The particular type of ecstatic loving sentiment that develops within the heart of a particular devotee is considered to be vibhāva. And the resultant manifestations such as moving of the eyebrows, fear, astonishment and smiling, which have been explained hereinbefore, are called anubhāva. The different causes for developing anubhāva and vibhāva are called steady ecstasy, or sañcāri-bhāva.
Bhakti-rasāmṛta-sindhu · BRS 2.5.87 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
rates tu tat-tad-āsvāda-viśeṣāyātiyogyatām |
vibhāvayanti kurvantīty uktā dhīrair vibhāvakāḥ ||87||
Those conditions which cause (vibhāvayanti) rati (relationship of love) to become very suitable for relishing particular tastes are called vibhāva (excitants) by the wise.
Jīva Gosvāmī · Durgama-saṅgamanī
These are special definitions of what was already explained, to make the point clear. By using the word vibhāvayanti, the author explains the origin of the word vibhāva. Those elements which cause (vibhāvayanti) rati to become most suitable for relishing the various tastes are called vibhāvas. The following verses similarly explain the other elements of rasa.
Bhakti-rasāmṛta-sindhu · BRS 2.5.88 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tāṁ cānubhāvayanty antas tanvanty āsvāda-nirbharām |
ity uktā anubhāvās te kaṭākṣādyāḥ sa-sāttvikāḥ ||88||
Those elements such as glancing, accompanied by the sāttvika-bhāvas, which produce fullness of the rati produced by the vibhāva--in other words, which spread within the mind an additional relish (anubhāvayanti)--are called anubhāvas.
Jīva Gosvāmī · Durgama-saṅgamanī
Those elements which further relish (anubhāvayanti) that rati produced by vibhāva (tām), in other words, which produce (tanvanti) fullness of taste (āsvāda-nirbharām) within the mind (antaḥ) are called anubhāvas. The taste becomes full because of the full expression of one’s rati.
Bhakti-rasāmṛta-sindhu · BRS 2.5.89 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
sañcārayanti vaicitrīṁ nayante tāṁ tathā-vidhām |
ye nirvedādayo bhāvās te tu sañcāriṇo matāḥ ||89||
Those mental conditions such as nirveda (self-deprecation) which produce further variety in the rati (sañcārayanti) induced by the vibhāvas and made more enjoyable by the anubhāvas, are called sañcāri-bhāvas or vyabhicāri-bhāvas.
Jīva Gosvāmī · Durgama-saṅgamanī
Tathā-vidhām means rati which has become tasty through the vibhāvas and the anubhāvas.
Whenever there is a recitation of poetry or a dramatic play on the different pastimes of Kṛṣṇa, the audience develops different kinds of transcendental loving service for the Lord. They enjoy different types of vibhāva, anubhāva and sañcāri-bhāva.
Bhakti-rasāmṛta-sindhu · BRS 2.5.90 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
eteṣāṁ tu tathā-bhāve bhagavat-kāvya-nāṭyayoḥ |
sevām āhuḥ paraṁ hetuṁ kecit tat-pakṣa-rāgiṇaḥ ||90||
Those attracted to poetics say that hearing skillful poetry related to the Lord and seeing literary dramas related to the Lord are the main causes for realizing the nature of all these elements in the devotee and Lord.
Jīva Gosvāmī · Durgama-saṅgamanī
Tathā-bhāve means the nature of vibhāva and the other elements of rasa.
No one, while remaining on the material platform, should discuss these different descriptions of bhāva and anubhāva by quoting different statements of transcendental literatures. Such manifestations are displays of the transcendental pleasure potency of the Lord. One should simply try to understand that on the spiritual platform there are many varieties of reciprocal love. Such loving exchanges should never be considered to be material. In the Mahābhārata, Udyama-parva, it is warned that things that are inconceivable should not be subjected to arguments. Actually, the transactions of the spiritual world are inconceivable to us in our present state of life. Great liberated souls like Rūpa Gosvāmī and others have tried to give us some hints of transcendental activities in the spiritual world, but on the whole these transactions will remain inconceivable to us at the present moment. Understanding the exchanges of transcendental loving service with Kṛṣṇa is possible only when one is actually in touch with the pleasure potency of the Supreme Lord.
Bhakti-rasāmṛta-sindhu · BRS 2.5.91 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
kintu tatra sudustarka-mādhuryādbhuta-sampadaḥ |
rater asyāḥ prabhāvo ’yaṁ bhavet kāraṇam uttamam ||91||
However, the ultimate cause of understanding these elements is the influence of rati directed to the Lord, which is inconceivable, sweet, and most astonishing.
Jīva Gosvāmī · Durgama-saṅgamanī
Asyāḥ rateḥ means “that rati related to the Lord.” The power or splendor (ayam prabhāvaḥ) of rati related to the Lord (as inconceivable, sweet and most astonishing), which is explained in this work, is the ultimate cause of understanding it.
Bhakti-rasāmṛta-sindhu · BRS 2.5.92 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
mahā-śakti-vilāsātmā bhāvo ’cintya-svarūpa-bhāk |
raty-ākhyā ity ayaṁ yukto na hi tarkeṇa bādhitum |
bhāratādy-uktir eṣā hi prāktanair apy udāhṛtā ||92||
The ancient authorities have given the following statement from Mahābhārata as an example to show that rati, which is the manifestation of the hlādinī śakti, which is beyond the conceivable--deriding even liberation and giving joy to the Lord Himself--should not be defiled by material logic.
Jīva Gosvāmī · Durgama-saṅgamanī
“What was described here may not produce rasa, even if composed with good poetic ornaments. How much less it will produce rasa if it lacks good poetic composition. Therefore, good poetic qualities are of value.” To defeat this argument, the present verse is given. Mahā-śakti-vilāsātmā means that it manifests from the hlādinī śakti. Therefore, its very nature is inconceivable (acintya-svarūpa-bhāk), in the sense that it surpasses the bliss of liberation and gives bliss even to the Lord Himself. It cannot be analyzed through material logic. However, it is acceptable to comprehend it through perception which is in line with the devotional scriptures. The reason why logic defiles rasa is explained in the statement from the Mahābhārata (verse 93), which has been quoted by the ancient authorities. “Ancient authorities” (prāktanaiḥ) means “knowers of scripture” such as the writer of the Śārīraka-bhāṣya (Śaṅkara’s commentary on the Vedānta-sūtras). Scriptural evidences are as follows:
evaṁ-vrataḥ sva-priya-nāma-kīrtyā
jātānurāgo druta-citta uccaiḥ
hasaty atho roditi rauti gāyaty
unmāda-van nṛtyati loka-bāhyaḥ
By chanting the holy name of the Supreme Lord, one comes to the stage of love of Godhead. Then the devotee is fixed in his vow as an eternal servant of the Lord, and he gradually becomes very much attached to a particular name and form of the Supreme Personality of Godhead. As his heart melts with ecstatic love, he laughs very loudly or cries or shouts. Sometimes he sings and dances like a madman, for he is indifferent to public opinion. SB 11.2.40
kvacid rudanty acyuta-cintayā kvacid
dhasanti nandanti vadanty alaukikāḥ
nṛtyanti gāyanty anuśīlayanty ajaṁ
bhavanti tūṣṇīṁ param etya nirvṛtāḥ
Having achieved love of Godhead, the devotees sometimes cry out loud, absorbed in thought of the infallible Lord. Sometimes they laugh, feel great pleasure, speak out loud to the Lord, dance or sing. Such devotees, having transcended material, conditioned life, sometimes imitate the unborn Supreme by acting out His pastimes. And sometimes, achieving His personal audience, they remain peaceful and silent. SB 11.3.32
Bhakti-rasāmṛta-sindhu · BRS 2.5.93 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathoktam udyama-parvaṇi –
acintyāḥ khalu ye bhāvā na tāṁs tarkeṇa yojayet
prakṛtibhyaḥ paraṁ yac ca tad acintyasya lakṣaṇam ||93||
Thus the Mahābhārata, Udyama-parva says: One should not analyze the inconceivable bhāvas by material logic. Those bhāvas which are beyond the material realm are said to be inconceivable.
Bhakti-rasāmṛta-sindhu · BRS 2.5.94 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
vibhāvatādīn ānīya kṛṣṇādīn mañjulā ratiḥ |
etair eva tathā bhūtaiḥ svaṁ saṁvardhayati sphuṭam ||94||
Attractive rati, making Kṛṣṇa and other things into vibhāva and the other elements, clearly increases itself by these elements.
Jīva Gosvāmī · Durgama-saṅgamanī
The power or influence of rati is here described. The word dharmān should be understood after vibhāvatādīn. Thus meaning of the phrase is “Attractive rati, making Kṛṣṇa and the devotee take on the role of vibhāva (viṣaya, uddīpana and āśraya), clearly increases itself by these elements which have attained the status of vibhāvas and have produced anubhāvas, sāttvika-bhāvas and vyabhicāri-bhāvas.” [Note: Rati or the sthāyi-bhāva, a permanent relationship of love, is the cause of Kṛṣṇa being the vibhāva and the devotee being the āśraya. This then produces anubhāvas, sāttvika-bhāvas and vyabhicāri-bhāvas. This combination is called rasa. This rasa or bliss increases the rati, the attraction for Kṛṣṇa, even more.]
In this connection Śrī Rūpa Gosvāmī gives an example of the clouds in the sky. The clouds in the sky arise from the ocean, and when the clouds become water again and fall to the ground, they glide back to the ocean. Thus the pleasure potency of Kṛṣṇa is compared to the ocean. The pure devotee is the pleasure-possessing cloud, and when he is filled with transcendental loving service, then he can bestow his mercy as a downpour of rain – and the pleasure potency returns to the ocean of Kṛṣṇa.
Bhakti-rasāmṛta-sindhu · BRS 2.5.95 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
yathā svair eva salilaiḥ paripūrya balāhakān |
ratnālayo bhavaty ebhir vṛṣṭais tair eva vāridhiḥ ||95||
It is similar to the ocean which, nourishing the clouds by its water, nourishes itself by rain coming from the clouds.
Bhakti-rasāmṛta-sindhu · BRS 2.5.96 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
nave raty-aṅkure jāte hari-bhaktasya kasyacit |
vibhāvatvādi-hetutvaṁ kiñcit tat kāvya-nāṭyayoḥ ||96||
When the enjoyer of poetic works newly develops a sprout of rati, those poetic works become somewhat of a cause for realizing vibhāva and the other elements.
Jīva Gosvāmī · Durgama-saṅgamanī
“Then poetic works are useless for developing rati.” This verse answers the doubt. If a new sprout of rati appears in a person who is knowledgeable of poetic works (hari-bhaktasya), then poetry or drama concerning the Lord become somewhat of a cause for realizing vibhāva and the other elements. The genitive case has the sense of locative (“in a person” instead of “belonging to a person”). It may be said that poetic works are one type of cause for a person who has already developed rati, but they are not a cause for a person who has not already developed rati.
Bhakti-rasāmṛta-sindhu · BRS 2.5.97 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
harer īṣac-chruti-vidhau rasāsvādaḥ satāṁ bhavet |
rater eva prabhāvo ’yaṁ hetus teṣāṁ tathākṛtau ||97||
The devotees develop a taste for rasa simply by a little hearing about the Lord. In these acts of hearing, the strength of rati causes realization of vibhāva and the other elements.
Jīva Gosvāmī · Durgama-saṅgamanī
“So, is there then no necessity of relishing poetic works for realizing these bhāvas?” This verse answers. The taste will develop simply by a little hearing. Joy and sorrow arise invariably in people who are capable of experiencing joy and sorrow. Poetry and drama are easily appreciated by all. Spiritual taste with deep realization can thus arise through poetry and drama. There are famous examples, such as Hanumān constantly hearing Rāmāyaṇa, Parīkṣit’s testimony, and the expression of desires of the women of Vraja.
naiṣātiduḥsahā kṣun māṁ tyaktodam api bādhate
pibantaṁ tvan-mukhāmbhoja-cyutaṁ hari-kathāmṛtam
Because of my vow on the verge of death, I have given up even drinking water, yet because I am drinking the nectar of topics about Kṛṣṇa, which is flowing from the lotus mouth of Your Lordship, my hunger and thirst, which are extremely difficult to bear, cannot hinder me. SB 10.1.13
tava kathāmṛtaṁ tapta-jīvanaṁ
kavibhir īḍitaṁ kalmaṣāpaham
śravaṇa-maṅgalaṁ śrīmad ātataṁ
bhuvi gṛṇanti ye bhūri-dā janāḥ
The nectar of Your words and the descriptions of Your activities are the life and soul of those suffering in this material world. These narrations, transmitted by learned sages, eradicate one’s sinful reactions and bestow good fortune upon whoever hears them. These narrations are broadcast all over the world and are filled with spiritual power. Certainly those who spread the message of Godhead are most munificent. SB 10.31.9
“Then, without hearing poetic works, one cannot develop realization of the elements of rasa?” The answer is given. Among the causes, the strength of rati previously described is the real cause of attaining realization of vibhāva and other elements (tathākṛtau).
Bhakti-rasāmṛta-sindhu · BRS 2.5.98 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
mādhuryādy-āśrayatvena kṛṣṇādīṁs tanute ratiḥ |
tathānubhūyamānās te vistīrṇāṁ kurvate ratim ||98||
Rati reveals Kṛṣṇa and things related to Him as the shelter of qualities (such as sweetness), and Kṛṣṇa, after being experienced in that way, increases the rati.
Jīva Gosvāmī · Durgama-saṅgamanī
The word tanute means “reveals.”
DIRECT AND INDIRECT ATTRACTION FOR KṚṢṆA
Transcendental pleasure derived from devotional service can be divided into two groups: direct devotional service and indirect devotional service. Direct devotional service is divided into five transcendental humors or flavors, and indirect devotional service is divided into seven transcendental humors. Direct devotional services are as follows: neutrality, servitude, fraternity, and parental and conjugal love. Indirect devotional service is divided into laughter, compassion, anger, chivalry, dread, astonishment and ghastliness. Devotional service can therefore be divided into twelve types, each of which has a different color. The colors are white, multicolored, orange, red, light green, gray, yellow, off-whitish, smoky, pink, black and cloudy. The twelve different kinds of transcendental humors are controlled by different incarnations of God, such as Kapila, Mādhava, Upendra, Nṛsiṁha, Nanda-nandana, Balarāma, Kūrma, Kalki, Rāghava, Bhārgava, Varāha and Matsya.
Bhakti-rasāmṛta-sindhu · BRS 2.5.113 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
pūrvam uktād dvidhā bhedān mukhya-gauṇatayā rateḥ |
bhaved bhakti-raso ’py eṣa mukhya-gauṇatayā dvidhā ||113||
It has previously been stated that rati has two types: primary and secondary. Therefore, rasa also has primary and secondary types.
Bhakti-rasāmṛta-sindhu · BRS 2.5.114 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
pañcadhāpi rater aikyān mukhyas tv eka ihoditaḥ |
saptadhātra tathā gauṇa iti bhakti-raso ’ṣṭadhā ||114||
Though there are five types of primary rati, only one is considered since only one is manifested as most prominent in an individual devotee. The one primary rati combines with the seven secondary ratis to form eight ratis, which produce eight rasas (for one person).
Bhakti-rasāmṛta-sindhu · BRS 2.5.115 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tatra mukhyaḥ –
mukhyas tu pañcadhā śāntaḥ prītaḥ preyāṁś ca vatsalaḥ |
madhuraś cety amī jñeyā yathā-pūrvam anuttamāḥ ||115||
Mukhya-rasa (Primary Rasa): The primary bhakti-rasas are five: śānta, prīti, preyo, vatsala and madhura. The order of excellence is from first to last.
Jīva Gosvāmī · Durgama-saṅgamanī
Anuttamāḥ here means inferior. The previous ones are progressively inferior.
Bhakti-rasāmṛta-sindhu · BRS 2.5.116 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
atha gauṇaḥ –
hāsyo ’dbhutas tathā vīraḥ karuṇo raudra ity api |
bhayānakaḥ sa bībhatsa iti gauṇaś ca saptadhā ||116||
Gauṇa-rasa (Secondary Rasa): There are seven secondary rasas: hāsya (humor), adbhuta (astonishment), vīra (enthusiasm), karuṇa (lamentation), raudra (anger), bhayānaka (fear) and bībhatsa (disgust).
Bhakti-rasāmṛta-sindhu · BRS 2.5.117 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
evaṁ bhakti-raso bhedād dvayor dvādaśadhocyate |
vastutas tu purāṇādau pañcadhaiva vilokyate ||117||
Thus there are a total of twelve primary and secondary rasas, but in the Purāṇas only five are mentioned.
Jīva Gosvāmī · Durgama-saṅgamanī
The seven secondary rasas are considered in the Purāṇas to be vyabhicāri-bhāvas. [Note: This is also the authors view, mentioned in 4.7.14.]
Bhakti-rasāmṛta-sindhu · BRS 2.5.118 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
śvetaś citro ’ruṇaḥ śoṇaḥ śyāmaḥ pāṇḍura-piṅgalau |
gauro dhūmras tathā raktaḥ kālo nītaḥ kramād amī ||118||
The twelve rasas have twelve colors as follows: white (śānta), multi-colored (prīti), orange (preyān or sakhya), [Note: Aruṇa (color of the dawn) could also be pink.] crimson (vatsala), indigo (madhura), light yellow (hāsya), yellow or green (adbhuta), [Note: Bharata Muni gives pīta or yellow for adbhuta-rasa. The word used here is piṅgala which can mean yellow or green.] gold (vīra), [Note: Gaura can mean gold, white, yellow or red as well, but white, yellow and red have been used for other rasas.] purple (karuṇa), red (raudra), black (bhayānaka) and blue (bībhatsa).
Jīva Gosvāmī · Durgama-saṅgamanī
In this verse the colors are assigned according to poetic conventions such as assigning the color white to fame. One can assign personalities (with colors) to the rasas just as personalities like Candra are assigned to personify the mind.
Bhakti-rasāmṛta-sindhu · BRS 2.5.119 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
kapilo mādhavopendrau nṛsiṁho nanda-nandanaḥ |
balaḥ kūrmas tathā kalkī rāghavo bhārgavaḥ kiriḥ |
mīna ity eṣu kathitāḥ kramād dvādaśa devatāḥ ||119||
There are twelve deities assigned to the twelve rasas as follows: Kapila (śānta), Mādhava (prīti or dāsya), [Note: Kapila can represent śānta-rasa because of His stance in meditation. Perhaps Mādhava represents dāsya-rasa because of the derivation of Mādhava as mā (Lakṣmī) and dhava (husband), meaning Nārāyaṇa. Upendra or Vāmana can represent sakhya-rasa, since He has a friendly relationship with Indra, and acts as the door keeper in Sutala for Bali. Nṛṣiṁha can represent vātsalya-rasa because of His regarding Prahlāda as His son, placing him on His lap. Kṛṣṇa naturally represents madhura-rasa. Balarāma is fond of joking and therefore suitable to represent hāsya-rasa. Kūrma represents adbhuta-rasa because of His huge and unusual but suitable form for the task at hand. Kalkī is famous for having the sword in His hand, and thus represents vīra-rasa. Rāma represents karuṇa-rasa because of His lamentation at losing Śītā. Parāśurāma destroyed the kṣatriyas out of anger, and thus is suitable to represent raudra-rasa. Varāha represents fear (bhayānaka) perhaps because He created fear in the ocean when He dove in, and had a fearful appearance covered with blood after killing Hiraṇyākṣa.] Upendra (preyān or sakhya), Nṛsiṁha (vatsala), Kṛṣṇa (madhura), Balarāma (hāsya), Kūrma (adbhuta), Kalkī (vīra), Rāma (karuṇa), Parāśurāma (raudra), Varāha (bhayānaka) and Mīna (bībhatsa).
Jīva Gosvāmī · Durgama-saṅgamanī
For the rasas related to the Lord, avatāras of the Lord are given as the presiding deities, just as forms of the Lord such Aniruddha are assigned to the moon etc. Kiri means Varāha. Sometimes Buddha is substituted for Mīna, since Mīna has a form of eternity knowledge and bliss, and it would be distasteful to assign Him to the rasa of disgust. [Note: Buddha, a śakty-aveśāvatāra, showed disgust with the material world and then went searching for the Truth.]
Sustenance, manifestation, expansion, reflection and lamentation are the five visible symptoms in exchanges of ecstatic love. The test of devotional service can therefore be made in terms of these five symptoms. In the devotional service of neutrality there is sustenance, in chivalrous devotional service there is expansion, in compassionate devotional service there is reflection, in angry devotional service there is lamentation, and so on.
Bhakti-rasāmṛta-sindhu · BRS 2.5.120 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
pūrter vikāra-vistāra-vikṣepa-kṣobhas tathā |
sarva-bhakti-rasāsvādaḥ pañcadhā parikīrtitaḥ ||120||
There are five tastes in the bhakti-rasas: pūrti, vikāśa, vistāra, vikṣepa and kṣobha.
Bhakti-rasāmṛta-sindhu · BRS 2.5.121 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
pūrtiḥ śānte vikāśas tu prītādiṣv api pañcasu |
vīre ’dbhute ca vistāro vikṣepaḥ karuṇograyoḥ |
bhayānaka ’tha bībhatse kṣobho dhīrair udāhṛtaḥ ||121||
The learned say that pūrti (satisfaction) is manifested in śānta-rasa, vikāśa (brightness) is manifest in all the rasas from prīti to hāsya, vistāra (expansion) is manifest in vīra-rasa and adbhuta-rasa, vikṣepa (distraction) is manifest in karuṇa-rasa and raudra-rasa, and kṣobha (disturbance) is manifest in bhayānaka-rasa and bībhatsa-rasa.
Jīva Gosvāmī · Durgama-saṅgamanī
Pañcasu here means the rasas from prīti to hāsya. Ugra here means raudra-rasa.
An apparently pitiable condition in devotional service may appear distressing to the inexperienced student, but the feelings of the devotee in this pitiable condition are considered to be ecstatic by expert devotees. For example, the subject matter of the Rāmāyaṇa is sometimes considered pitiable and distressing to the heart, but actually that is not the fact. The Rāmāyaṇa narrates how Lord Rāma was sent to the forest by His father just when He was going to be enthroned. After Lord Rāma’s departure, Mahārāja Daśaratha, His father, died. In the forest His wife, Sītādevī, was kidnapped by Rāvaṇa, and there was a great war. When Sītādevī was finally delivered from the clutches of Rāvaṇa, Rāvaṇa’s whole family and kingdom, and Rāvaṇa himself, were vanquished. When Sītādevī came home she was tried by fire, and after some days she was again banished to the forest. All of these subjects in the Rāmāyaṇa seem very pitiable, and they may appear very distressing to the reciter, but actually they are not. Otherwise, why would Hanumān, the great devotee of Lord Rāmacandra, read daily about the activities of Lord Rāmacandra as described in the Rāmāyaṇa itself? The fact is that in any of the above-mentioned twelve transcendental humors of devotional service, everything is transcendentally pleasing.
Bhakti-rasāmṛta-sindhu · BRS 2.5.123 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
pratīyamānā apy ajñair grāmyaiḥ sapadi duḥkhavat |
karuṇādyā rasāḥ prājñaiḥ prauḍhānanda-mayā matāḥ ||123||
Though the completely ignorant people and those with mistaken knowledge think immediately that rasas such as karuṇa are full of grief, those persons with knowledge of rasa say that these rasas are full of profound bliss.
Jīva Gosvāmī · Durgama-saṅgamanī
There are five types of people to consider: those who experience rasa (bhāvya-bhakta), those who experience the stage of bhāva (bhāvaka-bhaka), those who understand about rasa (prājña) intellectually, those who are mistaken about rasa (ajña), and those who know nothing about rasa (grāmya). Some persons have the following worry. “Bliss in rasa can be perceived in separation only to the extent that rasa has already been fixed in the person. When karuṇa, bhayānaka and bībhatsa rasas function by themselves, happiness cannot be perceived at all. Thus, for the devotees who are assistants in the Lord’s pastimes (bhāvya-bhaktas) (in whom rasa is fixed), grief is always dependent upon that rasa whose very nature is bliss. For instance, at the time of karuṇa-rasa or lamentation, sorrow is experienced because of separation from the Lord by obstacles to their hope of attaining the Lord. There is a feeling of sorrow in bhayānaka-rasa when one is afflicted by fear of obstacles to one’s aspirations to meet Him. There is feeling of sorrow in bībhatsa-rasa when one’s experience of the most charming Kṛṣṇa is obstructed by disgusting objects. However, for other devotees, those aspiring for rasa, these rasas of lamentation, fear and disgust can only be distasteful.”
This verse answers the doubt. The ignorant (ajñaiḥ) are those who, though knowledgeable of other scriptures, are not conversant with the scriptures dealing with rasa. They are not able to understand the conclusion that is understood by the devotees whose hearts are inundated with rasa. Those who cannot be distinguished from animals are called grāmyaiḥ. These two types of people immediately conclude by superficial inspection (sapadi) that these rasas give sorrow. However, the rasas of karuṇa, bhayānaka and bībhatsa which are relished by both the bhāvya and bhāvaka devotees, are considered to be full of bliss by those knowledgeable of the conclusions of the scriptures (prājñaiḥ) dealing with rasa, even though those persons cannot directly taste them.
Bhakti-rasāmṛta-sindhu · BRS 2.5.124 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
alaukika-vibhāvatvaṁ nītebhyo rati-līlayā |
sad-uktyā ca sukhaṁ tebhyaḥ syāt suvyaktam iti sthitiḥ ||124||
It is well established by the knowers of rasa that, by the speeches of the devotees and by the nature of rati itself, karuṇa, bhayanaka and bībhatsa will produce happiness, since those rasas have the nature of manifesting vibhāva (Kṛṣṇa) and other elements which produce extraordinary, astonishing bliss.
Jīva Gosvāmī · Durgama-saṅgamanī
Having condemned the ignorant and the animalistic people, the author now shows the reason for the conclusion of the knowers of rasa (prājña) concerning the production of rasa. Tebhyaḥ, referring to the three rasas, is in the plural, but actually means each one individually will produce happiness in its own way. Karuṇa-rasa becomes outstanding in separation from Kṛṣṇa, in which there are worries about danger to Kṛṣṇa, as in the following example already given in the text:
My heart did not become shattered on seeing Kṛṣṇa, dearer that a thousand lives, bound up by Kāliya. How hard my heart is! BRS 2.5.62
In separation from the Lord, the associates of the Lord experience sorrow filled with worries about danger to Kṛṣṇa, superimposed upon and arising from knowledge of separation. Though this condition exists, there is also the action of rati (rati-līlayā), whose very nature is the highest bliss. For the associates of the Lord (bhāvya-bhaktas) who are praised in poetic works, their rati is filled with hope arising from the possibility of meeting the Lord again as previously and from faith in hundreds of statements of the omniscient Lord. And for the aspiring devotees (bhāvaka-bhaktas) there are statements by devotee speakers (sad-uktyā), statements filled with auspiciousness, fully describing the befitting, original condition of union with the Lord. For the accomplished devotees, by the nature of rati filled with hope, and for the aspiring devotees, by statements of other devotees about the Lord, happiness will manifest in karuṇa-rasa, whose very nature is to manifest astonishing vibhāva and the other elements. This is the definition of rasa (sthitiḥ) given by the knowers of rasa.
Similarly, in bhayānaka-rasa, happiness is produced for the bhāvya-bhaktas by the action of rati which is filled with the certain hope that the Lord will be saved from danger, and for the bhāvaka-bhaktas by the reassuring words of devotees. Even in bībhatsa-rasa, there will be happiness for the bhāvya-bhaktas by rati’s action which produces a manifestation of Kṛṣṇa to crush the disgusting objects which have manifested, and there will be happiness in bībhatsa-rasa for the bhāvaka-bhaktas by reassuring statements about the final outcome.
Bhakti-rasāmṛta-sindhu · BRS 2.5.125 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tathā ca nāṭyādau –
karuṇādāv api rase jāyate yat paraṁ sukham |
sucetasām anubhavaḥ pramāṇaṁ tatra kevalam ||125||
This is confirmed by statements in Nātya-śāstra: The absolute proof that karuṇa and the other negative rasas produce happiness is the experience of the soft-hearted devotees.
Jīva Gosvāmī · Durgama-saṅgamanī
This verse is added from scripture to counter the objections that the above statements are only the opinion of the author.
Bhakti-rasāmṛta-sindhu · BRS 2.5.126 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
sarvatra karuṇākhyasya rasasyaivopapādanāt |
bhaved rāmāyaṇādīnām anyathā duḥkha-hetutā ||126||
If karuṇa-rasa did not give rise to happiness, then Rāmāyaṇa would be a cause of grief for the bhāvaka-bhaktas, since that and other works reveal karuṇa-rasa throughout.
Jīva Gosvāmī · Durgama-saṅgamanī
Here the author’s opinion is stated by supposing the opposite condition. Because of dealing with (upapādanāt) karuṇa-rasa in many places of each volume of the work (sarvatra), it would be a cause of distress for the aspiring devotees, bhāvaka-bhaktas.
Bhakti-rasāmṛta-sindhu · BRS 2.5.127 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
tathātve rāma-pādābja-prema-kallola-vāridhiḥ |
prītyā rāmāyaṇaṁ nityaṁ hanumān śṛṇuyāt katham ||127||
If Rāmāyaṇa is a cause of grief, why should Hanumān, who is an ocean filled with the waves of Rāma’s lotus feet, continually hear Rāmāyaṇa with pleasure?
Jīva Gosvāmī · Durgama-saṅgamanī
In this verse the author proves that there must be present a primary rasa in the bhāvaka-bhaktas by showing the impossibility of its absence. If it were absent, then there would only be grief. If it is a cause of grief (tathātve), why should Hanumān constantly hear the Rāmāyaṇa with pleasure?
Śrīla Rūpa Gosvāmī mourns in this connection for persons who are in the fire of false renunciation, the dry speculative habit, and who neglect devotional service. Persons who are attached to the ritualistic ceremonies recommended in the Vedas and to the impersonal Brahman cannot relish the transcendental pleasure of devotional service. Śrī Rūpa Gosvāmī advises, therefore, that devotees who have already tasted the nectar of devotion be very careful to protect devotional service from such dry speculators, formal ritualistic elevationists and impersonal salvationists. Devotees should protect their valuable jewel of spiritual love from the clutches of thieves and burglars. In other words, a pure devotee should not describe devotional service and its different analytical aspects to dry speculators and false renouncers.
Bhakti-rasāmṛta-sindhu · BRS 2.5.129 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
phalgu-vairāgya-nirdagdhāḥ śuṣka-jñānāś ca haitukāḥ |
mīmāṁsakā viśeṣeṇa bhaktyāsvāda-bahirmukhāḥ ||129||
Those whose bhakti has been completely burned up by false renunciation, those who are dried up jñānīs, those who are absorbed in logic and disputing, and particularly those who are mīmāṁsakas, are excluded from tasting bhakti.
Jīva Gosvāmī · Durgama-saṅgamanī
This verse elaborates on the ignorant persons previously mentioned (verse 123), who are not qualified for understanding rasa. Phalgu-vairāgya means those practicing renunciation with indifference to bhakti. Śuṣka-jñānāḥ means those practicing knowledge which is indifferent to bhakti. Haitukāḥ refers to those who are absorbed only in logic. Mīmāṁsakāḥ refers to those absorbed in pūrva-mīmāṁsa (karma) or some of those involved with uttara-mīmāṁsa (Vedānta), who insist that duality is illusory. [Note: Some followers of Vedānta are Vaiṣṇavas. They are not included among these condemned Mīmāṁsakas.] Those mentioned later in the list are more thoroughly excluded from tasting bhakti. Some of the logicians, who have studied with zeal subjects like poetic techniques, will be able to understand a little about rasa in a general way. Thus they are placed before the mīmāṁsakas. Those who are called materialistic (grāmyaiḥ) in verse 123 are equated with the false renunciates (vairāgya-nirdagdhāḥ). The dried up jñānīs, the logicians and mīmāṁsakas are equated with the ignorant (ajñāiḥ) (since they have mistaken knowledge about rasa).
Bhakti-rasāmṛta-sindhu · BRS 2.5.130 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
ity eṣa bhakti-rasikaś caurād iva mahā-nidhiḥ |
jaran-mīmāṁsakād rakṣyaḥ kṛṣṇa-bhakti-rasaḥ sadā ||130||
Just as one very carefully protects a great treasure from thieves, the devotees protect bhakti-rasa from the withered mīmāṁsakas, since they are totally unqualified for relishing bhakti.
Jīva Gosvāmī · Durgama-saṅgamanī
Since all the mīmāṁsakas are particularly devoid of tasting bhakti (indicated by the word iti), kṛṣṇa-bhakti-rasa is especially hidden from them. The verse also means that, to varying degrees, bhakti-rasa is also hidden by the devotees from the false renunciates, the dried up jñānīs and logicians. These persons are compared to thieves in order to indicate that they are excluded from bhakti-rasa just as one avoids thieves, and not to indicate that they have greed for stealing bhakti-rasa. Instead of caurād iva (from thieves) sometimes vahner iva (from fire) is seen.
Those who are not devotees can never achieve the benefits of devotional service. For them the subject of devotional service is always very difficult to understand. Only persons who have dedicated their lives unto the lotus feet of the Supreme Personality of Godhead can relish the real nectar of devotion.
Bhakti-rasāmṛta-sindhu · BRS 2.5.131 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
sarvathaiva durūho ’yam abhaktair bhagavad-rasaḥ |
tat-pādāmbuja-sarvasvair bhaktair evānurasyate ||131||
Rasa directed to the Lord is very difficult to understand for those with no devotion. Those who have dedicated themselves to the lotus feet of Bhagavān can taste bhakti-rasa.
Jīva Gosvāmī · Durgama-saṅgamanī
Bhakti-rasa can be tasted by the bhāvya and bhāvaka devotees and not by the previously mentioned knowers of rasa who have no taste (prājñas).
When one transcends the status of ecstatic love and thus becomes situated on the highest platform of pure goodness, one is understood to have cleansed the heart of all material contamination. In that pure stage of life, one can taste this nectar, and this tasting capacity is technically called rasa, or transcendental mood.
Bhakti-rasāmṛta-sindhu · BRS 2.5.132 — Śrī Rūpa Gosvāmī
the sūtra behind this passage
vyatītya bhāvanā-vartma yaś camatkāra-kāra-bhūḥ |
hṛdi sattvojjvale bāḍhaṁ svadate sa raso mataḥ ||132||
That which becomes even more intensely relished in the heart made bright with hlādinī and saṁvit śaktis (attainment of bhāva), after surpassing the stage of distinguishing the constituent bhāvas, and which becomes more astonishing in bliss than bhāva, is called rasa.
Jīva Gosvāmī · Durgama-saṅgamanī
The difference between bhāva (sthāyi-bhāva) and rasa is now described in two verses, though they are the same in one sense, since they exist as cause and effect. Sattva here refers to śuddha-sattva-viśeṣa previously described as the cause of bhāva (rati). The difference is like that between samādhi (realization) and dhyāna (meditation, by which one achieves realization).
Thus ends the Bhaktivedanta summary study of the second division of Bhakti-rasāmṛta-sindhu, in the matter of general devotional service .