Caitanya-caritāmṛta 21.105
bhūṣaṇera bhūṣaṇa aṅga, tāheṅ lalita tri-bhaṅga, tāhāra upara bhrūdhanu-nartana terache netrānta bāṇa, tāra dṛḍha sandhāna, vindhe rādhā-gopī-gaṇa-mana
[bhooshanera bhooshana anga, taahen lalita tri-bhanga, taahaara upara bhroodhanu-nartana terache netraanta baana, taara dridha sandhaana, vindhe raadhaa-gopee-gana-mana]
Blended reading (Sanskrit + English inline)
bhūṣaṇera bhūṣaṇa aṅga, tāheṅ lalita tri-bhaṅga, tāhāra upara bhrūdhanu-nartana terache netrānta bāṇa, tāra dṛḍha sandhāna, vindhe rādhā-gopī-gaṇa-mana
“Ornaments caress that body, but the transcendental body of Kṛṣṇa is so beautiful that it beautifies the ornaments He wears. Therefore Kṛṣṇa’s body is said to be the ornament of ornaments. Enhancing the wonderful beauty of Kṛṣṇa is His three-curved style of standing. Above all these beautiful features, Kṛṣṇa’s eyes dance and move obliquely, acting like arrows to pierce the minds of Śrīmatī Rādhārāṇī and the gopīs. When the arrow succeeds in hitting its target, their minds become agitated.
My note
Source: vedabase.io