In this second division of Bhakti-rasāmṛta-sindhu the author offers his respectful obeisances unto “Sanātana.” This Sanātana can be interpreted as either Śrī Kṛṣṇa Himself or as Sanātana Gosvāmī, the elder brother and spiritual master of Rūpa Gosvāmī. In the case where “Sanātana” is accepted to mean Śrī Kṛṣṇa, the obeisances are offered to Kṛṣṇa because He is naturally so beautiful and because He is the killer of the demon Agha. If it is interpreted to mean Sanātana Gosvāmī, then it is because he is so greatly favored by Rūpa Gosvāmī, being always served by him, and because he is the annihilator of all kinds of sinful activities. In this division of Bhakti-rasāmṛta-sindhu the author wants to describe the general symptoms of the transcendental mellow (loving mood) of discharging devotional service.
Bhakti-rasāmṛta-sindhu · BRS 2.1.1 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
prabalam ananya-śrayiṇā niṣevitaḥ sahaja-rūpeṇa |
agha-damano mathurāyāṁ sadā sanātana-tanur jayati ||1||
May the eternal form of Kṛṣṇa, killer of Aghāsura, served strongly by His natural beauty, which is attractive even without ornaments, and which is non-different from His very self, remain with all attractive features eternally in the district of Mathurā. Second Meaning: May Sanātana Gosvāmī, who conquers all sins and is served with devotion by his younger brother Rūpa, who has taken shelter of him alone, remain eternally in Mathurā district.
Bhakti-rasāmṛta-sindhu · BRS 2.1.2 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
rasāmṛtābdher bhāge ’smin dvitīye dakṣiṇābhidhe |
sāmānya-bhagavad-bhakti-rasas tāvad udīryate ||2||
The second part of the sweet ocean of rasa is called the Southern Section. It describes the general rasas within devotion to the Lord.
Bhakti-rasāmṛta-sindhu · BRS 2.1.3 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
asya pañca-laharyaḥ syur vibhāvākhyāgrimā matā |
dvitīyā tv anubhāvākhyā tṛtīyā sāttvikābhidhā |
vyabhicāry-abhidhā turyā sthāyi-saṁjñā ca pañcamī ||3||
There are five waves or chapters in this Southern Section of the ocean. The first deals with vibhāva; the second with anubhāva; the third with sāttvika-bhāva; the fourth with vyabhicāri-bhāva; and the fifth with sthāyi-bhāva.
Bhakti-rasāmṛta-sindhu · BRS 2.1.4 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
athāsyāḥ keśava-rater lakṣitāyā nigadyate |
sāmagrī-paripoṣeṇa paramā rasa-rūpatā ||4||
The Southern Section describes how rati (bhāva) for the Lord (sthāyi-bhāva), which has been described previously, takes on the form of the highest rasa through nourishment by the ingredients of vibhāva, anubhāva, sāttvika-bhāva and vyabhicāri-bhāva.
Bhakti-rasāmṛta-sindhu · BRS 2.1.5 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
vibhāvair anubhāvaiś ca sāttvikair vyabhicāribhiḥ |
svādyatvaṁ hṛdi bhaktānām ānītā śravaṇādibhiḥ |
eṣā kṛṣṇa-ratiḥ sthāyi-bhāvo bhakti-raso bhavet ||5||
This rati for Kṛṣṇa, called the sthāyi-bhāva, takes on a pleasurable nature in the hearts of the devotees by the vibhāvas, anubhāvas, sāttvika-bhāvas and vyabhicāri-bhāvas, through activities such as hearing, and then becomes bhakti-rasa.
Jīva Gosvāmī · Durgama-saṅgamanī
Rati for Kṛṣṇa, the sthāyi-bhāva, becomes bhakti-rasa. How does this happen? The sthāyi-bhāva, taking on a relishable nature on being nourished in an amazing manner through hearing and other actions, becomes bhakti-rasa by means of the anubhāvas, vibhāvas, sāttvika-bhāvas and vyabhicāri-bhāvas. Rati is an inclusive term, indicating as well prema, praṇaya and other stages up to mahā-bhāva. That is because of rati’s extraordinary form.
In this division of Bhakti-rasāmṛta-sindhu there are five general topics: (1) vibhāva – special symptoms or causes of ecstasy, (2) anubhāva – subsequent ecstasy, (3) sāttvika-bhāva – constitutional or existential ecstasy, (4) vyabhicārī-bhāva – aggressive ecstasy and (5) sthāyi-bhāva – fervent or continuous ecstasy.
The word rasa, used in the Bhakti-rasāmṛta-sindhu, is understood by different persons differently because the exact English equivalent is very difficult to find. But as we have seen our spiritual master translate this word rasa into “mellow,” we shall follow in his footsteps and also translate the word in that way.
The particular loving mood or attitude relished in the exchange of love with the Supreme Personality of Godhead is called rasa, or mellow. The different types of rasa, when combined together, help one to taste the mellow of devotional service in the highest degree of transcendental ecstasy. Such a position, although entirely transcendental to our experience, will be explained in this section as far as possible, following in the footsteps of Śrīla Rūpa Gosvāmī.
Without relishing some sort of mellow, or loving mood, in one’s activities, no one can continue to perform such activities. Similarly, in the transcendental life of Kṛṣṇa consciousness and devotional service there must be some mellow, or specific taste, from the service. Generally this mellow is experienced by chanting, hearing, worshiping in the temple and being engaged in the service of the Lord. So when a person feels transcendental bliss, that is called “relishing the mellow.” To be more clear, we may understand that the various feelings of happiness derived from discharging devotional service may be termed the “mellows” of devotional service.
This relishing of transcendental mellow in discharging devotional service cannot be experienced by all classes of men because this sweet loving mood is developed only from one’s previous life’s activities or by the association of unalloyed devotees. As explained above, association with pure devotees is the beginning of faith in devotional service. Only by developing such faith in the association of a pure devotee, or by having in one’s previous life executed devotional activities, can one actually relish the mellow of devotional service. In other words, this transcendental bliss is not to be enjoyed by any common man unless he is so extraordinarily fortunate as to be in association with devotees or to be continuing his previous birth’s devotional activities.
Bhakti-rasāmṛta-sindhu · BRS 2.1.6 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
prāktany ādhunikī cāsti yasya sad-bhakti-vāsanā |
eṣa bhakti-rasāsvādas tasyaiva hṛdi jāyate ||6||
The taste for bhakti-rasa arises in the heart of a person who has had experiences of pure bhakti in previous and present life.
Jīva Gosvāmī · Durgama-saṅgamanī
Even though there are impressions in this life for giving rise to rasa from the presence of rati in this life, it is necessary to seek out impressions from previous life as well to explain the occurrence of rasa. This distinction between past life experiences of rati and present life experiences of rati applies to those persons subject to disappearance (and not the nitya-siddhas). This is the rule for most cases discussed in the book. The import is that rati has to be intense for bhakti-rasa to appear.
Viśvanātha Cakravartī Ṭhākura · Bhakti-sāra-pradarśinī
Though there are recent impressions for giving rise to rati, past life impressions also are needed to give a taste of rati. Though in this life itself rati appears in persons who have surrendered to guru, performed bhakti, and destroyed all offenses, the taste for rati arises from experiences and actions in previous lives.
The gradual process of development to the stage of devotional service is explained in Śrīmad-Bhāgavatam, First Canto: “The beginning is to hear about Lord Kṛṣṇa in the association of devotees who have themselves cleansed their hearts by association. Hearing about the transcendental activities of the Lord will result in one’s feeling transcendental bliss always.” It is also explained in Bhagavad-gītā that for one who has actually come to the spiritual platform, the first symptom visible will be that he is always joyful. This joyous life is attained by one’s reaction to reading Bhagavad-gītā or Śrīmad-Bhāgavatam, or else from associating with persons who are very interested in the spiritual life of Kṛṣṇa consciousness – specifically those who have made the determination to achieve the favor of Govinda by being engaged in transcendental loving service at His lotus feet. Being encouraged by such a feeling, one who is constantly engaged in discharging the regulative principles of devotional service in such a way as to please the Supreme Personality of Godhead develops two principles of compelling force, which come under the heading of vibhāva. Thus one enjoys transcendental bliss.
Bhakti-rasāmṛta-sindhu · BRS 2.1.7 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
bhakti-nirdhūta-doṣāṇāṁ prasannojjvala-cetasām |
śrī-bhāgavata-raktānāṁ rasikāsaṅga-raṅgiṇām ||7||
jīvanī-bhūta-govinda-pāda-bhakti-sukha-śriyām |
premāntaraṅga-bhūtāni kṛtyāny evānutiṣṭhatām ||8||
bhaktānāṁ hṛdi rājantī saṁskāra-yugalojjvalā |
ratir ānanda-rūpaiva nīyamānā tu rasyatām ||9||
kṛṣṇādibhir vibhāvādyair gatair anubhavādhvani |
prauḍhānanda-camatkāra-kāṣṭhām āpadyate parām ||10||
Rati, which is the very form of ānanda, appears in the hearts of devotees who have been purified of all faults by bhakti, whose hearts have become joyful (hlādinī) and bright (saṁvit), who have developed great relish for the Bhāgavatam and for the association of others who have taste for Kṛṣṇa, whose life and soul becomes the profound happiness of devotion at the feet of Govinda, and who have become absorbed in actions such as kīrtana, imbued with the Lord’s mercy. This rati, strengthened by past and present life impressions of bhakti, then attains a state of relish by realizing vibhāva, anubhāva, sāttvika-bhāva and vyabhicāri-bhāva in relation to Kṛṣṇa, and finally attains the highest, astonishing peak of profound bliss.
Jīva Gosvāmī · Durgama-saṅgamanī
Four verses explain the role of sādhana, the assisting factors, and the way in which rasa appears. The description of sādhana ends with the eighth verse. The assisting factors are the two saṁskāras, past and present life impressions of bhakti, mentioned after that (saṁskāra-yugalojjvalā). The way in which rasa develops is explained starting from the second half of verse nine (nīyamānā tu rasyatām).
After being purified of all faults, a person becomes eligible for the appearance of śuddha-sattva-viśeṣa (hlādinī), indicated by the word prasanna (joyous). By that, he becomes equipped with all knowledge (saṁvit), indicated by the word ujjvala (bright). Gatair anubhavādhvani (within the path of spiritual realization) means that the ingredients of rasa such as vibhāva are dependent only on spiritual realization, not on being an expert poet, as is the case with material rasa.
Bhakti-rasāmṛta-sindhu · BRS 2.1.8 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
bhakti-nirdhūta-doṣāṇāṁ prasannojjvala-cetasām |
śrī-bhāgavata-raktānāṁ rasikāsaṅga-raṅgiṇām ||7||
jīvanī-bhūta-govinda-pāda-bhakti-sukha-śriyām |
premāntaraṅga-bhūtāni kṛtyāny evānutiṣṭhatām ||8||
bhaktānāṁ hṛdi rājantī saṁskāra-yugalojjvalā |
ratir ānanda-rūpaiva nīyamānā tu rasyatām ||9||
kṛṣṇādibhir vibhāvādyair gatair anubhavādhvani |
prauḍhānanda-camatkāra-kāṣṭhām āpadyate parām ||10||
Rati, which is the very form of ānanda, appears in the hearts of devotees who have been purified of all faults by bhakti, whose hearts have become joyful (hlādinī) and bright (saṁvit), who have developed great relish for the Bhāgavatam and for the association of others who have taste for Kṛṣṇa, whose life and soul becomes the profound happiness of devotion at the feet of Govinda, and who have become absorbed in actions such as kīrtana, imbued with the Lord’s mercy. This rati, strengthened by past and present life impressions of bhakti, then attains a state of relish by realizing vibhāva, anubhāva, sāttvika-bhāva and vyabhicāri-bhāva in relation to Kṛṣṇa, and finally attains the highest, astonishing peak of profound bliss.
Jīva Gosvāmī · Durgama-saṅgamanī
Four verses explain the role of sādhana, the assisting factors, and the way in which rasa appears. The description of sādhana ends with the eighth verse. The assisting factors are the two saṁskāras, past and present life impressions of bhakti, mentioned after that (saṁskāra-yugalojjvalā). The way in which rasa develops is explained starting from the second half of verse nine (nīyamānā tu rasyatām).
After being purified of all faults, a person becomes eligible for the appearance of śuddha-sattva-viśeṣa (hlādinī), indicated by the word prasanna (joyous). By that, he becomes equipped with all knowledge (saṁvit), indicated by the word ujjvala (bright). Gatair anubhavādhvani (within the path of spiritual realization) means that the ingredients of rasa such as vibhāva are dependent only on spiritual realization, not on being an expert poet, as is the case with material rasa.
Bhakti-rasāmṛta-sindhu · BRS 2.1.9 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
bhakti-nirdhūta-doṣāṇāṁ prasannojjvala-cetasām |
śrī-bhāgavata-raktānāṁ rasikāsaṅga-raṅgiṇām ||7||
jīvanī-bhūta-govinda-pāda-bhakti-sukha-śriyām |
premāntaraṅga-bhūtāni kṛtyāny evānutiṣṭhatām ||8||
bhaktānāṁ hṛdi rājantī saṁskāra-yugalojjvalā |
ratir ānanda-rūpaiva nīyamānā tu rasyatām ||9||
kṛṣṇādibhir vibhāvādyair gatair anubhavādhvani |
prauḍhānanda-camatkāra-kāṣṭhām āpadyate parām ||10||
Rati, which is the very form of ānanda, appears in the hearts of devotees who have been purified of all faults by bhakti, whose hearts have become joyful (hlādinī) and bright (saṁvit), who have developed great relish for the Bhāgavatam and for the association of others who have taste for Kṛṣṇa, whose life and soul becomes the profound happiness of devotion at the feet of Govinda, and who have become absorbed in actions such as kīrtana, imbued with the Lord’s mercy. This rati, strengthened by past and present life impressions of bhakti, then attains a state of relish by realizing vibhāva, anubhāva, sāttvika-bhāva and vyabhicāri-bhāva in relation to Kṛṣṇa, and finally attains the highest, astonishing peak of profound bliss.
Jīva Gosvāmī · Durgama-saṅgamanī
Four verses explain the role of sādhana, the assisting factors, and the way in which rasa appears. The description of sādhana ends with the eighth verse. The assisting factors are the two saṁskāras, past and present life impressions of bhakti, mentioned after that (saṁskāra-yugalojjvalā). The way in which rasa develops is explained starting from the second half of verse nine (nīyamānā tu rasyatām).
After being purified of all faults, a person becomes eligible for the appearance of śuddha-sattva-viśeṣa (hlādinī), indicated by the word prasanna (joyous). By that, he becomes equipped with all knowledge (saṁvit), indicated by the word ujjvala (bright). Gatair anubhavādhvani (within the path of spiritual realization) means that the ingredients of rasa such as vibhāva are dependent only on spiritual realization, not on being an expert poet, as is the case with material rasa.
Bhakti-rasāmṛta-sindhu · BRS 2.1.10 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
bhakti-nirdhūta-doṣāṇāṁ prasannojjvala-cetasām |
śrī-bhāgavata-raktānāṁ rasikāsaṅga-raṅgiṇām ||7||
jīvanī-bhūta-govinda-pāda-bhakti-sukha-śriyām |
premāntaraṅga-bhūtāni kṛtyāny evānutiṣṭhatām ||8||
bhaktānāṁ hṛdi rājantī saṁskāra-yugalojjvalā |
ratir ānanda-rūpaiva nīyamānā tu rasyatām ||9||
kṛṣṇādibhir vibhāvādyair gatair anubhavādhvani |
prauḍhānanda-camatkāra-kāṣṭhām āpadyate parām ||10||
Rati, which is the very form of ānanda, appears in the hearts of devotees who have been purified of all faults by bhakti, whose hearts have become joyful (hlādinī) and bright (saṁvit), who have developed great relish for the Bhāgavatam and for the association of others who have taste for Kṛṣṇa, whose life and soul becomes the profound happiness of devotion at the feet of Govinda, and who have become absorbed in actions such as kīrtana, imbued with the Lord’s mercy. This rati, strengthened by past and present life impressions of bhakti, then attains a state of relish by realizing vibhāva, anubhāva, sāttvika-bhāva and vyabhicāri-bhāva in relation to Kṛṣṇa, and finally attains the highest, astonishing peak of profound bliss.
Jīva Gosvāmī · Durgama-saṅgamanī
Four verses explain the role of sādhana, the assisting factors, and the way in which rasa appears. The description of sādhana ends with the eighth verse. The assisting factors are the two saṁskāras, past and present life impressions of bhakti, mentioned after that (saṁskāra-yugalojjvalā). The way in which rasa develops is explained starting from the second half of verse nine (nīyamānā tu rasyatām).
After being purified of all faults, a person becomes eligible for the appearance of śuddha-sattva-viśeṣa (hlādinī), indicated by the word prasanna (joyous). By that, he becomes equipped with all knowledge (saṁvit), indicated by the word ujjvala (bright). Gatair anubhavādhvani (within the path of spiritual realization) means that the ingredients of rasa such as vibhāva are dependent only on spiritual realization, not on being an expert poet, as is the case with material rasa.
Bhakti-rasāmṛta-sindhu · BRS 2.1.11 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
kintu premā vibhāvādyaiḥ svalpair nīto ’py aṇīyasīm |
vibhāvanādy-avasthāṁ tu sadya āsvādyatāṁ vrajet ||11||
However, prema, even becoming slightly pleasurable by a slight mixture of vibhāva and the other ingredients, quickly becomes fully tasteful.
Jīva Gosvāmī · Durgama-saṅgamanī
This verse describes the excellent nature of prema. The special quality of prema is that, attaining a slight ability to experience various tastes (aṇīyasīṁ vibhāvanādy-avasthām) by mixing with vibhāvas and other elements, prema then quickly reaches a state of excellent taste (āsvādyatām). This implies attaining the higher states such as praṇaya and sneha. [Note: Rati, increasing in intensity, becomes prema. Becoming more intense, in the case of dāsya-rasa, rati, prema, sneha and rāga manifest. In the sakhya-rasa, rati, praṇaya, prema, sneha and rāga manifest. In vatsala-rasa, rati, prema, sneha and the highest level of rāga manifest. In the case of madhura-rasa, the order is rati, prema, sneha, māna, praṇaya, rāga, anurāga and mahā-bhāva.] These are the superior forms of rati. If one attains prema alone, that prema then combines with vibhāva and the other elements, and this takes place. The order of words should be aṇīyasīm api, meaning “even attaining a slight taste.”
Viśvanātha Cakravartī Ṭhākura · Bhakti-sāra-pradarśinī
But prema, attaining a slight condition suitable for tasting (vibhāvanādy-avasthām) by a slight combination with vibhāva and the other elements, quickly attains a fully tasteful state.
There are several origins or causes for this compulsive love of Kṛṣṇa, such as Kṛṣṇa Himself, the devotees of Kṛṣṇa, and Kṛṣṇa’s playing on the flute. The effect is sometimes loving and sometimes stunted.
Bhakti-rasāmṛta-sindhu · BRS 2.1.12 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atra vibhāvādi-sāmānya-lakṣaṇam –
ye kṛṣṇa-bhakta-muralī-nādādyā hetavo rateḥ |
kārya-bhūtāḥ smitādyāś ca tathāṣṭau stabdhatādayaḥ ||12||
nirvedādyāḥ sahāyāś ca te jñeyā rasa-bhāvane |
vibhāvā anubhāvāś ca sāttvikā vyabhicāriṇaḥ ||13||
The general characteristics of the ingredients are as follows. In tasting rasa, the causes of rati such as Kṛṣṇa, His devotee, and the sound of the flute are called vibhāvas. The effects of rati, such as smiling are called anubhāvas and the eight symptoms such as being stunned are called sāttvika-bhāvas. The assistants such as self-criticism are called vyabhicāri-bhāvas.
Bhakti-rasāmṛta-sindhu · BRS 2.1.13 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atra vibhāvādi-sāmānya-lakṣaṇam –
ye kṛṣṇa-bhakta-muralī-nādādyā hetavo rateḥ |
kārya-bhūtāḥ smitādyāś ca tathāṣṭau stabdhatādayaḥ ||12||
nirvedādyāḥ sahāyāś ca te jñeyā rasa-bhāvane |
vibhāvā anubhāvāś ca sāttvikā vyabhicāriṇaḥ ||13||
The general characteristics of the ingredients are as follows. In tasting rasa, the causes of rati such as Kṛṣṇa, His devotee, and the sound of the flute are called vibhāvas. The effects of rati, such as smiling are called anubhāvas and the eight symptoms such as being stunned are called sāttvika-bhāvas. The assistants such as self-criticism are called vyabhicāri-bhāvas.
There are eight transcendental symptoms found in the body during ecstasy, and all of them are possible only by a mixture of the above-mentioned five ecstatic divisions. Without some mixture of these five ecstatic principles, one cannot relish transcendental bliss. The cause or basis for relishing transcendental mellow is exactly what we mean by vibhāva. This vibhāva is divided into two – namely, basic and impelling, or impetus-giving. In the Agni Purāṇa the description of vibhāva is given as follows: “The basis from which ecstatic love is born is called vibhāva, which is divided into two – basic and impelling.” In other words, there are two kinds of ecstatic love. The object of basic ecstatic love is Kṛṣṇa and His devotee. Lord Kṛṣṇa is the object of basic ecstatic love, and His pure devotee, a reservoir of such love, is the object of impelling ecstatic love. Impelling ecstatic love, then, is that love which develops when one sees an object that reminds him of Kṛṣṇa.
Bhakti-rasāmṛta-sindhu · BRS 2.1.14 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tatra vibhāva –
tatra jñeyā vibhāvās tu raty-āsvādana-hetavaḥ |
te dvidhālambanā eke tathaivoddīpanāḥ pare ||14||
In rasa, the vibhāvas should be known as the causes of relishing rati. They take the form of support (ālambana) of two types and stimuli (uddīpana).
Jīva Gosvāmī · Durgama-saṅgamanī
The heading tatra vibhāvāḥ indicates that in rasa now vibhāvas will be described. (This will be the subject of the chapter.) Why? Verse 14 gives the reason. The causes of tasting rati should be known (jñeyā). These are explained in the next line of the verse as the person who is the object of love (viṣaya), the subject experiencing the love (āśraya), and the stimuli awakening the rasa (uddīpana).
Bhakti-rasāmṛta-sindhu · BRS 2.1.15 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tad uktam agni-purāṇe (alaṅkāra section, 3.35) –vibhāvyate hi raty-ādir yatra yena vibhāvyate |
vibhāvo nāma sa dvedhālambanoddīpanātmakaḥ ||15||
This is mentioned in the Agni Purāṇa (Alaṅkāra section, 3.35): Vibhāva refers to the two types of ālambana--the person in relation to whom the rati and other elements are experienced (viṣaya), the person in whom the rati and other elements are experienced (āśraya) and to uddīpana, the stimuli by which rati is experienced.
Viśvanātha Cakravartī Ṭhākura · Bhakti-sāra-pradarśinī
The devotees and the Lord in relation to whom rati is tasted (yatra vibhāvyate) are called the ālambana-vibhāva. Those elements by which rati is tasted (yena vibhāvyate) are called uddīpana-vibhāva.
Bhakti-rasāmṛta-sindhu · BRS 2.1.16 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tatra ālambanāḥ –
kṛṣṇaś ca kṛṣṇa-bhaktāś ca budhair ālambanā matāḥ |
raty-āder viṣayatvena tathādhāratayāpi ca ||16||
Ālambanas are described as follows: The wise consider the ālambanas to be Kṛṣṇa, as the object of love experienced in rati, and His devotees, as the experiencer (subject) of rati (the five major and seven secondary sthāyi-bhāvas).
Jīva Gosvāmī · Durgama-saṅgamanī
This verse distinguished the ālambana as Kṛṣṇa and His devotees. The object which inspires rati is called the viṣaya. That is Kṛṣṇa alone in this context. The ādhāra (container) is the foundation of the experience of rati, the person qualified to experience rati. Consequently, it refers to devotees--the highly affectionate devotees, even if they are recent devotees (not nitya-siddha). It also refers to the associates eternally situated in the Lord’s pastimes (nitya-siddha), the embodiments of profound rasa, who will be defined later in the text.
According to other opinions, there is an alternative to being the āśraya. That rati which prominently distinguishes object (viṣaya) and subject (āśraya) takes place in persons other than the eternal associates of the Lord in His pastimes. However, even among the associates in the Lord’s pastimes, the distinction of āśraya and viṣaya takes place in all except the most intimate associates. For these most intimate among the intimate associates, there is no distinction of āśraya and viṣaya. In that case, only Kṛṣṇa as ālambana is prominent.
Raty-ādeḥ (rati and other items) means the main sthāyi-bhāvas (five) and the seven secondary ones such as hāsa (humor), which will be explained later. The rati experienced within a person will be that which is being cultivated by the experiencer, and should not be dissimilar. It would be considered different if it were not related to the internal inclinations (saṁskāra) of the experiencer. If it is dissimilar but is not contradictory to his natural inclination in rati, that type of rati acts as a stimulus (uddīpana) (being observed by him in others) but the person does not directly act as the ālambana by directly experiencing that dissimilar rati. In what manner a person becomes the shelter of contradictory rati will be explained later in the text. [Note: This is explained in the Northern Section, in the chapter dealing with friendly and inimical rasas (4.8).]
Lord Kṛṣṇa, who is the possessor of inconceivable potencies and qualities of transcendental knowledge and bliss, is the basic cause of ecstatic love. Lord Kṛṣṇa also becomes the reservoir (impetus) of ecstatic love by His different incarnations and expansions. In Śrīmad-Bhāgavatam there is a statement in connection with the brahma-vimohana-līlā which demonstrates something of this impelling or impetus-giving feature of ecstatic love. When Brahmā was deluded by Kṛṣṇa, who expanded Himself into so many cowherd boys, calves and cows, Kṛṣṇa’s elder brother, Śrī Baladeva (a direct expansion of Kṛṣṇa Himself), felt astonishment and said, “How wonderful it is that My ecstatic love for Kṛṣṇa is again being attracted to so many cowherd boys, calves and cows!” He was struck with wonder by thinking in this way. This is one of the examples in which Kṛṣṇa Himself becomes the object and reservoir of ecstatic love in the impelling aspect.
Bhakti-rasāmṛta-sindhu · BRS 2.1.17 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tatra śrī-kṛṣṇaḥ –
nāyakānāṁ śiro-ratnaṁ kṛṣṇas tu bhagavān svayam |
yatra nityatayā sarve virājante mahā-guṇāḥ |
so ’nyarūpa-svarūpābhyām asminn ālambano mataḥ ||17||
Now Kṛṣṇa as the object of rati is discussed: Kṛṣṇa, Svayam Bhagavān, is the crest jewel of heroes, in whom all great qualities shine eternally. He is considered the ālambana or support for rati (viṣaya) through His svarūpa and through other forms that He may assume.
Bhakti-rasāmṛta-sindhu · BRS 2.1.18 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
anyarūpeṇa, yathā –
hanta me katham udeti sa-vatse, vatsa-pāla-paṭale ratir atra |
ity aniścita-matir baladevo vismaya-stimita-mūrtir ivāsīt ||18||
The “other forms” are now explained as follows: “How is it that I have developed rati for the calves and the cowherd boys similar to my rati for Kṛṣṇa?” In this way Balarāma with indecision remained struck with wonder.
Jīva Gosvāmī · Durgama-saṅgamanī
How has Balarāma’s rati for Kṛṣṇa arisen in relation to the calves and cowherd boys? [Note: In this example the object of affection or rati is still Kṛṣṇa but in the form of the calves and cowherd boys.] Stimita means stunned. Iva is used as an ornament of speech (and does mean “somewhat astonished.”)