself to be an offender at Kṛṣṇa’s lotus feet, Kṛṣṇa Himself becomes the object of dreadful ecstatic love. And when, out of ecstatic love, friends and well-wishers of Kṛṣṇa apprehend some danger for Him, that situation becomes the object of their dread.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
Though Kṛṣṇa and His devotees should be the viṣaya of this rasa, it is said that Kṛṣṇa and the demons are the viṣaya. Mention of the demons is according to those learned in material rasa. However, according to the author, the ālambana as viṣaya is defined as the experience of rati (expressing affection) in relation to a certain person (locative case), not fear from a certain person (ablative case) [Note: Ablative case is used to express the source of fear: I experience fear from the tiger. (Pāṇini 1.25) Locataive case is used in relation to objects of affection, respect or love.] (BRS 2.1.15). That the author is only repeating the ideas of the scholars of material rasa is written later.
hāsyādīnāṁ rasatvaṁ yad gauṇatvenāpi kīrtitam
prācāṁ matānusāreṇa tad vijñeyaṁ manīṣibhiḥ
That the ratis starting with hāsya are accepted as secondary rasas is understood by the wise to be according to the opinions of ancient scholars such as Bharata Muni. BRS 4.7.13
In the author’s opinion, in the first case (that of the devotee committing offense to the Lord) that devotee is both the viṣaya (fear related to himself committing offenses) and the āśraya experiencing the fear, with Kṛṣṇa as the ultimate cause. In the second case (fear related to demons), Kṛṣṇa is the viṣaya (the devotee’s fear for Kṛṣṇa’s safety), the friends of Kṛṣṇa are the āśraya experiencing the fear, and the demons are the cause.
pṛthvī pratyuta yuddha-kautuka-mayī sevaiva me nirmitā ||4||
An example of fear in those who have committed offense, concerning their own fate: O king of the ṛkṣas! Why has your face become dried up? Stop the wild palpitations of your heart. Having faith in Me, and recover your composure. You have not committed any offense at all. On the contrary, in boldly displaying your valor mixed with anger, you have actually served Me greatly with this sporting fight.
Purport
When Ṛkṣarāja was in front of Kṛṣṇa fighting and suddenly realized that Kṛṣṇa is the Supreme Personality of Godhead, Kṛṣṇa addressed him thus: “My dear Ṛkṣarāja, why is your face so dry? Please do not feel threatened by Me. There is no need for your heart to tremble like this. Please calm yourself down. I have no anger toward you. You may, however, become as angry as you like with Me—to expand your service in fighting with Me and to increase My sporting attitude.” In this dreadful situation in ecstatic love for Kṛṣṇa, Kṛṣṇa Himself is the object of dread.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Uṣma (heat) here means the heat generated from anger. Pṛthvī means great.
Another example: O Murāri! In front of You, what I am, but a vile snake. Do not become angry with the most fallen and miserable. I have committed a great offense, not understanding who You were. Being the greatest fool, I have no protector. You should therefore protect me. Be pleased with me.
Purport
There is another instance of a dreadful situation with Kṛṣṇa as the object as follows. After being sufficiently chastised by child Kṛṣṇa in the Yamunā River, the Kāliya snake began to address the Lord, “O killer of the Mura demon, I have acquired many mystic powers by my austerity and penances, but before You I am nothing; I am most insignificant. Therefore, please be kind upon a poor soul like me, and don’t be angry with me. I did not know Your actual position, and out of ignorance I have committed such horrible offenses. Please save me. I am a most unfortunate, foolish creature. Please be merciful to me.” This is another instance of the ecstasy of dread in devotional service.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
These are the words of Kāliya. Tapasvī means miserable. Manyu means anger.
An example of demons as the cause of fear for Kṛṣṇa’s devotees, Kṛṣṇa as viṣaya, through seeing: O Nanda, what shall I do? Protect this restless child by keeping Him within the house. Keśī demon is agitating my mind as well the whole earth. See! He is jumping over the trees.
Purport
When the Keśī demon was causing disturbances in Vṛndāvana by assuming a large horse’s body that was so big that he could jump over the trees, Mother Yaśodā told her husband, Nanda Mahārāja, “Our child is very restless, so we had better keep Him locked up within the house. I have been very worried about the recent disturbances of the Keśī demon, who has been assuming the form of a giant horse.”
Demon as the cause of fear, Kṛṣṇa as viṣaya, through hearing: Hearing that the intolerable Keśī demon had entered Gokula with anger, Yaśodā suddenly became alarmed to protect her son, and her lotus-like face dried up.
Purport
When it was learned that the demon was entering Gokula in an angry mood, Mother Yaśodā became so anxious to protect her child that her face dried up and there were tears in her eyes. These are some of the signs of the ecstasy of dread in devotional service, caused by seeing and hearing something that is dangerous to Kṛṣṇa.
Demon as the cause, Kṛṣṇa as the viṣaya, by remembering: O mother, let us stop this topic of Pūtanā. Even now, remembering about her, my body begins to shake. When Pūtanā put Kṛṣṇa on her lap in order to devour him, she manifested a fearful, rough body while making terrible sounds.
Purport
After the Pūtanā witch had been killed, some friends of Mother Yaśodā inquired from her about the incident. Mother Yaśodā at once requested her friends, “Please stop! Please stop! Don’t bring up the incident of Pūtanā. I become distressed just by remembering this incident. The Pūtanā witch came to devour my son, and she deceived me into letting her take the child on her lap. After that, she died and made a tumultuous sound with her gigantic body.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
These are the words of Yaśodā to some woman who came from a far off place, and did not know about the Pūtanā incident. Thus there is no fault if she repeats the description of the event. Ghurantī means making a frightful sound. It comes from ghur which means “making terrible and painful sounds.”
The uddīpanas for bhayānaka-rasa are frowns and other threats in the objects of fear. The anubhāvas are drying of the face, heaving breathing, looking backwards, hiding oneself, becoming unsteady, looking for shelter, and shouting. All the sāttvika-bhāvas except tears appear in bhayānaka-rasa.
Purport
In the ecstasy of devotional service in dread, the unconstitutional symptoms are drying up of the mouth, exuberance, glancing behind oneself, concealing oneself, bewilderment, searching after the endangered lovable object and crying very loudly.
4.7 The Seventh Wave
Concerning
Bībhatsa-bhakti-rasa
In the Northern Section of Bhakti-rasāmṛta-sindhu
Outline of Bībhatsa-rasa
I. Definition
II. Ālambana
A. Āśraya:
1. Tapasvī-śānta-bhaktas
2. Āśrita-dāsya-bhaktas
B. Viṣaya:
1. Material body
III. Anubhāvas and Sāttvika-bhāvas
IV. Vyabhicāri-bhāvas
V. Sthāyi-bhāva: jugupsā-rati
A. Viveka-ja: from philosophical contemplation
B. Prāyikī: from impure items
The uddīpanas for bhayānaka-rasa are frowns and other threats in the objects of fear. The anubhāvas are drying of the face, heaving breathing, looking backwards, hiding oneself, becoming unsteady, looking for shelter, and shouting. All the sāttvika-bhāvas except tears appear in bhayānaka-rasa.
Purport
In the ecstasy of devotional service in dread, the unconstitutional symptoms are drying up of the mouth, exuberance, glancing behind oneself, concealing oneself, bewilderment, searching after the endangered lovable object and crying very loudly.
4.7 The Seventh Wave
Concerning
Bībhatsa-bhakti-rasa
In the Northern Section of Bhakti-rasāmṛta-sindhu
Outline of Bībhatsa-rasa
I. Definition
II. Ālambana
A. Āśraya:
1. Tapasvī-śānta-bhaktas
2. Āśrita-dāsya-bhaktas
B. Viṣaya:
1. Material body
III. Anubhāvas and Sāttvika-bhāvas
IV. Vyabhicāri-bhāvas
V. Sthāyi-bhāva: jugupsā-rati
A. Viveka-ja: from philosophical contemplation
B. Prāyikī: from impure items
bhīṣaṇebhyaś ca tatra syād bahudhaivāparādhitā ||12||
The sthāyi-bhāva of bhayānaka-rasa is bhaya-rati. Bhaya-rati arises from offenses and fearful persons. There are many types of offenses.
Purport
In all such circumstances the ecstatic dread is the steady or constant factor. Such dread is caused either by offenses committed or by dreadful circumstances. Offenses may be committed in varieties of ways, and the dread is felt by the person who has committed the offense.
ākṛtyā ye prakṛtyā ye ye prabhāveṇa bhīṣaṇāḥ ||13||
etad-ālambanā bhītiḥ kevala-prema-śāliṣu |
nārī-bālādiṣu tathā prāyeṇātropajāyate ||14||
This bhaya-rati or fear does not appear in any persons except the devotees. Fear arising from the fearful forms, qualities and powers generally arises in women and small children out of pure prema for Kṛṣṇa.
Purport
When dread is caused by a fearful object, this fearful object is generally a person who is fearsome in his features, nature and influence.
ākṛtyā ye prakṛtyā ye ye prabhāveṇa bhīṣaṇāḥ ||13||
etad-ālambanā bhītiḥ kevala-prema-śāliṣu |
nārī-bālādiṣu tathā prāyeṇātropajāyate ||14||
This bhaya-rati or fear does not appear in any persons except the devotees. Fear arising from the fearful forms, qualities and powers generally arises in women and small children out of pure prema for Kṛṣṇa.
Purport
When dread is caused by a fearful object, this fearful object is generally a person who is fearsome in his features, nature and influence.
bhīṣaṇās tu prabhāveṇa surendra-giriśādayaḥ ||15||
Persons like Pūtanā are fearful in form. The wicked kings are fearful by their natures, and the devatās such as Indra and Śiva are fearful because of their powers.
Purport
An example of an object which caused ecstatic dread is the Pūtanā witch. Dread may be caused by mischievous demoniac characters, such as King Kaṁsa, and it may be caused by great powerful demigods, such as Indra or Śaṅkara.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Duṣṭa-bhū-bhujaḥ (evil kings) refers to persons such as Śiśupāla.
Though the demons such as Kaṁsa are extremely fearful of the Lord at all times, because this fear is devoid of rati, they are not āśrayas for bhayānaka-rasa. Thus ends the Sixth Wave concerning bhayānaka-bhakti-rasa, in the Northern Section of Bhakti-rasāmṛta-sindhu.
Purport
Demons like Kaṁsa feared Kṛṣṇa, but their feelings cannot be described as ecstatic dread in devotional service.